No more plagiarism, we want more security on Flickr!
View allAll Photos Tagged plagiarism
A monstrous purple illuminated "art" structure on the Max-Joseph-Platz square in central Munich.
Actually this is some form of inflatable miniature plagiarism of the Guggenheim Museum in New York built by some Viennese art collective, serving as a performance venue.
© All Rights Reserved - you may not use this image in any form without my prior permission.
take it out of several books then it is research :-)
Quoted by Ralph Foss, 1932
rose, little theater roe garden, raleigh, north carolina
See my "About" page on Flickr for the link to support my efforts... just the price of a cup of coffee is appreciated. Thank you. www.flickr.com/people/jax_chile/
----------------------------------------------------------------------------------
Thanks for your visit, FAVs, and comments, I truly appreciate it.
----------------------------------------------------------------------------------
Press 'F11' for Large View then 'L' for a Largest View.
----------------------------------------------------------------------------------
This image may not be reproduced or used in any form whatsoever without my express written permission.
All rights reserved.
© Fotografía de John B
© John B Fotografía
© John Edward Bankson
---
Hoverfly on a Columbine bloom - Santa Gemita - 032122 - Enhanced-4
There is an outdoor photo exhibition of Covid protected faces at Toronto Harbourfront. I often use existing art in my photos. Sometimes it feels like plagiarism, so I try to insert something of my own into the image. Toronto people can see this exhibit 'Portraits in COVID Times' until September 15, and the masked reality will be on the streets much longer.
779. TMR Toronto 2021-Aug 26, P1530781. Uploaded 2021-Aug-27. Lmx -ZS100.
Winter solstice I had to do something, I usually do. My bag was prepared but I went to bed with no idea what to do. That’s a lie I knew I was going to the coast with my canon, the two C’s I’ve been sadly neglected of late. With no real idea I would probably stay local and with that I read couple of pages of the Lord of the rings and went to sleep. LOR, it’s a Christmas thing. Many moons ago I used to read LOR every Christmas period, well start in November and trickle through it and probably finish in February. I did this for many years and then I stopped, so just for giggles I decided to reprise the old custom this year, with one variation, not my old battered paperback which I’ve owned since the 70’s, which has got more battered with my children and lost I think. So I’m reading it on a kindle but it’s still the same words which are brilliant. LOR is a real story with a solid history and background, not your fly by night fantasy made up as you go along with an unhealthy lumps of plagiarism, JKR! But hey she’s probably made much more money than Tolkien so I shouldn’t knock it. Anyway back on Subject, I wake at 5:00am for the loo and an idea to go up to the Northumberland coast and visit a place close to where I spent the summer solstice this year. So a quick look at the angle of the sunrise and where to park I get out of bed and set off to Warkworth. Here is a quick photograph of my very enjoyable morning wandering the coast between Wark.worth and Alnmouth.
This bird doesn’t sing—it commits grand theft melody with a clear conscience.
It swipes arias from frogs, riffs from rival birds, and even Hot Cross Buns from that kid two streets over who’s been torturing a recorder since March.
At dawn, it belts out this musical ransom note as if it spent the night composing in a Paris attic. And you, standing there in your robe, actually applaud.
Because somehow it’s better—better than the frog, the bird, the kid… and yes, even the car alarm.
Plagiarism never sounded so good.
Lately, I’ve been sharing more than just photos—I’ve started telling the stories behind them. Candid half‑truths, fables, and a few wildly exaggerated adventures. And
little parables spun from the everyday life of an old man with a pen and a camera. If that sounds like your kind of fun, I’ve just started a free weekly blog: thegofreedchronicles.substack.com. I’d love to have you along.
Library of Birmingham, Birmingham
A view point that my partner in crime - Eddie spotted while I was preoccupied with the library building reflections in the pool. Once he had scared off all the locals I moved in for this shameless plagiarism.
My final upload from the Birmingham meet-up and many thanks to everyone that turned up. It made the effort all the more worthwhile and here's to the next one. Now it's back to holiday pics and some new stuff from Bamburgh when I can be bothered to upload to my PC.
Artwork by Glenn Brown @ Art Gallery, Arles, France
The photograph NOT the Artwork is my work, therefore my copyright is the photograph only
Glenn Brown CBE (born 1966 in Hexham, Northumberland) is a British artist known for the use of appropriation in his paintings. Starting with reproductions from other artists' works, Glenn Brown transforms the appropriated image by changing its colour, position, orientation, height and width relationship, mood and/or size. Despite these changes, he has occasionally been accused of plagiarism.
