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Engraving of man with balloon strapped to his body and paddle-shaped wings in

each hand.

 

Title

The Walking Philosopher

 

Contributor

DeBruyn, del. / Rothwell, Sc. Role:

 

Language

en

 

Type

Engraving (print)

 

Medium

Art on Paper

 

Size

14.2 x 8.6 cm

 

Material_Description

CONDITION: Engraving, 14.2 x 8.6 cm. Black ink on wove cream paper of medium thickness with a slightly textured surface. Adhered overall to acidic charcoal gray card. Annotations include a bPRINTn ink mark in the upper right corner (recto). For condition, see the Condition Assessment Form in MIT Preservation Services.TREATMENT: Standard aqueous treatment 1466. Upper corners reinforced with Japanese paper and wheat starch paste.TREATMENT LEVEL: paper - 1 sheetENCLOSURE: Poly folder (self-locking)

 

Copyright

(C) Massachusetts Institute of Technology. All rights reserved.

Sensitive, emotional..friendly guy ....but a boring philosopher as well . Normally smokes 3rice a day...Yakkkkkkkkk.....

 

Presidential Candidate 總統候選人

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Tianliang Ma

 

~ a Taiwanese social reformer, philosopher, photographer and film director

 

ā€œTouching Fairness and Justiceā€

  

馬天亮

 

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TianLiang Maa, alternative spelling: Tianliang Ma, also known as Theophilus Raynsford Mann; Ma, Tianliang; Chinese: 馬天亮; 马天亮.

  

SUMMARY

 

TianLiang Maa is a naturalist, occultist, Buddhist and Taoist. In 1982, Maa developed a technique for abstract photography, applied ā€œRayonismā€ into photographic works. Maa staged 32 individual, extraordinary exhibitions around Taiwan, who was the first exhibitor around Formosa. Maa’s works is the beginning of modernization in the modern abstract arts in the world. At the University of Oxford, Maa’s attractive topic was ā€œA View of Architectural History: Towns through the Ages from Winchester through London Arrived at Oxford in Englandā€; also an author at the University of California, Berkeley and the University of Michigan in the United States; an alumnus from Christ Church College at the University of Oxford in England, the University of Glamorgan in Wales, and National Taiwan University in Taipei on Taiwan. Maa’s works have been quoted by the scholars many times, making Maa one of the highly cited technological, artistic, and managing public administrators in the academia. Maa was listed in ā€œTaiwan Who’s Who In Businessā€ Ā© 1984, 1987, 1989 Harvard Management Service.

  

Early Life and Record of Genealogy

 

TianLiang Maa possesses both Taiwanese and German surnames from birth. Usually, whenever anyone asks Maa about where he comes from, he would reply ā€œFormosaā€ as he grew up and was educated in the Far East and lives in Taiwanese and Japanese lifestyles. Moreover, he often teaches and educates younger generations based on the methods of the Far Eastern teaching he experienced when he was young, though he does not oppose the Western ways of teaching and thinking. Maa takes great pride in his roots, which go back 150 years (since 1864); Maa’s ancestry originates and creates generations, and prepares younger generations to succeed their personality and ethical standards and integrity.

 

Education in Taiwan and a Brief of Latest Generation of History in Taiwan / Formosa

 

In 1980, Maa obtained his postgraduate certificate from the Graduate Institute of Electrical Engineering of National Taiwan University in Taipei; successfully completed another graduate studies in Information dBase III Plus and Taiwanese Traditional Chinese Mandarin Information System at National Sun Yat-Sen University in Kaohsiung in 1989.

 

In history, the Portuguese explorers discovered and called the island (Taiwan), ā€œFormosaā€ (meaning ā€œBeautiful Islandā€) in 1590. They are non-Chinese people; it was long a Chinese and Japanese pirate base. Fighting continued, between its original inhabitants of Taiwanese and the Chinese settlers, into the 19th century. In 1894-95 first Sino-Japanese War that ended in Manchus of the Qing (Ching) dynasty defeat, the late Manchu Qing Government forced to cede Formosa to Japan. This result was made by the Treaty of Shomonoseki in 1895 and remained under Japanese control until the end of the Second World War. Early on, Taiwan was conquered by the Qing in 1683 and for the first time became part of older China dynasty. However, today, the home country of Maa’s origin has around 165 institutions (93 universities) of higher education, which now has one of the best-educated populations in Asia. Among the major public (state) ones are the National Taiwan University (NTU) at Taipei, and National Sun Yat-Sen University (NSYSU) at Kaohsiung. NSYSU is also called National Chun-Shan University; according to Times Higher Education 2010-2011, NSYSU ranks as the 3rd university in Taiwan, 21st in Asia, and 163rd worldwide. National Taiwan University is ranked 51 to 60 ranks on Times Higher Education World University Rankings - Top Universities by Reputation 2013, the United Kingdom (see www.timeshighereducation.co.uk/world-university-rankings/...); King's College London (KCL) (21st in the world and 6th in Europe in the 2010, QS World University Rankings), the University of London, and University of Southern California (is one of the world's leading private research universities, located in the heart of Los Angeles), afterward.

 

Backing to Maa’s early school-time of Taiwan Provincial Kaohsiung Industrial Senior High School (Kaohsiung Municipal Kaohsiung Industrial High school), the professional technical education, which is equivalent to Advanced Level General Certificate of Education, commonly referred to as an A-level in the United Kingdom; China Electronic Engineering College, the distance learning programme, which is in equivalence as UK’s Diploma of Higher Education / Undergraduate Diploma (as an Associate Degree in the United States). An additional, his middle education was taught by the Kaohsiung Municipal Chihjh (Ci Sian) Junior High School; and Kaohsiung Municipal San Min Elementary School was his first school in Taiwan.

