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Lanhydrock is the perfect country house and estate, with the feel of a wealthy but unpretentious family home. Follow in the footsteps of generations of the Robartes family, walking in the 17th-century Long Gallery among the rare book collection under the remarkable plasterwork ceiling. After a devastating fire in 1881 the house was refurbished in the high-Victorian style, with the latest mod cons. Boasting the best in country-house design and planning, the kitchens, nurseries and servants' quarters offer a thrilling glimpse into life 'below stairs', while the spacious dining room and bedrooms are truly and deeply elegant
Master bathroom venetian plasterwork. Polished to a soft sheen. Tampa, Florida. The double glassed-in shower area is to the left.
William Henry (Bill) Kibby VC (15 April 1903 – 31 October 1942)
Kibby was born at Winlaton, County Durham, England.
In early 1914, the family emigrated to Adelaide, where Bill attended Mitcham Public School. After leaving school he was employed at a plasterworks in Edwardstown, where he designed and fixed plaster decorations. In 1926, he married Mabel Sarah Bidmead Morgan; they lived at Helmsdale and had two daughters.
Although he was diminutive (5 ft 6 in), Kibby was a strong man and loved outdoor activities. In 1936, he joined the Militia, and was assigned to the 48 Field Battery, Royal Australian Artillery.
Kibby joined the Australian Imperial Force during Second World War. In 1942, he was a Sergeant in the 2/48th Infantry Battalion (South Australia), during the North African campaign.
At the Battle of El Alamein, during the period of 23–31 October 1942, Kibby distinguished himself through his skill in leading a platoon, after his commander had been killed, during the initial attack at Miteiriya Ridge. On 23 October, he charged a machine gun position, firing at it with his Thompson submachinegun; Kibby killed three enemy soldiers, captured 12 others and took the position. His company commander intended to recommend him for the Distinguished Conduct Medal after this action, but was killed. During the following days, Kibby moved among his men directing fire and cheering them on. He mended his platoon's telephone line several times under intense fire. On 30–31 October, the platoon came under intense machine gun and mortar fire. Most of them were killed or wounded. In order to achieve his company's objective, Kibby moved forward alone, to within a few metres of the enemy, throwing grenades to destroy them. Just as his success in this endeavour appeared certain, he was killed.
His Victoria Cross is displayed at the Australian War Memorial.
Lanhydrock is the perfect country house and estate, with the feel of a wealthy but unpretentious family home. Follow in the footsteps of generations of the Robartes family, walking in the 17th-century Long Gallery among the rare book collection under the remarkable plasterwork ceiling. After a devastating fire in 1881 the house was refurbished in the high-Victorian style, with the latest mod cons. Boasting the best in country-house design and planning, the kitchens, nurseries and servants' quarters offer a thrilling glimpse into life 'below stairs', while the spacious dining room and bedrooms are truly and deeply elegant
Lanhydrock is the perfect country house and estate, with the feel of a wealthy but unpretentious family home. Follow in the footsteps of generations of the Robartes family, walking in the 17th-century Long Gallery among the rare book collection under the remarkable plasterwork ceiling. After a devastating fire in 1881 the house was refurbished in the high-Victorian style, with the latest mod cons. Boasting the best in country-house design and planning, the kitchens, nurseries and servants' quarters offer a thrilling glimpse into life 'below stairs', while the spacious dining room and bedrooms are truly and deeply elegant
Have to say that they have obviously made it look much bigger than it really was.
No, not that..... the bed (don't know what you were thinking of).
See my other picture - the beds were tiny!
Inside there is not much to be seen. The line of the stair can still be seen in the surviving plasterwork of the stair tower.
The Hall of the Abencerrajes (Sala de los Abencerrajes) is located in front of the Hall of the Two Sisters (Sala de Dos Hermanas). The walls have plasterwork covers and a tile skirting board from the 16th century, of Renaissance style. A wonderful dome of mocarabes rests on eight pendentives of mocarabes. The windows that are where the dome starts let a faint light filter through and illuminate the mocarabes creating a magic atmosphere.
The Alhambra is an ancient palace, fortress and citadel located in Granada, Spain. It was declared a World Heritage site by UNESCO in 1984.
The eighth-century-old site was named for the reddish walls and towers that surrounded the citadel — al-qal’a al-hamra in Arabic means red fort or castle. It is the only surviving palatine city of the Islamic Golden Age and a remnant of the Nasrid Dynasty, the last Islamic kingdom in Western Europe.
The Alhambra is located on the Sabika hill — a strategic vantage point that provides views of the city and plain of Granada. The Alhambra complex had three main sections: The Alcazaba, a military base that housed guards and their families; the palatial zone, which contained several palaces for the sultan and his kin; and the Medina, a quarter where court officials lived and worked.
