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This is precisely how you are most likely to bump into a bear in the wild/forest, literally bumping into each other entirely by accident. Nothing can be hidden from a bears nose, which generally speaking is over 500 times more powerful than a bloodhounds nose, but if the wind is ripping, its easy for them to miss your presence altogether, that happens to me all the time....

... the softest, the lightest, a lizard's rustling, a breath, a flash, a moment. A little makes the way of the best happiness.”

 

Nietzsche

 

This was one of those moments.

This opal is a black opal from Australia, more precisely: the Lightning Ridge area where the best black opals on the Earth are mined.

See the large version of this photo here for the best view:

www.flickr.com/photo_zoom.gne?id=1797522628&size=l

 

The opal and it's colors are real, and not enhanced or changed with photoshop.

The only thing that I did with photoshop is changing the form of

the opal so that it looks like the title - a tear splashed on a surface.

 

And I am sorry that I had to delete the 1st photo "Opal Tear Splash" but something went wrong during the upload and it was only the very small size of it.

 

Thank you all for the comments and invites, and it is very much appreciated :)

Precisely sized at 649.5. Dry Clean Only.

The news of the attacks in Paris had profoundly saddened me. I am shocked and incredibly sad. But they are also an incentive to engage further in tolerance, respect and humanity. Precisely for this reason, it is a matter of heart for me, to continue further on the project "The Human Family" and to promote the humanistic values. Therefore, here is a contribution to the project, which was, however, taken before the horrors of Paris.

 

At last once again time to continue the project "The Human Family".

Professionally, I'm back on travel, this time on the River Rhine, in Koenigswinter. It's lunchtime break, the weather is acceptable, so already well placed to hold out by strangers. Only problem, there are hardly any people on the street. I wanted to give up almost as if I could see a young woman who was trying to take pictures of her little dog.

When she had finished her photos session, I spoke to her, introduced myself and explained my concerns.

 

Without hesitation, agreed to my stranger.

So I met here in Koenigswinter Irina. Irina is 25 years old. She's just here for a visit with her grandmother and is walking the dog. Since seven months Irina lives in Berlin; she is a fashion stylist and accompanies photoshoots and is responsible for the outfits. Irina is happy now living and workingin Berlin, because there the career options are very good and they practically operates at the cutting edge. Regularly also the Fashion Weeks are held even in Berlin. An eldorado for fashion enthusiastic people.

 

What was your biggest challenge so far in life, I asked. My move to Berlin alone and without knowing someone there.

How would you describe yourself? I'm messy, erratic, but clever. (I think these are the attributes that characterize creative people)

Goals: in Berlin to gain a foothold and to succeed professionally; with less Irina does not want to be satisfied.

Yes, Irina agrees with me that it is very ambitious.

What is your motto in life: Do not plan on doing! Do not think, but act.

I do not want to mention how patient Irina posed for my camera. Since I was not completely satisfied with the background, Irina did not mind and so much time to go a few more steps, because I wanted to have a not so troubled background.

 

Thank you for your patience Irina, and your time, you've diverted for my project. It was a pleasant conversation on the River Rhine. I wish you much success in Berlin and I keep my fingers crossed that you start off really there. All the best to you.

 

This photo is my 4th submission to new group "The Human Family".

 

Visit "The Human Family" here and have a look on the photos of the other photographers:

 

www.flickr.com/groups/thehumanfamily/

  

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Die Geschehnisse in Paris sind schockierend und haben mich tief getroffen. Sie sind aber auch ein Ansporn, sich weiter für Tolrenaz, Respekt und Menschlichkeit einzusetzen. Gerade aus diesem Grund ist es für mich eine Herzensangelegenheit, dass Projekt "The Human Family" weiter fortzuführen und für die humanistischen Werte zu werben. Daher hier eine Beitrag zu dem Projekt, der allerdings vor den Erignissen von Paris aufgenommen wurde.

 

Endlich wieder einmal Zeit, das Projekt "The Human Family" fortzusetzen.

Beruflich bin ich wieder auf Reise, diesmal am Rhein, in Königswinter. Es ist Mittagspause, das Wetter ist passabel, also schon einmal gute Voraussetzungen, nach Fremden Ausschau zu halten. Einziges Problem, es sind kaum Menschen auf der Strasse. Ich wollte fast schon aufgeben, als ich eine junge Frau beobachten konnte, die versuchte, ihren kleinen Hund zu fotografieren.

Als sie ihre Fotossession beendet hatte, sprach ich sie an, stellte mich vor und erklärte mein Anliegen. Ohne zu zögern, stimmte meine Fremde zu.

 

Ich begegnete also hier in Königswinter Irina. Irina ist 25 Jahre alt. Sie ist gerade hier zu Besuch bei ihrer Großmutter und führt ihren Hund aus. Seit sieben Monaten lebt Irina in Berlin; sie ist Modestyleistin, begleitet Fotoshootings und ist dabei für die outfits zuständig. Irina ist froh, jetzt in Berlin zu leben und zu arbeiten, weil dort die beruflichen Möglichkeiten sehr gut sind und sie quasi am Puls der Zeit arbeitet. Regelmäßig finden in Berlin ja auch die Fashionweeks statt. Ein Eldorado für modebegeisterte Menschen.

 

Was war Deine größte Herausforderung bisher im Leben, fragte ich. Mein Umzug ganz allein nach Berlin und ohne dort jemanden zu kennen.

Wie würdest Du Dich beschreiben? Ich bin chaotisch, sprunghaft, aber clever. (ich glaube, das sind Attribute, die kreative Menschen kennzeichnen)

Deine Ziele: in Berlin Fuß zu fassen und beruflich Erfolg zu haben; mit weniger möchte Irina sich nicht zufrieden geben. Ja, Irina stimmt mir zu, dass sie sehr ehrgeizig ist.

Was ist Dein Lebensmotto: Nicht planen, machen! Nicht denken, sondern handeln.

 

Ich möchte nicht unerwähnt lassen, wie geduldig Irina vor meiner Kamera posierte. Da ich nicht ganz zufrieden mit dem Hintergrund war, hatte Irina nichts dagegen und so viel Zeit noch ein paar Schritte zu gehen, weil ich unbedingt einen nicht so unruhigen Hintergrund haben wollte.

 

Vielen Dank Irina für Deine Geduld, und Deine Zeit, die Du für mein Projekt abgezweigt hast. Es war eine angenehme Plauderei am Rhein. Ich wünsche Dir viel Erfolg in Berlin und drücke Dir die Daumen, dass Du dort so richtig durchstartest. Alles Gute.

 

Dies ist mein 4. Beitrag zu der neuen Gruppe The Human Family. Mehr Fotos von anderen Fotografen findest Du hier:

 

www.flickr.com/groups/thehumanfamily/

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***** Selected for sale in the GETTY IMAGES COLLECTION on April 7th 2015

  

CREATIVE RF gty.im/553167149 MOMENT OPEN COLLECTION**

  

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Photograph taken at an altitude of Eight metres, in the magic of the Golden hour around sunrise, (Sunrise was at precisely 06:58am), at 07:04am on Sunday 21st September 2014 off 1st Street between Beacon Avenue and Bevan Avenue, above the shoreline in beautiful Sidney by the sea on Vancouver Island, British Columbia, Canada.

    

Here, we are looking over towards Mt Baker in Washington State, USA from beautiful Sidney by the sea on Vancouver Island, British Columbia, Canada. Also known as Koma Kulshan, (pronounced koo’mah’ kool-shän’),she is an active glaciated andesitic stratovolcano in the Cascade Volcanic Arc and the North Cascades of Washington State in the United States, standing 3,286 metres tall and was first ascended in 1868, her last eruption recorded in 1880.

  

The name Mount Baker first appeared in print in Captain Vancouver’s 1798 narrative of his voyage around Vancouver Island. Legend has it that his third-lieutenant, Joseph Baker, was the first to spot the mountain while they sailed into Dungeness Bay on April 30th, 1792. Also known by the Lummi as Kwud-Shad, and Koba (meaning 'high mountain always covered with snow', was the Skagit name.

 

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Nikon D800 185mm 1/1000s f/2.8 iso100 RAW (14 bit). AF-C Continuous focus mode with 3-D tracking. Manual exposure. Matrix metering. Auto white balance.

  

Nikkor AF-S 70-200mm f/2.8G ED IF VRII. Jessops 77mm UV filter. Nikon MB-D12 battery grip. Two Nikon EN-EL batteries. Nikon DK-17M Magnifying Eyepiece. Nikon DK-19 soft rubber eyecup. Manfrotto MT057C3 057 Carbon Fiber Tripod 3 Sections (Payload 18kgs). Manfrotto MH057M0-RC4 057 Magnesium Ball Head with RC4 Quick Release (Payload 15kgs). Manfrotto quick release plate 410PL-14.Jessops Tripod bag. Optech Tripod Strap.Digi-Chip 64GB Class 10 UHS-1 SDXC. Lowepro Transporter camera strap. Lowepro Vertex 200 AW camera bag. Nikon MC-DC2 remote shutter release. Nikon GP-1 GPS unit.