  

Early Career

 

In 1989, Maa instituted Maa’s Office of Electrical Engineer, he settled himself in electrical technology and industries as a chief engineer in his early years. He put his professional and precise knowledge to good account in business management. A formal business management with business relationship established to provide for regular services, dealings, and other commercial transactions and deed. He had many customers having a business and credit relationship with his firm then he was a successful engineer.

  

Study Abroad and Immigration into the United Kingdom

 

In 1998, Maa studied abroad when he arrived in Great Britain; he studied at School of Built Environment, the University of Glamorgan (Prifysgol Morgannwg) in Merthyr Tydfil, Pontypridd, Wales for a master of science in real estate appraisal. Until the summer of 2000, Maa completed an academic course on ā€œTowns through the Agesā€ from Christ Church College at the University of Oxford (is ranked the 2nd place worldwide on The Times Higher Education, World University Rankings 2012-2013

www.timeshighereducation.co.uk/world-university-rankings/...) in England. Afterward, Maa immigrated into the United Kingdom in the early year of 2004.

  

PHILOSOPHICAL VIEWS

 

Maa is a naturalist; he trusts spiritual naturalism and naturalistic spirituality, which teaches that ā€œthe unknownā€ created this wonderful world. ā€œThe unknownā€ arranged the nature with its law so that everything in nature is kept balanced and in order. However, human beings failed to control themselves, deliberately went against the law of nature, and resulted in disasters, which we deserved. He also is an occultist, a Taoist, and a Buddhist; but in Britain, he frequently goes to Christian and Catholic churches, where he makes friends with pastors and fathers as well as churchgoers. In his mind, he recognizes ā€œBelief is truth held in the mind; faith is a fire in the heartā€. He is always a freethinker, does not accept traditional, social, and religious teaching, but based on his ideas: a thought or conception that potentially and actually exists in his mind as a product of mental activity - his opinion, conviction, and principle. If people have not come across eastern classics and philosophy, we are afraid that people would never understand TianLiang Maa. People cannot judge an eastern philosopher based on western ways of thinking. He studies I Ching discovering eastern classics of ancient origin consisting of 64 interrelated hexagrams along with commentaries. The hexagrams embody Taoist philosophy by describing all nature and human endeavour in terms of the interaction of yin and yang, and the classics may be consulted as an oracle.

 

Back in the 1990s when Maa just arrived at England, he had been offered places to do Ph.D. and LL.M. degrees (degree in Law and Politics of the European Union) by several western professors in the Great Britain. He has met all the requirements for postgraduate admissions to study at UK’s universities.

 

During his time at Oxford, he learnt a lot of British culture and folk-custom while carrying out research with many British and Western professors, experts, and archaeologists. This proves that Maa understands various aspects in British society, culture, and lifestyles. Of course, he does not fully understand about the perspectives of thinking of a typical British. For example, what would be the most valuable in life for a British person? What would a British want to gain from life? What is the goal in life for a British? Is it fortune or a lover? Alternatively, perhaps honour? On the other hand, maybe being able to travel around the world and see the world?

  

FAIRNESS and JUSTICE

 

As TianLiang Maa’s (馬天亮) saying are:

 

ā€œTouching Fairness and Justiceā€

 

Feel good about themselves, but do not know the sufferings of the people...

Who can get easy life like them?

What is profile of modern society?

What type and style is truly solemn for this society identify?

Where ā€œthe characterizationā€ is? Who can see? Did you see it?

 

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Jurisprudence and Political Philosophy and Perspectives

 

Maa ever studied judicial review and governmental action, the impact of law and legal techniques, constitutional mechanisms for the protection of basic rights, and ensuring the integrity of commercial activity, the impact of law and legal techniques on government, policymaking, and administration, as well as the creation of markets. He tries to understand these critical trends in the political development of modern state. Maa will combine both theoretical and empirical approaches, and the conditions for democratic transition and the nature of state development in the ā€˜post-industrial’ era of globalisation and economic integration.

 

According as Maa’s legal experiences, he comprehend that ā€œthe knowledge of the law is like a deep well, out of which each man draught according to the strength of his understandingā€, and, law and arbitrary power are in eternal enmity. He is also sure law and institutions are constantly tending to gravitate like clocks; they must be occasionally cleansed, and wound up, and set to true time.

 

The government issues a decree - an authoritative order having the force of law, which charged with putting into effect a country's laws and the administering of its functions. Any of the officials promulgate a law or put into practice relating to the government charged with the execution and administration of the nation's laws then they announce and carry out the creation of any order or new policy that will be responsible for the people.

 

Maa had knowledge in connexion with construction law; he also understands architectural arts, and as well learnt the forms by combining materials and parts include as an integral part concerning modern construct. I ever built urban buildings and rural architecture in different styles under new housing and building projects by the governmental administration and construction corporations.

 

Right now, Maa studies the problems caused by ethnic disputes and human armed conflicts in the modern society resulted code of mixed civil and criminal procedure. He wishes an agreement or a treaty to end human hostilities - the absence of war and other hostilities around the world. The interrelation and arrangement of freedom from quarrels and disagreement become harmonious relations living in peace with each other. Actually, erect peace in more friendly ways of making friendships for modern human society is comfortable in my ideal. It is like building monolithic architecture: houses and buildings for the people. Maa would like to do ā€œsomething beautiful for `the unknown`ā€.