Blatant plagiarism of GP’s version...spotted whilst gasping for air after climbing Waterloo Road in Matlock Bath at breakneck speed (SWMBO wanted a bit of a walk).
“Escribes poemas
porque necesitas
un lugar
en donde sea lo que no es”
(Alejandra Pizarnik)
NO TO PLAGIARISM !!!
............................................
Hace poco apareció una fotografía de mi autoría por las redes, en muchas páginas de facebook, twitter, google ...
sin mi firma, así que para que ponerla. NO AL PLAGIO !!!
.................................................
Gracias a todos. Besitos
I've been accused of plagiarism regarding this photo. So please, do not fav it or unfav it if you believe it is plagiarized.
Artwork by Glenn Brown @ Art Gallery, Arles, France
The photograph NOT the Artwork is my work, therefore my copyright is the photograph only
Glenn Brown CBE (born 1966 in Hexham, Northumberland) is a British artist known for the use of appropriation in his paintings. Starting with reproductions from other artists' works, Glenn Brown transforms the appropriated image by changing its colour, position, orientation, height and width relationship, mood and/or size. Despite these changes, he has occasionally been accused of plagiarism.
I must confess I’ve seen something similar to this before so I can’t really take credit for the concept. But I had spoons, syrup and waffles so just the right ingredients to rustle up a spot of sweet, sweet plagiarism.
All sorts wrong with this effort. Not least being blatant plagiarism of a vantage point & composition previously used to unforgettable effect by a certain Scottish photographer of great repute.
This one, by total contrast, features the Glen Coe monster in the far less fetching cold light of mid-morning, & doesn't even possess a crumb of the majesty so well captured by Mr Prior.
Apologies to Mark Wilkins www.flickr.com/photos/147501246@N07/ for nicking his idea. His photo was much better though as the wind was light this day and the bubbles stayed too low to the ground. Only a few flew high enough to photograph against a suitable background.
Artwork by Glenn Brown @ Art Gallery, Arles, France
The photograph NOT the Artwork is my work, therefore my copyright is the photograph only
Glenn Brown CBE (born 1966 in Hexham, Northumberland) is a British artist known for the use of appropriation in his paintings. Starting with reproductions from other artists' works, Glenn Brown transforms the appropriated image by changing its colour, position, orientation, height and width relationship, mood and/or size. Despite these changes, he has occasionally been accused of plagiarism.
One of the most consistent photographers on Flickr and 500px is Stuart Allen. His simple uncluttered photographs are executed to perfection. Hope he forgives me my plagiarism, as it is meant as my poor attempt for a compliment.
SIM is the place, where all the sim cards come from ;-). Port Lands area east of Toronto is undergoing tremendous development. Almost all buildings like this are gone.
408. TMR Toronto 2020- June -13, P1390778; (2020 June) Uploaded 14. June 2020, Lmx -ZS100)
Name: le Plagiat (the Plagiary, plagiarism);
Author: after René Magritte;
Painter: Frederik Cnockaert; www.kerat.be
Sizes: height 75cm / width 100cm;
Oil on canvas / Collection Jan Theuninck Art
Finish: without frame;
Current condition: very good condition
Description : This pastic to Magritte for sale - The Plagiarism Mysterious messages are hidden in this artwork.
Living for, through and from art ...We see flowers that function here as a window on a landscape of grass and trees.
The eggs in a nest that represent the outside world that invades nature.
Magritte painted the original work one month before the invasion of Belgium, after the beginning of the 2nd world war. Instead of painting a world full of darkness, Magritte tried to create a beam of light. As for the title, it implies a sense of copying and fraud. But what is the representation other than a form of plagiarism? “Le Plagiat”. Here, Magritte combines the traditional floral still life with the landscape genre, creating a new form of plagiarism. The 1940 Magritte original measures 54 by 65 cm and is cataloged in his oeuvre catalog.
This hand-painted copy measures 75 cm by 100 cm (without frame) is much larger than the original, in order to prevent later fraud.
Therefore, there can be no confusion with the original. Also, the canvas is not signed because it is otherwise fraudulent.
