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at Marie's place, from the back door, Peak Crossing country.
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I read somewhere that you can make a telescope using the lens found in a photocopy machine (with pretty amazing results). Of course, my next thought was could I make a macro lens out of it?
The other picture shows the unassembled lens and what a beast it is! The whole thing must weigh at least 3 kg! The lens you see me holding in this picture is almost 1 kg and only one component of the whole thing.
After some trial and error, taking things apart and putting it back together, I managed to get a 'working' macro/telephoto lens. A very different set up to my usual DIY lenses and it's going to be an exciting challenge perfecting this one. The lens you see in the picture comprises of 4 lenses in total, 1 flat, 1 concave and 2 convex.
Putting the lens directly in front of my phone camera produces only ok results, nothing that blew my mind or was any different than the lenses I already have. It did provide with greater depth of field than the other lenses I have made, which is a bonus, but strapping this lens to my phone will be pretty useless and counterproductive as it weighs so much. I still had to be around 2-5 cm close to the subject to produce usable results.
However, when I held the lens 5-10 cm away from the phone camera something unexpected happened. In this picture, the lens was around 15-20cm away from the dragonfly and 10cm from my phone. I manually focused onto the lens and it produced the result you see in this picture.
My guess at this moment is Ill need to make some type of tubing/casing to hold the different lenses together after deconstructing it, as it seems to produce the best result when the lens is a certain distance from my phone. Of course with my phone, the sensor has a fixed aperture of f1.8 which makes everything that bit more complex. And then theres the issue of mounting the thing!
If you have any ideas please feel free to share :). Hopefully the end product will be a decent macro/telephoto lens which allows me to be 15-30cm away from the subject rather than 1-5cm (which is what im getting from the current lenses I have).
The unassembled photo copy machine lens.
I bought this for around 20 dollars and what an amazing piece of kit it is!
The quality of the glass used for the individual lenses are amazing!
Looking forward to experimenting with them and seeing what I can make from it.
If anyone has any knowledge on how lenses work or how they are made, please share your wisdom :)
The famous photogragher I chose is Lee Miller. In 1930 Lee discovered solarization, hence my high key image, Lee was also a model for Vogue, my beautiful young model also has the potential to be on the front cover of any high profile magazine.
This set of shops are right outside the Jadavpur University.
Students (specially the ones that play truant from class :) ) come here to photocopy class notes.
The place gets really crowded and frenzied during the day.
This early morning shot bears testimony to the action from the day before ....
Brittany's Christmas Future: Three year's later: Brittany has a beautiful 3 year old daughter called Leah, a job at an architects, has given up smoking and rarely drinks. Which is why she ended up hopelessly drunk at the Office Christmas Party (fancy dress optional) and decided it would be hilarious to photocopy her bum.
Entry for Eurobricks Raffle
I've been packing up my apartment this weekend and I've been finding weird stuff.
my parents bought a photocopier when I was in high school. I was taking an art class and was working on a painting where I wanted to have people 'trapped' in the background. so I decided to photocopy my face, in various 'trapped' positions.
I kind of liked these even though they're weird so I scanned a few.
field of some 4 X 1,5 meter on the floor,
with different materials:
wood, bark, twigs, branches, burned wood, charcoal, stones, pieces of metal, bones, grass, reed and other natural materials, pieces of plastic, wires, photos, photocopies on transparent sheets, etc.
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Exhibition\Installation including photos, materials, sounds, smells.
Also the release of a small booklet including a CDR with soundworks.
20 sept. 2015, Arnhem, The Netherlands.
‘a larger circle of places around the centre’
a collaborative project between Saskya Kamps and Max Kuiper
leshorriblestravailleurs.bandcamp.com/album/a-larger-circ...
I scaled down and photocopied brick scrapbook paper for Barbie scale. I did this at Staples. I've been looking for brick paper in this scale for years with no luck. I did the same thing for the brick floor in my greenhouse diorama.
Not sure exactly what I am using these for, but I know they will come in handy.
I had 2 12x12 sheets that I think I bought at Hobby Lobby.
Reduced them to 64% (should have done about 55%) at Staples.
Pieced them together to cover a 11x17 sheet of paper (they had a paper cutter and tape available for customer use at Staples).
Photocopied them. $1.25 a sheet.
I was going through old cassette tapes yesterday. I seldom made my own art work for mixtapes but this Tom Jones comp was a rare - and perhaps, sole - exception.
This is currently the most interesting picture on flickr tagged "Tom Jones".
Introducing the third installment of The Shop's popular photocopy noise textures, the photocopy noise texture pack volume 03!
This time, the set features twenty-nine (29) base textures. They were printed using an unhappy laser copier, low on toner. Then, they were scratched, creased, crumpled, rubbed, and scraped, to unveil some lovely wear patterns. The wear ranged from soft, subtle, all the way to nuclear devastation.
After that analog processing, the textures were scanned in at 1,200 ppi, adjusted for lighting in Photoshop, and then converted to 18"x24" @ 300 ppi documents. They are crisp as a winter morning.
Each texture is available in a positive (mostly black), and negative (mostly white) version.
