View allAll Photos Tagged portrait_calendar
"Order a calendar." - Freya
Today is the last day! Message me if you want to order a calendar. $30. Dog and landscape calendars available, so just let me know which one you want. Thanks!
I was asked to be one of a handful of photographers to contribute to a Movember fundraising calendar here in Ottawa. A group of beautiful and talented women were getting together to join the male-centric fundraiser and put their own spin on the 'Mo.
You can read about their fundraising efforts (and pick up a copy of the calendar) here: www.socialistas.ca
We were working in a very dark and tight space. I shot with speedlights only with fairly small modifiers. Anything too big created spill into the room and ruined the mood. I had to shoot this as a 3 image vertical panorama because I wanted the field of view the Sigma 35mm lens gave me.
Strobist info: teal-gel'd Canon 600EX-RT at camera right through a 36" photek softlighter with Cinefoil around the top to stop the light from hitting the ceiling too hard, gobo'd by the lovely lady in the dress.
A second Canon 600EX-RT, CTS'd, through a gridded 24" Lastolite Ezybox at camera left, just behind the pillar, aimed at our lovely mo-sista. Below that, a silver reflector is getting some light back onto her legs.
A 1/2 CTS & 1/2 CTG Lumopro LP180 with a 1/8th honl speed grid is Justin-clamped behind her on the bar for kicker on her head (at 1/128th power, because I wanted to cut it more and didn't have any ND gels).
Finally, a LP160 with two CTS gel's, zoomed in, is aimed up at the tungsten bulb on the ceiling and that spill goes back and fills in the back of the bar.
Triggered with a third Canon 600EX-RT in master with the flash off, because I forgot my ST-E3-RT at home :-\
More coming on the blog: www.JVLphoto.com
I'm so excited to show you a small sneak peak of what's coming in the 2011 Twig the Fairy Calendar.
This night photo taken by candle light using a Canon EOS 5D Mark II camera and Canon EF 85mm F/1.2L II USM Lens.
ISO 4000 and F/1.2 exposure
I will let you know when the calendar is released.
An unknown lady, but in the same workshop as this picture from elsewhere in the album - www.flickr.com/photos/whatsthatpicture/6631186033/in/phot...
See more images from this fascinating Edwardian Hook family album.
A picture I made for jewellery company for their calendar.
Strobist info:
Metz 58 AF-1 in umbrella camera right,
Photoshop retouch
Tonight is your last night in Las Vegas and surely you know you cannot leave Las Vegas without having a close intimate visit with the wonderful ladies of FANTASY. So go ahead and get a front row seat to see this excellent and highly rousing topless production show. Purchase an official FANTASY Showgirl portrait calendar after the show and all 12 Showgirls will sign your calendar. Now wouldn't that be really nice...
Here's an alternate version of the 2010 calendar... for those of you who prefer animals to landscapes. ;-) Details are as follows (same as for the landscape calendar).
Again, I'm using Photoworks... they do a great job with the printing and offer a classy-looking layout. Flat prices for this type of calendar, which is decently large - 11" x 16" - run $30 a piece, so they aren't cheap... but the quality is worth it. I'm marking them up a couple of bucks and asking $33, which ends up covering shipping when I order in bulk.
PLEASE let me know by Thursday, December 10th if you want a calendar in time for Christmas, as it will take that long to receive them and then get them shipped out again. If you live nearby and can pick up your calendar, it's $33... if you need the calendar shipped to you, it'll be $39, which will cover my shipping charges. (I know... with shipping it's rather pricey. But I still think it's worth it for the Photoworks quality, which is why I make these for my relatives each year).
Note: you can still order a calendar at any point after the 10th! It just won't reach you until after New Year's (most likely) Just send me an email.
but from the sweet July shades.
So I'm starting a new series.. a Calendar. I don't know if I'll use this one for it, because I don't think I want a self-portrait calendar. So I'll try to make more variety, i the meantime, tell me what you think.
So this took me 1/2 hour to make, 15 mins to shoot (My dog got a hold of the cones and I got some horrible shots of him attacking me, and he ain't no cute fluffy dog), 30 mins to edit, mostly because I could not make up my mind.