The original has been sold. Le plagiat (Plagiary) Price realized GBP 5,193,250..See also www.christies.com/lotfinder/Lot/rene-magritte-1893-1983-l...
This hand-painted replica is much more fun than a poster. The asking price for this replica / pastiche painting “le Plagiat”
--------------------------------------------------------------------
Heb te koop een studie schilderij van Frederik Cnockaert, naar René Magritte. De afmetingen van mijn werk zijn hoogte 75cm / breedte 100cm. De studie kopie is een stuk groter gemaakt dan het origineel dat 54 op 65 cm meet. De titel van het origineel werk is "le Plagiat "("het Plagiaat"). Het verhaal in dit werk is er één van hoop. Geen wereld vol duisternis en gruwel, maar een hoopgevende lichtstraal, een mooi landschap in een bloemstilleven. De bloemen fungeren hier als een venster op een landschap van gras, bomen en wolken. De eieren in een nest stellen de buitenwereld voor, die de natuur binnendringt.
Er zitten zoals dikwijls in René Magritte zijn kunst, boodschappen verstopt in het kunstwerk. De bedoeling in dit werk is er naar mijn interpretatie, hier één van het bieden van troost. Magritte schilderde dit origineel werk in een moeilijke tijd, in 1940 , net voor de invasie van België, dus bij het begin van de 2de wereldoorlog. Hij bleef zijn positieve gedachten verbeelden in schilderijen.
Ik maakte deze studiekopie jaren geleden om mij de penseeltoets eigen te maken van Magritte, in voorbereiding op een aantal van zijn werken die ik mocht restaureren. Mijn handgeschilderde kopie was een goede oefening om de hand, de geest en het penseel van Magritte goed aan te voelen bij de uit te voeren restauraties.
Ik had jaren voordien het werk "de aanslag" van Magritte in het Groeninge Museum te Brugge gereinigd en er was daar nogal wat discussie rond geweest in het Museum omdat men mij verweet dit te hebben gedaan, zonder dat er een studiegroep was samengesteld om te beslissen over de behandeling. Ik begrijp dat een deskundige behandeling eerst een studie vraagt en team work . De studies doe ik nog steeds met passie. Op deze studie staat, zowel op de voorzijde als op de rugzijde van het doek '' studiekopie naar Magritte en ook mijn naam en monogram.
Zodoende kan er hier dus geen verwarring ontstaan met het origineel. Mijn schilderij heb ik iets frisser, warmer van tint en roder van kleur gemaakt omdat ik denk dat dit origineel ook zo moet geweest zijn.. Heb ook enkele kleine verschillen gemaakt in de details. Het origineel schilderij is licht verkleurd doordat zijn gebruikte kleurpigmenten, gevoelig zijn aan licht en vochtinwerkingen. Magritte werkte met kleuren, die hij soms zelf maakte met pigmenten en sommige zijn niet zo lichtbestendig en verkleuren bijgevolg in de loop der jaren , ze worden helaas iets doffer. Als restaurateur mogen we het origineel niet herschilderen, maar enkel minimaal retoucheren bv. bij een scheur.
Het maken van een studie kopie is niet frauduleus indien deze niet als origineel wordt aangeboden.
In het verleden, bijvoorbeeld in de Renaissance, was het maken van kopieën naar het voorbeeld van de antieke oudheid een gebruikelijke bezigheid. Men had bewondering voor de kunstenaars, en het was een eerbetoon. Er werd ook gestreefd naar een beheersing van de oude technieken en men was overtuigd dat de oude werken herleefden in de eigen herscheppingen. Door de volledigheid van de studie kopie werd deze zelfs als een meer dan waardige vervanger beschouwd...Met het aspect van " authenticiteit", dat zeer belangrijk is geworden in deze eeuw, werd vroeger minder rekening gehouden, de grens tussen meester, navolgers en leerling was veel dunner. De modes in de tijden evolueren enorm snel.. Er bestaan ook replica’s, die zijn dan door de kunstenaar zelf gemaakt of onder zijn toezicht.. Dergelijke hernemingen van een creatie zijn dan veeleer varianten, dan wel meer nieuwe creaties.. Sommige kunstenaars laten van hun eigen werk kopieën maken door assistenten. Studie kopies zijn naar mijn mening niet zo minderwaardig als ze maar deskundig zijn gemaakt.
