View allAll Photos Tagged picha
Series of photographs at the International Bird of Prey Centre.Photographs for sale at www.simonmaisiephotography.co.uk/prints
Series of photographs at the International Bird of Prey Centre.Photographs for sale at www.simonmaisiephotography.co.uk/prints
This image is protected by copyright, no use of this image shall be granted without my written permission
Exhibition of Chinese lanterns at Longleat Safari Park.Photographs for sale at www.simonmaisiephotography.co.uk/prints
Panoramic view of Andalsnesa small village in the Norwegian fjords.Photographs for sale at www.simonmaisiephotography.co.uk/prints
German postcard by Ross Verlag, no. 22/1. Photo: Aafa-Film.
German stage and film actor Hermann Picha (1865-1936) was very prolific in German cinema during the silent and early sound eras, appearing in over 300 short and feature films. Picha played a mixture of lead and supporting roles during his career. He played the title role in Schneider Wibbel/Wibbel the Tailor (Manfred Noa, 1920) and appeared in a supporting role Fritz Lang's Expressionist fantasy classic Der müde Tod/Destiny (1921), inspired by the Indian folktale of Savitri.
Hermann Picha was born Hermann August Carl Picher in 1865 in Charlottenburg (now Berlin), Germany. Hermann made his stage debut in 1885 in Jauer and then played in Detmold, Heilbronn and Hamburg. From 1890 to 1905 he acted at the Bellevue Theater in Stettin. He became known as an eccentric mime and comedian. In 1905 he was engaged by the Berliner Theater in Berlin. Later, he worked on other Berlin stages such as the Großes Schauspielhaus, the Lustspielhaus and the Deutsches Künstlerhaus. In 1914, he made his film debut probably in the silent thriller Das Panzergewölbe/The Armoured Vault (Joe May, 1914) starring Ernst Reicher. It was part of the series of Stuart Webbs series, popular during the silent era. In silent German cinema, he became one of the most sought-after supporting actors. He was a specialist in grotesques or highly idiosyncratic types. He became a key supporting player for prominent directors of the German silent cinema. Another popular mystery film was Das Derby/The Derby (Ewald André Dupont, 1919) starring Max Landa. He had a part in the success of some important film classics such as Ernst Lubitsch's Romeo und Julia im Schnee/Romeo and Juliet in the Snow (1920) starring Lotte Neumann, Fritz Lang's Der müde Tod/Destiny (1921), Joe May's Das indische Grabmal/The Indian Tomb (1921) and Friedrich Wilhelm Murnau's Tartüff/Tartuffe (1925).
Occasionally Hermann Picha played starring roles in such films as the comedy Schneider Wibbel/Wibbel the Tailor (Manfred Noa, 1920) and he played the shoemaker Wilhelm Voigt in Der Hauptmann von Köpenick/The Captain from Köpenick (Siegfried Dessauer, 1926). The German sound film banked on the comical talent of Hermann Picha too. He appeared in the popular operetta Der Bettelstudent/The Beggar Student (Victor Janson, 1931) with Jarmila Novotná and the comedy Paprika/Marriage in Haste (Carl Boese, 1932) starring Franciska Gaal, Paul Hörbiger and Paul Heidemann and made by the German branch of Universal Pictures. Picha could be seen in the German Science-Fiction film Die Welt ohne Maske/The World Without a Mask (1934) directed by and starring Harry Piel. His final film was the drama Nur nicht weich werden, Susanne!/Don't Lose Heart, Suzanne! (Arzén von Cserépy, 1935) starring Jessie Vihrog and Veit Harlan. The film offered support to the Nazi Party's anti-Semitic stance through a negative portrayal of the two Jewish film producers. It received strong official backing, and a gala premiere was arranged for its release by Joseph Goebbels. To Goebbels' surprise and disgust, the first-night audience booed, once the screening was over. The incident was largely hushed-up, and the film's director Arzén von Cserépy went back to his native Hungary in disgrace and never made another German film. Hermann Picha died in 1936 in Berlin, Germany. Picha is buried in the II Municipal Cemetery Eythstraße in Berlin-Schöneberg.
Sources: Wikipedia (English and German), and IMDb.
And, please check out our blog European Film Star Postcards.
