View allAll Photos Tagged postprocessing
Their card says, "2HatLadies" and they sell their handmade children's hats at the Columbus Farmers Market. They are adorable hats and so colorful!
Tricolored Heron's Breeding Plumage: I couldn't decide which one I like better so I posted both...hehe!
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The antilopes i've photographed in the zoo. This picture is a composing which should look like i've captured them in the wild nature.
I hope people get a look at this photo, since the thumbnail is just a blot of color... because I dig this one. Took forever to get this processing just the way I thought it should be.
Shot from the roof of a Kaiser parking structure in Los Feliz with a Canon 30D, and processed using Lightroom 2.
This little one comes to the feeder for Sunflower Seeds, but loves to show up when I sprinkle mixed seeds on the ground in the garden. This one visited late one afternoon while I was lying on my hammock enjoying the day!
Art of Architecture, opened in 2016, on Seneca Street in Geneva, NY.
I liked the building's colors as soon as I spotted it. If you want to see what the exterior looked like before being redone, check out the bottom of this page:
This is not the best photograph, but I wanted to post it because for all the photo posing he did for me (he freezes when confronted), this Black Rat Snake did move a bit. I thought he was going back under the porch, but this is how I left him when I went onto the porch. Less than a minute later, he was gone!
... so it makes everything she hears now seem very far away ~Story People
Saturday 16th May 2009
Today, following a 3-year trial, Western Australia held its 4th referendum in 33 years to decide whether or not to keep daylight savings on a permanent basis. Perhaps, they'll keep asking until they get the answer they want, but so far it's been 'no' each time. It's a controversial matter here in WA ...
But I don't really care, and selfishly I'm annoyed it's compulsory to vote - on the weekend (doh!!) and when it's on a matter I don't care about (doh! doh!!).
I'm especially annoyed because Brad and I went where we've always gone to vote: the local primary school. It's the first time we've been there since Toby died, and it was so weird to walk past the class rooms and into the polling area in the assembly hall, where we used to watch Toby and her class perform in school concerts. It seems like no time at all since she was a little girl. And yet so much has happened since then and it's changed everything (for me at least). I thought they would have removed her name from the electoral roll - but it was still there - just below mine. It was a shock to see it.
It is one of the the most frequent (and most touching) comments I get on my photography...and that is the 'look' I achieve in my post-processing.
I recently created a class with skillshare.com where I am sharing the basics of my post-processing workflow. Here is the official class description:
*****
Creating unique image edits is fast and easy in Adobe Lightroom. By learning a few key elements, you can transform your photographs into a variety of looks. From a clean, basic edit into an edgy, cross-processed style....all it takes is a few simple adjustments. Explore your creativity and discover the endless possibilities in your post-processing workflow. This 60 minute class will provide you all of the tools and techniques you need to create custom edits that reflect your unique photographic vision.
*****
The class is about an hour long and in this course I share my start-to-finish editing process and give you step-by-step instructions for creating four unique post-processing variations.
www.skillshare.com/classes/photography/Adobe-LightroomOne...
Thank you all so much for all the kind words and lovely comments on my images here. I am so grateful for the friendships and inspiration in this wonderful Flickr community.
Love, Kelly
Green and the month of March go together so well in my mind! I couldn't help myself, so I had to play with this photograph, in iPhoto.
Canon EOS 7D
Ranked 4 of 282 Canon Cameras
1DX
5D
6D
7D
Tamron 70-300mm
Æ’/5.6 300.0 mm 1/2000s
www.youtube.com/watch?v=sgNHAmrBcE4
ISO 1600 - ohne Glättung
C3 definiert
für lowlight und sports
1.6x Crop
Da der kleinere APSC-Sensor nur die Bildmitte abbildet, sind vor allem die mit APSC-Kameras entstandene Bilder sehr scharf und weisen kaum chromatische Aberrationen oder Vignettierung auf.
ppc
edition by snapseed
Was gibt der Sensor noch her
Crop
Farben
details
Schatten aufgehellt
Rauschen hier egal
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Einer der größten Helfer bei Tele-Objektiven ist deshalb ein Bildstabilisator. Auch das Tamron-Tele-Objektiv verfügt über solch einen Bildstabilisator, zu erkennen an dem Namensbeisatz VC, das hier für den von Tamron entwickelten „Vibration Compensation“ Mechanismus steht und laut Tamron eine bis zu 4 Blendenstufen längere Belichtungszeit ermöglicht.
