View allAll Photos Tagged polypropylene

Auf besonderen Wunsch - hier die farbige Variante. Viel Spaß damit!

- Upon special request - the color version. Enjoy it! -

[Aleutia] Soraya available at FaMESHed X till Nov 6th

A small polypropylene box with compartments for different beads. For Macro Monday group. HMM!

Micro macro of a micro SD card case.

If only there were some doe eyed beige cows in this shot with big udders and bells around their necks you might have believed this was some meadow in Austria. Well, perhaps not. You're not all that stupid! But it is a barn held together with orange polypropylene baler twine and fresh air near Crowdecote with High Wheeldon blowing off behind.

 

Heavily cropped from a wider pano

Baccarat crystal stemware, Montaigne (Optic) design. sherry and cordial glasses. The bowl of the glass has an undulating pattern making it an interesting challenge to focus the light on the edge of the glass. This can be seen in the refraction of the pattern of the background. Base is polished black granite.

 

Focus stack of 20 images. Shot with two off-camera strobes. Flash A behind translucent corrugated white polypropylene panel used as background. Flash B behind and above subject, modified with MagMod MagSphere.

Friday night is a time to relax and have a nice red with dinner, best when it is given a chance to breath before drinking.

 

Shot with one off-camera strobe (Leica SF60/Leica C1 trigger placed behind a 24 x 36 in piece of corrugated white polypropylene board to act as scrim. Scrim hung from a mini boom placed about 12 inches behind subject.

Long live Amazement :)

Museum Voorlinden Den Haag/Wassenaar

 

"Major Tom" by Edith Dekyndt (Belgium 1960) - polypropylene, helium, air - remains floating at the same level, virtually stable between floor and ceiling. Like 'Major Tom' in outer space, it could keep 'floating in the most peculiar way' forever.

In Oscar Lourens' "Grey measurements" the artist has stripped the measuring cups of their function by painting the inside of each cup with a coat of grey primer which makes the lines of their units invisible.

("The meantime" - information booklet of the museum)

 

These two together made me feel that there often is something beyond the measurable. And at times I just love to be amazed instead of thinking about scientific explanations for wonder-ful phenomena.

  

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The fence that had been in this spot for many years had suffered a significant injury. This fence had replaced it for awhile, eventually being replaced by one that better suited the style of the other fences around the Japanese garden.

 

The staves of this fence were held together with white polypropylene rope that truly looked out of place when up close. From a distance, the white made an interesting and subtle S-curve.

 

Happy ~~fence friday~~

Focus stack (30 images) Shot with three off-camera strobes (Godox AD200Pro/XPro II L trigger). Flash A bare bulb, mounted to overhead boom, bounced off 32 inch white umbrella. Flash B camera right 30 degrees, 60 degrees above table, aimed at whit translucent polypropylene background. Flash C modified with MagMod MagBounce, behind white polyproplyene background

 

Shot for Crazy Tuesday - SQUARES AND CUBES

 

Opening tomorrow! This new work is included in the Chroma Project’s “Persephone Ascending” citywide series of exhibitions in Charlottesville, Va.

A northbound Bernina Express service skirts a snowed-over Lago Bianco just south of the Bernina Pass summit at Ospizio Bernina.

 

My telltale hoofprints in snow that ranged from knee to hip-high are at left. I'd assumed it would be quite warm in Switzerland in late April, but on the sage advice of my better half, I threw a shell jacket, long-sleeved polypropylene undershirt and BNSF cap into my camera bag as I left Dublin, but a set of gloves would have been nice, and my mesh sneakers weren't ideal either.

 

April 27 2019, ABe 4/4iii 51 and 55, Ospizio Bernina, CH

Spending a day wandering around Yarmouth Bar in the fall of 1990 yielded a number of interesting photos, some with unusual elements. Here eight barrels were sitting on a wharf beside this shed... a common sight back then, where a more recent scene might have blue or black polypropylene barrels. I can understand the coffee mug hanging on a convenient nail, but the string mop left on the roof seemed a bit odd. There's a large nail (almost a spike), used to prevent the mop from sliding off the roof. The nail isn't driven through the mop head itself, just serving as a prop against which the mop could be placed.