 

In the ethnic disagreement and armed conflicts as concerning the poor people and children notwithstanding they live through a bad environment on any of poor or crowded village or town in a particular manner - lived frugally. However, after years of industrialisation as a more educated population, becomes more aware of global plenum, continuing to be alive. Environmental groups are increasing and lobbing government will legislate to stop bad environmental and social practices. The establishments of human rights’ wide and untiring efforts will be alleviated people’s suffering. And as well the poor people shall meet and debate sustainable development and for a concerted government led action towards sustainability is an example that the younger generation are concerned for the future. It shall be making the younger easier for their life and make better on their lives, and help them to build a better future.

 

In present world, Maa really knows the full meanings of ā€œFundamental Human Rights and Equal Opportunities for the Peopleā€. He thinks ethics is the moral code governing the daily conduct of the individual toward those about him / her. It represents those rules or principles by which men and women live and work in a spirit of mutual confidence and service. Without going into the question of how an ethical code was formulated or why anybody should obey it, we can look at the matter in a common-sense fashion with reference to its influence upon our legal affairs. In brief, from the law point of view, a reputable ethical code embodies the qualities of accuracy, dependability, fair play, sound judgement, and service. It is based upon honesty.

 

No person can have an ethical code that concerns him / her alone. Living in society, as he / she must, a person encounters others whose rights must be respected as well as his / her own. An honest regard for the rights of others is an essential element of any decent code of ethics, and one that anyone must observe if anybody intends to follow that code. After all, ethics is not something apart from human beings. Indeed, there is no such thing apart from our actions and us. It is the duty, therefore, of every man and woman in legal affairs to see that his daily associations with others are truly in conformity with the plain meaning of the Ten Commandments: ā€œThou shalt not barratry, thou shalt not bear false witness, thou shalt not receive illegal fee and the restā€.

 

The knowledge Maa has, in connection with legal affairs, was usually come from his precious experiences of his past over ten year’s law and political careers. In an interval regarded as a distinct period of 1980s, he studied mixed civil and crime, and the code of mixed civil and criminal procedure for the problems caused by ethnic disputes and human armed conflicts in the modern society. He was especially one who maintains the language and customs of the group, and social security in Taiwan.

 

Since 30 July of 1988, Maa settled himself in law as a chief executive and scrivener at Central Legal, Real Estate, and Accounting Services Office; it is in the equivalent to a solicitor of the United Kingdom. The Office provided full legal, accounting, real estate, and commercial services to the public. He did his job as a person legally appointed by another to act as his or her agent in the transaction of business, specifically one qualified and licensed to act for plaintiffs and defendants in legal proceedings and affairs. Over and above Maa was a chairman and executive consultant at Taiwan Credit Information CompanyĀ®, founded in 1994. The company offered services to the public in response to need and demand in the area of credit information.

 

Maa had excellent experiences in political and law work was pertaining to mixed civil and crime, the code of mixed civil and criminal procedure, construction, and commercial law abroad. The experiences of legal services related to the rights of private individuals and legal proceedings concerning these rights as distinguished. In the criminal proceedings, he did many cases for the defendants. Although an act committed or omitted in violation of a law forbidding or commanding it and for which punishment is imposed upon conviction; but he also laid legal claim, required as useful, just, proper, or necessary to the defendants under the human rights in the meantime. This provision ensures to the defendant a real voice in the subject.

 

The men whose judgement we respect are those who do not allow prejudices, preferences, or personalities to influence their decisions. Profit and self-aggrandisement are likewise ignored in their determination to reach an equitable and fair settlement. What are the basic principles upon which good judgement is founded? A keen intellect, a normal emotionally, a through understanding of human nature, experience of law work, sincerity, and integrity.

  

Developed a Technique for Abstract Photography and Abstractionist

 

In 1982, Maa developed a technique for abstractive photography, which applied ā€œrayonismā€ to the photographic works. In November of 1984, Maa was 26-year-old, he instructed many professors and students of National Taiwan Normal University in photography of abstract impressionism and rayonnisme in Taipei, Taiwan. The word ā€œrayonnismeā€ is French for rayonism - a style of abstract painting developed in 1911 in Russia.

  

Photographic Exhibitions

 

TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibition of ā€œRayonnisme / Rayonismā€ Tour - Invitational Exhibition of Taiwan 1983-84.

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TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibition of Rayonnisme / Rayonism (32 individual exhibitions) 1983~1985.

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Maa staged 32 individual, extraordinary exhibitions and annual special exhibitions on photography of abstractive image and Rayonnisme around Taiwan / Formosa. Maa was the first exhibitor around the country. All of the invited displays were by the Chinese Government, cultural and artistic organisations, and sponsors. Maa’s earliest exhibition took place in the National Taiwan Arts Education Institute (Museum) on 19 December 1983 when Maa was 25 years old; Maa was the youngest exhibitor in the history of the Institute in any solo exhibitions. The Institute that was opened in March 1957, kept a collection of Maa’s work. It is currently updating the Institute’s internal organisation and strengthening co-operation with leading institutes and museums around the world. Meanwhile, it widened the institute’s scope to increase its emphasis on Taiwan’ regional culture and folk arts.

  

Modernization in the Modern Abstract Arts of Taiwan

 

Maa’s works is the beginning of modernization in the modern abstract arts of Taiwan, China and greater Chinese society in the world. The use of ā€œmodernisationā€ as a concept that is opposed to ā€œTraditionalā€ of ā€œConservativeā€ ideas began with the approach of the 20th century. It spreads rapidly through academic circles, and was broadly accepted as a means to reform society. Chinese Manchu Qing (Ching) dynasty’s first steps toward modernisation began in the Tung-chih era (1862-1874) with the ā€œSelf-Empowerment Movementā€. During the late 19th century, as late Manchu dynasty was confronted on all sides by foreign aggression, voices throughout society debated the most effective means to reform and strengthen the country. Some advocated ā€œcombining the best of East and Westā€, while others went so far as to call for ā€œcomplete Westernisationā€. Taiwan was at the centre of these waves of reform. Faced with direct threats against the island by foreign enemies, the Chinese Ching dynasty court took special steps to push Taiwan’s modernisation.

