View allAll Photos Tagged pointing
Local Accession Number: 06_11_004616
Title: Pointing women
Genre: Stereographs; Photomechanical prints
Date issued: 1850-1920 (approximate)
Physical description: 1 photomechanical print on stereo card : halftone, color ; 9 x 18 cm.
General notes: Title supplied by cataloger.
Date notes: Date supplied by cataloger.
Subjects: Gestures; Glamour photographs
Collection: Harper Stereograph Collection
Location: Boston Public Library, Print Department
Shelf locator: Two women set - 21 cards
Rights: Rights status not evaluated
A trip to Carmel, California meant a visit to Point Lobos, and an attempt at some Edward Weston-inspired photos of the famous state park.
John Mayall / The Turning Point
Side one:
- "The Laws Must Change" – 7:21
- "Saw Mill Gulch Road" – 4:39
- "I'm Gonna Fight for You J.B." – 5:27
- "So Hard To Share" – 7:05
Side two:
- "California" (Mayall, Steve Thompson) – 9:30
- "Thoughts About Roxanne" (Mayall, Thompson) – 8:20
- "Room to Move" – 5:03
(All songs written by John Mayall, except where indicated.)
John Almond – flute, saxophone, alto saxophone, tenor saxophone, mouth percussion
Jon Mark – acoustic guitar
John Mayall – guitar, harmonica, keyboards, tambourine, vocals, slide guitar, mouth percussion
Steve Thompson – bass guitar
Recorded 12 July 1969 at the Fillmore East, NYC
sleeve design: John Mayall
Label: Polydor Records / 1969
ex Vinyl-Collection MTP
en.wikipedia.org/wiki/The_Turning_Point_(John_Mayall_album)
Lunar New Year Fair at the plaza of Chinatown Point, Upper Cross Street for the Chinese New Year 2017 Festival celebrations.
Juniper Falcon 2017 Joint Training Exercise: IAF & USAF forces trained together, strengthening their strategic and tactical relationship
Photo by: Celia Garion
ג׳וניפר פאלקון 2017: תרגיל משותף לחיל האוויר הישראלי והאמריקאי בו חוזק הקשר הטקטי והאסטרטגי בין החילות
צילום: סליה גריון
A trip to Carmel, California meant a visit to Point Lobos, and an attempt at some Edward Weston-inspired photos of the famous state park.
I wanted to try to make viewers feel the emptiness of the place so I photographed the entrance through an empty swing. I think it works.
I know its rude to point, but looky looky... I liked this graffiti piece – its nothing fantastic, but the exploding blob looked quite effective I thought!
Dash Point Beach | April 2013 | Federal Way, WA
Spent today hanging with a close friend, Shawn (Who tomorrow I'll be editing and uploading some photos of) and my brother. We went on a few short hikes and walked from Dash Point to Browns Point and back, and then some.
Press "L" to view fullscreen. And if you're interested in Canvas, Aluminized, or normal prints of ANY size, contact me.
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The Point Ellice House sits on the banks of the Gorge inlet off of Victoria's harbour. It is the last bastion of sanity and woodland as it is surrounded by industry, construction and recycling depots.
First lit in 1855, the Point Pinos Lighthouse, on the northwestern edge of California's Monterey Peninsula, is the oldest continuously operating lighthouse on the West Coast.
This was taken October 26, 2008 with a 35 mph wind blowing in from the west. My first attempt at an HDR panorana! What do you think?
Just got back from a day trip to the point reyes coastline. We went to the famous lighthouse which was honestly not that exciting to me, the thing was about 20 feet tall. We then drove over to the other side of the peninsula and took a short hike to "chimney rock". I didn't see any rocks that looked remotely like a chimney but there were some spectacular views of the rugged and beautiful coastline shrouded in fog.
Point in graphic available for download at http://dryicons.com/free-graphics/preview/point-in/ in EPS (vector) format.
View similar vector graphics at DryIcons Graphics.
Porche West’s artful expresssions exists at the nexus of photography and sculpture, the point where photography and sculpture converge. Dramatic and thought-provoking photographs are “housed” within salvaged architectural elements adorned with thought-provoking, symbolic objects. The net effect is additive - the sum is greater than the parts - photographs encorported within sculpture deepen the meaning and message of the art.