 

Taken with a Pentax 6x7, SMC Pentax 55mm f/4.0 lens, Fuji Reala 120 Film. This was copied using a Nikon D3500 camera, 55mm f/3.5 Micro Nikkor lens fitted with a Nikon 4T closeup lens, with a Soligor 1.6x achromatic closeup lens on the 4T. Lighting was provided by a 5000K LED bulb in a desk lamp.

DSC-0416J

Just another frame of this scene offering a nice broadside roster shot view of Rhody's only operating first generation geep.

 

With the first snow of the season finally sticking I went out trackside close to home to shoot the Seaview Transportation working down in Quonset-Davisville. After digging out cars at Ocean State Yard over on the Davisville Branch half of the railroad they headed over to the Quonset side and assembled their train in the new Mill Creek Yard before continuing east down the line to work mainstay customer, Toray Plastics.

 

Here they are working out across Roger Williams Ave. as they pull and spot the five stub ended tracks inside the facility. As described by their own web site: 'Founded in 1985, Toray Plastics (America), Inc., is a leading innovator in polypropylene, polyester, and polyolefin technology and operates three state-of-the-art facilities. Our headquarters in North Kingstown, Rhode Island, is home to two facilities. There we manufacture cast and mono- and biaxially-oriented polypropylene film, biaxially-oriented polyester film, and bio-based films, and conduct in-house metallizing and coating. Our films are used for industrial, packaging, lidding, graphic, optical, and electronic applications.'

 

Parent company Toray Industries is headquartered in Tokyo and was founded in 1926 as a Rayon Yarn Production Company. Today, it operates in 29 countries and has over 48, 000 employees globally and is the world's largest producer of carbon fiber among a vast array of other modern industrial products.

 

SVTX GP10 1855 was built as a GP9 in Aug. 1956 for the Baltimore and Ohio as their #6467. Later rebuilt by ICG's Paducah Shop she bounced around on different shortlines until coming to Rhode Island in 2006 where she was given this snappy paint job.

 

To learn more about this railroad check out the longer caption with this shot: flic.kr/p/2nNXfxP

 

North Kingstown, Rhode Island

Monday December 12, 2022

L'Arc de Triomphe, Wrapped, a temporary artwork for Paris, was on view for 16 days from Saturday, September 18 to Sunday, October 3, 2021. (...) It was wrapped in 25,000 square meters of recyclable polypropylene fabric in silvery blue, and with 3,000 meters of red rope.

source: christojeanneclaude.net/artworks/arc-de-triomphe-wrapped/

 

L'Arc de Triomphe, Wrapped était visible durant 16 jours, du samedi 18 septembre au dimanche 3 octobre 2021. Le projet fut réalisé en partenariat avec le Centre des monuments nationaux (CMN) et en coordination avec la Ville de Paris. Il reçoit aussi le soutien du Centre Pompidou. L'Arc de Triomphe était empaqueté dans 25 000 mètres carrés de tissu recyclable en polypropylène argent bleuté et avec 3 000 mètres de corde recyclable en polypropylène rouge.

source: christojeanneclaude.net/artworks/arc-de-triomphe-wrapped/

With the first snow of the season finally sticking I went out trackside close to home to shoot the Seaview Transportation working down in Quonset-Davisville. After digging out cars at Ocean State Yard over on the Davisville Branch half of the railroad they headed over to the Quonset side and assembled their train in the new Mill Creek Yard before continuing east down the line to work mainstay customer, Toray Plastics.