Magritte combineert hier het traditionele bloemstilleven met het landschapsgenre, waardoor er een nieuwe vorm van plagiaat ontstaat. We denken als schilder dat we de werkelijkheid nabootsen, maar is dit wel zo…Het zijn doordenkertjes, want wat we schilderen is niet de werkelijkheid maar een representatie ervan...In zijn kunst speelt Magritte met het denken en de perceptie van de kijker. De oppervlakkige verschijning verbergt het geheim van de werkelijkheid en de kunstenaar probeert dit raadsel in zijn werken op te lossen. Hiervoor regelt verassingen en maakt onverwachte nevenschikking van bekende objecten. Het origineel van Magritte is gesigneerd door hem, gedateerd en gecatalogeerd in zijn oeuvre catalogus. Het origineel schilderij van René Magritte zit in een privé collectie van een miljardair. Het werd verkocht op internationale veiling. Le plagiat (Plagiary) Price realised GBP 5,193,250. .Zie ook
www.christies.com/lotfinder/Lot/rene-magritte-1893-1983-l...
Ik denk dat mijn studie schilderij toch leuker is dan een poster. Door de vele manuele werkuren is de vraagprijs voor mijn schilderij
“ étude le Plagiat”.
Groetjes vanwege Frederik Cnockaert,
ART Restorer KERAT bv KUNST RESTAURATIE Hoogweg 42 - 8940 Wervik - T 056 22 67 97 - M 0495 51 33 87 www.kerat.be info@kerat.be
Huile sur toile non signée par magritte
Paysage surréaliste dans le goût de Magritte " L'arbre au printemps" dimensions (75 x 100cm).
Sans cadre / huile sur toile / painting on canvas;
Article: pastiche / peinture à huile sur toile;
Nom: le Plagiat (le plagiat);
Auteur: étude d'après René Magritte;
Interprète: Frederik Cnockaert;
Tailles: hauteur 75cm / largeur 100cm;
Finition: sans cadre;
État actuel: travaux très récents ;
La description :
Ce pastic à Magritte à vendre - Le plagiat
Des messages mystérieux sont cachés dans cette œuvre d'art.
Vivre pour, à travers et depuis l'art ...
On voit des fleurs qui fonctionnent ici comme une fenêtre sur un paysage d'herbe et d'arbres.
Les œufs dans un nid qui représentent le monde extérieur qui envahit la nature.
Magritte a peint l'œuvre originale un mois avant l'invasion de la Belgique, après le début de la 2ème guerre mondiale. Au lieu de peindre un monde plein d'obscurité, Magritte a essayé de créer un faisceau de lumière. Quant au titre, il implique un sens de la copie et de la fraude. Mais quelle est la représentation autre qu'une forme de plagiat? «Le Plagiat». Ici, Magritte combine la nature morte florale traditionnelle avec le genre du paysage, créant une nouvelle forme de plagiat.
L'original de 1940 de Magritte mesure 54 par 65 cm et est catalogué dans son catalogue d'œuvres.
Cette copie peinte à la main mesure 75 cm par 100 cm (sans cadre) est beaucoup plus grande que l'original, afin d'éviter toute fraude ultérieure.
Par conséquent, il ne peut y avoir aucune confusion avec l'original. La toile n'est pas non plus signée car sinon elle est frauduleuse.
L'original a été vendu. Le plagiat (Plagiaire) Prix réalisé GBP 5 193 250..Voir aussi
www.christies.com/lotfinder/Lot/rene-magritte-1893-1983-l...
Cette réplique peinte à la main est beaucoup plus amusante qu'une affiche.
Le prix pour cette réplique / pastiche "le Plagiat" est
-----------------------------------
-----------------------------------
www.christies.com/lotfinder/Lot/rene-magritte-1893-1983-l...
Artwork by Glenn Brown @ Art Gallery, Arles, France
The photograph NOT the Artwork is my work, therefore my copyright is the photograph only
Glenn Brown CBE (born 1966 in Hexham, Northumberland) is a British artist known for the use of appropriation in his paintings. Starting with reproductions from other artists' works, Glenn Brown transforms the appropriated image by changing its colour, position, orientation, height and width relationship, mood and/or size. Despite these changes, he has occasionally been accused of plagiarism.
please support `united against plagiarism topic at my group
analogue
+1 photo at the comments
pls keep the comments clean.
no banners & awards pls!