Additionally, the set features each textures as transparent PNGs (ideal to quickly add in a design, and to color them using a color overlay), and bitmap TIFFs (perfect to use in Illustrator for great, detailed texture effects without hogging down your system resources).
Noise and dust textures are perfect to add a subtle depth to your designs. Using them is very simple: just switch your layer's blending mode to "Screen," and play with the opacity slider.
---
- Twenty-nine (29) raster textures of toner noise and dust
- Sized to fit an 18"x24" canvas @ 300 ppi
- Bonus: negative versions
- Bonus: transparent PNG versions (download link included in product archive)
- Bonus: bitmap TIFF format for Illustrator (dense & large dot halftone versions)
---
- Photocopy noise textures volume 01: crmrkt.com/MqjoV
- Photocopy noise textures volume 02: crmrkt.com/NvKqd
- Photocopy noise textures volume 03: crmrkt.com/bxAM5z
---
Learn a few of the ways to use these textures by following these tutorials I wrote:
- www.gomediazine.com/tutorials/illustrator/introducing-the...
- www.designcuts.com/design-cuts-deals/the-ultimate-vintage...
---
You should add your name to the Shop's mailing list at mailchi.mp/de8bed089b59/theshop. On the menu: new release sneak peeks, deals information, and other general updates from the factory floor. No spam, guaranteed.
Introducing the third installment of The Shop's popular photocopy noise textures, the photocopy noise texture pack volume 03!
This time, the set features twenty-nine (29) base textures. They were printed using an unhappy laser copier, low on toner. Then, they were scratched, creased, crumpled, rubbed, and scraped, to unveil some lovely wear patterns. The wear ranged from soft, subtle, all the way to nuclear devastation.
After that analog processing, the textures were scanned in at 1,200 ppi, adjusted for lighting in Photoshop, and then converted to 18"x24" @ 300 ppi documents. They are crisp as a winter morning.
Each texture is available in a positive (mostly black), and negative (mostly white) version.
Additionally, the set features each textures as transparent PNGs (ideal to quickly add in a design, and to color them using a color overlay), and bitmap TIFFs (perfect to use in Illustrator for great, detailed texture effects without hogging down your system resources).
Noise and dust textures are perfect to add a subtle depth to your designs. Using them is very simple: just switch your layer's blending mode to "Screen," and play with the opacity slider.
---
- Twenty-nine (29) raster textures of toner noise and dust
- Sized to fit an 18"x24" canvas @ 300 ppi
- Bonus: negative versions
- Bonus: transparent PNG versions (download link included in product archive)
- Bonus: bitmap TIFF format for Illustrator (dense & large dot halftone versions)
---
- Photocopy noise textures volume 01: crmrkt.com/MqjoV
- Photocopy noise textures volume 02: crmrkt.com/NvKqd
- Photocopy noise textures volume 03: crmrkt.com/bxAM5z
---
Learn a few of the ways to use these textures by following these tutorials I wrote:
- www.gomediazine.com/tutorials/illustrator/introducing-the...
- www.designcuts.com/design-cuts-deals/the-ultimate-vintage...
---
You should add your name to the Shop's mailing list at mailchi.mp/de8bed089b59/theshop. On the menu: new release sneak peeks, deals information, and other general updates from the factory floor. No spam, guaranteed.
Introducing the third installment of The Shop's popular photocopy noise textures, the photocopy noise texture pack volume 03!
This time, the set features twenty-nine (29) base textures. They were printed using an unhappy laser copier, low on toner. Then, they were scratched, creased, crumpled, rubbed, and scraped, to unveil some lovely wear patterns. The wear ranged from soft, subtle, all the way to nuclear devastation.
After that analog processing, the textures were scanned in at 1,200 ppi, adjusted for lighting in Photoshop, and then converted to 18"x24" @ 300 ppi documents. They are crisp as a winter morning.
Each texture is available in a positive (mostly black), and negative (mostly white) version.
Additionally, the set features each textures as transparent PNGs (ideal to quickly add in a design, and to color them using a color overlay), and bitmap TIFFs (perfect to use in Illustrator for great, detailed texture effects without hogging down your system resources).
Noise and dust textures are perfect to add a subtle depth to your designs. Using them is very simple: just switch your layer's blending mode to "Screen," and play with the opacity slider.
---
- Twenty-nine (29) raster textures of toner noise and dust
- Sized to fit an 18"x24" canvas @ 300 ppi
- Bonus: negative versions
- Bonus: transparent PNG versions (download link included in product archive)
- Bonus: bitmap TIFF format for Illustrator (dense & large dot halftone versions)
---
- Photocopy noise textures volume 01: crmrkt.com/MqjoV
- Photocopy noise textures volume 02: crmrkt.com/NvKqd
- Photocopy noise textures volume 03: crmrkt.com/bxAM5z
---
Learn a few of the ways to use these textures by following these tutorials I wrote:
- www.gomediazine.com/tutorials/illustrator/introducing-the...
- www.designcuts.com/design-cuts-deals/the-ultimate-vintage...
---
You should add your name to the Shop's mailing list at mailchi.mp/de8bed089b59/theshop. On the menu: new release sneak peeks, deals information, and other general updates from the factory floor. No spam, guaranteed.