 

Here they are working out across Roger Williams Ave. as they pull and spot the five stub ended tracks inside the facility. As described by their own web site: 'Founded in 1985, Toray Plastics (America), Inc., is a leading innovator in polypropylene, polyester, and polyolefin technology and operates three state-of-the-art facilities. Our headquarters in North Kingstown, Rhode Island, is home to two facilities. There we manufacture cast and mono- and biaxially-oriented polypropylene film, biaxially-oriented polyester film, and bio-based films, and conduct in-house metallizing and coating. Our films are used for industrial, packaging, lidding, graphic, optical, and electronic applications.'

 

Parent company Toray Industries is headquartered in Tokyo and was founded in 1926 as a Rayon Yarn Production Company. Today, it operates in 29 countries and has over 48, 000 employees globally and is the world's largest producer of carbon fiber among a vast array of other modern industrial products.

 

SVTX GP10 1855 was built as a GP9 in Aug. 1956 for the Baltimore and Ohio as their #6467. Later rebuilt by ICG's Paducah Shop she bounced around on different shortlines until coming to Rhode Island in 2006 where she was given this snappy paint job.

 

To learn more about this railroad check out the longer caption with this shot: flic.kr/p/2nNXfxP

 

North Kingstown, Rhode Island

Monday December 12, 2022

translucent PP (polypropylene) cups arranged rim to rim, detail

Cafe chairs between shifts.

Porta Nuova is one of the main business districts of Milan, Italy in terms of economy, and part of the Zone 2 administrative division. Named after the well-preserved Neoclassic gate built in 1810 on this site, it is now one of Italy's most high-tech and international districts, containing the country's tallest skyscraper: the Unicredit Tower

Porta Nuova has a 2017 city GDP of €400 billion, which makes it Europe's richest district within any city. A concentration of companies are based in Porta Nuova, with 4% of all institutions and conglomerates found in Italy, while Milan has 40% of all these business, and Milan's Lombardy Region has 53% of it.

Industrialization is also profusely increasing within the district. A total of three Fortune 500 companies are located in it, namely AlfaRomeo, Pirelli and Techint, with a lot of other significant companies, including luxury fashion house Versace and italian football giants Internazionale. Geographical Porta Nuova was the main engine of the global invention of "polypropylene" by Giulio Natta, or in other terms, plastic, popularized by several companies within the city during the 1950s. Porta Nuova began manufacturing trams, buses, and trains, as part of Milan's public transport system which now gave Milan Europe's most advanced light rail system.

In 2019, Milan is in course to have several tax-free or flat tax services, as part of attracting domestic and international businesses which will be initiated in the area of Porta Nuova. It is also an integrated response to gain several European Union agencies from United Kingdom following Brexit and to prevent a possible economic fallout.

Joseph Beuys, Fettstuhl (Fat Chair), 1964, Wooden [Polypropylene] chair, wax, fat [and butter] and wire, 40¼ x 16⅝ x 18 [30⁴⁵/₆₄ x 20⁹/₃₂ x 18⁵⁷/₆₄] in - 102 x 42 x 46 [78 x 51.5 x 48] cm, Tate and National Galleries of Scotland [Skin of Calligaris, Manzano, Udine]

 

Altro titolo - Another title: Butter harm coronary arteries (and woke culture) - Il burro nuoce alle coronarie (e alla cultura woke), 2025

 

[Fototeca Fondazione Omeri, Trieste]

 

sites.google.com/view/fabioomero/artists

Canadian 10-dollar bill for Macro Monday's Currency theme. The Canadian banknotes are no longer paper but are made of polymers (polypropylene and polyethylene terephthalate) and contain anti-counterfeit features including a window with a metallic portion that gives rise to the colourful reflections from the flash.

 

Fujifilm X-A1 with Minolta MC Rokkor-QF Macro 50mm f/3.5 at f/11

 

The banknote was placed on a glass surface and lit from directly below by a gridded flash (old "Image C-35" flash, full power, 30 cm below) and from camera right and above by direct flash (Nikon SB-26 at 1/64 power at 4 o'clock 45 cm away and 45 cm above).