Down the alley way in the centre of Cadiz.Photographs for sale at www.simonmaisiephotography.co.uk/prints
Done by John Picha...a fabulous artist and friend who is committed to making 3-D representations of our favorite Hanna Barbera characters. Between he and Sergio, these two guys are helping keep alive and advance our cause. Thanks to them!
see her in all her 360 glory at
Nikon D200 + Nikkor 18-200mm f/3.5-5.6G IF-ED
© Todos los derechos reservados. Por favor, no use esta imagen en su web, blogs u otros medios sin mi permiso explícito.
© All rights reserved. Please do not use this image on websites, blogs or other media without my explicit permission.
© Tous droits réservés. S.V.P ne pas utiliser cette photo sur un
site web, blog ou tout autre média sans ma permission explicite.
German postcard by Ross Verlag, Berlin, no. 77/2 Photo: Zelnik-Film. Wilhelm Dieterle and Hermann Picha in Die Weber (Friedrich Zelnik, 1927).
Wilhelm Dieterle (later: William Dieterle) (1893-1972) was a German actor and director who started out in Weimar cinema, before becoming a well-known Hollywood director. German actor Hermann Picha (1865 -1936) played character roles in many classics of the Weimar cinema, such as Fritz Langs's Der müde Tod/Destiny (1921), F.W. Murnau's Herr Tartüff/Tartuffe (1925), and Der Hauptmann von Köpenick/The Captain from Koepenick (Siegfried Dessauer, 1926).
German postcard in the Film Sterne series by Rotophot, no. 528/4. Photo: May-Film. Mia May, Grete Diercks [?] and possibly Hermann Picha in Fünf Minuten zu spät/Five minutes late (Uwe Jenss Krafft, 1918).
The German silent film Fünf Minuten zu spät (Uwe Jenss Krafft, 1918) starred Mia May and Johannes Riemann. Other actors were Bruno Kastner as the count, Grete Diercks, and Hermann Picha. The film was scripted by Rudolf Baron, while cinematography was by Max Lutze. The first night of the film took place on 6 September 1918, at the UT Ku'damm in Berlin.
Plot: Janna Vermöhlen (May), a young [Dutch?] farmer's girl, hears she will die, so she intends to give herself away to her lover Reinhold (Riemann) and enjoy life while she still can. She follows him to the city, where he is supposed to marry a rich party. Janna hears she is pregnant and the mortal diagnosis was false. She finds a letter in which Reinhold asks his father to postpone the marriage until Janna has died. She adds to the letter: I am healthy and mother. She expects him at nine, knowing that if he won't come in time, she knows she has lost him, Reinhold, finds the letter but is hesitant. When he finally arrives it is too late. Janna has thrown herself out of the window.
On the cards May wears the typical bonnet of the Dutch fisherman's village of Volendam. Jana Vermöhlen sounds like a German transcription of Janna Vermeulen. Janna is a common old-styled Dutch female name, while Vermeulen is a common Dutch last name.
Source: www.murnau-stiftung.de/movie/16369, www.earlycinema.uni-koeln.de/films/view/22786
Mia May (1884-1980) was one of the first divas of the German cinema. She starred in many films of her husband, producer, writer and director Joe May.
2016 Georgetown University Baseball Roster
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2016 Butler University Roster
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He did it again! John Picha is a master at this! check out his youtube 3d model of this!
www.youtube.com/watch?v=gbLTYru5Y70
By the way...is it "Rosie" or "Rosey" i have seen it both ways
German postcard by Ross Verlag, no. 634/6. Photo: May Film. Mia May and Michael Bohnen in Die Herrin der Welt/Mistress of the World (Joe May and others, 1919). The man with the top hat is Hermann Picha, who plays newspaper mogul Jonathan Fletcher.
In 1919 Joe May, Joseph Klein, Uwe Jenss Krafft, and Karl Gerhardt shot the various episodes for the eight-part German silent serial Die Herrin der Welt, one of the most notable adventure series of the Weimar cinema and considered the first monumental film in German film history. The Star of the film was Joe May's wife Mia May, and her male film partner was played by Michael Bohnen. May shot episodes 1, 2, 3 and 8, Krafft 4 to 6, and Gerhardt 7. Klein was co-director for parts 1 and 4. The Indiana Jones-like story follows the young Maud Gregaard on her globe-trotting adventures to find the legendary lost treasure of the Queen of Sheba. She hopes it will enable her to bring revenge on the man who drew her father to commit suicide and led to her social destruction. All eight parts were full-length. Even if self-sustaining features they referred to future developments though without American-styled cliffhangers. Even if part of the press was critical, German audiences loved it and it was a bigger box office than the contemporary The Cabinet of Dr. Caligari.