This was taken through the doorway from the Closet into the State Bedroom. I have marked with a note box where the wall between the State Bedroom and the Entrance Hall was. This part of the house contains the only remnants of the plasterwork for which the house was admired. The doorway ahead would have taken you through to the Dining Room. A doorway on the right between the two fireplaces took you through to the main stairs.
The house was designed by the architect Francis Smith from 1724. The ruin encases an earlier house that stood on the site.
Edward Poynton of Nottingham carved the exterior stonework. The house contained some very fine stucco plasterwork made by two Italian master craftsmen Arturi and Vasalli. It is thought that Grinling Gibbons contributed some of the interior wood carvings.
In 1919 the estate was broken up and the house sold. The buyers sold the internal features as architectural salvage. The house was quickly reduced to being a shell. Some rooms still exist in the United States. Three interiors are displayed at the Museum of Art in Philadelphia. It is also possible to see a pine-panelled room from this house at the Huntington Library, California.
The details of the rooms that are locally said to have gone to Philadelphia can be seen here www.philamuseum.org/collections/permanent/42068.html?mulR...|1 . Although I note that the Museum is less certain than the information boards on site and local knowledge.
The house was saved by the writer Sir Osbert Sitwell in the 1940's. When Sir Osbert died in 1969 the ruins were given to the Ministry of Works and are now in the care of English Heritage. When I first visited here in the 1980's you were not able to enter the ruins. The interior of the ruin was littered with fallen masonry, beams and lumps of plaster and general debris. The debris was cleared out and the ruin made safe so that it has been possible to walk through the interior since the late 1990's.
Ganjali Bazaar - Square - Malek Mosque
The bazaar is located in southern part of Ganjali Square. Inside, the bazaar is decorated with exquisite plasterwork and wall paintings and although they are 400 years old, they are still well-preserved. The bazaar is 93 meters long and is connected to Ganjali square through 16 iwans and vaults.
Ganjali Caravanserai and Mosque
The caravanserai is located on the east side of the Ganjali Square. Its portal bears a foundation inscription from 1598 composed by calligrapher Alireza Abbasi. The plan of the caravanserai is based on the four-iwan typology, with double-story halls centered on tall iwans enveloping four sides of an open courtyard. There is an octagonal fountain at the center of the courtyard which is chamfered at the corners. The caravanserai measures thirty-one and a half by twenty-three meters. It has a small domed mosque at one corner that measures five and a half by five meters
This mosque is a construction of the 5th century AH. (the Saljuqi period). Various portions of this mosque, specially the main platform was constructed in the times of Vakil-ol-Molk (1285 AH.), and the eastern porch was repaired in the last century by the late Deylamqani which is a remnant of the Saljuqi period. There is the brick tower in the north eastern section, which was formerly in a state of ruin, but has since then been repaired. Besides which there are three altars worked in plaster.
Lanhydrock is the perfect country house and estate, with the feel of a wealthy but unpretentious family home. Follow in the footsteps of generations of the Robartes family, walking in the 17th-century Long Gallery among the rare book collection under the remarkable plasterwork ceiling. After a devastating fire in 1881 the house was refurbished in the high-Victorian style, with the latest mod cons. Boasting the best in country-house design and planning, the kitchens, nurseries and servants' quarters offer a thrilling glimpse into life 'below stairs', while the spacious dining room and bedrooms are truly and deeply elegant
Decorative plasterwork adorning the upper storey of a building in Corporation Street, Lincoln.
Uploaded originally for the 'Guess Where UK?' Group.
Ganjali Bazaar - Square - Malek Mosque
The bazaar is located in southern part of Ganjali Square. Inside, the bazaar is decorated with exquisite plasterwork and wall paintings and although they are 400 years old, they are still well-preserved. The bazaar is 93 meters long and is connected to Ganjali square through 16 iwans and vaults.
Ganjali Caravanserai and Mosque
The caravanserai is located on the east side of the Ganjali Square. Its portal bears a foundation inscription from 1598 composed by calligrapher Alireza Abbasi. The plan of the caravanserai is based on the four-iwan typology, with double-story halls centered on tall iwans enveloping four sides of an open courtyard. There is an octagonal fountain at the center of the courtyard which is chamfered at the corners. The caravanserai measures thirty-one and a half by twenty-three meters. It has a small domed mosque at one corner that measures five and a half by five meters
This mosque is a construction of the 5th century AH. (the Saljuqi period). Various portions of this mosque, specially the main platform was constructed in the times of Vakil-ol-Molk (1285 AH.), and the eastern porch was repaired in the last century by the late Deylamqani which is a remnant of the Saljuqi period. There is the brick tower in the north eastern section, which was formerly in a state of ruin, but has since then been repaired. Besides which there are three altars worked in plaster.