Die Steuereinheit dieses im Objektiv eingebauten Bildstabilisators verfügt über zwei Bewegungs-Sensoren, die horizontale und vertikale Vibrationen erfassen und an den Mikroprozessor melden. Der berechnet einen Rotationswinkel und gibt entsprechende Steuerbefehle an die Antriebseinheit weiter, auf der sich drei elektromagnetische Spulen befinden. Davor liegt auf einem Kugellager eine bewegliche Linse. Kommt es nun zu Vibrationen, bewegen die magnetischen Spulen die Linse entgegen der Vibrationsrichtung.
Dieser Vorgang wiederholt sich ganze 4000-mal pro Sekunde und gleicht damit ständig minimale Vibrationen aus.
Es sind zwar immer noch leichte Bewegungen zu sehen, sodass sich der Bildstabilisator zum Filmen nur bedingt eignet, aber beim Fotografieren ist er für verwacklungsfreie Bilder aus der Hand fast unverzichtbar und sorgt dafür, dass man das Stativ zum Fotografieren meistens auch unbesorgt zuhause lassen kann.
Postprocessing by Morrismulvey - check out his stream: www.flickr.com/photos/morrismulvey/
Take a look at the image on a black backgorund
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In one of my previous uploads I mentionned I was willing to send to the source files for further "experimentation". Morrismulvey was interested....and he sent me this result...it is a different style...that I like.
The stained glass in the back is better than in my image, it is less overexposed (remains difficult eventhough it is based on picture taken at EV -2; in another visit a few days later to another church I also took some images at EV -3...I hope it will work better).
What especially attracks me in the image of morrismulvey is the better detailled statues, take a look at the front left statue and you will see the text that is much more visible under the statue.
Thanks Clarence for an interesting exchange of thoughts and information. I really enjoyed it!
Marathon photo, Limoges 21/10/06.
Photos Amerigoland & Jocko.Homo.
Digital Sony DSCP120, post-processed.
#AB_FAV_FREE_
I had been 'playing' with this concept for a while in my head. I called it (instead of the Silence of the Lambs) the Silence of the Bird. When I had the final result, it came to me immediately: VISUAL SILENCE.
I don't often 'dive' into the digital 'magical' darkroom that photoshop can be, but for certain projects it is a great creative tool!
Here, in the case of visual silence, what is being absorbed is not sound but gaze.
If silence is the absence of noise, then this visual silence is defined as the gradual absence, the vanishing, of what surrounds it, where we burrow from the visible surface to the invisible core.
Our focus on the image involves a diminution of the optic field:
in this sense, visual silence is like a poem, its power arising from its sheer vulnerability.
The image cannot be penetrated even by the most powerful of gazes because it is already open, in full view... and yet the transparency of the image, one that does not attempt to hide anything, is still capable of mystery.
Visual silence arrests us because it is the interface between two realms of partial knowledge: between he who does not know he is being watched and those who do not know what they are watching.
Some images leave us speechless, we watch them in silent awe.
Ultimately the camera is merely an extension of the human eye, it only sees and cannot wholly know what it is seeing.
Each time I think... that's it, there's only so much you can do with flowers... and yet again and again, I'll see something new.
Being creative is not a choice... it is an urge in me.
May PEACE be with you and thanx for everything, M, (*_*)
For more of my other work visit here: www.indigo2photography.com
Please do not use any of my images on websites, blogs or any other media without my explicit permission. © All rights reserved
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