  

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LATITUDE: N 48d 38m 54.88s

LONGITUDE: W 123d 23m 38.68s

ALTITUDE: 8.0m

  

RAW (TIFF) FILE SIZE: 103.00MB

PROCESSED (JPeg) SIZE: 12.46MB

  

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PROCESSING POWER:

 

HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU processor. AMD Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB SATA storage. 64-bit Windows 8.1. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon VIEWNX2 Version 2.10.3 64bit. Adobe photoshop Elements 8 Version 8.0 64bit

   

Or more precisely, steps in Spain. At a house near Tui, Galicia.

More precisely, sheer pantyhose always engenders delight💕…….don’t you agree?!?! Yessss……it’s always the simple things…..aah!!! ❤️❤️

At precisely 17:15 on a Thursday evening, 58046 trundles southward through Stoke with an empty MGR train. From whence it came and where it was going I have no idea!

I did like the original railfreight livery applied to these locos, and for my money, they looked even better when work-stained as in this view.

 

I don't suppose the Staffordshire Polytechnic is still known as such!

Photograph taken at an altitude of Forty six metres, prior to the magic of the Golden Hour around sunrise (Sunrise was at precisely 04:42am), at 03:09am on Thursday 19th June 2014 off Lullingstone Lane and overlooking a blanket of morning mist as it rolled across Eynsford Viaduct in the village of Eynsford, Kent, England.

  

This impressive nine-arched red-brick viaduct is a prominent feature on the line to the 'Bat & Ball' station. The structure was built by the independent ''Sevenoaks Railway'', incorporated in 1859 to link the ''Chatham'' main line with the market town of Sevenoaks. And first services began on 2nd June 1862. The viaduct has nine arches of 30-foot span, and rises to a height of 75-feet above the valley and the River Darent.

  

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Nikon D800 23mm 1/1/6s f/4.5 iso200 RAW (14 bit) Mirror up. AF-S auto mode. Manual exposure. Matrix metering.Auto white balance.

  

Nikkor AF-S 14-24mm f/2.8G ED IF. Nikon MB-D12 battery grip. Two Nikon EN-EL batteries. Nikon DK-17M Magnifying Eyepiece. Nikon DK-19 soft rubber eyecup. Manfrotto MT057C3 057 Carbon Fiber Tripod 3 Sections (Payload 18kgs). Manfrotto MH057M0-RC4 057 Magnesium Ball Head with RC4 Quick Release (Payload 15kgs). Manfrotto quick release plate 410PL-14.Jessops Tripod bag. Optech Tripod Strap.Digi-Chip 64GB Class 10 UHS-1 SDXC. Lowepro Transporter camera strap. Lowepro Vertex 200 AW camera bag. Nikon MC-DC2 remote shutter release. Nikon GP-1 GPS unit.

  

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LATITUDE: N 51d 22m 6.46s

LONGITUDE: E 0d 12m 11.25s

ALTITUDE: 46.0m

  

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Processing power:

HP Pavillion Desktop with AMD A10-5700 APU processor. HD graphics. 2TB with 8GB RAM. 64-bit Windows 8.1. Verbatim USB 2.0 1TB desktop hard drive. Nikon VIEWNX2 Version 2.90 64bit. Adobe photoshop Elements 8 Version 8.0 64bit

  

Alaa Abd El-Fattah has endured much of the last twelve years in some of the worst prison conditions anywhere for his brave work in promoting democracy in Egypt. He was last arrested in September 2019 while attending Cairo's Dokki Police Station and in December last year was sentenced to five years imprisonment for "spreading false news undermining state security." More precisely, he had shared social media posts explaining the hell-hole reality of Egyptian prison conditions.

 

PROTEST OUTSIDE THE FOREIGN OFFICE

 

When this photo was taken, Alaa's two sisters, Mona and Sana'a Seif, were staging a protest in London's King Charles Street outside the British Foreign Office in the hope that the Egyptian government can be pressured to release him, as media attention began to focus on the upcoming COP27 conference at Sharm El Sheikh on Egypt's Red Sea coast.

 

UPDATE AS OF WEDNESDAY 9 NOVEMBER 2022

 

Starting from Sunday 6 November, Alaa escalated his hunger strike, and stopped taking water. His sister Sanaa Seif took a flight the same weekend to attend the COP27 conference at Sharm El Sheikh in a last-minute effort to save Alaa's life.

 

For the latest on Alaa's situation listen to his sister's Sanaa Seif's speech to journalists attending the conference on Tuesday 8 November - "They are very happy for him to die. The only thing they care about is that it doesn't happen while the world is watching."

 

www.youtube.com/watch?v=BqXibJ7PUTY

 

TORA PRISON - "A DAY HERE, IS LIKE A YEAR IN BELMARSH"

 

In April, Alaa began his hunger strike in a cell in one of the most secure sections of Cairo's sprawling and notorious Tora Prison - a maze of grim high concrete walls and watch towers, which strike fear into even the thousands of commuters who have to pass daily.

 

In 2012, one young Londoner confined to one of the least uncomfortable and most survivable wings of Tora prison, contrasted it with his own previous experience at Britain's high security Belmarsh. I can never forget his exact words. "A day here, is like a year at Belmarsh!" A little over 12 months later, he died of TB - the prison authorities had refused to listen to the pleas of his aunt, who fell on her knees during a rare visit, begging that he be admitted to the prison hospital.

 

ALAA'S HUNGER STRIKE CONTINUES AT WADI EL NATRUN PRISON

 

More than 200 days have passed since Alaa started his hunger strike. He has now been moved to the Wadi El Natrun prison complex in the desert north of Cairo, dubbed by inmates as the "Valley of Hell."

 

He may not survive much longer. However, as he holds British-Egyptian nationality, one would hope that the British government would be doing everything they could to secure his immediate release and it would be reasonable to suppose that the Foreign Office could get an immediate pledge in this regard, especially given that the British companies, including the likes of British Petroleum and BP, are the biggest investors in Egypt.

 

NO CONSULAR ACCESS

 

However, the British government have failed even to get him any consular access - think about that. That's an outrage. Even a convicted mass murderer, if British, would be entitled to consular access while in prison. That meeting would obviously not take place in his cell - but in a designated room in the prison or the highly supervised prison visiting area.

 

British men and women convicted of drug smuggling and other crimes in Egypt have received consular visits, so why not Alaa? The answer is because Alaa's crime is that he dared to tell the truth about Egypt, and the injustice both inside and outside its many prison walls. Nobody knows exactly how many political prisoners Egypt now has, but the number is estimated to be at least 60,000.

 

ALAA WAS ONE OF THE LEADERS OF THE MOST INSPIRATIONAL DEMOCRATIC REVOLT THE WORLD HAS EVER SEEN

 

Alaa Abd El-Fattah was one of the leaders of arguably the most inspirational democratic revolt the world has seen in the last hundred years. Although the first phase of the 2011 uprising in Egypt lasted just 18 days, and although it followed the toppling of the dictator Ben Ali in Tunisia - the streets and bridges around Tahrir Square became a deadly stage watched by the world, where protesters from every walk of life were pitted against Egypt's feared state security forces. Against all the odds, and at the cost of many lives, Egyptians refused to leave the square, sleeping in front of the tanks and fending off attacks from government militia.

 

The Egyptian people's initial success in toppling the dictator Mubarak led to further revolts not just across the Middle East (most notably in Libya, Bahrain, Yemen and Syria) - the highly organised Tahrir-Square sit-in provided the inspiration for strikes and workplace sit-ins against austerity across the United States and Europe and to the Occupy Movement of the same year. The people of Egypt showed that it does not matter how brutal, feared and authoritarian a government is, it can be toppled if people act collectively.

 

THE MILITARY BACKLASH

 

It's true that Egypt's flirtation with the path to greater freedom seemed to be only temporary - the Egyptian authorities deployed the usual divide and rule tactics - encouraging the less committed protesters to return home - and then rushed to elections without allowing time for genuinely democratic opposition parties to develop.

 

Mohamed Morsi of the Muslim Brotherhood won the presidential election in 2012 - the Brotherhood (contrary to the perception many people have here in the West) had genuinely progressive elements within it, but the chance for any transformative radical programme was prevented partly by the corruption and self-interest of some of the main political actors and partly by opposition to its democratic mandate from the deep state (the military, the Interior Ministry, State Security, the police etc.)

 

The army, seeing its chance, seized power in 2013, superficially in the name of the people, but in reality, to advance the interests of the generals. The new president, Abdel Fattah El-Sissi, moved quickly to crush all opposition, and ordering his security forces to attack Muslim Brotherhood supporters who had gathered in eastern Cairo at Rabaa al-Adaweya Square, killing at least 800 people - the bloodiest massacre of civilians in Egypt's modern history.