Ganjali Bazaar - Square - Malek Mosque
The bazaar is located in southern part of Ganjali Square. Inside, the bazaar is decorated with exquisite plasterwork and wall paintings and although they are 400 years old, they are still well-preserved. The bazaar is 93 meters long and is connected to Ganjali square through 16 iwans and vaults.
Ganjali Caravanserai and Mosque
The caravanserai is located on the east side of the Ganjali Square. Its portal bears a foundation inscription from 1598 composed by calligrapher Alireza Abbasi. The plan of the caravanserai is based on the four-iwan typology, with double-story halls centered on tall iwans enveloping four sides of an open courtyard. There is an octagonal fountain at the center of the courtyard which is chamfered at the corners. The caravanserai measures thirty-one and a half by twenty-three meters. It has a small domed mosque at one corner that measures five and a half by five meters
This mosque is a construction of the 5th century AH. (the Saljuqi period). Various portions of this mosque, specially the main platform was constructed in the times of Vakil-ol-Molk (1285 AH.), and the eastern porch was repaired in the last century by the late Deylamqani which is a remnant of the Saljuqi period. There is the brick tower in the north eastern section, which was formerly in a state of ruin, but has since then been repaired. Besides which there are three altars worked in plaster.
Lanhydrock is the perfect country house and estate, with the feel of a wealthy but unpretentious family home. Follow in the footsteps of generations of the Robartes family, walking in the 17th-century Long Gallery among the rare book collection under the remarkable plasterwork ceiling. After a devastating fire in 1881 the house was refurbished in the high-Victorian style, with the latest mod cons. Boasting the best in country-house design and planning, the kitchens, nurseries and servants' quarters offer a thrilling glimpse into life 'below stairs', while the spacious dining room and bedrooms are truly and deeply elegant
Ameha’s talent for plasterwork was spotted last year by an HLF-supported scheme, Re-Making Leeds. The scheme was developed to train young people in specialist crafts and Ameha is now benefiting from a year’s placement at Ornate Interiors, working on restoration projects including York Theatre Royal. In November 2016, Ameha was entered into national construction competition, SkillBuild, and won the gold prize!
Read more: bit.ly/2i6eICX
© Graham Fotherby
Fragment of the richly decorated half-rotunda with elegant Corinthian columns, plasterwork with angels and murals inside the Cathedral of the Resurrection after recently finished restoration works.Built in the 17th century (1656—1685), this cathedral was the biggest architectural idea of Patriarch Nikon to make a Russian model of the Resurrection Cathedral (also called the Basilica of the Holy Sepulcher) in Jerusalem.
Read more: goo.gl/xzepqp
Photo #252 taken on June 01, 2016
©2016 www.Moscow-Driver.com by Arthur Lookyanov​
Ganjali Bazaar - Square - Malek Mosque
The bazaar is located in southern part of Ganjali Square. Inside, the bazaar is decorated with exquisite plasterwork and wall paintings and although they are 400 years old, they are still well-preserved. The bazaar is 93 meters long and is connected to Ganjali square through 16 iwans and vaults.
Ganjali Caravanserai and Mosque
The caravanserai is located on the east side of the Ganjali Square. Its portal bears a foundation inscription from 1598 composed by calligrapher Alireza Abbasi. The plan of the caravanserai is based on the four-iwan typology, with double-story halls centered on tall iwans enveloping four sides of an open courtyard. There is an octagonal fountain at the center of the courtyard which is chamfered at the corners. The caravanserai measures thirty-one and a half by twenty-three meters. It has a small domed mosque at one corner that measures five and a half by five meters
This mosque is a construction of the 5th century AH. (the Saljuqi period). Various portions of this mosque, specially the main platform was constructed in the times of Vakil-ol-Molk (1285 AH.), and the eastern porch was repaired in the last century by the late Deylamqani which is a remnant of the Saljuqi period. There is the brick tower in the north eastern section, which was formerly in a state of ruin, but has since then been repaired. Besides which there are three altars worked in plaster.
Lanhydrock is the perfect country house and estate, with the feel of a wealthy but unpretentious family home. Follow in the footsteps of generations of the Robartes family, walking in the 17th-century Long Gallery among the rare book collection under the remarkable plasterwork ceiling. After a devastating fire in 1881 the house was refurbished in the high-Victorian style, with the latest mod cons. Boasting the best in country-house design and planning, the kitchens, nurseries and servants' quarters offer a thrilling glimpse into life 'below stairs', while the spacious dining room and bedrooms are truly and deeply elegant
Elevator trim panel from the ladies' shopping floors of the Book Building, Washington Blvd, Detroit. Part of a relatively intact interior of painted finishes and plasterwork.