 

In a role just like that of a gardener wanting to create a rich and fertile environment for the seeds of culture, one in which Maa may sprout, grow and bloom. Maa aims to provide an educational stimulus for society by introducing his works - Maa can express the neo-romantic spirit deftly from various creations and supporting international artistic exchanges. Maa believes that the first step in creating such a new and independent state is the real emergence of culture and arts, for which the art and science of designing and erecting buildings, and fine arts (including photography and motion picture) of the civilization is a good measurement of success. For the foreseeable future, Maa should be continuing to forge ahead, working diligently and unceasingly towards its mission of raising China and Formosa / Taiwan’s culture in his spare time.

  

Became an Author and a Scholar

 

In 1980, TianLiang Maa completed his first book - scenario original ā€œThe Soul's Sentimentalizingā€, also named: ā€œHun Yun : Jin Qi Tu Ruiā€ é›»å½±åŽŸč‘—ć€Šé­‚éŸ»ć€‹(č”æå„‘åč•Š) then Maa was at the age of 22. In 1983, The General Library of the University of California, Berkeley in the United States of America, collected and kept Maa’s writings - scenario original ć€Œé­‚éŸ» : č”æå„‘åč•Šć€ā€œHun Yun : jin qi tu ruiā€, included a musical composition of his own – ā€œSonate Nr. 1 C-dur op. 3 für Klavier (piano)ā€, composed on 3rd April 1977 then Maa was 18 years old. The works were published in 1980; the theme was based on ā€œThe Soul's Sentimentalizingā€. Another masterpiece was an Album of Academic Work for News Publication ā€œTianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibition of Rayonnisme / Rayonismā€, published in 1985. The Hathi Trust Digital Library, the University of Michigan also collected and kept Maa’s writings.

  

Authorship

 

Maa’s articles and writings were published in more than 200 different kinds of domestic and foreign magazines, newspapers, and periodicals, in the period between May of 1972 and 1990s. It was all started when Maa was just 13-year-old. Many of which have been very influential. These have been quoted by Western and Eastern scholars many times in the last few years, making Maa one of the highly cited technological, artistic, and managing public administrators in the world in the late 20th and early 21st century. The Ministry of the Interior in Taiwan had registered Maa’s professional writings and given him two certificates of copyright. The numbers are 33080 and 33081 on 4th July of 1985; and Taiwan’s Gazette of The Presidential Office issue No. 4499, featured his writings on 4th September 1985.

  

Became an Academic and Film Director

 

Today, Maa is a professor at Space Time Life Research Academy, and a photographer, film director, and computer engineer now live and work in London.

  

Director Works:

FILMS:

Experimental Film ā€œNew Image for the Springā€ Ā© 1982

Documentary Film ā€œRayonnismeā€ Ā© 2011

ā€œThe Soul's Sentimentalizingā€ of the feature film is based on the scenario original ā€œThe Soul's Sentimentalizingā€ (preparation)

 

FASHION SHOWS:

New Image for the Spring of Shapely Models International Ā© 1982

High Lights on the Summer and Fall Fashion of Shapely Models Int’l Ā© 1982

 

ART EXHIBITIONS:

The Cadillac Club International Fine Arts Exhibition Ā© 1981

The Cinematic & Photographic Arts Salon and the Hall of the Arts, Pegasus Academy of Arts Ā© 1981

  

Musician Work:

MUSIC COMPOSITION:

Sonate Nr. 1 C-dur op. 3 für Klavier (piano) Ā© 1977, Ā© 1980, Ā© 1981, Ā© 1983, the theme was based on ā€œThe Soul's Sentimentalizingā€.

  

PHOTOGRAPHIC ALBUMS:

Portrait and Landscape in France Ā© 2000

Portrait and Landscape in Scotland Ā© 2001

Portrait and Landscape in England Ā© 2009

Portrait at Queen Mary, University of London Ā© 2010

Rayonism of London Ā© 2011

Portrait at The University of Nottingham, United Kingdom Ā© 2011

Snowy London Ā© 2012

Portrait at King's College London Ā© 2013

  

BOOKS:

Scenario Originalć€Œé­‚éŸ»ć€(č”æå„‘åč•Š) ā€œHun yun: jin qi tu ruiā€ Ā© December 1980, Ā© 1981, Ā© 1983 (Date of First Publication: 31 December 1980, Second Edition on 29 July 1981, Date of Revision: Revised Edition on 8 May 1983), Languages: Chinese (traditional), and English language.