This was one of the images I shot for a friend who wanted a portrait calendar made for her husband's birthday. She had the idea of wearing a nice dress to sit in this lovely bulldozer.
Today's theme in We're Here! is "The 7th Annual Pikespice Copycat Day" (or, "Pikespice Made Me Do It").
I am paying homage to him by copying this photo from his photostream. This is my Brew Men calendar. Not only are we gazing on hard-working naked guys, the proceeds of the calendar go to a good cause.
This is last year's homage.
Solo exhibition at TTTT (These Things Take Time) in Ghent, Belgium, March - April 2016.
Videos in the above image here:
Bellmer Burlesque (front center)
rachelrampleman.com/burlesque-showgirl-studies/bellmer-bu...
Kinky Crush (right)
rachelrampleman.com/kinky-crushes/1
Nocturne (Blonde Venus) (far left)
rachelrampleman.com/burlesque-showgirl-studies/nocturnes-...
Rorschach Portrait (Calendar Girl) (back)
rachelrampleman.com/rorschach-portrait-calendar-girl-/1
These Things Take Time is pleased to announce Raw Power — the first European solo exhibition of Brooklyn–based artist Rachel Rampleman.
The multi-media work of New York artist Rachel Rampleman often deals with the excesses of popular culture, and with the exploration and examination of constructs of “feminine” identity as a recurrent subject within it. Part directorial, part curatorial, and part anthropological, she probes into oft–overlooked elements of pop culture to reveal an expanded landscape of contemporary life. Her astute observations — awash with empathy and rife with psychological complexity — hint at an underlying dissonance that straddles the absurd.
Rampleman’s work frequently showcases strong female personalities — women who are simultaneously aberrant and superhuman — who challenge the common clichés of masculinity and femininity, and who often assume roles typically associated with men. This is a landscape where sexual braggadocio or hyper-muscularity have become characteristic of feminine prowess. Working primarily with time-based media, Rampleman has made work ranging from documentary style videos such as Poison (My Sister Fucked Bret Michaels), to experimental video series such as Busby Berkeley 2.0 - in which nostalgic 1930s routines choreographed by Berkeley and performed by Hollywood showgirls are transformed into something more hypnotic, industrial and menacing, to micro-looped, multi-channel video installations such as Bodybuilder Vignettes, made from appropriated footage of professional female bodybuilders at a competition circa 2015.
For her solo exhibition at TTTT, Rampleman premiered several new works inspired by the essay “The Objectified Body” by TTTT curators Godart Bakkers and Charlotte Van Buylaere – commissioned for and featured in her artist book, “Baby's on Fire”. She transformed the space into an immersive audio/video installation, showcasing her latest forays into abstractions of the body/bodies, juxtaposed with recent works which inform and precede these newest pieces created for this show. I
In addition to this, TTTT hosted the European launch of her artist book '”Baby's on Fire'”, on the 27th, at the gallery during the Ghent Matinee. The artist talk was held with Joel Brenden, (designer of the book and visual artist) and moderated by CEPA director David Mitchell.
Solo exhibition at TTTT (These Things Take Time) in Ghent, Belgium, March - April 2016.
Videos in the above image here:
Busby Berkeley 2.0.1 (right)
rachelrampleman.com/burlesque-showgirl-studies/busby-berk...
Nocturne (Blonde Venus) ( left)
rachelrampleman.com/burlesque-showgirl-studies/nocturnes-...
Rorschach Portrait (Calendar Girl) (back)
rachelrampleman.com/rorschach-portrait-calendar-girl-/1
These Things Take Time is pleased to announce Raw Power — the first European solo exhibition of Brooklyn–based artist Rachel Rampleman.
The multi-media work of New York artist Rachel Rampleman often deals with the excesses of popular culture, and with the exploration and examination of constructs of “feminine” identity as a recurrent subject within it. Part directorial, part curatorial, and part anthropological, she probes into oft–overlooked elements of pop culture to reveal an expanded landscape of contemporary life. Her astute observations — awash with empathy and rife with psychological complexity — hint at an underlying dissonance that straddles the absurd.
