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I was looking at the position of legs on tables when i created this series of plaster cast models. I shaped wooden legs and a top which I then vacuum formed, i then filled the moulds with plaster. 16/03/16
Scanned 35mm negative. For more on this one, you could have a look at my blog: davewhatt.wordpress.com/2016/06/17/plaster-man-1980s/
This is a completely natural art work.
Plaster of Paris on Pine, scratched into painted with walnut indian ink and finished with a layer of cold beeswax mix.
The painting symbolises many people/women all joined together with a common thread contained within a bowl/earh/womb
Apollo. final plaster model. 1996.
Apolo. Modelo final em gesso (português).
Apolo. modelo final en yeso ( español).
Apolo. modello finale dell'intonaco (italiano).
Century VI quatrain 33
His hand finally through the bloody ALUS,
He will be unable to protect himself by sea,
Between two rivers he will fear the military hand,
The black and angry one will make him repent of it.
Photo taken in "Skulpturenpark Waldfrieden, Wuppertal-Unterbarmen. I emphasized the interesting structures, the scratches, scrapes, and scars of the plaster models.
Created by Jason Schneider of Jason Schneider Furniture.
Blogged: www.allthingspaper.net/2014/03/corrugated-cardboard-furni...
Described as being a “fine, well preserved and quite rare example of a Romanesque Revival Church marred only by the addition of Tyrolean plaster finish to the exterior walls”
Detached multiple-bay single-storey (Tyrolean) rendered Romanesque Revival style Roman Catholic church, built 1904-09 to designs by W.H. Byrne. Irregular shaped plan which incorporates a castellated topped three-stage square tower, transepts and side lean-to rear porch entrances. All windows and doors are set into semi-circular arch headed openings with drip mouldings.
A free standing water stoop sits to the side of the timber sheeted front double door, to either side of which is a small single window. Directly above is a grouping of three windows, the central one is slightly taller. A small glazed sexafoil sits within the gable peak. There are reducing double buttresses to each external corner and between each window on the long sides of the nave.
Gables to the transepts both have groupings of three windows, the central one being slightly taller and a small glazed sexafoil within the peak. The church is slightly set back behind a low rendered wall with square gate pillars with pyramidal caps and wrought-iron gates.
Internal Removal of the altar rails and moving the altar forward appear to be the only changes to the original interior which remains complete with wagon roof trusses, pictorial leaded windows, figurative stations of the cross and all original mosaic decoration to chancel.
The chancel is semi-circular in plan and has a ribbed (half) domed roof. The simple pews may be original but the decorative encaustic tiled floor may date from the Edwardian era.
Out of a "back-slab" and into a full cast. Unfortunately for graffiti (or grrr-feety!) artists, there is a plastic covering that is felt-tip resistant. I haven't yet managed a good night's sleep due to the change of cast. Sadly the swelling hasn't come down at all. I should be able to put the foot on the floor just to provide a bit of stability instead of hopping everywhere.
Portrait of Jack Mundey.
Created by artist Alexandre Farto. A large portrait of Sydney environmental activist, Jack Mundey, on the stairs in The Rocks.
The portrait appears to be created by gouging out the plaster / render to reveal the brickwork underneath.
If you look carefully, you can see the stairs running diagonally above the eyes, with the forehead on the wall behind.