ā€œAlbum of the Cadillac Club International Fine Arts Exhibitionā€ Ā© 1981

ā€œAlbum of the Cinematic & Photographic Arts Salon and the Hall of the Arts, Pegasus Academy of Artsā€ Ā© 1981

ā€œAlbum of New Image for the Spring of Shapely Models Internationalā€ Ā© 1982

ā€œAlbum of High Lights on the Summer and Fall Fashion of Shapely Models Int’lā€ Ā© 1982

ā€œRomantic Carolā€ Ā© 1982

Album of Academic Work for News Publication: ā€œTianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibitions of Rayonnismeā€ Ā© May 1985

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New version of scenario original ā€œThe Soul's Sentimentalizingā€ (to be published)

ć€Œę›¾ē¶“č¼ē…Œåˆ°é ‚å¤©ē«‹åœ°ć€ ā€œThe Indomitable Spirit Was Brilliant to Uprightā€ (individual biography, to be published)

ā€œMy Life, My History, and My Loveā€ (based on a legend, to be published, a film scenario will be developed later)

ć€Œę„Ÿå‹•ēš„å…¬å¹³čˆ‡ę­£ē¾©ć€ā€œTouching Fairness and Justiceā€ (political science and social studies, to be published)

  

Research Interests:

 

University of Oxford

Research Studies in Archaeology:

Maa’s attractive topic was ā€œA View of Architectural History: Towns through the Ages from Winchester through London Arrived at Oxford in Englandā€.

 

National Taiwan University

Graduate Certificate,

Graduate Institute of Electrical Engineering:

Maa’s monograph of seminar was ā€œApplied the sequence control in the electric power distribution engineeringā€.

 

University of Glamorgan

M.Sc. Course,

Master of Science in Real Estate Appraisal:

Maa’s thesis - major subject, with relevant construction law was ā€œThe Assignment is under Economics of Construction Management in Architectureā€.

 

National Sun Yat-Sen University

Postgraduate Certificate,

Postgraduate Studies in Computing:

Maa’s required subject was Information dBase III Plus and Taiwanese Traditional Mandarin Chinese Information System. He combined academic course work and practical laboratory sessions in ā€œApplied Mandarin Phonetic Symbols into Traditional Taiwanese Personal Computer and Its Information Systemā€.

  

Associations:

 

Since 1980, a member of Chinese Taipei Film Archive (CTFA, National Film Archive, Taiwan; founded in 1978), The Motion Picture Foundation, R.O.C. (member of Fédération Internationale des Archives du Film, FIAF; The International Federation of Film Archives was founded in Paris in 1938 by the British Film Institute, the Museum of Modern Art in New York City, the Cinémathèque Française and the Reichsfilmarchiv in Berlin.)

 

Commissioner of the cinema, photography, radio, and television committee of The Culture and Arts Association (Chinese Writers and Artists Association) of Taiwan ever since September 1983.

 

Classic member, the membership is equivalent to a doctorate membership of the Chinese Institute of Electrical Engineering since 23 March 1984.

 

On 15 March 1989, Maa promoted and founded the Consortium Juridical Person Mr. TianLiang Maa Social Benefit Foundation č²”åœ˜ę³•äŗŗé¦¬å¤©äŗ®å…ˆē”Ÿē¤¾ęœƒå…¬ē›ŠåŸŗé‡‘ęœƒ in Taiwan. near.archives.gov.tw/cgi-bin/near2/nph-redirect?rname=tre...

 

Classic member, the membership is equal to a professor or associate professor of The Chinese Institute of Engineers since 30 September 1991.

  

Honours:

 

Listed on ā€˜Taiwan Who’s Who In Business’, Ā© 1984, Ā© 1987, and Ā© 1989 Harvard Management Service.

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On 26 August 1985, Maa was awarded a professional certificate of the Outdoor Artistry Activities issued by Education Bureau, Kaohsiung City Government, Taiwan. He acquired awards and certificates of honour about twenty times from National Taiwan Arts Education Center (Museum) on 24 December 1983; Kaohsiung Municipal Social Education Center on 17 March 1984, Kaohsiung Cultural Center, Taipei Cultural Center (Taipei Municipal Social Education Hall); and Taiwan Province Government, Taipei City Government, Kaohsiung City Government, and many cultural centres and art galleries, and so on.

  

Careers:

 

Honorary Professor at Space Time Life Research Academy, 7 June 2012 to present; Professor at Space Time Life Research Academy, 1 September 2011 to 1 June 2012 in London, United Kingdom:

Academia,

Teaching and Research:

business management and consultant, political philosophy, Chinese classics, Chinese humanities, modern Chinese language and literature, photography (portrait, fashion, commercial, digital, architectural, abstract photography), visual arts and film production.

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ę•™å­øčˆ‡ē ”ē©¶ļ¼š

ä¼ę„­ē®”ē†åŠé”§å•ć€ę”æę²»å“²å­øć€äø­čÆē¶“å…ø (å¤å…øę¼¢å­øć€ę–‡å­øć€č—č”“ć€čŖžčØ€) ć€äø­čÆäŗŗę–‡ć€äø­čÆē¾ä»£čŖžčØ€čˆ‡ę–‡å­øć€ę”å½± (äŗŗåƒć€ę™‚č£ć€å•†ę„­ć€ę•øä½/ę•øē¢¼ć€å»ŗēÆ‰ć€ęŠ½č±”ę”å½±) ļ¼Œč¦–č¦ŗč—č”“å’Œå½±ē‰‡č£½ä½œć€‚

 

Consultant and Translator at Eternal Life Consultants of Immigration and Translations Services, 10 March 2004 to present in London, United Kingdom:

consultants of immigration, translations, and legal services.

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ę°øē”Ÿē§»ę°‘é”§å•ēæ»č­Æęœå‹™ē¤¾ēš„ē§»ę°‘č«®č©¢é”§å•å’Œēæ»č­Æļ¼š

ē§»ę°‘äŗ‹å‹™ļ¼Œēæ»č­Æå’Œę³•å¾‹ęœå‹™ć€‚

 

Computer Hardware & Networking Engineer at Maa Office of Electrical Engineer, 8 March 2004 to present in London, United Kingdom:

Computer Engineering and Network Services. Repairing of Motherboards, Monitors, Power Supplies, CD-ROM Drives; UPS, Hard Disk Drives, H.D.D Data Recovery; BIOS Programming, and all types of Computer Hardware and Software Solutions.