 

DON'T ALLOW EGYPT TO USE COP27 TO GREENWASH ITS REGIME - AND PLEASE SIGN THE PETITION TO SAVE ALAA

 

Now COP27 is scheduled to take place in Sharm El-Sheikh and Sisi has been given a golden opportunity to greenwash his murderous regime, which has also seen ever increasing levels inequality and corruption. While British representatives at COP27 will be given accommodation in the most luxurious five star hotels in Sharm El-Sheikh and fall asleep listening to the sound of the waves, another British citizen, Alaa Abdel El-Fatah is near death, on a painful hunger strike in the darkest of places - his dimly lit cell. The only thing he might hear at night is the desperate cry from some prisoner in another cell appealing for medical help which most likely never comes.

 

If we care for freedom, real democracy and justice, we can't allow the British Foreign Office to forget Alaa - especially if it's simply not to upset the highly profitable relationship British multinationals have with one of the world's most authoritarian and corrupt regimes - a relationship which only benefits the wealthiest of Egyptians.

 

If you live in London, please show your support at the protest at King Charles Street - and wherever you live please sign the petition -

 

www.change.org/p/help-free-my-brother-before-it-s-too-lat...

  

entering bus station at 1230 precisely.

This extraordinary helmet is very rare. Only four complete helmets are known from Anglo-Saxon England: at Sutton Hoo, Benty Grange, Wollaston and York. The helmet was badly damaged when the burial chamber collapsed. By precisely locating the remaining fragments and assembling them as if in a three-dimensional jigsaw puzzle, conservators have reconstructed the helmet. A complete replica made by the Royal Armouries shows how the original would have looked - (this image)The helmet comprised an iron cap, neck guard, cheek pieces and face mask. Its form derives from Late Roman cavalry helmets. The helmet’s surfaces were covered with tinned copper alloy panels that gave it a bright, silvery appearance. Many of these panels were decorated with interlacing animal ornament (‘Style II’) and heroic scenes of warriors. One scene shows two men wearing horned head-gear, holding swords and spears. The other shows a mounted warrior trampling a fallen enemy, who in turn stabs the horse. The rider carries a spear which is supported by a curious small figure, standing on the rump of his horse – perhaps a supernatural helper. Similar scenes were popular in the Germanic world at this time. The face-mask is the helmet’s most remarkable feature. It works as a visual puzzle, with two possible ‘solutions’. The first is of a human face, comprising eye-sockets, eyebrows, moustache, mouth and a nose with two small holes so that the wearer could breathe. The copper alloy eyebrows are inlaid with silver wire and tiny garnets. Each ends in a gilded boar’s head – a symbol of strength and courage appropriate for a warrior. The second ‘solution’ is of a bird or dragon flying upwards. Its tail is formed by the moustache, its body by the nose, and its wings by the eyebrows. Its head extends from between the wings, and lays nose-to-nose with another animal head at the end of a low iron crest that runs over the helmet’s cap. A precious survival, the Sutton Hoo helmet has become an icon of the early medieval period.

"... That precisely is what makes its pursuit so interesting."

- John Kenneth Galbraith

 

Although I was at first, very opposed to the fact that someone had spraypainted this old railcar along the South Shore of the 'Burgh, I realized that it wasn't being preserved. It was sort of just rusting away while other cars probably from the same era, were being protected, and had little plaques with historical information about them. When I looked back at this one after looking at those perfectly preserved ones, I thought this one was more beautiful.

 

The same thing goes with Arch. Beauty is definitely in the eye of the beholder. Most of the time, we come across people who blab on and on about how cute he is. Other times, people comment on how "weird" he looks. Once, we even had someone yell out the window of their car that he was ugly. I think people either hate Bullies or love them. There's no way to be neutral about a breed with features as distinct and extreme as theirs.

So, my grandmother got married. We do not know precisely when, but perhaps in the late 1920’s. Perhaps she would have been in her teens.

 

We know very little about my grandfather. He was called İbrahim Hakkı. Those of his family who survived the Cretan massacres of ethnic Turks in the late nineteenth century (http://en.wikipedia.org/wiki/Cretan_Turks) had fled to the Aegean port of İzmir. He subsequently moved to Cyprus. We do not know precisely why or when he moved, but perhaps it was related to the chaos that descended upon the former Ottoman territories after the disintegration of the Ottoman Empire at the end of the First World War. We do know that he had previously been married, but that he and his wife had been separated because of the social consequences of the foreign invasions suffered by Anatolia at this time. When he tried to find out the whereabouts of his wife he was informed that she had been killed.

 

At the time of their marriage, my grandfather was considerably older than my grandmother, although we do not know precisely how old he was. No doubt he was considered a good match for her because he had an excellent income. He worked for the government of Cyprus (by then a British colony) as an agricultural engineer. My grandmother was well trained in cooking and running a household, but she had no formal education.

 

It was an unequal marriage between a very young woman who was illiterate and a considerably older man who was clearly very well educated. They had four children, two boys and two girls. One of the boys died of meningitis as a child. The other three grew to adulthood. The youngest child subsequently became my mother.

 

Click to enlarge!

 

Precisely and delicately painted, this crowded scene is an unusual representation of crossing the English Channel in the middle of the 19th century. The pitching boat disturbs an improvised shipboard ball. On the left, a harpist has fallen between the legs of her fellow guitarist while a young gypsy, unperturbed, continues to ask for money. The people in this painting embody the different ways travelers respond to a situation. Some endure a violent bout of seasickness, tumble on each other, scream, and shout, while others smoke, sleep, or read, following their usual routines. Attention to costumes, different classes, and the minute description of characters creates an invaluable and humorous record of French society in the mid-19th century.

 

An adventurous painter, François-Auguste Biard took many trips during the first part of the 19th century. He was probably the first European painter to travel to the Arctic Circle and paint icebergs. He was also, as seen in this painting, a perfect observer of contemporary life.

 

Adapted from

 

Heather MacDonald, DMA label copy, 2010

Landscape taken from Ilhabela, more precisely from the mid point in the Baepi trail.

Châteauvieux (literally, “Old Castle”) is a very small village –a hamlet, really– incorporated since 1658 in the not much larger village of Yzeron, a few kilometers west of the city of Lyon. From that city, and more precisely from the venerable abbey of Ainay, came the Benedictine monks who built a small chapel in Châteauvieux, around Year 1000. It seems that it was never meant to be a priory, just a parochial church gifted by the abbey to a growing local Christian community.

 

I had heard a few years back about the chapel, dedicated to Saint John the Baptist and which had only been listed on the secondary list of Historic Landmarks in 1979. Considering the very old age of the monument, this late listing (and not even on the main list) seemed a bit strange, and I went to see it in 2020. It stood in a walled enclosure and all I could do was take a photograph over the wall where it was the lowest, and in a somewhat precarious position (I will post that old photo under the #1 picture in this series).

 

I returned to Châteauvieux in April 2025 in my capacity as pro bono photographer for the Fondation du Patrimoine, as the chapel needs restoration works largely exceeding the financial means of the village of Yzeron. Thus, the Fondation will launch a fundraising campaign and possibly also use some of its own resources to cover all or part of the cost. To document the monument in its “before” condition, I was granted full access and could see the inside for the first time.

 

The floor plan is very simply basilical, with a narrower, flat apse protruding at the eastern end. The flat apse, as well as the apparel, are indicative of early 11th century, perhaps even older. Inside, the ever-present long and thin arch stones also point in the same direction. The relieving arches along the side walls rest on massive square pillars of medium to large apparel, and many of them slant visibly —the camera was of course perfectly leveled, as always, before the photos were taken. Many parts of the walls (most notably in the apse, which is probably the oldest part) and all of the rib-vaulted ceilings are plastered or cemented over, which prevent us from reading the history of the monument in the stones.

 

As announced yesterday, this is a photo of the false transept that shows as well as possible the various relieving arches, sometimes piled up, sometimes staggered, that support the bell tower.

 

Event though the one we see today was built a century or so after the church itself and is probably quite larger, it is obvious that there always was a bell tower over the transept: this complex structure of arches used in lieu of a cupola on squinches would have no relevance if there wasn’t an additional weight to support.

 

I used a handheld Godox AD200 Pro II studio strobe, equipped with a round H200R head and a half-spherical diffuser, to provide additional lighting for this shot. The flash was set and triggered via a Godox X Pro II radio transmitter mounted on the camera, which was itself triggered via a Pixel Oppilas RW–221 radio remote, allowing me to walk around and pop the flash wherever it was needed.

Skilled crane operator precisely places the bucket to be filled with concrete. No concrete pump needed for building columns in the early days of Interstate 69 construction at this site in Rosenberg, Texas.

§ 3 - A tranny princess is by law allowed to dress only and precisely according to her own wish.

