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There’s a party for every taste in Portugal. Almost every town has a saint day feast or a harvest festival, which can range from a stately procession to a multiday food and entertainment.
.. at the moment :)
Have a wonderful weekend, girls and boys !!
Thank you for all your visits, comments, favs and your friendship !!
Popular spot spend time in Oulu. Watching the sea next to city theater and market area. The sea is very calm in that spot as it protected by surrounding islands
de/from: Wikipedia.
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es.wikipedia.org/wiki/Museo_de_Artes_y_Costumbres_Populares_(Sevilla)
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Museo de Artes y Costumbres Populares - Sevilla
El Museo de Artes y Costumbres Populares de la ciudad de Sevilla (Andalucía, España) está localizado en la plaza de América del parque de María Luisa. Al otro lado de la plaza se encuentra el Museo Arqueológico. Fue el pabellón de Arte Antiguo de la Exposición Iberoamericana de 1929.
Fue planteado como pabellón de Industrias, Manufacturas y Artes Decorativas. Finalmente, se le llamó pabellón de Arte Antiguo e Industrias Artísticas. Se trata de un edificio proyectado en 1913 y construido en 1914 por el arquitecto Aníbal González, autor también de los otros edificios levantados en la misma plaza de América. Es de ladrillo visto con motivos decorativos de cerámica. Por su estilo arquitectónico, fue conocido como el pabellón Mudéjar.
En principio constaba de dos plantas sobre una cámara de aireación para evitar la humedad. Se realiza una mejora durante la década de 1960 en la planta principal, que tenía más de doce metros de altura, y se dividió con una planta artificial (corresponde a la planta primera) por el arquitecto Antonio Delgado y Roig. En 1972 se unen las plantas con una gran escalera de caracol que diseña el arquitecto José Galnares Sagastizábal, trabajo que realiza después de que la construcción fuese designada para albergar el museo por el Decreto de Creación del Museo de Artes y Costumbres Populares de Sevilla, con fecha de 23 de marzo de 1972, constituido como una sección del Museo de Bellas Artes.
Sus funciones como museo se desarrollan desde el 4 de marzo de 1973, fecha en que abre sus puertas al público.
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en.wikipedia.org/wiki/Museum_of_Arts_and_Popular_Customs_...
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Museum of Arts and Popular Customs of Seville
The Museum of Arts and Popular Customs of Seville (Spanish: Museo de Artes y Costumbres Populares) is a museum in Seville, Andalusia, Spain, located in the María Luisa Park, across the Plaza de América from the Provincial Archeological Museum.
The museum occupies the Mudéjar Pavilion (Pabellón Mudéjar) designed by Aníbal González and built in 1914. It served as an art pavilion, the Pabellón de Arte Antiguo, for the Ibero-American Exposition of 1929, when Aníbal González had the opportunity to design several additional permanent buildings for the plaza. The exterior is ceramic over brick, and has three doors with archivolts adorned with glazed tiles (azulejos).[citation needed]
The building originally consisted of two stories over an aeration chamber (necessary because of the humidity). In the 1960s, the main floor, originally over 12 metres (39 ft) high, was divided in two, with an intermediate level added by architect Delgado Roig. In 1972, as part of the preparations for the current museum, the various stories of the building were connected by a grand spiral staircase designed by José Galnares Sagastizábal.
The museum was established by a decree of 23 March 1972, initially as a section of the Museum of Fine Arts of Seville. It opened its doors to the public 4 March 1973.[2] For the next seven years, the museum fell under the responsibility of the Ministry of Education and Science, but the city government occupied more than half of the poorly maintained building. Neither institution took full responsibility. This situation led to a series of temporary closures. In 1976, the electric bill could not be paid, and the museum had to be shut until it could get power again. In 1979, heavy rains damaged the interior.
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The Yonghe Temple Palace of Peace and Harmony, also known as the Yonghe Lamasery, or popularly as the Lama Temple, is a temple and monastery of the Gelug school of Tibetan Buddhism located on 12 Yonghegong Street, Dongcheng District, Beijing, China. The building and artwork of the temple is a combination of Han Chinese and Tibetan styles. This building is one of the largest Tibetan Buddhist monasteries in China proper. The current abbot is Lama Hu Xuefeng. Building work on the Yonghe Temple started in 1694 during the Qing dynasty on the site where originally stood an official residence for court eunuchs of the Ming dynasty. After the Chinese Civil War ended in 1949, the temple was declared a national monument and closed for the following 32 years. It is said to have survived the Cultural Revolution due to the intervention of Premier Zhou Enlai. Reopened to the public in 1981, it is today both a functioning temple and highly popular tourist attraction in the city. 1681
Eilean Donan Castle is undoubtedly a Scottish icon and certainly one of the most popular tourist attractions in the Highlands. When you see it for the first time, it's easy to see why so many people flock to its sturdy gates year after year. Strategically located on its own little island, overlooking the Isle of Skye, at the meeting point of three great sea lakes, and surrounded by the majestic splendour of the wooded Kintail Mountains, Eilean Donan's setting is truly breathtaking.
Gràcies per les vostres visites i comentaris.
Gracias por vuestras visitas y comentarios.
Thanks for your visits and comments.
The Icelandic horse is a breed of horse developed in Iceland. Although the horses are small, at times pony-sized, most registries for the Icelandic refer to it as a horse. Icelandic horses are long-lived and hardy. In their native country they have few diseases; Icelandic law prevents horses from being imported into the country and exported animals are not allowed to return. The Icelandic displays two gaits in addition to the typical walk, trot, and canter/gallop commonly displayed by other breeds. The only breed of horse in Iceland, they are also popular internationally, and sizable populations exist in Europe and North America. The breed is still used for traditional sheepherding work in its native country, as well as for leisure, showing, and racing.