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čØˆē®—ę©Ÿå·„ēØ‹å’Œē¶²ēµ”ęœå‹™ć€‚ē¶­äæ®äø»ę©Ÿęæļ¼Œé”Æē¤ŗå™Øļ¼Œé›»ęŗä¾›ę‡‰å™Øļ¼Œå…‰ē¢Ÿę©Ÿ/å…‰ē›˜é©±åŠØå™Øļ¼Œäøę–·é›»ē³»ēµ±ļ¼Œē”¬ē¢Ÿ/ē”¬ē›˜ļ¼Œē”¬ē›¤ę•øę“šę¢å¾©ļ¼ŒåŸŗęœ¬č¼øå…„č¼øå‡ŗē³»ēµ±ē·ØēØ‹ļ¼Œä»„åŠę‰€ęœ‰é”žåž‹ēš„é›»č…¦/čØˆē®—ę©Ÿē”¬é«”/ē”¬ä»¶å’Œč»Ÿé«”/č»Ÿä»¶č§£ę±ŗę–¹ę”ˆć€‚

 

Film Director & Photographer at Photographer and Film Director (Shapely), 2 April 2007 to present in London, United Kingdom:

1) Photo, Video and Film Production; 2) Graphic Design, Web Design, Social Networking, Social Media and Advertising; 3) Architectural Design and Interior Design.

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Reformer and Philosopher at Taiwanese Social Reformer and Philosopher, 7 April 2012 (location: Los Angeles, California) to present in London, United Kingdom:

Social Reform in Taiwan

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ć€Šé­‚éŸ»ć€‹(č”æå„‘åč•Š) - 馬天亮22ę­²åÆ«ēš„é›»å½±åŽŸč‘—ć€‚TianLiang Maa (Theophilus Raynsford Mann) wrote ā€œHun Yunā€ (Jin Qi Tu Rui), scenario original ā€œThe Soul’s Sentimentalizingā€ Ā© 1980, 1981, 1983, was at the age of 22.

Website

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album.blog.yam.com/mtltwp

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Sonate Nr. 1 C-dur op. 3 für Klavier (piano) by Theophilus Raynsford Mann (TianLiang Maa 馬天亮) Ā© 1977, Ā© 1980, Ā© 1981, Ā© 1983. The Sonate composed on 3rd April 1977 then Maa was 18-year-old. The work was published in 1980; the theme was based on ā€œThe Soul's Sentimentalizingā€.

Website

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LINKS:

 

University of California, Berkeley

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berkeley.worldcat.org/title/hun-yun/oclc/813684284?refere...

oskicat.berkeley.edu/record=b11283690~S1

 

University of Michigan

mirlyn.lib.umich.edu/Record/006237256

catalog.hathitrust.org/Record/006237256

 

WorldCatĀ® Identities

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National Bibliographic Information Network (NBINet)

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192.83.186.170/search*cht/a%E9%A6%AC%E5%A4%A9%E4%BA%AE

 

National Yang Ming University åœ‹ē«‹é™½ę˜Žå¤§å­ø

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National Taiwan University of Science and Technology åœ‹ē«‹č‡ŗē£ē§‘ęŠ€å¤§å­ø

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Wikimedia Commons ē¶­åŸŗå…±äŗ«č³‡ęŗ

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åœ‹å®¶åœ–ę›øé¤Ø ęœŸåˆŠę–‡ē»č³‡čØŠē¶², č‡ŗē£ęœŸåˆŠč«–ę–‡ē“¢å¼•

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č²éŸ³č—č”“ēš„åÆ©ē¾Žč§’åŗ¦, å¤§å­øé›œčŖŒ, 天然

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ē‚ŗę–‡åŒ–äø­åæƒęŠŠč„ˆ, å¹¼ē…ę–‡č—

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ē§‘å­øå®¶čˆ‡å®ˆč²”å„“, äø­åœ‹åœ°ę–¹č‡Ŗę²»

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Yahoo, Bing, Google Search

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Atomzone

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lurvely.com www.lurvely.com/photographer/77438197_N03/

 

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Nature - National Library Board Singapore

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snap.nl.sg/searchflickr.aspx?q=TianLiang+Maa+&p=1&...

 

ē”»åƒę¤œē“¢

flickr.akitomo.net/馬天亮/1

flickr.akitomo.net/TianLiang+Maa/1

 

Japan Photos and Pictures

japan.pictures-photos.com/professor-tianliang-maa%E2%80%A6

summer.pictures-photos.com/professor-tianliang-maa%E2%80%A6

 

far-east-movement - Blogcu (Turkey)

far-east-movement.blogcu.com/professor-tianliang-maa/1226...

 

man fashion

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Travel Splash

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itpints

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University of California, Berkeley period

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University of Michigan period

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University of Oxford period

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www.wer-ist.org/person/Oxford_Archaeology

 

University of Glamorgan period

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www.worldofbuildings.worldofbuildings.org/flickr/wob_flic...

 

University of Huddersfield period

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art galleries uk

artgalleriesuk.blogspot.co.uk/2012/08/bigandtall-stores-s...

 

Mitrasites system

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articles.whmsoft

articles.whmsoft.com/related_search.php?keyword=Tianliang...

 

pantieslace-forwomen.blogspot.co.uk/2012/08/motherhood-ma...

3piece-suits.blogspot.co.uk/2012/07/nursing-shawl-become-...

3piece-suits.blogspot.co.uk/2012/08/body-briefers-childre...