Quote: ”The T-girl constitution of 1969”

  

And so to day I thought to my self, why not try to step down from my throne of femininity and mingle among the more ordinary, the ”common” girls of the realm? Why not just for a glimpse try to identify my self with the subjects of the kingdom, why not ”go slumming” as an ordinary girl?

  

”Hmmm...” I thought to myself putting on make up and sipping my drink, ”Now there's an idea. Hmmm....”

  

My mother (who does a LOT of charity work) stumbled over this SWEET SWEET dress and thought of me (sigh) It´s not THAT fortunate at the ”upper” end, but nothing a top won't deal with, as a skirt, it is... silky smooth thin and feel like heaven is breezing around your nylon clad legs * double sigh * I LOVE that dress for it´s skirt-potential and even though you can only see it ”skirt wise” underneath the coat, it is simply perfect as such :o)

  

But to be honest I DID bring a pair of silver stilettos in the hand bag, as always to be able to change back into a princess if need be, or if being ”ordinary” was feeling a little TOO dull.... it did, but it was still fun :o)

Photograph taken at an altitude of Forty nine metres, prior to the magic of the Golden Hour around sunrise (Sunrise was at precisely 04:38am), at 02:52am on Thursday 12th June 2014 off Lullingstone Lane, next to Lullingstone roman villa, overlooking a blanket of morning mist as it rolled across the valley in Eynsford, Kent, England.

  

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Nikon D800 31mm 1/2s f/2.8 iso200 RAW (14 bit) Nikon RC-DC2 remote shutter release. AF-S Single point focus. Manual exposure. Matrix metering.

  

Nikkor AF-S 24-70mm f/2.8G ED IF. Jessops 77mm UV filter. Nikon MB-D12 battery grip. Two Nikon EN-EL batteries. Nikon DK-17M Magnifying Eyepiece. Nikon DK-19 soft rubber eyecup. Manfrotto MT057C3 057 Carbon Fiber Tripod 3 Sections (Payload 18kgs). Manfrotto MH057M0-RC4 057 Magnesium Ball Head with RC4 Quick Release (Payload 15kgs). Manfrotto quick release plate 410PL-14.Jessops Tripod bag. Optech Tripod Strap.Digi-Chip 64GB Class 10 UHS-1 SDXC. Lowepro Transporter camera strap. Lowepro Vertex 200 AW camera bag. Nikon MC-DC2 remote shutter release. Nikon GP-1 GPS unit.

  

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LATITUDE: N 51d 21m 52.03s

LONGITUDE: E 0d 11m 49.05s

ALTITUDE: 49.0m

  

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Processing power:

HP Pavillion Desktop with AMD A10-5700 APU processor. HD graphics. 2TB with 8GB RAM. 64-bit Windows 8.1. Verbatim USB 2.0 1TB desktop hard drive. Nikon VIEWNX2 Version 2.90 64bit. Adobe photoshop Elements 8 Version 8.0 64bit

  

Taken in the picturesque Western Scotland, precisely at LochgoilHead.

 

I've always hated this particular car design precisely beause of this scenario. In the wintertime, especially having, someone else's hat or hood in your back can get pretty nasty.

 

At wide or almost-wide open, the depth of field on the Sonnetar really is no joke; focus here was on the rivets and you can already see a bit of blur creeping in.

The Parthenon on the Athenian Acropolis or precisely, the remains of it in its modern appearance.

 

Built between 447-438 BC (decoration extended until 432) and dedicated to Athene, also Pallas Athene and/or Athene Parthenos, as thanks to the goddess for the Hellenic victory over the Persian Invaders.

 

The Parthenon was commissioned by the Athenian politician Pericles as a part of a wider building program on the Acropolis to resemble the power and ambitions of Athens within the Delian League and Greece as a whole.

 

It is considered the most important surviving building of Classical Greece and as the zenith of the Doric order. The Parthenon was further richly ornate with highly detailed Metopes and Pediments as well as the famous Frieze.

 

Since 1975 the Greek government initiated the restoration of the over 2.500 years old monument. The efforts to restore and conserve this site are a continuing process to the present day.

 

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Südafrika - Kleine Karoo

 

Red Stone Hills - Window Rock

 

The Karoo (/kəˈruː/ kə-ROO; from a Khoikhoi word, possibly garo "desert") is a semi-desert natural region of South Africa. There is no exact definition of what constitutes the Karoo, and therefore its extent is also not precisely defined. The Karoo is partly defined by its topography, geology and climate — above all, its low rainfall, arid air, cloudless skies, and extremes of heat and cold. The Karoo also hosted a well-preserved ecosystem hundreds of million years ago which is now represented by many fossils.

 

The Karoo is sharply divided into the Great Karoo and the Little Karoo by the Swartberg Mountain Range, which runs east-west, parallel to the southern coastline, but is separated from the sea by another east-west range called the Outeniqua –Langeberg Mountains. The Great Karoo lies to the north of the Swartberg range; the Little Karoo is to the south of it.

 

The Little Karoo is separated from the Great Karoo by the Swartberg Mountain range. Geographically, it is a 290 km long valley, only 40–60 km wide, formed by two parallel Cape Fold Mountain ranges, the Swartberg to the north, and the continuous Langeberg-Outeniqua range to the south. The northern strip of the valley, within 10–20 km from the foot of the Swartberg mountains is most un-karoo-like, in that it is a well watered area both from the rain, and the many streams that cascade down the mountain, or through narrow defiles in the Swartberg from the Great Karoo. The main towns of the region are situated along this northern strip of the Little Karoo: Montagu, Barrydale, Ladismith, Calitzdorp, Oudtshoorn and De Rust, as well as such well-known mission stations such as Zoar, Amalienstein, and Dysselsdorp.

 

The southern 30–50 km wide strip, north of the Langeberg range is as arid as the western Lower Karoo, except in the east, where the Langeberg range (arbitrarily) starts to be called the Outeniqua Mountains.

 

The Little Karoo can only be accessed by road through the narrow defiles cut through the surrounding Cape Fold Mountains by ancient, but still flowing rivers. A few roads traverse the mountains over passes, the most famous and impressive of which is the Swartberg Pass between Oudtshoorn in the Little Karoo and Prince Albert on the other side of the Swartberg mountains in the Great Karoo. There is also the main road between Oudtshoorn and George, on the coastal plain, that crosses the mountains to the south via the Outeniqua Pass. The only exit from the Little Karoo that does not involve crossing a mountain range is through the 150 km long, narrow Langkloof valley between Uniondale and Humansdorp, near Plettenberg Bay.

 

(Wikipedia)

 

Die Karoo (auch Karroo, früher Karru; Khoisan für Halbwüste) ist eine Halbwüstenlandschaft in den Hochebenen des Landes Südafrika, nördlich der Großen Randstufe und im südlichen Namibia. Unterschieden werden Kleine Karoo, Große Karoo und Obere Karoo sowie Sukkulentenkaroo und Nama-Karoo. Mit einer Ausdehnung von 500.000 km² umfasst die Karoo fast ein Drittel des Territoriums Südafrikas. Die Sukkulentenkaroo gehört zu den Biodiversitäts-Hotspots der Erde und wird u. a. im Rahmen von BIOTA AFRICA systematisch kartiert.

 

Der Name Karoo kommt von kurú (trocken) aus der Sprache der San, die einst hier lebten und jagten. In Hinsicht auf die geographische Ausdehnung des Karoo-Begriffs sind die folgenden Teilaspekte zu beachten und voneinander zu unterscheiden.

 

Die Karoo als Landschaft im traditionellen Verständnis ist eine südafrikanische Trockenregion innerhalb der Provinzen Westkap, Ostkap und Nordkap sowie im Süden Namibias. Ihre spezifische kapländische Strauchvegetation weist sie als Halbwüste aus. Ursprünglich wird in zwei Regionen unterschieden: Große Karoo und Kleine Karoo.

 

Die Große Karoo besitzt eine West-Ost-Ausdehnung von über 750 Kilometern und eine Nord-Süd-Ausdehnung von etwa 110 Kilometern. Sie wird im Westen vom Massiv der Zederberge und im Osten durch die Winterberge begrenzt. Im Norden bilden die Bergketten vom Roggeveld-, Koms-, Nuweveldberge und Sneeuberg und im Süden die Höhenzüge der Witteberge, Groot Swartberge und die Groot Winterhoek die natürliche Begrenzung.

 

Südlich dieser Region schließt sich die Kleine Karoo an. Diese wird wiederum an ihrer südlichen Flanke von den küstennahen Langebergen und Outeniqua-Bergen begrenzt.

 

Anders als in dieser traditionellen Gliederung, wird die Karoo heute nach ökologischen Gesichtspunkten in einen östlichen Teil, die Nama-Karoo, und einen westlichen Teil, die Sukkulenten-Karoo, gegliedert, wobei auch die Gesamtausdehnung der Karoo nach diesem Konzept von jener der traditionellen Betrachtungsweise abweicht.

