View allAll Photos Tagged postprocessing

100% crops.

 

The image on the left was sharpened with Photoshop's un-sharp mask (USM) using 150%, .5 pixels.

 

The image on the right was sharpened by

1) creating a duplicate layer

2) setting it to overlay

3) Run the high-pass filter (filters > other > high pass) with a setting of 5px.

4) Sharpening the high-pass layer with the USM settings above.

  

8.30pm Saturday March 28, 2009

Lights-off to see your world in a new light

 

www.earthhour.org

 

courtesy of goole.earth from my PC

taken with sigma 10-20mm....

just a test shot but i think i will love this lens,

looking forward to own one....

model: charlie clarke

photographer: saravut frank sopapunta (www.sfsfilm.com)

 

the version of this photo that i presented to the client wasn't quite as artistic

she only needed the background repaired and to have it be consistent with the other photos of this and another model

 

i always thought this photo would make a great portrait on its own right

so i recently went back to the original photo and started again and fixed it like i originally saw it in my head

 

MM#: 784960

My colleague Georg at a local strobist shooting. Postprocessed in the Dave Hill manner.

 

Strobist info: Sunlight from sundown left of camera, shoothrough umbrella with SB26 triggered by Cactus at 1/4 power from camera right. Taken outdoor in a park against the clouded sky.

 

Comments and critiques very welcome.

Single Shot HDR with some color gradients

KORD CHICAGO O'HARE

shot this on the flight from Chennai to Pune.

heavily post-processed, but happy with the results :-)

comments & suggestions welcome

Playing around at the lake today, then applying some heavy post processing. Shots taken with my 85mm f/1.8 lens.

new digital watercolors

0057 Playing with PS HDR toning and gradient map. Trying to separate myself from the average shooter with post processing. Any and all critique is welcome!

70th Anniv Green Mountains Boys' VT ANG F16

just messing around with 50mm and raw files..

   

Short trip to an abandoned power plant.

KLAS LAS VEGAS MCCARAN

KLAS LAS VEGAS MCCARAN

GoPro wide-angle madness!

www.saucissons.com.au

 

He had a stall at the markets on wednesday, amazing Foie Gras!

I posted a high key shot of my daughter quite some time ago www.flickr.com/photos/mexipickle/2617561702/ . My wife is interested in doing a pair of high key shots of our two kids...so I dug this shot out of the recent ones I've taken and did some PP to it.

 

Do you think it works? Does it pair up with the other one? Please share your comments/critiques with me.

EJ Says:嚕嚕跟Angry Bird好像

 

RU Says:躲貓貓

 

上邊是EJ下邊是RU

Fun post processing of a unique structure in Lisbon's expo center

Scanned from 35mm shot, then post-processed for a 90% sepia tone, plus other enhancements.

Photographed by A.Zai

This is a reference for all my photos this week: Duchemin recommended that, "next time you’re photographing something, take a little extra time to be aware of what is in, and out, of the frame, and try moving—do a complete circle around your subject if you have to—and see if you can’t strengthen your image that way." I did just that with all my photos this week, I made sure to carefully frame each image, I shot at different angles and different distances.

He also recommended to use a wider aperture and get closer to create a shallower DOF.

 

He said, “A softer focus on the background can diminish the pull on the eye, which in turn strengthens the impact of the elements in focus.”

  

My intention with this photo was to try to create tonal contrast by isolating the subject with post processing.

 

I think it has great tonal contrast I tried to photographer from the "dead cats" POV playing with his pumpkin toy.

 

For editing: I did some cleaning up. Sharpened and used noise reduction. I also did some dodging and burning, cropped and finished editing in ACR. I added B&W layer and tweaked the color mixer to my liking. Added curves layer, B & W layer, vignetting and brightness and contrast

From the grave of Joseph Crapp, shipwright, Cornwall 1779.

 

'His end was all most sudden

As hour the mandate came

Expess from Heaven -

His foot did slip, and he did fall

Help, help, he cries

And that was all'.

 

Pogrzebałem trochę w starszych zdjęciach i znalazłem to

Postprocessed with a touch of soft lighting and burning. With 3 layers.

This is the original photograph of an abandoned chicken barn that I photoshopped into a somewhat different and, I hope, better image last month. I edited it extensively to begin with------and now, I'd like to see what the PostProcess group can do to improve it.

 

www.flickr.com/groups/postprocess/discuss/72157594534704752/

Hey, Sis...this is for you:) I started out trying to do something entirely different with text, and got it all wrong. So, here is this instead!

  

nothing special just a ordinary same monday... reprocess this out of boredom. cheers!

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