Rampleman’s work frequently showcases strong female personalities — women who are simultaneously aberrant and superhuman — who challenge the common clichés of masculinity and femininity, and who often assume roles typically associated with men. This is a landscape where sexual braggadocio or hyper-muscularity have become characteristic of feminine prowess. Working primarily with time-based media, Rampleman has made work ranging from documentary style videos such as Poison (My Sister Fucked Bret Michaels), to experimental video series such as Busby Berkeley 2.0 - in which nostalgic 1930s routines choreographed by Berkeley and performed by Hollywood showgirls are transformed into something more hypnotic, industrial and menacing, to micro-looped, multi-channel video installations such as Bodybuilder Vignettes, made from appropriated footage of professional female bodybuilders at a competition circa 2015.
For her solo exhibition at TTTT, Rampleman premiered several new works inspired by the essay “The Objectified Body” by TTTT curators Godart Bakkers and Charlotte Van Buylaere – commissioned for and featured in her artist book, “Baby's on Fire”. She transformed the space into an immersive audio/video installation, showcasing her latest forays into abstractions of the body/bodies, juxtaposed with recent works which inform and precede these newest pieces created for this show. I
In addition to this, TTTT hosted the European launch of her artist book '”Baby's on Fire'”, on the 27th, at the gallery during the Ghent Matinee. The artist talk was held with Joel Brenden, (designer of the book and visual artist) and moderated by CEPA director David Mitchell.
Solo exhibition at TTTT (These Things Take Time) in Ghent, Belgium, March - April 2016.
Videos in the above image here:
Nocturne (Blonde Venus) ( left)
rachelrampleman.com/burlesque-showgirl-studies/nocturnes-...
Rorschach Portrait (Calendar Girl) (right)
rachelrampleman.com/rorschach-portrait-calendar-girl-/1
These Things Take Time is pleased to announce Raw Power — the first European solo exhibition of Brooklyn–based artist Rachel Rampleman.
The multi-media work of New York artist Rachel Rampleman often deals with the excesses of popular culture, and with the exploration and examination of constructs of “feminine” identity as a recurrent subject within it. Part directorial, part curatorial, and part anthropological, she probes into oft–overlooked elements of pop culture to reveal an expanded landscape of contemporary life. Her astute observations — awash with empathy and rife with psychological complexity — hint at an underlying dissonance that straddles the absurd.
Rampleman’s work frequently showcases strong female personalities — women who are simultaneously aberrant and superhuman — who challenge the common clichés of masculinity and femininity, and who often assume roles typically associated with men. This is a landscape where sexual braggadocio or hyper-muscularity have become characteristic of feminine prowess. Working primarily with time-based media, Rampleman has made work ranging from documentary style videos such as Poison (My Sister Fucked Bret Michaels), to experimental video series such as Busby Berkeley 2.0 - in which nostalgic 1930s routines choreographed by Berkeley and performed by Hollywood showgirls are transformed into something more hypnotic, industrial and menacing, to micro-looped, multi-channel video installations such as Bodybuilder Vignettes, made from appropriated footage of professional female bodybuilders at a competition circa 2015.
For her solo exhibition at TTTT, Rampleman premiered several new works inspired by the essay “The Objectified Body” by TTTT curators Godart Bakkers and Charlotte Van Buylaere – commissioned for and featured in her artist book, “Baby's on Fire”. She transformed the space into an immersive audio/video installation, showcasing her latest forays into abstractions of the body/bodies, juxtaposed with recent works which inform and precede these newest pieces created for this show. I
In addition to this, TTTT hosted the European launch of her artist book '”Baby's on Fire'”, on the 27th, at the gallery during the Ghent Matinee. The artist talk was held with Joel Brenden, (designer of the book and visual artist) and moderated by CEPA director David Mitchell.
All the photos in this gallery are protected by copyright and they are not to be used on any site, blog, or forum without the explicit permission from the photographer.