© All rights reserved. Use without permission is illegal.If you do so you will be sued!!!
There's an everlasting debate on the way our work risks losing its own originality the more we analyse the history of painting. Sure, the more I read Matisse's work or Hofmann, the more my work takes on a format giving direct refernces to their work. Still, I do find that I can create my own language and not fall into the trap or plagiarism.
Some kind of deep space microscopic sea creature or the inside of Riley's old coat and some blade rotation.
Wherever it takes you I suppose.
Single long exposure powered by Ted Baker and Lightpainting Brushes.
I often have a browse through photostreams of old contacts on Flickr. There have been some seriously imaginative togs on here who sadly no longer post.
This image is blatant plagiarism of one such, Urban pinhead. His image can be found here.
Artwork by Glenn Brown @ Art Gallery, Arles, France
The photograph NOT the Artwork is my work, therefore my copyright is the photograph only
Glenn Brown CBE (born 1966 in Hexham, Northumberland) is a British artist known for the use of appropriation in his paintings. Starting with reproductions from other artists' works, Glenn Brown transforms the appropriated image by changing its colour, position, orientation, height and width relationship, mood and/or size. Despite these changes, he has occasionally been accused of plagiarism.
One from a recent trip to the Peak District with www.flickr.com/photos/vivid-blue/. A composition that's been done a few times before, so I guess that makes it plagiarism, right?
Thanks for looking
From the county road over the edge of Bennachie above Bennachie Centre looking East over Aberdeen city and the coast
A careful rework of an earlier image, I say careful, because I have tried to apply an edit that most portrays the light and colours of the actual scene as viewed early one morning back in 2019 on my way to work.
I have used AI NR here also which wasn't available at my first release back in 2019. Which should simply give a smoother image as it will have reduced the grain. I have however stepped the resolution down for flickr and added my watermark to reduce the chances of plagiarism or theft.
Copyright Terry Eve Photography 2019
www.youtube.com/watch?v=ej2VHWftwdQ&feature=related
pla·gia·rism [pley-juh-riz-uhm, -jee-uh-riz-] Show IPA
–noun
1.
the unauthorized use or close imitation of the language and thoughts of another author and the representation of them as one's own original work.
2.
something used and represented in this manner.
Source: dictionary.com
I'm tired of this!
Why not find your own style and creativity? It is quite a thrill I gladly experience EVERY DAY!
They say being 'imitated' is the greatest compliment?!?!? HHHHMMMM!!!
NO crop of the flower, only some of the black bg (top and bottom), because it suited the flower and what I wanted to convey! Flower comp in camera!
No more plagiarism, we want more security in Flickr!
Thanx, M, (*_*)
Please do not COPY, use any of my images on websites, blogs or any other media without my explicit permission. Many are with Getty© All rights reserved
Artwork by Glenn Brown @ Art Gallery, Arles, France
The photograph NOT the Artwork is my work, therefore my copyright is the photograph only
Glenn Brown CBE (born 1966 in Hexham, Northumberland) is a British artist known for the use of appropriation in his paintings. Starting with reproductions from other artists' works, Glenn Brown transforms the appropriated image by changing its colour, position, orientation, height and width relationship, mood and/or size. Despite these changes, he has occasionally been accused of plagiarism.
Slated for development, these silos still tower over the waterfront. They may soon disappear or will be dwarfed by condominiums. Victory Soya Mills silos were built in 1948 by T. G. Ferguson for Canadian Breweries E.P. Taylor. Edward was the beer king and one of the richest men in Canada. Note to myself: In Next Life, start a beer company.
One of the most consistent photographers on Flickr and 500px is Stuart Allen. His simple uncluttered photographs are executed to perfection. Hope he forgives me my plagiarism, as it is meant as my poor attempt for a compliment.
409. TMR Toronto 2020- June -13, P1390799; Uploaded 15. June 2020, Lmx -ZS100)
☆Location: Fine Arts Museum in Kharkiv, Ukraine
About the author: en.m.wikipedia.org/wiki/Konstantin_Kryzhitsky vsdn.ru/authorcolumn/519.htm
The painting "Blew Of Spring" played a fatal role in the life of this wonderful artist. He was groundlessly accused of plagiarism and, unable to withstand the persecution, committed suicide.
