View allAll Photos Tagged pixelstick
www.instagram.com/lightcrafter.artistry
An alternate version of a shoot I did this summer. Pixelstick lighting reflected on a river.
All images © 2017 Daniel Kessel.
All rights reserved
Zwei Pixelsticks und eine Taschenlampe.
Lightpainting und Lichtspektakel Part 2 in den Besenhorster Ruinen in Geesthacht mit der Fotogruppe "Fotos mit Spaß".
HD Pentax-D FA 15-30mm F2.8 ED SDM WR
I've updated the "Chapel De La Soul" ( a top secret Exeter church with a super cool code name ) album @ D.N.R to include all of the newley captured PixelStick Images ! www.donotresuscitate.co.uk/#!chapel-de-la-soul/c17on
The cut in a disused paper mill. From a pixel stick brought to life.
Der Zuschnitt in einer stillgelegten Papierfabrik. Zum Leben erweckt durch einen Pixelstick.
..erste Versuche mit Lightpainting und dem Pixelstick mit dem fb-Stammtisch! Mal was neues ausprobieren..😉
Pixelstick apparition at Bethell's Beach, New Zealand. Welcome to 'Explore' visitors, I hope you enjoy my work.
At the "car forest" outside of Goldfield, NV, I got slightly creative one evening with my deluxe light painting tool and further messed with the white balance and saturation. Hopefully, you get the Halloween message.
I got my first-generation LED-type Pixelstick a few years ago, but it broke. I got a replacement, but I was reluctant to use it after that. It's actually really cool - it comes with a bunch of computerized light arrays and art, and you can further load your own images into it. Then find a little dark, set up the camera, and run through the scene with a twist or a turn or just plain straight. So this is a single exposure, no post-processing other than noted above.
The International Car Forest of the Last Church has over 40 cars, trucks, vans, and buses buried nose-down, or stacked atop each other, along a dirt road. Created by Mark Rippie and Chad Sorg in 2002.
I just had to share this one - it was lurking on my old mac... I shot it on October 21st, 2015 - BTTF day - the 'actual' one from the movie :)
It's a layered 'in situ' blend of 10 x 30 second exposures of the pixelstick flames and the Delorean.
26/11/2015; There was a bright night ahead of us, so I felt like giving Gerard's Pixelstick another try, and luckily he wanted to and had the time as well. It has resulted in me having ordered one in the meanwhile, and I should receive it soon now.
If Michelangelo was a light painter, he'd be sparking wire wool. Shot in one photographic exposure, no Pixelstick was used to make this!
Aus der Serie "Safe!" ein aktuelles Bild vom Teutoburger Wald.
Schützend und doch fragil umsäumt eine Wand wie Seide oder Glas die Objekte. Gleiches gilt im Leben. Wie gehen wir mit unserer Kultur, unserer Natur unserer Spezies um? Sind wir sorgsam, rücksichtsvoll und vorausschauend? Die Bilder sollen den Betrachter darauf sensibilisieren und nachdenklich stimmen.
Haben kommt von Erhalten: wir sind unendlich reich, an Natur, Kunst, Kultur, Menschen. All dies gilt es zu erhalten...
Das Foto ist als Lightpainting in einer Belichtung ohne Photoshop entstanden.
This is one of my favourite photos, and it has a story... so strap in, here it is.
At the time I took this photo I was working on a gallery article for a magazine on light painting in SE Asia, and this was one of the images I took.
So this is the famous U-Bein bridge in the Mandalay area of Mynamar, it's the longest teak bridge in the world. It also happens to sit very close to a buddhist temple at one end.
So I set up my composition from a bank along the lake where this bridge crosses over, and unlike most light paintings I wasnted to do this during the colors of sunset just after the sun has set. So I got all my settings ready, and took a test shot, I needed to ensure a long enough exposure for a light painting, and gave myself 10 seconds.
Now for the tough part. I needed to be about 200 or 300m away from my camera in order for this composition to work, I had zoomed into 300mm on my camera which was set on a tripod. I had a local helping me with driving that day, so I asked him to press the shutter at the correct time. I'd give him a signal from where I was, in position to light paint.
Now my next task was to find a silhouette subject. I hoped to find some monks, but thought it might be a cyclist. Luckily some friendly monks stopped, and were happy to stand still for this photo.
Now all set the photo was taken, with me using a pixelstick to create that light pattern behind the monks.
MERRY CHRISTMAS to all of you and HAPPY NEW YEAR ! Wishing you all to come closer to your dreams and to have even more great ideas for a whole new year ;) !!! ___ I had fun during a few hours at the railroad station, playing with the Pixelstick, a few Mario images and Jerry from Tom & Jerry for those who found it and know what I'm talking about ;) !
-- COMPOSiTE iMAGE --
___ "Lightpainting is magiK" ___
Lightpainting und Lichtspektakel Part 2 in den Besenhorster Ruinen in Geesthacht mit der Fotogruppe "Fotos mit Spaß".
Danke an Martin mit seinem Pixelstick.
From last night's Lincolnshire Light Painting Club event in an abandoned church. Cropped because my pseudo-OCD made me do it...
Lightpainting with model Vanessa as ice queen. (let it snow)
INSTAGRAM www.instagram.com/rpunktalf/
FACEBOOK www.facebook.com/ralf.koplin
WEB www.candelart.de
I was using:
- pixelstick from #fotorgear
- flashlight #LEDLenser
- round finer optic from #lightpaintingparadise
- self made orbomat (robot) with RGB-LED-Matrix 8x8
Waving LEDs around the 'Atmeture' installation by Loop pH as part of the 623 Letchworth Fire & Fright Festival by onedotzero.
Tron, captured in Deepest, Darkest Northumberland. Light Art provided by Gopostal and his devilishly clever home grown PixelStick.