Plasterwork ceiling, Whinburn, Utley. The initials PS (Prince Smith) can be seen and a Latin phrase "Firmior Quo Paratior", meaning "The stronger the better prepared". Photographed by Barbara Klempka on a visit to Whinburn on 14th November 2005.
Whinburn is a Grade II listed building on Hollins Lane, Utley. The main hall consists of a baronial hall, seven reception rooms and thirteen bedrooms, with adjoining outbuildings, coach house, dilapidated gatehouse, and detached bungalow, and stands in approximately seven acres of gardens. Fittings of the highest standard were used throughout Whinburn both externally and internally, so creating an Arts & Crafts house of supreme quality.
It was built in 1897 (designed by James Ledingham) for Prince Smith III (later Sir Prince Prince-Smith), a partner in the textile machinery manufacturing business of Prince Smith and Son. In 1912, a redesign was undertaken by London architects John W. Simpson and Maxwell Ayrton, including the addition of a four storey tower and the building of the Great Hall. By 1919 a setting of formal terraces had been laid out to the north-east of the house, with water features, follies, three rhododendron walks and a tennis lawn. The grounds include a stable block with coach house, gate lodge and garden pavilion. All these are also listed properties.
Following the death of Sir Prince Prince-Smith in 1940, Whinburn was used as a training centre by the National Institute of House-workers and in the early 1950s was purchased by the Local Authority for use as a school, initially residential. A bungalow and school classroom buildings were also added during this time. The school closed in mid-2002 and the house and gardens received listed status. In 2006, Keighley Area Planning Panel sharply criticised Bradford Council's asset management department for failing to maintain the historic property. They also turned down proposals from a Lancashire-based building firm, GCG Construction, who wanted to convert the main part of the mansion into nine apartments and build four more flats in the courtyard area.
The house remained empty until 2008 when the City of Bradford Metropolitan District Council sold it to businessman James Sheldon. Sheldon bought the estate with the intention of developing the house and reclaiming the gardens, with advice from English Heritage. Sheldon, 42, died from multiple injuries having jumped from the tower on 23rd June 2015 due to rising business debts. The house was up for sale again in 2017 (handled by Dacre, Son & Hartley) for around £1,250,000. According to online listings, it sold for £660,000 in December 2019.
The original print is held in the physical archive of Keighley and District Local History Society and was scanned by Billy Stride in February 2021.
Ganjali Bazaar - Square - Malek Mosque
The bazaar is located in southern part of Ganjali Square. Inside, the bazaar is decorated with exquisite plasterwork and wall paintings and although they are 400 years old, they are still well-preserved. The bazaar is 93 meters long and is connected to Ganjali square through 16 iwans and vaults.
Ganjali Caravanserai and Mosque
The caravanserai is located on the east side of the Ganjali Square. Its portal bears a foundation inscription from 1598 composed by calligrapher Alireza Abbasi. The plan of the caravanserai is based on the four-iwan typology, with double-story halls centered on tall iwans enveloping four sides of an open courtyard. There is an octagonal fountain at the center of the courtyard which is chamfered at the corners. The caravanserai measures thirty-one and a half by twenty-three meters. It has a small domed mosque at one corner that measures five and a half by five meters
This mosque is a construction of the 5th century AH. (the Saljuqi period). Various portions of this mosque, specially the main platform was constructed in the times of Vakil-ol-Molk (1285 AH.), and the eastern porch was repaired in the last century by the late Deylamqani which is a remnant of the Saljuqi period. There is the brick tower in the north eastern section, which was formerly in a state of ruin, but has since then been repaired. Besides which there are three altars worked in plaster.
The house was designed by the architect Francis Smith from 1724. The ruin encases an earlier house that stood on the site.
Edward Poynton of Nottingham carved the exterior stonework. The house contained some very fine stucco plasterwork made by two Italian master craftsmen Arturi and Vasalli. It is thought that Grinling Gibbons contributed some of the interior wood carvings.
In 1919 the estate was broken up and the house sold. The buyers sold the internal features as architectural salvage. The house was quickly reduced to being a shell. Some rooms still exist in the United States. Three interiors are displayed at the Museum of Art in Philadelphia. It is also possible to see a pine-panelled room from this house at the Huntington Library, California.