Developed from ponies taken to Iceland by Norse settlers in the 9th and 10th centuries, the breed is mentioned in literature and historical records throughout Icelandic history
Redshanks, Dunlin, Black-tailed Godwit, Black-headed Gull and a juv Sandwich Tern rest on the ash lagoons at Musselburgh
A silhouetted dead tree with an eagle, a starling, and two Great Blue herons in its branches.
Iced texture used as a background...
After crude oil, coffee is the most sought after commodity in the world and the second most popular beverage in the world – it’s second only to water.
Greenfinch & Goldfinch
The birds seem to like this branch & use it as a stopping off point on their way to the feeding station !
Taken at RSPB Titchwell.
This well worn perch is very popular and I have seen a variety of birds take advantage of it over the years.
I think it may have originally been part of a hide - but the rest of it has long gone.
Here it is the turn of a juvenile male Common Kestrel. Shortly after I took this shot he dropped vertically after some critter scurrying about at the base.
Taken in Norfolk.
This churchyard overlooks the river Thames. And it's a popular place for birds of all kinds. HFF
HD Pentax-DA- 55-300mm f4.5-6.3 ED PLM WR RE
The Series Sixty-two was a model produced by Cadillac from 1940 through 1964 when it was renamed “Calais” for the 1965 model year. It was one of Cadillac’s most popular models. For the 1949 model year, the Series Sixty-two spawned the “Coupe deVille.”
For the 1953 model year the world was introduced to the very first Series Sixty-two Eldorado. The Series Sixty-two convertible was one of America’s most luxurious convertibles. Cadillac’s magnificent new design and craftsmanship were dramatically displayed in the 1957 Cadillac Series Sixty-two convertible.
Cadillac for the 1957 model year was completely redesigned. A Cadillac convertible was the celebrity among Cadillacs. There was no more gracious manner in which to enjoy open-air touring than the 1957 Series Sixty-two convertible. Its aristocratic flair was dramatic and pronounced.
Apart from the Biarritz convertible, the Series Sixty-two convertible was the most elegant convertible built in the land. It was the synthesis of two motoring worlds; it had all the panache of a ragtop and the comfort of a luxury car. Style code #6267F Series Sixty-two convertible had a base price of $5,225. (Cadillac repairs today run up tabs along these same dollar amounts…amazing)
The 1957 Cadillacs were all-new in design from the 1956 models. The 1957 cars presented a new sleekness in every line as witnessed by the Series Sixty-two convertible. They were built almost 3” lower in overall height.
The front end ensemble was boldly aggressive. It retained the “Dagmars.” The sweep of its new fender lines extended back to the redesign of the iconic Cadillac tail fins.
The convertible’s silhouette was highlighted by chrome-framed wheel openings and extended contour lines to both front and rear fenders. The fender skirts were dropped for a cleaner more contemporary look at the time.
All Cadillac bodies were built by the Fleetwood Division of Fisher Body under relentless quality control procedures. The Series Sixty-two convertible rode upon a long 129.5” wheelbase, had the luxury length of 220.9” and an 80” wide stance.
The Cadillac 6.0 litre 365 CID 16-valve V8 engine had five main bearings, intake silencer, and hydraulic lifters. It was constructed with cast iron, block and cylinder heads. The engine was equipped with a Rochester 4-bbl downdraft Quadrajet carburetor with equalized manifold, and automatic choke. It produced 300 hp @ 4,800 rpm with 542 Nm of peak torque @ 2,800 rpm. Performance was rated as 0-60 mph in 11.2 seconds, 0-100 mph in 33.1 seconds with a top speed of 119 mph. It could do the ¼ mile @ 81 mph in 18.1 seconds.
The Cadillac Series sixty-two convertible was a triumph of motoring distinction. Its unmatched comfort and spacious dignity was the finest expression of Cadillac’s dramatically new styling. In the way it looked and the way it drove, the 1957 Cadillac Series Sixty-two convertible introduced a brand new measure of excitement to modern luxury motoring…done in the manner only the “Standard of the World” could provide. This is another classic encore presentation…in the continuing saga of “As the Standard of the World Turns.”
notoriousluxury.com/2014/06/21/1957-cadillac-series-sixty...
Lots of birds at the local restaurant today! I need to admit that the photo is a series of 5-6 shots (through a dirty kitchen window) and a few birds have been copied in ;)
Photo of Neuschwanstein Castle as taken from Mary's Bridge. This is one of the most popular tourist destinations in Southern Baveria. The castle was build by Kind Ludwig II and inspired Walt Disney. We had a great time in Germany, but it feels good to be home.
CUIDADO "praga de urubu, caí ......................................."...enfim, melhor não arriscar né!
“What the Butler Saw” popularised from a mutoscope reel from the early 1900s. The title of this feature became widely used in Britain as a generic term for devices and movies of this kind. The phrase had entered British popular culture after the 1886 divorce case of Lord Colin Campbell and Gertrude Elizabeth Blood. The trial hinged on whether their butler could have seen Lady Campbell with Captain Shaw through the keyhole of their dining room at 79 Cadogan Place, London.
The popular Dobbins Lookout at South Mountain Park in Phoenix. South Mountain is the largest urban park in the US, covering over 16000 acres. Many of its iconic stone structures were built by the CCC in the 1930's. You get an incredible 360° view of the city...
HDR Work
Wideangel lens
Use 10-22
This size pic : 13 mm
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