It is Porche West’s contention that flat photographs fail to achieve the richness and dimensionality of photographic sculpture. Though a framed photograph can tell a good story, a photograph “housed” in sculpture gives a more nuances and deep narrative. Salvaged architectural debris door casings, flooring, window frames, knobs and pulls give the photograph a sense of place, an authenticity that comes from being at home in the soul of the artist’s works.
Porche West’s assemblage is cultural “curatorialism” masked as art. The simple behaviors and beliefs of ordinary people are universal and easily understood. Religious faith, death and burial rituals, celebration and suffering are comprehended, if not shared, by all humanity. To see one’s own emotions in the face of a Haitian child or the hands of an elderly woman in New Orleans, is to be reminded that that which binds us together is greater than that which divides us. We are in essence, one.
'The Bank of Soul' - A four minute video rendering of the artist's studio, philosophy and vision:
Photographer Christopher Porche West was born in California but has family ties in Louisiana. He has been working with the scenes and people of New Orleans for more than 30 years. His interests began in the late 1970s when he came to New Orleans from the University of California Santa Cruz to research free people of color. He continued to be interested in the city's culture and decided to pursue topics in contemporary New Orleans, including Creoles, Mardi Gras Indians, jazz funerals, neighborhood events, and passing rites. Though he kept up his commercial studio in Newport Beach, California, he self-published 'Eloquent Visages,' a series of Mardi Gras Indian portraits. In 1995, West permanently moved in New Orleans. He set up a temporary studio for the Indians that allowed them to be in control of the means of their documentation; this was a first. In the late 1990s, he continued to explore his curiosity in the people of New Orleans, but he also began experimenting with scrap material that he found around the city. His new medium was part photography, part sculpture. His relationship with the American Haitian Development Association allowed him to make three trips to Haiti in the time span of two years, from 1998-2000. These trips were the first of a series of visits to the Caribbean. In 2003, Carnival Interests led him to visit Cuba. in 2004 and 2012. Though he has been featured in over 40 exhibitions, his most notable accomplishment was being chosen to singularly commemorate the Louisiana bicentennial in Paris. For this event, his work was featured at Festival L'espirit Jazz a Saint Germain des Pres. His work can be found at the New Orleans Museum of Art, Harvard University, Amistad Research Center, and the University of California-San Diego.
Publications:
Eyes of Eagles: New Orleans Black Mardi Gras Indians, A Studio On Desire, New Orleans LA (2009)
'New Orleans - What Can't Be Lost: 88 Stories and Traditions from the Sacred City' University of Louisiana Lafayette Press, Lafayette LA (2010)
'New Orleans: What Can't Be Lost' Louisiana Cultural Vistas, Louisiana Endowment for the Humanities 2011
Expositions:
Through the Lens: 'Photographing African American Life' Amistad Research Center, New Orleans LA 2013
Expo Personal: Christopher Porche West “La Odisea Cultural de New Orleans a Santiago de Cuba, Association Hermanos Paiz, Santiago de Cuba 2012
NOLA NOW : Landscape, Seascape, Cityscape Contemporary Art Center , New Orleans, LA 2012
Residents and Visitors: Twentieth-Century Photographs of Louisiana, New Orleans Museum of Art, 2010
New Orleans Jazz and Heritage Festival, Contemporary Arts and Crafts, New Orleans, LA 2008, 2009, 2010.
Raymond James Gasparilla Festival of the Arts, Tampa FL 2008
Bayou City Art Festival Memorial Park, Houston TX 2008
“Santiago de Cuba: ReBirth & Congas en la Calle” McKenna Museum of African-American Art, New Orleans, La 2008
Three Rivers Art Festival, Covington, LA 2007
Bogue Falaya Award
“Regards sur la Nouvelle Orleans” (Visions of New Orleans) French Ministry of Culture, Saint Honor? Paris, France 2007.