 

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German

www.wer-ist.org/person/Jin_Mann

 

www.pediatr.org.tw/DB/News/file/1913-1.pdf

  

HOMEPAGE

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20180901-IMG_0108-Edit.jpg

Where to? That way! (rough translation of the text carved in this nice contemporary stone)

This rowing man is looking back, but going in the opposite direction. It’s just like life. You know what lays behind you, but what will the future bring?

More than 400 years ago Dutch houses had no numbers, but names. This lead to a rich variety of carved stones in the facades of houses. After the houses got their numbers thanks to Napoleon, the habbit stopped. In some occasions stones are carved after the beginning of the 19 th century, but modern ones are rare. This one is a gem. It’s placed in a house in the oldest part of Nieuwendam, a former village built on a dyke north of Amsterdam. The sculptor is Hans ’t Mannetje. The village now is part of Amsterdam, but has retained a rural atmosphere. The boat is a traditional wooden rowing boat of the region.

www.hanstmannetje.com/

An ancient statue of a stoic philosopher explodes at the exact moment of realizing the truth about reality.

 

The truth is not for beginners, grasshopper.

 

Cheers.

 

Seen on the Philosopher's Walk, Kyoto

Birth of the mysterious Alchemical Sentinels

 

3 months working day and night with an exceptional ā€œdream team"… a big thank you to ACS, Luc, my trusty Giant who could lift a juggernaut onto a balcony (QED Thierry Loir) Thomas Cart'1, Goin, and of course Marc for the paints.

 

I have managed to set up my installation of 99 raw steel sculptures with an incredibly demanding specification: none of the 3600 work on the DDC site were to be hidden… we had to think about power sources, water crossings, access for construction machinery including the telescopic booms (3m wide)… public safety, ERP museum standards, etc, ... constantly alternating between the visible and the invisible...

 

Are they inhabited? I don’t know. One thing is certain: each sentinel stands as a unique sculpture in terms of its alchemical elements and paintwork (either with anti-rust paint or voluntarily with paints that do not resist rust). This autumn, each sentinel will reveal – with the acid rain – different interpretations, depending on the paints and solvents used, making each one different, with stratifications that future archaeologists will decipher.

 

But my most perilous challenge was to create a giant (9000 m²) installation that envelops the Abode of Chaos with dozens of tons of steel, so that my visitors, from any angle, enter a dreamlike fantasy and where the world of the Abode of Chaos on the one hand and that of the 99 monumental sculptures (named "Alchemical Sentinels" during an extremely busy night ) intersect like the Inframince defined by Marcel Duchamp (or, how to build intensities by subtraction).

 

These 99 Alchemical Sentinels are now the guardians of the Sanctuary that the Abode of Chaos has become. I designed them as veritable quantum energy wells that we placed with patience and wisdom at different spots all over the Abode of Chaos.

 

There are 99 in total, made of 10mm rough steel (50 tons), welded to form perfect equilateral triangles. Each of the three sides constituting an Alchemical Sentinel is itself cut to reveal a meurtriĆØre, again in the shape of an equilateral triangle, presenting a superb Euclidean geometry to the visitor.

 

These 99 Alchemical Sentinels are each placed at specific energy points on the 9000 m² of the Abode of Chaos. Some are hidden by vegetation or natural landforms or are placed in relation to existing works. Others are located in our private and professionals spaces.

 

In my alchemical work that began on 9 December 1999, the three gates arranged in an equilateral triangle with one vertex pointing upwards, form the luminous delta. They represent the three elements that alchemists work with. These three elements are sulphur, mercury and salt.

 

Note that the three elements found in the Prima Materia (or Alchemical Chaos) are very closely related. The point triangle is also the symbol of the fire philosophers.

 

The equilateral triangle resting on its base – like the three points – is the symbol of the fire element, one of the four elements that the alchemist works with in the laboratory.

 

The geometric properties of the equilateral triangle evoke absolute perfection by their spiritual strength and their age-old symbolism going back to ancient Egypt… strength, beauty and harmony.

 

They will remain for a thousand years as witnesses to a civilization lost through the folly of men.

 

thierry Ehrmann

 

-------------------------------------------------

   

3 mois de travail jour et nuit, une "dream team" hors du commun, un grand merci à ACS, Luc, mon fidèle Géant qui poserait un 38 T. sur un balcon (cqfd Thierry Loir) Thomas, Cart'1, Goin et bien sûr Marc pour les peintures.

 

Je suis arrivĆ© Ć  poser mon installation de 99 sculptures d'acier brut avec un cahier des charges de ouf, aucune des 3600 œuvres de la DDC ne devaient ĆŖtre occultĆ©es, penser aux sources Ć©lectriques, les passages d'eau, les voies de transport pour engin de chantier, les nacelles tĆ©lescopiques (3m de large), protĆ©ger le grand public, respecter les normes ERP musĆ©ales, etc… Alterner en permanence monstration et effacement…

 

Sont-elles habitées ? Je l'ignore. Une chose certaine est que chacune, par les éléments alchimiques et les codes peints soit à l'antirouille soit volontairement avec des peintures dégradables par la rouille avec le temps, rend chaque sentinelle comme une sculpture unique. Cet automne chaque sentinelle va laisser apparaître, avec les pluies acides, différents niveaux de lecture, selon les peintures et solvants utilisés, les rendant singulières avec des stratifications que les archéologues des temps futurs décrypteront...