 

An accompanying photo with ruler for scale and using just ambient room light is shown here:

flic.kr/p/2mZEh4q

Last preparations on the Arc de Triomphe in Paris this morning.

 

L'Arc de Triomphe, Wrapped, a temporary artwork for Paris, was on view for 16 days from Saturday, September 18 to Sunday, October 3, 2021. (...) It was wrapped in 25,000 square meters of recyclable polypropylene fabric in silvery blue, and with 3,000 meters of red rope.

source: christojeanneclaude.net/artworks/arc-de-triomphe-wrapped/

 

L'Arc de Triomphe, Wrapped était visible durant 16 jours, du samedi 18 septembre au dimanche 3 octobre 2021. Le projet fut réalisé en partenariat avec le Centre des monuments nationaux (CMN) et en coordination avec la Ville de Paris. Il reçoit aussi le soutien du Centre Pompidou. L'Arc de Triomphe était empaqueté dans 25 000 mètres carrés de tissu recyclable en polypropylène argent bleuté et avec 3 000 mètres de corde recyclable en polypropylène rouge.

source: christojeanneclaude.net/artworks/arc-de-triomphe-wrapped/

The ♷ with PP under it indicates recyclable plastic no. 5 – PP (Polypropylene). Do you happen to know what (SC) with 21 under it means? If you do, please let me know in a comment below. 🙏

 

This closeup of a lid of a tiny plastic bottle was shot with Sony 90mm f/2.8 macro lens on Sony a7r iii. Light coming in through a hole (which was made a little bigger for this shot!) in a window curtain provided the lighting for this lid.

 

Press L key on your keyboard to zoom in.

 

NOTE: You are under no obligation to fave ( / comment on) this image. If you like (or dislike) this image and/or have something to say about it, I would appreciate it if you could use your own words. Please do not use links / images / GIFs or self / group / website promotions in comments, 🙏

 

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Seaview Transportation Company's former US Army 80 Tonner, USAX 1667 (GE blt. Oct. 1952) is working Toray Plastics as they switch out onto the Roger Williams Ave. crossing while pulling and spotting cars on one of the five stub ended tracks inside the facility. As described by their own web site: 'Founded in 1985, Toray Plastics (America), Inc., is a leading innovator in polypropylene, polyester, and polyolefin technology and operates three state-of-the-art facilities. Our headquarters in North Kingstown, Rhode Island, is home to two facilities. There we manufacture cast and mono- and biaxially-oriented polypropylene film, biaxially-oriented polyester film, and bio-based films, and conduct in-house metallizing and coating. Our films are used for industrial, packaging, lidding, graphic, optical, and electronic applications.'

 

Parent company Toray Industries is headquartered in Tokyo and was founded in 1926 as a Rayon Yarn Production Company. Today, it operates in 29 countries and has over 48, 000 employees globally and is the world's largest producer of carbon fiber among a vast array of other modern industrial products.

 

The Seaview is the contract operator of the state owned trackage at Quonset Business Park and handles over 8000 cars a year on 7 route miles and 13 track miles of railroad reaching from the Amtrak Northeast Corridor connection in Davisville to tidewater on the west side of Narragansett Bay.

 

To learn more about this railroad check out the longer caption with this shot: flic.kr/p/2nNXfxP

 

North Kingstown, Rhode Island

Wednesday January 8, 2025

Unknown artist, circa 2005.

 

Focus stacked, 26 images. Shot with two off camera Leica SF60 strobes placed at 45 degrees front left back right side of camera diffused through white corrugated polypropylene sides of a 24 inch Foldio light box. Triggered with Leica SF C1 remote.