 

(Wikipedia)

 

Die Little Karoo (englisch, auf Afrikaans Klein Karoo) ist eine Region in der Western Cape Provinz in Südafrika.

 

Durch die Little Karoo zieht sich die Route 62.

 

Die Klein Karoo ist ein halbwüstenartiger Landstrich, der zwischen den Swartbergen im Norden und den Outeniqua-Bergen im Süden liegt. Die Gegend ist fruchtbar und nicht ganz so trocken wie die nördlich anschließende Große Karoo. Die Kleine Karoo ist bekannt für die Straußenzucht, allein in der Umgebung von Oudtshoorn gibt es angeblich über 400 Betriebe, landwirtschaftliche Nutztiere der Region sind auch Schafe und Angoraziegen.

 

Die Kleine Karoo ist das östlichste Weinbaugebiet Südafrikas. Muskatweine, Portweine und Desertweine gedeihen in dem recht trockenen Klima, ein Teil des Weines wird zu Brandy verarbeitet. Auch das hier angebaute Obst wird teilweise zu Schnaps verarbeitet, man bekommt aber auch überall recht preisgünstig getrocknete Früchte.

 

(wikivoyage.org)

We are in France...

more precisely, somewhere in a small town on the edge of the Vosges.

Here is a house that already has this beautiful lost-place patina on the facade.

Broken windows and a plot of land where nature is reclaiming everything piece by piece. For us exactly the sign that this place has been abandoned for a long time.

 

Inside the house, the first thing we notice is how simply the last inhabitants lived here. A beautiful old oil stove in the hallway was still the most modern heating device. Otherwise, wood was used for heating and cooking. In the kitchen, which dates from the middle of the last century, there is also an old wood stove. The walls almost black, which is due to cooking with wood.

 

The last people who lived here were Pierre and Marie, together with their domestic help Genevieve.

This place was abandoned only in 1997, which was very surprising for me, I would have estimated that it has been empty much longer.

 

But enough of the words, look for yourself and come with me on a beautiful journey through time ...

 

Have fun looking at the pictures...!!!!

Built on sloping, antique sand dunes prone to massive mudslides. Just look at these.

 

As Professor Anthony Turton explains: "the simple reality is that between the Umzimkulu in the south and the Umlazi in North, there is a precisely defined geological province. The main feature is a basement consisting of igneous rock originating in volcanic and tectonic events over geological timescales measured in billions of years. That same region is bounded in both the north and south by a tectonic feature associated with rifting and faulting. Oribi Gorge is a feature of those tectonic forces.

Onto that basement we find an unconsolidated overlay of sand and clay. This is rich in iron oxide and is a reddish colour as a result. The overlay is the result of geomorphology measured in a shorter timescale of millions of years, as opposed to the basement feature that is the result of a much older timescale measured in billions of years.

This younger formation is the result of two sculpting forces - wind and water. The area used to be coastal wetland, and as sea levels rose and fell with successive warmer and cooler paleo climates, we find a layering of aeolian formations deposited above hydraulically deposited formations. The aeolian formation is characterised by wind driven dunes that mobilized particles of sand and clay of different fractions. Those sand dunes were characterised by rolling wavelike formations, all along the coastal area. These were consolidated over time by forest and grassland vegetation, which stabilised them.

This is evident where there is no surface striking rock formation and can be seen in the valleys scoured by rivers. Those valleys reveal the underlying geological formation of rock, now manifesting as meanders with relatively steep sides carved out by the action of water in paleo flood events. This means that flooding is what has shaped the region and is an entirely natural ocurrance with a history covering geological timescales.

This is further evidenced by the sedimentary deposition of silt in the ocean, for a considerable distance offshore. We see that process playing out right now as muddy seawater all along the coast, stretching almost to the horizon. That muddy water consists of the fine clay fraction of the eroded soil profile, held in suspension as a colloid and therefore persistent over time, but always associated with a flood event.

This is a simplistic description of a complex reality, but it shows that the geomorphology has been driven mostly by hydraulic and aeolian forces, at least insofar as the consolidated sand dunes are concerned. Tectonic events drove earlier geomorphology, manifest as rifting and faulting, but the more recent drivers have been floods.

Therefore flooding is a characteristic of the geological province, so policy designed to mitigate risk ought to be based on the assumption that future flood events will be a reasonably predictable driver of risk. Stated differently, and in simple form, the following is true of the coastal region between the Umzimkulu and Ulmazi rivers.

1) The absence of surface striking basement geology along the coastal strip renders the region geotechnically unstable and in need of precise building standards that must be strictly enforced.

2) Flooding is a natural occurrence that has shaped the geomorphology of both the land and immediate offshore sub-sea terrain.

3) Climate variability is a natural process, exacerbated by anthropogenic intervention, and is likely to feature an increase in extreme events, at least in our lifetime.

These three factors ought to be built into policy if the human population, and financial investment in the region, is to be protected in future.

Note that this is a gross simplification of a complex reality, rendered in such a way as to make it understandable to policymakers in government, insurance company decision makers, and investors deciding to purchase real estate."

"To smile is a moral obligation"

Bairro Alto, Lisboa

The Enigma machine was a cipher machine used to encrypt and decrypt secret messages. More precisely, Enigma was a family of related electro-mechanical rotor machines, comprising a variety of different models.

 

The Enigma was used commercially from the early 1920s on, and was also adopted by the military and governmental services of a number of nations—most famously by Nazi Germany before and during World W,ar II.

 

The German military model, the Wehrmacht Enigma, is the version most commonly discussed. The machine has gained notoriety because Allied cryptologists were able to decrypt a large number of messages that had been enciphered on the machine. Decryption was made possible in 1932 by Polish cryptographers Marian Rejewski, Jerzy Różycki and Henryk Zygalski from Cipher Bureau. In mid-1939 reconstruction and decryption methods were delivered from Poland to Britain and France. The intelligence gained through this source, codenamed ULTRA, was a significant aid to the Allied war effort. The exact influence of ULTRA is debated, but a typical assessment is that the end of the European war was hastened by two years because of the decryption of German ciphers. More...

Finally got around to giving my Vulture wings a makeover. Not precisely what I wanted, but overall I worked in the elements that I thought the official set lacked.

Still quite flimsy, with those cylindrical clips and Alien Conquest guns being the only connection on the top of the wing. Fortunately the other pieces have strong bonds that take the stress off of that one point.

The rotors are adjustable, the transition just isn't very smooth. They also can't pick up off the back of the wings like in the movie, just rotate inside the wings.

Don't even know what purpose those other braces near the shoulders serve, but they're there for accuracy.

Very happy with how posable it all is, where the blade tips can fan out, and the whole limb can bend pretty far forward in front of the minifigure.

Let me know what you think/if you have suggestions for improvements!

The range that divides the southern limits of Kinnaur and Shimla, can be seen from many places on the NH-22 beyond Shimla. Precisely this range shoots above Nichar in Kinnaur and runs almost parallel to the Shrikhand Mahadev Range. Its named Gangdhari Dhar in few maps that i have found over time and forms the dividing line between Sutlej Valley of Kinnaur to North & Pabbar Valley of Shimla to its South.

 

The highest peak on the Gangdhari Dhar happens to be Hansbeshan at 5240m above MSL. I am not aware who named it or any reported ascents, but its name is kind of queer, more of European.

 

While reading the great Indian adventurist Mr. Harish Kapadia's account of his visit to the area to attempt Hansbeshan in winters, i found out that its referred to as the "peak where the sun first rises" and more so, its also been identified with the Matterhorn, not only in terms of its shape but also on account of the difficulty. Mr. Kapadia's reference to the peak as "where the sun first rises" appears to be an analogy to the Goddess Usha of Nichar, since she's the Hindu Goddess of Dawn and the peak rises above Nichar.

 

The shot has been made from the much venerated Shraikoti Temple in the Daranghati Wildlife Sanctuary of District Shimla. Daranghati Sanctuary is 40-45kms from Rampur, of which 10-15kms is unmetalled but motor-able road. The top offers magnificent views like these besides peaks in Bhaba Valley of Kinnaur & entire Shrikhand Range of Kullu.

 

_AS_

 

© Anshul Soni, All Rights Reserved.

This image is NOT available for use on websites, blogs or any other media without the explicit written permission of the photographer.

Precisely one hour before sundown on the shore of Lake Erie, sunbeams illuminate Kelleys Island.

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***** Selected for sale in the GETTY IMAGES COLLECTION on January 28th 2015

  

CREATIVE RF gty.im/534855649 MOMENT OPEN COLLECTION**

  

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Photograph taken at an altitude of Nine metres, in the magic of the Golden hour around sunrise at 05:41am, (sunrise was at precisely 06.15am) on Saturday 6th September 2014 off the Patricia Bay Highway 17, on Lochside Drive close to Frost Avenue and the Lochside Waterfront Park, in beautiful Sidney by the sea on Vancouver Island, British Columbia, Canada.