New Orleans Jazz and Heritage Festival, Contemporary Arts and Crafts, New Orleans, LA 2007
'Fresh Art' New Orleans Arts Council 2006, Award of Merit
“Unforgotten Souls- New Orleans, Haiti, Cuba, Liberia” 333 Bush Street, San Francisco, CA 2006
Sausalito Arts Festival, Sausalito, CA 2006- 1st Place Mixed Media
Coconut Grove Art Festival, Coconut Grove, FL 2006
New Orleans Jazz and Heritage Fesitval, Contemporary Arts and Crafts, New Orleans, LA 2006 Best of Show
From Louis XIV to Louis Armstrong: A Cultural Tapestry, The Historic New Orleans Collection, New Orleans 2006
The Darkroom, New Orleans Center for Photographic Arts, New Orleans, LA 2005
New Orleans Jazz and Heritage Fesitval, Contemporary Arts and Crafts, New Orleans, LA 2005
La Louisiane, del la colonie franciais a l’Etat americain, Mona Bismark Foundation, Paris 2006
Haiti Cherie: 200 Years of Independence, Alliance Francaise, New Orleans, LA 2005
New Orleans Jazz and Heritage Festival 2004, Contemporary Arts and Crafts. ?Best Display.
Haiti Cherie: 200 Years of Haitian Independence, Alliance Francaise, New Orleans, LA 2004
Galerie Laurent Herschtritt, Paris, France. 2003
“L’ame Creole: Visages de la Nouvelle-Orleans et Haiti” Alliance Francaise, Paris, France. 2003
“Remembrance,” A Memorial of the 911 Anniversary - Pan American Life Building, New Orleans, LA 2002
“A Moveable Feast: The Essence of New Orleans in Elements of Art & Architecture,” International House, New Orleans, LA 2002
'Fresh Art' New Orleans Arts Council 2001
New Orleans Jazz and Heritage Festival 2001 Louisiana Marketplace ?
Exploring Assemblage in New Orleans,' Barrister's Gallery, New Orleans, LA 2000
Group Show: 'Friends of Haiti,' Barrister's Gallery, New Orleans, LA 2000
'Haiti Cherie' Haitian Association for Human Development, New Orleans, LA 2000
“Love and Death in Louisiana'' New Orleans Jazz and Heritage Festival Grandstand, New Orleans, LA 2000
Kentuck Festival of the Arts, Northport, Alabama. 1999
New Orleans Jazz and Heritage Festival 1999 Contemporary Crafts 1999: Best Display Award,
New Orleans Jazz and Heritage Festival ??New Orleans Jazz and Heritage Festival, Louisiana Marketplace 1998
'Native Visions,' Galerie Royal, New Orleans, LA 1998
Folk Arts of Louisiana, Festival International, Lafayette, LA 1998
'A View From New Orleans,' L'Atelier Piroska, New Orleans, LA 1997
'You See What I Say,' University of Alabama, State Black Archives; Huntsville, AL 1997
'The Mardi Gras Indians,' Mardi Gras Museum, Galveston TX 1997
The Power of the Needle and Thread,' New Orleans Center, New Orleans 1995
'You See What I Say,' La Belle Gallerie; New Orleans, LA 1995
'New Orleans Views' Sheraton Hotel, Atrium Gallery, New Orleans 1995
'Jazz Fest and Heritage of Nouvelle Orleans' Indigo Nights Gallery, New Orleans, LA 1995
'Local Scenes,' City Hall, New Orleans, LA 1994
The Center for Creative Photography of San Juan Capistrano, CA 1993
'Mardi Gras Indians' Tilden Foley Gallery, New Orleans 1991
'Architecture for People: A Social Message,' Lyceum Theatre, San Diego, CA 1990
'Wine History of the Santa Cruz Mountains' The Octagon, Santa Cruz County Historical Museum, Santa Cruz, CA 1980
'Creoles of Color: A Vanishing Louisiana Legacy' Merrill College, University of Calif., Santa Cruz, 1980
Group Show, Gallery of Contemporary Photography, Laguna Beach, CA 1980
Light Works, Studio Gallery - Santa Ana, CA 1980
Point Reyes is a prominent cape on the Pacific coast of northern California in the United States. It is located in Marin County approximately 30 mi (48 km) WNW of San Francisco.
The peninsula is a well defined area, separated from the rest of Marin County by a rift zone of the San Andreas Fault, about half of which is sunk below sea level and forms Tomales Bay. The Point Reyes National Seashore includes wild coastal beaches and headlands, estuaries, and uplands, with a coastline that bears a striking resemblance to Cape Point, Cape of Good Hope, South Africa. Although parts of the peninsula are commercially farmed, and parts are under the jurisdiction of other conservation authorities, the National Park Service provides signage and seeks to manage visitor impact on the entire peninsula.