 

Posted in The Flickr Lounge weekly challenge (metallic)

Arcadia Lost Series

(Baltic Sea Series)

ink and Baltic Sea Water on polypropylene paper

6 x 15 inches

2018

Polypropylene coloring granules

The meaning of the word dictionary comes from the Latin word dictio which pertains the the saying, speaking or use of a word. Seen here is the definition of diction from the pages of the Latin Dictionary of Lewis and Short

 

Shot with two off-camera strobes (Godox AD200Pro/XPro II L trigger). Flash A bare bulb, mounted to opverhead boom, bounced off 32 inch white imbrella. Flash B modified with MagMod MagSphere, behind white translucent polypropylene board.

 

Shot for Flickr Friday - theme dictionary

by Brian Jungen sculpture ...

White polypropylene plastic chairs ...

suggesting a whale skeleton ... made of hundreds pieces of plastic patio chairs ...

National Gallery

Ottawa Canada ...

Pic in my Art Album

Pic taken Oct 26, 2023

Thanks for your views, faves, invites and comments ...

 

One of our neighbours keeps Geckos and brought a couple over to see us. They kept changing colour which was rather interesting! Focus was difficult as she was holding this one at the time.

 

Canon 5D, MPE-65mm, ST-E2, 430 EX, Home-made polypropylene softbox,

f/16, 1/200 sec, ISO 100

Polymers and Polypropylene

Lurking in our water world

Amongst the fishes so serene

Shall soon become unfurled

Tsunamis of Isotopic molecules

Innocence of thermoplastic bloom

Circles of impending doom

 

(from: Ditties and Doggerels by FF Whitamore)

L'Arc de Triomphe, Wrapped, a temporary artwork for Paris, was on view for 16 days from Saturday, September 18 to Sunday, October 3, 2021. (...) It was wrapped in 25,000 square meters of recyclable polypropylene fabric in silvery blue, and with 3,000 meters of red rope.

source: christojeanneclaude.net/artworks/arc-de-triomphe-wrapped/

 

L'Arc de Triomphe, Wrapped était visible durant 16 jours, du samedi 18 septembre au dimanche 3 octobre 2021. Le projet fut réalisé en partenariat avec le Centre des monuments nationaux (CMN) et en coordination avec la Ville de Paris. Il reçoit aussi le soutien du Centre Pompidou. L'Arc de Triomphe était empaqueté dans 25 000 mètres carrés de tissu recyclable en polypropylène argent bleuté et avec 3 000 mètres de corde recyclable en polypropylène rouge.

source: christojeanneclaude.net/artworks/arc-de-triomphe-wrapped/

L'Arc de Triomphe, Wrapped, a temporary artwork for Paris, was on view for 16 days from Saturday, September 18 to Sunday, October 3, 2021. (...) It was wrapped in 25,000 square meters of recyclable polypropylene fabric in silvery blue, and with 3,000 meters of red rope.

source: christojeanneclaude.net/artworks/arc-de-triomphe-wrapped/

 

L'Arc de Triomphe, Wrapped était visible durant 16 jours, du samedi 18 septembre au dimanche 3 octobre 2021. Le projet fut réalisé en partenariat avec le Centre des monuments nationaux (CMN) et en coordination avec la Ville de Paris. Il reçoit aussi le soutien du Centre Pompidou. L'Arc de Triomphe était empaqueté dans 25 000 mètres carrés de tissu recyclable en polypropylène argent bleuté et avec 3 000 mètres de corde recyclable en polypropylène rouge.

source: christojeanneclaude.net/artworks/arc-de-triomphe-wrapped/

Seaview Transportation Company's former US Army 80 Tonner, USAX 1667 (GE blt. Oct. 1952) is switching out the five stub ended tracks inside the Toray Plastics facility inside the Quonset Business Park. As described by their own web site: 'Founded in 1985, Toray Plastics (America), Inc., is a leading innovator in polypropylene, polyester, and polyolefin technology and operates three state-of-the-art facilities. Our headquarters in North Kingstown, Rhode Island, is home to two facilities. There we manufacture cast and mono- and biaxially-oriented polypropylene film, biaxially-oriented polyester film, and bio-based films, and conduct in-house metallizing and coating. Our films are used for industrial, packaging, lidding, graphic, optical, and electronic applications.'

