Pilgrimages
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The first view of a pilgrim at his way to the monastery of Andechs (Bavaria).
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Croagh Patrick is a mountain and an important site of pilgrimage in County Mayo, Ireland.
From ancient times pilgrims have climbed the mountain barefoot, as an act of penance.
Some tourists entering into the basement of the Abbey of San Fruttuoso, near Portofino.
The Abbey of San Fruttuoso is a Catholic abbey on the Italian Riviera between Camogli and Portofino, built in the VII century.
The abbey is located in a small bay beneath a steep wooded hill. It can only be reached by sea and by hiking trails, there is no road access. The abbey is owned by the heritage organisation Fondo Ambiente Italiano.
Christ of the Abyss
The underwater statue Christ of the Abyss was installed in the sea off San Fruttuoso in 1954, at a depth of 17 metres (56 ft).
It is always with a sense of anticipation when I visit one of my favourite churches. If I have not been for a while I will often feel a 'calling' to return.
The atmosphere of the church will envelop me and I know I have to go.
This church is St. Mary's, and is only a ten minute walk from where I live. This day I walked a different way, through a small park, and the morning light lit up the pampas grass.
I am going to add on a thank you here to everybody who has supported me on Flickr. With this third batch of images that I have uploaded, this image being the first of those, I have done this with more confidence this time round because of all your support. Nobody really saw my images except my partner, my parents, and a couple of close friends, for over 25 years. I worked in isolation, never really thinking it was good enough. Things changed when I lost some members of my family under difficult circumstances, and to save my heart I picked up my camera again on the advice of a gentle man of faith. I am grateful to him, and I wish to say a big thank you to all of you.
Thank you, all, Shelley.
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...if you arrived from another planet you'd think humans came to worship here or something. Harry Potter has a lot to answer for.
All shots of this series done with Leica M8 plus Voigtlander AS 2.8/90 wide-open. The location is one of Hertfordshire's garden centres (which, as I have told you before, I do regard as one of our barometers gauging the status of contemporary culture). This time, I had the chance of talking things through with one of the managers of the centre. First, the garden centre acquires and exhibits sculptures (and almost all sorts of them) because customers buy them. No surprise here, but as well no explanation as why they do so. Two, and importantly, the centre displays the sculptures according to visual criteria (difference of colour, background, focal or points of attraction). Three, the sculptures (as stand alone figures or in clusters) are located on critical junctions of the passage way through the centre. All this, in my view, creates a semi-sacred topography where customers (believers in the regeneration and wholeness of nature) perambulate as if on a procession. The content and individuality of any specific religion does not seem to matter, however, a general and undefined kind of spirituality does.
original photographs, snapseed, procreate, apple pencil— includes six figures from the union street sculptors’ ‘under wraps’ group sculpture, photographed at the 10th palmer sculpture biennial in 2022
El Santuario de Chimayó is a Roman Catholic church in Chimayó, New Mexico, United States. (Santuario is Spanish for "sanctuary".) This shrine, a National Historic Landmark, is famous for the story of its founding and as a contemporary pilgrimage site. It receives almost 300,000 visitors per year and has been called "no doubt the most important Catholic pilgrimage center in the United States.
Neben Maria Plain zählt Maria Kirchental zu den beliebtesten Wallfahrtsorten im Salzburgerland. Kaum ein anderer Ort weit und breit kann eine so beeindruckende Einheit von Natur und Kultur, von Geschichte und Gegenwart aufweisen. Seit über 300 Jahren pilgern Salzburger, Tiroler, Oberösterreicher und Bayern zu diesem 900 m hoch gelegenen Gnadenort zu Füßen der Loferer Steinberge. „Bergkristall unter den Wallfahrtsorten“ hat ihn Alterzbischof Eder nach Abschluß der Renovierungsarbeiten im September 2001 genannt.
We visited Roseberry Topping and Newton Woods, today, on our annual pilgrimage to see the beautiful natural display of Bluebells. Walking up through the trees, we could hear a Cuckoo and the flowers were at their very best.
Good Friday was true to its name as it was the first time I've been out Lightpainting for what seems like an age.
Phill F was up North and asked if I'd like to accompany him on a nocturnal meet up at the singing ringing tree, up in the hills overlooking Burnley. This place has been on my radar for ages and I feel bad for not diving the 40 minutes to shoot it sooner.
Phill took up position and held still whilst I side lit the tree. Next I went behind him for a swift waft of the net curtains lit using the lightpaintingbrushes universal adaptor and orange gel brining the fire.
We got lucky with the wind direction blowing the clouds as if some kind of energy was exploding from his head.
Top night in top company and such a cool location.
Happy days.
The low-angle light of late afternoon on a winter's day splashes brightly on the red-rock fins comprising the Devil's Garden, Arches National Park, Utah. In the distance, freshly fallen snow coats the La Sal Mountains.
I have walked this trail many times, and I hope to walk it many more. Visiting this particular place and taking in this view has become a pilgrimage of sorts. I find it most arresting in winter, as the combination of snow, red rock, and rich light makes the spirit buoyant and the mind rooted to the present. It is also difficult to comprehend that our family walked this route when our boys were tiny, and now the oldest is about to finish his senior year and venture out to college in 2023. At times, thoughts like these overwhelm me with maudlin sentimentality, though I am grateful for all of it. With this light, I raise a metaphorical glass and a toast to the new year: may its twists and turns be rich with unexpected adventure, and may our sorrows and griefs keen only because we are filled with love.
Happy new year!
Chanctonbury Ring is a prehistoric hill fort atop Chanctonbury Hill on the South Downs, on the border of the civil parishes of Washington and Wiston in the English county of West Sussex. A ridgeway, now part of the South Downs Way, runs along the hill.
After its final abandonment around the late fourth century AD, the hill fort remained unoccupied save for grazing cattle until a mid-18th-century landowner planted a ring of beech trees around its perimeter to beautify the site. They became a famous local landmark until largely being destroyed in the Great Storm of 1987. Periodic replanting on a number of occasions to replace old or destroyed trees has afforded archaeologists the opportunity to carry out a series of excavations which have revealed much about the history of the site.
It was certainly worth visiting, very enjoyable indeed. I found this particular group of trees fascinating, like a mother and her children.
Standard iPhone shot, tickled in Snapseed on iPad Pro.
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This is my second favourite from yesterday's light extravaganza in Upper Padley.
Looks like a still from a film I feel.
Make of it what you will.
Happy days.
All shots of this series done with Leica M8 plus Voigtlander AS 2.8/90 wide-open. The location is one of Hertfordshire's garden centres (which, as I have told you before, I do regard as one of our barometers gauging the status of contemporary culture). This time, I had the chance of talking things through with one of the managers of the centre. First, the garden centre acquires and exhibits sculptures (and almost all sorts of them) because customers buy them. No surprise here, but as well no explanation as why they do so. Two, and importantly, the centre displays the sculptures according to visual criteria (difference of colour, background, focal or points of attraction). Three, the sculptures (as stand alone figures or in clusters) are located on critical junctions of the passage way through the centre. All this, in my view, creates a semi-sacred topography where customers (believers in the regeneration and wholeness of nature) perambulate as if on a procession. The content and individuality of any specific religion does not seem to matter, however, a general and undefined kind of spirituality does.