The northernmost part of the peninsula is maintained as a reserve for tule elk, which are readily seen there. The preserve is also very rich in raptors and shorebirds.
The Point Reyes Lighthouse attracts whale-watchers looking for the Gray Whale migrating south in mid-January and north in mid-March.
Our HUGE culture is based on writing.
Letters are a certain manipulation of lines.
Lines are made from points.
A question mark is formed by a curved line and a point.
==
Keyboard Macro
2021
en.wikipedia.org/wiki/Grandiose_delusions -- Grandiose Delusions.
Very courageous recent admission by the petulantly peevish Sad Clown, "I am a Tyrant-in-Waiting, who still takes every opportunity to find fault in even complimentary comments." He also doesn't understand that calling someone, 'infamous', is an insult [see THE THREE AMIGOS' misunderstanding of the word].
A confirmed and habitual gossip, Sad Bear Clown's deepest wish is to be paid for publicly slandering noted people of whom he is deeply envious; constantly projecting his profound self-contempt.
He admitted, "Bought a plaid flannel shirt and scarf, then posted a picture of the bag and claimed the label had intentions of sponsoring my non-existent tv series, which they hadn't."
Sad Bear Clown's most recent confession: he lied about signing for representation with a talent agency on Avenue of the Stars in Los Angeles. The agency, with no Sad Bear Clown-connection, has a virtual ( p.o. box ) address in what is known locally as The Devil's Tower -- www.davincivirtual.com/loc/us/california/los-angeles-virt...
He was overheard drunkenly confessing to a patron at a restaurant bar, after having loudly lied about being commissioned by the British Royal family to procure a ship for one of their ranks to Christen: Sad Bear Clown confided that many times, while alone, looking in the mirror, he repeats to himself, "Amateur Night in Dixie, Amateur Night in Dixie, Amateur Night..."
www.flickr.com/photos/marklongoartanddesign/37430878502/i... -- The Dunning-Kruger Effect: imagining oneself to be in possession of greater agency or ability than is actually the case, illustrated by the child's steering wheel.
www.youtube.com/watch?v=X23v5_K7cXk&ab_channel=EltonJ... -- At one point Elton John is a very convincing hobo.
www.youtube.com/watch?v=LOkQsVJV8ts&ab_channel=BruceS... --TENTH AVENUE FREEZE-OUT
www.flickr.com/photos/marklongoartanddesign/48626750262/i... -- THE VAN WINKLE SISTERS
www.youtube.com/watch?v=L56KOpZ6vI4&ab_channel=talant... -- Bear just wants his picture taken in the driver's seat.
[I have been asked about removing this post since Sad Bear Clown was detained by police while on a purported "location scout" for an as-yet non-existent television pilot and series. He was held for Disorderly Conduct and Lascivious Innuendo in a public place, directed at an individual. He was released on bail from a Mayberry-esque jail in a picturesque small town, pending a Magistrate's hearing.]
www.flickr.com/photos/marklongoartanddesign/51405990904/i... -- See description of PROFESSOR ROCK BOTTOM.
Point Pelee
Those words say it all. Point Pelee is one of the most amazing places to visit during migration. It's a smorgasbord of birding fun. Always walk away happy and at peace after leaving.
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Wolf Point is the location at the confluence of the North, South and Main Branches of the Chicago River in the present day Near North Side, Loop, and Near West Side community areas of Chicago. This fork in the river is historically important in the development of early Chicago.
Strong winds stirring up a few waves of East Point this morning. One of many observation posts, on the right, that were built during WWII. Built in late 1941 early 1942 due to possible threat of invasion. It won't be long before erosion will cause it to fall into the sea,
The historic Victorian era station at Point Of Rocks, MD still looks fabulous in the late afternoon light although the signals and the ADA cabinet clutter the picture somewhat. Designed by E. Francis Baldwin and built by the Baltimore And Ohio Railroad in 1873. It is situated at the junction of CSX's Old Main Line and the Metropolitan Subdivision.
March 16, 2017