  

Here, we are looking over towards Mt Baker in Washington State, USA from beautiful Sidney by the sea on Vancouver Island, British Columbia, Canada. Also known as Koma Kulshan, (pronounced kō-ō’mah’ kool-shän’),she is an active glaciated andesitic stratovolcano in the Cascade Volcanic Arc and the North Cascades of Washington State in the United States, standing 3,286 metres tall and was first ascended in 1868, her last eruption recorded in 1880.

  

The name Mount Baker first appeared in print in Captain Vancouver’s 1798 narrative of his voyage around Vancouver Island. Legend has it that his third-lieutenant, Joseph Baker, was the first to spot the mountain while they sailed into Dungeness Bay on April 30th, 1792. Also known by the Lummi as Kwud-Shad, and Koba (meaning 'high mountain always covered with snow', was the Skagit name.

  

These Canada Geese, along with many other small groups, fly across the lake from East to West every morning and back again every evening at Sunset, and I love to watch the classic Vee formations and listen to the honking as they pass me by. In flight, a group of Geese are called, a Skein.

 

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Nikon D800 70mm 1/1000s f/2.8 iso100 RAW (14 bit) Manual focus. Manual exposure. Matrix metering. Auto white balance.

  

Nikkor AF-S 70-200mm f/2.8G ED IF VRII. Jessops 77mm UV filter. Nikon MB-D12 battery grip. Two Nikon EN-EL batteries. Nikon DK-17M Magnifying Eyepiece. Nikon DK-19 soft rubber eyecup. Manfrotto MT057C3 057 Carbon Fiber Tripod 3 Sections (Payload 18kgs). Manfrotto MH057M0-RC4 057 Magnesium Ball Head with RC4 Quick Release (Payload 15kgs). Manfrotto quick release plate 410PL-14.Jessops Tripod bag. Optech Tripod Strap.Digi-Chip 64GB Class 10 UHS-1 SDXC. Lowepro Transporter camera strap. Lowepro Vertex 200 AW camera bag. Nikon MC-DC2 remote shutter release. Nikon GP-1 GPS unit.

  

LATITUDE: N 48d 38m 15.77s

LONGITUDE: W 123d 24m 12.83s

ALTITUDE: 8.0m

  

RAW (TIFF) FILE SIZE: 103.00MB

PROCESSED (JPeg) SIZE: 8.12MB

  

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Processing power:

HP Pavillion Desktop with AMD A10-5700 APU processor. HD graphics. 2TB with 8GB RAM. 64-bit Windows 8.1. Verbatim USB 2.0 1TB desktop hard drive. Nikon VIEWNX2 Version 2.10.0 64bit. Adobe photoshop Elements 8 Version 8.0 64bit

  

Mussolini drove this avenue straight through the medieval Borgo in the 1930s precisely so the dome would stand framed at its end like this, and at night the staging reveals itself fully. I planted myself low on the cobbles of the Via della Conciliazione and let the receding street lamps — those travertine pylons Piacentini lined the avenue with — do the perspective work, marching the eye toward Maderno's facade and Michelangelo's floodlit dome beyond. A long exposure was the only honest choice here: it pulls detail from the lamplit palazzi flanking the road and lets the basilica glow against a near-black sky.

 

Including the family walking ahead of me was deliberate. Their small dark silhouettes give the avenue its true scale and turn a postcard view into a moment — pilgrims and tourists drawn down the same processional axis the architecture was built to compel. Scaffolding climbs the building at left, the unromantic reality of a working city that I chose not to crop away. Warm sodium light on the foreground stone, cooler floods on the dome, an Egyptian-style obelisk lamp standard mid-frame: Rome performing itself, and inviting you to walk straight into the performance.

 

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***** Selected for sale in the GETTY IMAGES COLLECTION on March 2nd 2015

  

CREATIVE RF gty.im/540737883 MOMENT OPEN COLLECTION**

  

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Photograph taken at an altitude of Nine metres, in the magic of the Golden hour around sunrise at 05:41am, (sunrise was at precisely 06.15am) on Saturday 6th September 2014 off the Patricia Bay Highway 17, on Lochside Drive close to Frost Avenue and the Lochside Waterfront Park, in beautiful Sidney by the sea on Vancouver Island, British Columbia, Canada.

  

Here, we are looking over towards Mt Baker in Washington State, USA from beautiful Sidney by the sea on Vancouver Island, British Columbia, Canada. Also known as Koma Kulshan, (pronounced kō-ō’mah’ kool-shän’),she is an active glaciated andesitic stratovolcano in the Cascade Volcanic Arc and the North Cascades of Washington State in the United States, standing 3,286 metres tall and was first ascended in 1868, her last eruption recorded in 1880.

  

The name Mount Baker first appeared in print in Captain Vancouver’s 1798 narrative of his voyage around Vancouver Island. Legend has it that his third-lieutenant, Joseph Baker, was the first to spot the mountain while they sailed into Dungeness Bay on April 30th, 1792. Also known by the Lummi as Kwud-Shad, and Koba (meaning 'high mountain always covered with snow', was the Skagit name.

  

These Canada Geese, along with many other small groups, fly across the lake from East to West every morning and back again every evening at Sunset, and I love to watch the classic Vee formations and listen to the honking as they pass me by. In flight, a group of Geese are called, a Skein.

 

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Nikon D800 70mm 1/1000s f/2.8 iso100 RAW (14 bit) Manual focus. Manual exposure. Matrix metering. Auto white balance.

  

Nikkor AF-S 70-200mm f/2.8G ED IF VRII. Jessops 77mm UV filter. Nikon MB-D12 battery grip. Two Nikon EN-EL batteries. Nikon DK-17M Magnifying Eyepiece. Nikon DK-19 soft rubber eyecup. Manfrotto MT057C3 057 Carbon Fiber Tripod 3 Sections (Payload 18kgs). Manfrotto MH057M0-RC4 057 Magnesium Ball Head with RC4 Quick Release (Payload 15kgs). Manfrotto quick release plate 410PL-14.Jessops Tripod bag. Optech Tripod Strap.Digi-Chip 64GB Class 10 UHS-1 SDXC. Lowepro Transporter camera strap. Lowepro Vertex 200 AW camera bag. Nikon MC-DC2 remote shutter release. Nikon GP-1 GPS unit.

  

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LATITUDE: N 48d 38m 15.77s

LONGITUDE: W 123d 24m 12.83s

ALTITUDE: 8.0m

  

RAW (TIFF) FILE SIZE: 103.00MB

PROCESSED (JPeg) SIZE: 9.00MB

  

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Processing power:

HP Pavillion Desktop with AMD A10-5700 APU processor. HD graphics. 2TB with 8GB RAM. 64-bit Windows 8.1. Verbatim USB 2.0 1TB desktop hard drive. Nikon VIEWNX2 Version 2.10.0 64bit. Adobe photoshop Elements 8 Version 8.0 64bit

   

Unable to precisely ID. Any help would be appreciated. Taken after a light rain shower.

...It is precisely this noisy chaotic mind that keeps us ignorant of the deeper reality of God as the ground of our being. This ignorance is pervasive and renders us like the proverbial deep-sea fisherman, who spends his life fishing for minnows while standing on a whale...

 

...Awareness is the eye of silence....

 

-Into the Silent Land: A Guide to the Christian Practice of Contemplation by Martin Laird

The bench of Puck privateer.

The figure refers to the old history of the Puck and it's done very precisely with attention on details. A privateer or "corsair" was a private person or ship authorized by a government by letters of marque to attack foreign vessels during wartime. Privateering was a way of mobilizing armed ships and sailors without having to spend treasury resources or commit naval officers. The cost was borne by investors hoping to profit from prize money earned from captured cargo and vessels. The proceeds would be distributed among the privateer's investors, officers, and crew. Puck city prefects organized a privateer fleet on the Baltic Sea in the 16-th and 17-th centuries which was the terror of enemy ships, especially Swedish.

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Ławeczka Puckiego Kapra.

Postać nawiązuje do dalekiej historii Pucka i charakteryzuje się niebywałą precyzją wykonania oraz dbałością o najmniejsze szczegóły. Dumny kaper dzierży w dłoni szablę, wspierając się na beczce.

Kaper to dowódca i załogant uzbrojonego statku handlowego, walczący na własny koszt i ryzyko w służbie króla prowadzącego wojnę na morzu. Monarcha zapewniał piratowi ochronę prawną, prawo do bandery królewskiej i większość zysków. W 1568 r. powołana Komisja Morska podniosła Puck do rangi portu wojennego Rzeczypospolitej. Starostowie z rodu Wejherów organizowali flotę kaperską będącą na Bałtyku w XVI i XVII wieku postrachem wrogich okrętów zwłaszcza szwedzkich.