 

Parent company Toray Industries is headquartered in Tokyo and was founded in 1926 as a Rayon Yarn Production Company. Today, it operates in 29 countries and has over 48, 000 employees globally and is the world's largest producer of carbon fiber among a vast array of other modern industrial products.

 

The Seaview is the contract operator of the state owned trackage at Quonset and handles over 8000 cars a year on 7 route miles and 13 track miles of railroad reaching from the Amtrak Northeast Corridor connection in Davisville to tidewater on the west side of Narragansett Bay.

 

To learn more about this railroad check out the longer caption with this shot: flic.kr/p/2nNXfxP

 

North Kingstown, Rhode Island

Wednesday January 8, 2025

Unknown artist, circa 2005.

 

Focus stacked, 26 images. Shot with two off camera Leica SF60 strobes placed at 45 degrees front left back right side of camera diffused through white corrugated polypropylene sides of a 24 inch Foldio light box. Triggered with Leica SF C1 remote.

Excerpt from agb.life/visit/exhibitions/holding_up_the_sky:

 

Caroline Monnet: Holding Up The Sky

Lee-Chin Family Gallery

 

In this survey of new and recent works, multidisciplinary artist Caroline Monnet centers geometries, especially the cube, to draw attention to how different spatial relationships condition the way that we live and think. Monnet’s practice moves between textiles, photography, sculpture, and film to address the complexity of Indigenous identities and bilateral legacies, drawing from her Anishinaabe and French heritages. In her work, traditional Anishinaabe sacred geometry transforms and softens the industrial into something more personal, constructing a new point of view—centering the cube. As a form, the cube is present in architecture and many traditions of building, shaping the way we understand the world and dictating the ways in which we live, play, and learn. And, like the repetitious creations unfolded in birch biting, Holding Up The Sky follows a symmetrical continuum.

 

The exhibition features her new work The Room (2023), a ten-foot square construction of industrial-grade styrofoam, a material used in residential buildings to create water and air-resistive barriers and insulate against inclement climate conditions. The Room is open on one side, exposing the box and welcoming the audience into its constructed space. The foam is incised with a repetitive pattern; the motifs, inspired by traditional Anishinaabe iconography, break the strictness of the industrial square form by introducing the personal and the poetic into architectural rigidity.

 

In conversation with The Room is Pikogan (Shelter) (2021), a sculptural work with voluminous curvatures constructed of reticulated polyethylene pipes, PVC conduits, copper, velcro, and steel. The materials are bent to shape, working against the prescription of colonial architecture, and resisting the urge to square and compartmentalize. The fluidity of the circle intentionally builds from knowledge rooted in the past. This can also be seen in the direction of Monnet’s recent photographic works that depict a formal arranging and rearranging of foam “beads” into cubed borders. Manipulating the material for the camera leads to endless possible formations and configurations.

 

A series of technical drawings from Monnet’s early career (2014) of multiple cube structures are seen alongside a new series of diagrams, completed in a Swedish residency, mapping the ceiling of her studio. Positioning these works in conversation illustrates the circular process of Monnet’s practice—from drafting architectural forms, to utilizing structural design to underscore the severity of the housing crisis, to manipulating industrial material into textile creations and wearable fabrics, and returning to schematic renderings and geometric linework. These are simultaneously performances for the camera and blueprints for future work.

 

Born to an Anishinaabe mother and a French father, Caroline Monnet is from Outaouais, Québec, and now based in Montréal. After studying at the University of Ottawa and the University of Granada, in Spain, she pursued a career in visual arts and film. Her work is regularly presented internationally and can be found in prestigious museum, private, and corporate collections. Monnet has become known for minimalist yet emotionally charged work that uses industrial materials and combines the vocabulary of popular and traditional visual cultures with the tropes of modernist abstraction to create unique hybrid forms. She is represented by Blouin Division Gallery.