Mia May (1884-1980) was one of the first divas of the German cinema. She starred in many films by her husband, producer, writer and director Joe May.
View from our beach hut on the east of the island, every night had these stunning sunsets.Photographs for sale at www.simonmaisiephotography.co.uk/prints
Austrian postcard by Iris- Verlag, no. 622. Photo: Sascha-Film, Wien.
German stage and film actor Hermann Picha (1865-1936) was very prolific in German cinema during the silent and early sound eras, appearing in over 300 short and feature films. Picha played a mixture of lead and supporting roles during his career. He played the title role in Schneider Wibbel/Wibbel the Tailor (Manfred Noa, 1920) and appeared in a supporting role Fritz Lang's Expressionist fantasy classic Der müde Tod/Destiny (1921), inspired by the Indian folktale of Savitri.
Hermann Picha was born Hermann August Carl Picher in 1865 in Charlottenburg (now Berlin), Germany. Hermann made his stage debut in 1885 in Jauer and then played in Detmold, Heilbronn and Hamburg. From 1890 to 1905 he acted at the Bellevue Theater in Stettin. He became known as an eccentric mime and comedian. In 1905 he was engaged by the Berliner Theater in Berlin. Later, he worked on other Berlin stages such as the Großes Schauspielhaus, the Lustspielhaus and the Deutsches Künstlerhaus. In 1914, he made his film debut probably in the silent thriller Das Panzergewölbe/The Armoured Vault (Joe May, 1914) starring Ernst Reicher. It was part of the series of Stuart Webbs series, popular during the silent era. In silent German cinema, he became one of the most sought-after supporting actors. He was a specialist in grotesques or highly idiosyncratic types. He became a key supporting player for prominent directors of the German silent cinema. Another popular mystery film was Das Derby/The Derby (Ewald André Dupont, 1919) starring Max Landa. He had a part in the success of some important film classics such as Ernst Lubitsch's Romeo und Julia im Schnee/Romeo and Juliet in the Snow (1920) starring Lotte Neumann, Fritz Lang's Der müde Tod/Destiny (1921), Joe May's Das indische Grabmal/The Indian Tomb (1921) and Friedrich Wilhelm Murnau's Tartüff/Tartuffe (1925).
Occasionally Hermann Picha played starring roles in such films as the comedy Schneider Wibbel/Wibbel the Tailor (Manfred Noa, 1920) and he played the shoemaker Wilhelm Voigt in Der Hauptmann von Köpenick/The Captain from Köpenick (Siegfried Dessauer, 1926). The German sound film banked on the comical talent of Hermann Picha too. He appeared in the popular operetta Der Bettelstudent/The Beggar Student (Victor Janson, 1931) with Jarmila Novotná and the comedy Paprika/Marriage in Haste (Carl Boese, 1932) starring Franciska Gaal, Paul Hörbiger and Paul Heidemann and made by the German branch of Universal Pictures. Picha could be seen in the German Science-Fiction film Die Welt ohne Maske/The World Without a Mask (1934) directed by and starring Harry Piel. His final film was the drama Nur nicht weich werden, Susanne!/Don't Lose Heart, Suzanne! (Arzén von Cserépy, 1935) starring Jessie Vihrog and Veit Harlan. The film offered support to the Nazi Party's anti-Semitic stance through a negative portrayal of the two Jewish film producers. It received strong official backing, and a gala premiere was arranged for its release by Joseph Goebbels. To Goebbels' surprise and disgust, the first-night audience booed, once the screening was over. The incident was largely hushed-up, and the film's director Arzén von Cserépy went back to his native Hungary in disgrace and never made another German film. Hermann Picha died in 1936 in Berlin, Germany. Picha is buried in the II Municipal Cemetery Eythstraße in Berlin-Schöneberg.
Sources: Wikipedia (English and German), and IMDb.
And, please check out our blog European Film Star Postcards.