Photograph taken at an altitude of Nine metres, in the magic of the Golden hour around sunrise at 05:41am, (sunrise was at precisely 06.15am) on Saturday 6th September 2014 off the Patricia Bay Highway 17, on Lochside Drive close to Frost Avenue and the Lochside Waterfront Park, in beautiful Sidney by the sea on Vancouver Island, British Columbia, Canada.

  

Here, we are looking over towards Mt Baker in Washington State, USA from beautiful Sidney by the sea on Vancouver Island, British Columbia, Canada. Also known as Koma Kulshan, (pronounced kō-ō’mah’ kool-shän’),she is an active glaciated andesitic stratovolcano in the Cascade Volcanic Arc and the North Cascades of Washington State in the United States, standing 3,286 metres tall and was first ascended in 1868, her last eruption recorded in 1880.

  

The name Mount Baker first appeared in print in Captain Vancouver’s 1798 narrative of his voyage around Vancouver Island. Legend has it that his third-lieutenant, Joseph Baker, was the first to spot the mountain while they sailed into Dungeness Bay on April 30th, 1792. Also known by the Lummi as Kwud-Shad, and Koba (meaning 'high mountain always covered with snow', was the Skagit name.

  

These Canada Geese, along with many other small groups (known as a Skein of geese), fly across the lake from East to West every morning and back again every evening at Sunset, and I love to watch the classic Vee formations and listen to the honking as they pass me by.

  

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Nikon D800 70mm 1/1000s f/2.8 iso100 RAW (14 bit) Manual focus. Manual exposure. Matrix metering. Auto white balance.

  

Nikkor AF-S 70-200mm f/2.8G ED IF VRII. Jessops 77mm UV filter. Nikon MB-D12 battery grip. Two Nikon EN-EL batteries. Nikon DK-17M Magnifying Eyepiece. Nikon DK-19 soft rubber eyecup. Manfrotto MT057C3 057 Carbon Fiber Tripod 3 Sections (Payload 18kgs). Manfrotto MH057M0-RC4 057 Magnesium Ball Head with RC4 Quick Release (Payload 15kgs). Manfrotto quick release plate 410PL-14.Jessops Tripod bag. Optech Tripod Strap.Digi-Chip 64GB Class 10 UHS-1 SDXC. Lowepro Transporter camera strap. Lowepro Vertex 200 AW camera bag. Nikon MC-DC2 remote shutter release. Nikon GP-1 GPS unit.

  

LATITUDE: N 48d 38m 15.77s

LONGITUDE: W 123d 24m 12.83s

ALTITUDE: 9.0m

  

RAW (TIFF) FILE SIZE: 103.00MB

PROCESSED (JPeg) SIZE: 11.27MB

  

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Processing power:

HP Pavillion P6-2388EA Desktop with AMD A10-5700 APU processor. AMD Radeon HD 7570 graphics. 2TB with 8GB RAM. 64-bit Windows 8.1. Verbatim USB 2.0 1TB desktop hard drive. Nikon VIEWNX2 Version 2.10.0 64bit. Adobe photoshop Elements 8 Version 8.0 64bit

  

I have been unable to locate precisely where in Salisbury this garage was but will keep trying - if anyone in the meantime happens to know that would save me some more effort! I think my favourite aspect of this photo has to be the Opel Manta far left - a model of car I very seriously considered buying back in the early 1990's but never actually did. The other standout car in this photo is probably the Triumph Dolomite over to the right. Shame the photo isn't quite in focus but still a nice example of the back street garage of this era.

A couple of Saturdays ago (or more precisely Fridays ago) Threadspider said that she'd seen details of a dawn chorus guided walk from Great Chalfield Manor near Melksham and that all you had to do was turn up at 5:30 and meet the guide. So we got up at 4:30 (yes, 4:30) the following morning and trugged off to Great Chalfield. Surprise surprise, there was no-one there. We waited, listening to the dawn chorus unguided, and waited some more taking photos. Of course, no-one showed, so we went for a walk anyway. The net result was some lovely views of the sun coming up, of which this is one.

 

More to follow.

 

Little Chalfield, Wiltshire [?]

The Monostor Fortress - the largest modern fortress in Central Europe - was built between 1850 and 1871. A UNESCO World Heritage Site, the neoclassical military monument is a fascinating sight with its huge walls of precisely hewn stone, the 3-4 metre thick earthen ramparts covering the defences and its network of underground passages (kazamata) several kilometres long.

 

Its monumental dimensions are evidenced by the following figures: The fortress covers 25 hectares, the total area including the firing ranges is 70 hectares, the floor area of the buildings is 25 680 m2 and the number of rooms is 640.

  

After the fortress was built, it served generations of soldiers of the Hungarian Defence Forces. Its tasks included the defence of the central fortress (North - Komárom) and the control of shipping on the Danube. It was never used in combat and served mainly as a training centre and weapons depot. During the First World War it was used as a conscription and training centre. During the Second World War, the 22nd Infantry Regiment had its headquarters at Fort Monostor, and the soldiers of the 1st and 2nd Infantry Regiments were stationed there. After the Second World War.

  

Between 1945 and 1990, the Red Army's Army Group South set up the largest ammunition depot in Central Europe in the fort. With their withdrawal, the military function of the fortress ended forever.

  

Today the fort is a popular destination with a military history exhibition, Cold War vehicles, a bread museum, a boat exhibition and numerous events.

 

www.iranykomarom.hu/en/fort-monostor-en

Precisely out-of-step, 180 degrees; in-step, together. But, of course, anything less than in-step is out-of-step. Kinda funny when you think about it. Dancers can appreciate the meaning of that.

This hopper is about 5mm in length !!!

 

Treehoppers (more precisely typical treehoppers to distinguish them from the Aetalionidae) and thorn bugs are members of the family Membracidae, a group of insects related to the cicadas and the leafhoppers. There are about 3,200 known species of treehoppers in over 600 genera. They are found on all continents except Antarctica, although there are only three species in Europe.

 

They are best known for their enlarged and ornate pronotum, which most often resembles thorns, apparently to aid camouflage. But in some species, the pronotum grows to a horn-like extension, and even more bizarre and hard-to-describe shapes are also found .

 

They pierce plant stems with their beaks, and feed upon sap. The immatures can frequently be found on herbaceous shrubs and grasses whereas the adults more often frequent hardwood tree species. Excess sap becomes concentrated as honeydew, which often attracts ants. Some species have a well developed ant mutualism, and these species are normally gregarious as well, which attracts more ants. The ants provide protection from predators.

 

Have a nice day, friends !!!

 

See this beauty On Black here

Looking east to the eastern edge of the town.

 

"Piesport is a local community in the Bernkastel-Wittlich district in Rhineland-Palatinate and the largest wine-growing town in the Mosel wine-growing region. She has been a member of the Bernkastel-Kues municipality since January 1, 2012.

 

The local community is located, surrounded by vineyards, meadows and forests, on a loop of the Moselle that bulges out to the north in the Moselle valley between Bernkastel-Kues and Trier, more precisely between Minheim and Neumagen. The district of Piesport is located on the left bank of the river on the Eifel side. On the opposite, gently rising side of the river on the Hunsrück side is the Müstert district and a little further downstream, at the exit of the loop, is the Reinsport district. The higher district around the church of St. Martin is Emmel. Ferres is located slightly upstream on the left bank of the river. Müstert used to consist of just a few houses that gather around the All Saints Chapel at the bridgehead of the lower of the two Moselle bridges. This district grew together with Emmel and Reinsport over the centuries and formed the independent municipality of Niederemmel until the administrative reform in 1969. The B 53, the Moseluferstrasse, runs through the district of Niederemmel. From here, at a roundabout at the entrance to the town from the direction of Neumagen, the L 50 branches off to the north over the Moselle bridge to Klausen and the L 156 branches off to the south towards Neumagen-Dhron.

 

It can be assumed that in Roman times there was a ford through the Moselle at the site of today's town, through which wagons could drive when the water level was low. This ford was dedicated to Mercurius Bigentius, a local deity, from which the name Porto Pingontio was derived, which gradually became Piesport.

A sanctuary was also dedicated to Bigentius, which stood on the northern, left-hand bank on the mountain slope and which is now only remembered by the chapel house, which is also popularly known as Michelskirch ( Lage→ ). In Christian times it was replaced by a church dedicated to the Archangel Michael, which was attested in 1350 as the matrix ecclesia (“mother church”). Because of the long and arduous journey to the parish of Piesport on the banks of the Moselle, a new church was finally built, today's parish church of St. Michael.