 

At the AGB, we lean into our unique position of being a public art gallery at the crossroads of craft and contemporary art production and presentation. Monnet’s work examines the traditional craft of Anishinaabe embroidery and textiles in alternative methods and materials, exemplifying the potent fluidity of craft and contemporary art. Holding Up The Sky continues the dialogue on how new material engagement takes up space within craft and how traditional and ancestral knowledge of art production is being represented in the expanded field of contemporary art institutes.

Taken 20 minutes after the rose petal and net photo posted prior to this one, here's a cluster of Pixie Cup Lichen sprouting from a heap of rotting rope nearly hidden under a huge wild rose bush. I was using my old Kodak DX6490 camera (4 MP) zoomed out to a bit over 200mm (35mm equivalent), fitted with a 161mm Kodak Projection Anastigmat enlarging lens. I was kneeling on the ground using a knee pad to avoid getting stuck by the thorns of a tangle of low, ground hugging vines. Petals shed by blossoms that were slightly past their prime were everywhere creating some interesting and unusual photo opportunities. The rope looked like it was made from some kind of inorganic material (polypropylene?) that shouldn't have provided any kind of nourishment for the lichen, but lichen also grows on stone. This area is located about 1/2 mile beyond the "Fish Farm" at the east end of Driftwood Lane.

 

The day began with hot sun, no wind, and a multitude of annoying black flies. Around noon the wind changed direction as the sun gradually became obscured by low cloud and the temperature dropped as a cool fog swept in off the bay. Photos taken earlier in direct sun were OK, but those taken later with soft even lighting provided by the overcast were much more pleasing.

 

Accessing this area is easy. Starting at the school in Advocate Harbor, driving west along Rt 209 for one mile will get you to the intersection with the West Advocate Road. After turning left and going a bit less than 1/2 mile, taking another left brings you out to a spot behind the barrier beach with "Driftwood Cottages" on your left. Driftwood Lane runs left here for 1 mile, ending at a dirt parking lot belonging to the Fish Farm. You can park here against the berm separating the beach from the marsh as long as you don't block access to any buildings.

 

102-9468L

For sale from collection € 149,95

 

My City Bird Suitcase picture is used in The Travel Tips section on this website:

www.jaunted.com/tag/Travel Tips/4

Making it All Fit Together!

 

City Bird Logo Samsonite Special Edition Crew-Suitcase

 

City Bird Samsonite Worldproof Special Edition Epsilon Basic Green !NEW!***Crew-Suitcase*** with CTB Logo.

Suitcase made for and only used by CITY BIRD CREW, no more available. Stil new in Box.

Outside dimensions: 72 x 59 x 28 cm / Capacity: 75 l / Color: City Bird Green

Product Description:

• Durable polypropylene shells.

• Aerodynamic suitcases are equipped with a 2-4 Track wheel system for

Optimum flexibility. Turns soundless and stable 360° around.

• Three-point locking for maximum security.

• High gloss or silver hardware, which colour co-ordinates with the case.

• Deep rubber seal resists damp and dust.

• Numberlock with nameletters and info included.

• Includes pull-strap witch you can pull the Suitcase stable, without any problem.

• Inside: 2 sidebags, partition between 2 spaces, stretch-strap to keep clotes together.

• Produced according to the certified ISO 9002 Quality System.

Qualityproof:

• Handles/Straps: 5.000 cycles loaded.

• Droptest: Loaded.

• Wheels: 32.000 m loaded.

• Locks/Zippers: 7.500 x open/close

Arcadia Lost Series

ink and James River Water on polypropylene vellum

17.5 x 35 inches

2018

 

Private collection

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