The details of the rooms that are locally said to have gone to Philadelphia can be seen here www.philamuseum.org/collections/permanent/42068.html?mulR...|1 . Although I note that the Museum is less certain than the information boards on site and local knowledge.
The house was saved by the writer Sir Osbert Sitwell in the 1940's. When Sir Osbert died in 1969 the ruins were given to the Ministry of Works and are now in the care of English Heritage. When I first visited here in the 1980's you could not get much closer to the ruins. The interior of the ruin was littered with fallen masonry, beams and lumps of plaster and general debris. The debris was cleared out and the ruin made safe so that it has been possible to walk through the interior since the late 1990's.
Lanhydrock is the perfect country house and estate, with the feel of a wealthy but unpretentious family home. Follow in the footsteps of generations of the Robartes family, walking in the 17th-century Long Gallery among the rare book collection under the remarkable plasterwork ceiling. After a devastating fire in 1881 the house was refurbished in the high-Victorian style, with the latest mod cons. Boasting the best in country-house design and planning, the kitchens, nurseries and servants' quarters offer a thrilling glimpse into life 'below stairs', while the spacious dining room and bedrooms are truly and deeply elegant
Lanhydrock is the perfect country house and estate, with the feel of a wealthy but unpretentious family home. Follow in the footsteps of generations of the Robartes family, walking in the 17th-century Long Gallery among the rare book collection under the remarkable plasterwork ceiling. After a devastating fire in 1881 the house was refurbished in the high-Victorian style, with the latest mod cons. Boasting the best in country-house design and planning, the kitchens, nurseries and servants' quarters offer a thrilling glimpse into life 'below stairs', while the spacious dining room and bedrooms are truly and deeply elegant
Ganjali Bazaar - Square - Malek Mosque
The bazaar is located in southern part of Ganjali Square. Inside, the bazaar is decorated with exquisite plasterwork and wall paintings and although they are 400 years old, they are still well-preserved. The bazaar is 93 meters long and is connected to Ganjali square through 16 iwans and vaults.
Ganjali Caravanserai and Mosque
The caravanserai is located on the east side of the Ganjali Square. Its portal bears a foundation inscription from 1598 composed by calligrapher Alireza Abbasi. The plan of the caravanserai is based on the four-iwan typology, with double-story halls centered on tall iwans enveloping four sides of an open courtyard. There is an octagonal fountain at the center of the courtyard which is chamfered at the corners. The caravanserai measures thirty-one and a half by twenty-three meters. It has a small domed mosque at one corner that measures five and a half by five meters
This mosque is a construction of the 5th century AH. (the Saljuqi period). Various portions of this mosque, specially the main platform was constructed in the times of Vakil-ol-Molk (1285 AH.), and the eastern porch was repaired in the last century by the late Deylamqani which is a remnant of the Saljuqi period. There is the brick tower in the north eastern section, which was formerly in a state of ruin, but has since then been repaired. Besides which there are three altars worked in plaster.
Ganjali Bazaar - Square - Malek Mosque
The bazaar is located in southern part of Ganjali Square. Inside, the bazaar is decorated with exquisite plasterwork and wall paintings and although they are 400 years old, they are still well-preserved. The bazaar is 93 meters long and is connected to Ganjali square through 16 iwans and vaults.
Ganjali Caravanserai and Mosque
The caravanserai is located on the east side of the Ganjali Square. Its portal bears a foundation inscription from 1598 composed by calligrapher Alireza Abbasi. The plan of the caravanserai is based on the four-iwan typology, with double-story halls centered on tall iwans enveloping four sides of an open courtyard. There is an octagonal fountain at the center of the courtyard which is chamfered at the corners. The caravanserai measures thirty-one and a half by twenty-three meters. It has a small domed mosque at one corner that measures five and a half by five meters
This mosque is a construction of the 5th century AH. (the Saljuqi period). Various portions of this mosque, specially the main platform was constructed in the times of Vakil-ol-Molk (1285 AH.), and the eastern porch was repaired in the last century by the late Deylamqani which is a remnant of the Saljuqi period. There is the brick tower in the north eastern section, which was formerly in a state of ruin, but has since then been repaired. Besides which there are three altars worked in plaster.
Lanhydrock is the perfect country house and estate, with the feel of a wealthy but unpretentious family home. Follow in the footsteps of generations of the Robartes family, walking in the 17th-century Long Gallery among the rare book collection under the remarkable plasterwork ceiling. After a devastating fire in 1881 the house was refurbished in the high-Victorian style, with the latest mod cons. Boasting the best in country-house design and planning, the kitchens, nurseries and servants' quarters offer a thrilling glimpse into life 'below stairs', while the spacious dining room and bedrooms are truly and deeply elegant