Rus: Картина "Повеяло весной" сыграла роковую роль в жизни этого замечательного художника. Он был безосновательно обвинён в плагиате и, не выдержав травли, покончил жизнь самоубийством.
Sorry for the poor image quality.
The policy of the majority of Russian and Ukrainian museums is to keep a solid defense against those wishing to get acquainted with their collections on-line.
submission for zine praga (it's gonna be printed in b/w).
topic is 'plagiarism'.
[see all sizes for detail.]
It’s VERY frustrating that some locations and representations of them, have become so fundamentally iconic to landscape photography, that even visiting them gives you a feeling of déjà vu. Now this over familiarity with certain locations, (even before one has even visited them) not only dampens the spirit of adventurous discovery, but poses even greater problems to the landscape photographer who is trying to develop and present new fresh approaches, especially when many of the dramatic places already have their own representations cemented in the popular consciousness.
On one level, even attempting to working in ‘these’ locations can feel akin to plagiarism, especially when a particular image has become so iconically tied to a location and photographer, it can feel futile to even point the camera in the same direction, in fear of diminishing one’s own creative integrity. Yes, yes, I’m aware of the popular urban myth perpetuated by photographic journalists, that encourages attempting new insights on the familiar, but frustratingly the room for creative manoeuvre is already pissing in the wind. Even then, assuming you have managed to find some creative shelter from the prevailing westerly’s, you then have to contend with flushing the said ‘icon’ out of your head, in order to explore fresh inspiration in the hope of unearthing something creatively unique. Ironically this approach can force the congruent photographer to ignore the obvious photogenic elements, leaving them to contend with lesser vaguer aesthetics.
Then, in an act of lasting degradation, when the photographer has dealt with the self induced shame, and struggled with the creative exploration and finally come up with something personally insightful, (however slight the movement forward is), they then have the final indignity of ‘comparison’ to deal with. How can something that is so loved, so widely published in the psyche of millions be distorted by new representations? How can David even contemplate approaching Goliath? Is there really any point?
Go on, I’ve asked for it... I ask for no mercy... I have no defence...Bring on the torrent... Open the flood gates...I deserve it........................
Where Have All The Flowers Gone -anti-war song
has roots in Ukraine
Few people are well aware that central passages from this song come from a Ukrainian folk song.
Model: The lullaby in the novel "Stiller Don"
Seeger came to this folk song via literature. He had sympathies for socialist and communist ideas. In the 1950s he read the Soviet novel The Silent Don. This book tells about the First World War, but above all about the civil war after the October Revolution. It is a mammoth work with 2,000 pages.
The hero is a Don Cossack fighting on both sides, a failing hero. Incidentally, the author Mikhail Sholokhov received the Nobel Prize in Literature for this in 1965, although there were already allegations of plagiarism at the time that he could not have written such a work. But that's another story.
Crucial to Pete Seeger's future famous song was a scene in the novel when a female character sings a lullaby to a child. These lines impressed Pete Seeger and he wrote them down. These were the famous words that form the core of his song:
And where are the geese? They ran into the reeds. And where are the reeds? Mowed by girls. And where are the girls? Married long ago. And where the Cossacks? Are off to war.
From the novel "Silent Don" by Mikhail Sholokhov
www.flickr.com/explore/2022/08/17
Artwork by Glenn Brown @ Art Gallery, Arles, France
The photograph NOT the Artwork is my work, therefore my copyright is the photograph only
Glenn Brown CBE (born 1966 in Hexham, Northumberland) is a British artist known for the use of appropriation in his paintings. Starting with reproductions from other artists' works, Glenn Brown transforms the appropriated image by changing its colour, position, orientation, height and width relationship, mood and/or size. Despite these changes, he has occasionally been accused of plagiarism.
San Francisco
Another take on the SPNP #48 assignment:
"Things are what they seem to be, or maybe something else." - Richard Kalvar
This is a reflection into an area of a Guy Bourdin photograph. I love his work. Uncertain whether this fits the brief or is just plagiarism, but the assignment does raise the question of ambiguity.
After giving Grandma's old teapot a polish, I photographed the maker's mark and went on the internet to see what I could find out about it. Finding a similar pot was nigh impossible, until I searched under the name of the handle patent owner, Meeson.