 

The Romans already settled in the region around Piesport. The vineyards framed the place “like the tiers of an amphitheater,” wrote the poet Ausonius. The largest Roman wine press north of the Alps was discovered and partially reconstructed in 1985 between the districts of Alt-Piesport and Ferres. It is the center of the Roman Press Festival, which takes place annually on the second weekend in October. In 1950, a Roman diatret jar was found in a sarcophagus in a burial ground near Niederemmel, which is now in the Rheinisches Landesmuseum Trier. Witnesses to the Roman era are also the Roman road (L 157) on the height between Niederemmel and Morbach, where a Roman grave was found near the Tonnkopf hunting lodge, as well as the Römerhof on the southern outskirts of Niederemmel. There was also a Roman milestone at the Tonnkopf.

 

The first documented mention of Piesport was in 776. Between 1506 and 1508, Piesport lost 82 of its 95 citizens (households) to the plague. In the Middle Ages and early modern times, Piesport was part of Kurtrier. From 1794 the area was under French rule, and in 1815 it was assigned to the Kingdom of Prussia at the Congress of Vienna. Since 1946 it has been part of the then newly formed state of Rhineland-Palatinate.

 

Today's community was re-formed on June 7, 1969 from the dissolved communities of Piesport (then 503 residents) and Niederemmel (1,633 residents).

 

Mosel (German: [ˈmoːzl̩]) is one of 13 German wine regions (Weinbaugebiete) for quality wines (Qualitätswein, formerly QbA and Prädikatswein), and takes its name from the Mosel River (French: Moselle; Luxembourgish: Musel). Before 1 August 2007 the region was called Mosel-Saar-Ruwer, but changed to a name that was considered more consumer-friendly. The wine region is Germany's third largest in terms of production but some consider it the leading region in terms of international prestige.

 

The region covers the valleys of the rivers Mosel, Saar, and Ruwer from near the mouth of the Mosel at Koblenz and upstream to the vicinity of Trier in the federal state of Rhineland-Palatinate. The area is known for the steep slopes of the region's vineyards overlooking the river. At 65° degrees incline, the steepest recorded vineyard in the world is the Calmont vineyard located on the Mosel and belonging to the village of Bremm, and therefore referred to as Bremmer Calmont. The Mosel is mainly famous for its wines made from the Riesling grape, but Elbling and Müller-Thurgau also contribute to the production, among others.

 

In the past two decades red wine production, especially from the Spätburgunder (Pinot noir), has increased in the Mosel and throughout the German vignoble and has become of increasing interest to the international wine community. Because of the northerly location of the Mosel, the Riesling wines are often light, tending to lower alcohol, crisp and high in acidity, and often exhibit "flowery" rather than or in addition to "fruity" aromas. Its most common vineyard soil is derived in the main from various kinds of slate deposits, which tend to give the wines a transparent, mineralic aspect, that often exhibit great depth of flavor. In the current era of climate change much work has been done to improve and gain acceptance for completely dry ("Trocken") Rieslings in this region, so that most of the more famous makers have found acceptance for such wines, particularly in Europe." - info from Wikipedia.

 

Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.

 

Now on Instagram.

 

Become a patron to my photography on Patreon or donate.

WEEK 8 – Batesville Kroger, Set II

 

(cont.) …not a problem, I say! Pssh… what a pansy.

 

 

Yes, I set that up precisely so I could make that joke. #notsorry

 

(ahem) Back to the topic at hand… I gave up my description to the previous photo, but in reality I really did mean to point out that I quite like the look of the floral department! The salesfloor placement is quite similar to Kroger’s old greenhouse stores, but of course as we discussed last time this store did not begin its life as a Kroger. The “flowers” sign itself could use a tiny bit of help with its “L,” but other than that, it all looks good!

 

And in this shot, right next to flowers, we see the transition point from produce to the next department along the perimeter wall, as marked by that paint changeover on either side of the tree stenciling. This is the same spot my original teaser photo from this store looks at – and, if you take a close look at the merchandise placed in the open-face cooler below the tree, perhaps now you’ll realize its significance… (cont.)

 

(c) 2019 Retail Retell

These places are public so these photos are too, but just as I tell where they came from, I'd appreciate if you'd say who :)

Source: en.wikipedia.org/wiki/Dublin

 

Dublin (Irish: Baile Átha Cliath) is the capital and largest city of Ireland. It is on the east coast of Ireland, in the province of Leinster, at the mouth of the River Liffey, and is bordered on the south by the Wicklow Mountains. It has an urban area population of 1,173,179, while the population of the Dublin Region (formerly County Dublin), as of 2016, was 1,347,359, and the population of the Greater Dublin area was 1,904,806.

 

There is archaeological debate regarding precisely where Dublin was established by the Gaels in or before the 7th century AD. Later expanded as a Viking settlement, the Kingdom of Dublin, the city became Ireland's principal settlement following the Norman invasion. The city expanded rapidly from the 17th century and was briefly the second largest city in the British Empire before the Acts of Union in 1800. Following the partition of Ireland in 1922, Dublin became the capital of the Irish Free State, later renamed Ireland.

 

Dublin is a historical and contemporary centre for education, the arts, administration and industry. As of 2018 the city was listed by the Globalization and World Cities Research Network (GaWC) as a global city, with a ranking of "Alpha −", which places it amongst the top thirty cities in the world.

 

Source: en.wikipedia.org/wiki/Arthur_Guinness

 

Arthur Guinness (24 September 1725 – 23 January 1803) was an Irish brewer and the founder of the Guinness brewery business and family. He was also an entrepreneur and philanthropist.

 

At 27, in 1752, Guinness's godfather Arthur Price, the Church of Ireland Archbishop of Cashel, bequeathed him £100 in his will. Guinness invested the money and in 1755 had a brewery at Leixlip, just 17 km from Dublin. In 1759, Guinness went to the city and set up his own business. He took a 9,000-year lease on the 4-acre (16,000 m2) brewery at St. James's Gate from the descendants of Sir Mark Rainsford for an annual rent of £45.

 

Guinness's flowery red signature is still copied on every label of bottled Guinness.

 

Source: en.wikipedia.org/wiki/Guinness_Storehouse

 

Guinness Storehouse is a tourist attraction at St. James's Gate Brewery in Dublin, Ireland. Since opening in 2000, it has received over four million visitors.

 

The Storehouse covers seven floors surrounding a glass atrium shaped in the form of a pint of Guinness. The ground floor introduces the beer's four ingredients (water, barley, hops and yeast), and the brewery's founder, Arthur Guinness. Other floors feature the history of Guinness advertising and include an interactive exhibit on responsible drinking. The seventh floor houses the Gravity Bar with views of Dublin and where visitors may drink a pint of Guinness included in the price of admission, which was €18.50 on 15 October 2018 with discounts depending on dates and times, described as "overpriced" by Condé Nast Traveler. In 2006, a new wing opened incorporating a live installation of the present-day brewing process.

 

Source: en.wikipedia.org/wiki/Guinness_Brewery

 

St. James's Gate Brewery (Irish: Grúdlann Gheata Naomh Séamuis) is a brewery founded in 1759 in Dublin, Ireland, by Arthur Guinness. The company is now a part of Diageo, a British company formed from the merger of Guinness and Grand Metropolitan in 1997. The main product of the brewery is Guinness Draught.

 

Originally leased in 1759 to Arthur Guinness at IR£45 (Irish pounds) per year for 9,000 years, the St. James's Gate area has been the home of Guinness ever since. It became the largest brewery in Ireland in 1838, and the largest in the world by 1886, with an annual output of 1.2 million barrels. Although no longer the largest brewery in the world, it remains as the largest brewer of stout. The company has since bought out the originally leased property, and during the 19th and early 20th centuries the brewery owned most of the buildings in the surrounding area, including many streets of housing for brewery employees, and offices associated with the brewery. The brewery also made all of its own power using its own power plant.

 

There is an attached exhibition on the 250-year-old history of Guinness, called the Guinness Storehouse.

 

Source: en.wikipedia.org/wiki/Guinness

 

Guinness is a dark Irish dry stout that originated in the brewery of Arthur Guinness at St. James's Gate, Dublin, Ireland, in 1759. It is one of the most successful beer brands worldwide, brewed in almost 50 countries, and available in over 120. Sales in 2011 amounted to 850 million litres (220,000,000 US gal). It is popular with the Irish, both in Ireland and abroad. In spite of declining consumption since 2001, it is still the best-selling alcoholic drink in Ireland where Guinness & Co. Brewery makes almost €2 billion worth annually.

 

Guinness' burnt flavour derives from malted barley and roasted unmalted barley, a relatively modern development, not becoming part of the grist until the mid-20th century. For many years, a portion of aged brew was blended with freshly brewed beer to give a sharp lactic acid flavour. Although Guinness's palate still features a characteristic "tang", the company has refused to confirm whether this type of blending still occurs. The draught beer's thick, creamy head comes from mixing the beer with nitrogen and carbon dioxide.[6]

 

The company moved its headquarters to London at the beginning of the Anglo-Irish Trade War in 1932. In 1997, Guinness Plc merged with Grand Metropolitan to form the multinational alcoholic-drinks producer Diageo plc, based out of London.

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