To my amazement it came up with an identical pot, but made by a different silversmith.
Plagiarism as an art must indeed be old. My pot bears what I believe is the mark of Stewart Dawson, while the pot on the 'net was made by Boardman & Glossop of Sheffield. The link takes you to the other pot.
You tell me, who plagiarised whom?
It seems pretty certain both are 19th century pots.
www.etsy.com/listing/539027611/antique-silver-plate-teapo...
It seems the image has now gone from that site. Sorry.
XXXXXXXXXXXXXXXXXXXXXXXXXXXX NO TO PLAGIARISM!!!
Another year... THE TULIPS ARE BACK! What will they be up to this year? Lol!
THANX for ALL your comments and visits, so appreciated, too many to be returned (sadly, however I DO try!...), M, (*_*)
Please do not use or COPY any of my images on websites, blogs or any other media without my explicit permission. © All rights reserved
WHY NOT DEVELOP YOUR OWN STYLE RATHER THAN COPYING AND STEALING FROM SOMEONE ELSE'S BRAIN??? EXPERIENCE THE THRILL OF YOUR OWN CREATIVITY!!!
Why not view the set as a slide-show?
Also I often upload more than one image at the same time, I see a tendency to only view the last uploaded...
No more plagiarism, we want more security in Flickr!
Thanx, M, (*_*)
No more plagiarism, we want more security in Flickr!
Flickr Escuchanos! Queremos más seguridad!
Cada vez es mayor el numero de usuarios afectados por los plagios y/o uso indebido de sus fotos y contenido por terceras personas.
Ya no basta con informar en el Perfil del usuario y en cada foto que se postea, que existe el derecho de autor y que para su uso hay que pedirle permiso al fotógrafo que ha creado esa imagen.
Ya no basta reportar a estas personas o bloquearlas, porque FLICKR no ejecuta acciones contundentes contra estos ladrones, pedófilos y/o sádicos que siguen utilizando sus cuentas a voluntad y haciendo uso indebido de las imágenes sustraídas a otros usuarios.
NOSOTROS, los usuarios dignos y éticos, los libres artistas, los que respetamos el trabajo de nuestros colegas, los que utilizamos FLICKR de manera LEGAL y somos parte de una comunidad que busca enriquecerse de la creatividad del compañero e inspirarse en sus obras SIN COPIARLAS y sin hacer uso INDEBIDO de ellas, RECLAMAMOS Y EXIGIMOS por esta vía:
Sean respetados nuestros derechos de autor.
Que FLICKR cree nuevas herramientas para proteger nuestras obras.
Que una vez un usuario sea bloqueado se le prohiba visitar de nuevo la galería de la persona que lo ha bloqueado o reportado.
Que se les suspendan indefinidamente las cuentas a estas personas, que plagian, copian y usan estas fotos adquiridas sin permiso con fines ilegales y penados por la ley, como lo son entre otras, la pedofilia y la pornografía.
FLICKR Escucha a tus usuarios! Ya no basta con una advertencia que diga " Llevanos a los gatitos" y que la cuenta no pase el filtro de seguridad, hay que hacer que las cuentas sean mas seguras.
Que Flickr haga un seguimiento adecuado a las cuentas reportadas. No queremos mas moderación sin justificación. Senores administradores de Flickr. Exigimos respeto en la moderación de todas nuestras cuentas y que se diferencie claramente el hilo entre lo pornográfico y lo artístico.
FLICKR es hora de mejorar tus sistemas de seguridad y de garantizar el servicio que todos merecemos!
Hoy nos unimos a una protesta mundial para alzar nuestro arte en pro de un mejor servicio y de un mejor FLICKR, donde podamos seguir compartiendo de manera ética y legal nuestros puntos de vista de la vida y del mundo a través de nuestro lente!
Gracias por considerar esta demanda y por mejorar los puntos débiles expuestos anteriormente.
Artwork by Glenn Brown @ Art Gallery, Arles, France
The photograph NOT the Artwork is my work, therefore my copyright is the photograph only
Glenn Brown CBE (born 1966 in Hexham, Northumberland) is a British artist known for the use of appropriation in his paintings. Starting with reproductions from other artists' works, Glenn Brown transforms the appropriated image by changing its colour, position, orientation, height and width relationship, mood and/or size. Despite these changes, he has occasionally been accused of plagiarism.