 

Mais mon défi le plus périlleux, était de créer une installation géante de 9000 m2 qui enveloppe, par des dizaines de tonnes d'acier, la Demeure du Chaos pour que mes visiteurs sur 360 degrés, plongent dans un univers onirique et fantasmagorique où les deux univers que sont la Demeure du Chaos d'une part et d'autre part l'installation des 99 sculptures monumentales (baptisées par une nuit très agitée "Sentinelles Alchimiques") s'entrecroisent selon l'Inframince définit par Marcel Duchamp (ou comment construire des intensités par soustraction).

 

Ces 99 Sentinelles Alchimiques sont dĆ©sormais les gardiennes du Sanctuaire que reprĆ©sente la Demeure du Chaos. Je les ai conƧus comme de vĆ©ritable puits d’énergie quantique que je pose avec patience et sagesse sur l’ensemble de la Demeure du Chaos.

 

Elles sont au nombre de 99, faites d’acier brut de 10 mm (50 tonnes) soudĆ©es pour former un triangle Ć©quilatĆ©ral parfait. Chacun des 3 pans constituant une Sentinelle Alchimique, est lui mĆŖme dĆ©coupĆ© pour laisser entrevoir une mystĆ©rieuse meurtriĆØre, elle mĆŖme en forme de triangle Ć©quilatĆ©ral, donnant ainsi une gĆ©omĆ©trie Euclidienne au regard du visiteur.

 

Ces 99 Sentinelles Alchimiques sont chacune Ć  des points d’énergie particuliers de la Demeure du Chaos sur 9000 m2. Certaines se dissimulent par la vĆ©gĆ©tation ou les reliefs naturels ou bien en Ć©cho aux autres œuvres, d’autres sont dans les espaces privatifs ou professionnels.

 

Dans mon travail alchimique dĆ©marrĆ© le 9 dĆ©cembre 1999, les trois portes disposĆ©es en triangle Ć©quilatĆ©ral, dont un sommet est dirigĆ© vers le haut, forment le delta lumineux. Elle sont les trois corps sur lesquels l’alchimiste va œuvrer. Ces trois corps sont le soufre, le mercure et le sel.

 

Soulignons que les trois corps prƩsents dans la Materia Prima ou Chaos alchimique sont Ʃtroitement mƩlangƩs. Le triangle de point est aussi la marque des philosophes par le feu.

 

Le triangle Ć©quilatĆ©ral reposant sur sa base, Ć  la maniĆØre des trois points, est le symbole de l’élĆ©ment feu, l’un des quatre Ć©lĆ©ments avec lequel l’alchimiste travaille au laboratoire.

 

Les propriĆ©tĆ©s gĆ©omĆ©triques du triangle Ć©quilatĆ©ral relĆØvent de la perfection absolue par sa force spirituelle, son symbolisme de la nuit des temps notamment dans l’ancienne Egypte, il est force, beautĆ© et harmonie.

 

Elles resteront durant mille ans comme les tĆ©moins d’une civilisation disparue par la folie des hommes

 

thierry Ehrmann

Rickmansworth, Hertfordshire.

Ginkaku-ji Temple(The Silver Pavilion)

 

Jisho-ji Temple is better known as Ginkaku-ji (Temple of the Silver Pavilion), a temple belonging to the Buddhist Shokoku School of the Rinzai Zen sect.

 

Ginkaku-ji Temple (The Silver Pavilion) is an elegant temple set in beautiful grounds at the foot of Kyoto's eastern mountains. Its grounds are an outstanding example of Japanese landscape architecture. Whether one is sitting on the landing beside the unique sand garden with its 2-metre silver cone, or walking the trail and catching glimpses of the Pavilion from different vantage points, one is constantly aware of the lovely details which move the heart. Originally designed as a retirement villa for the Shogun Ashikaga Yoshimasa (1436-1490) in the Muromachi Period (1338 - 1573), Ginkaku-ji Temple was modeled on its sister temple Kinkaku-ji Temple (the Golden Pavilion). Yet Ginkaku-ji Temple was never plated with silver, and the main temple building remains an unpainted brown--and in its way, exemplifies the Japanese idea that something plain can be beautiful.

 

Yoshimasa spent much of his retirement here pursuing the arts, including the tea ceremony. The Togu-do building contains within it a tea ceremony room which is thought to have become the prototype for all future tea ceremony rooms. Behind the building is a fresh-water stream where Yoshimasa collected water for his tea. Looking back over the grounds from the Togu-do, one cannot help but admire the refined aesthetic which this retired shogun pursued in his final years.

 

A few times per year Ginkaku-ji Temple is illuminated in the evening, and all of its elements take on an added, surreal beauty. It must be seen to be believed.

Source: Kyoto.travel/en

from a comic DIND DONG -hyƶky

  

he was sitting next to our table when suddenly he became very chatty, talked about life itself, wanted to explain to us about the world...meanwhile his delicious looking pasta was getting cold...too bad.. but at least i could take a nice picture of his food ;)

 

www.carluccios.com/restaurants/st-christophers-place

The River Jamuna, Islampur, Jamalpur.

Watercolor and India ink on lined notebook paper

Dead Philosophers' Limbo, 2009

Susie Burpee - Toronto, Canada

Dance

Dead Philosophers' Limbo is a twelve-hour dance to the life of ideas and the death of philosophers as told by the living philosopher Simon Critchley in his, The Book of Dead Philosophers. Each dancer's boombox emits passages from the book, broadcasting epitaphs as the score for the performers who literally and figuratively use dance to break into that space between life and death, between mind and body and between the here and the now. Find your place in this limbo as twenty-four dancers dance and nearly two hundred philosophers die. Witness the wonder and amazement as these bodies describe a philosophical dictum for the ages. Dance all you dead philosophers - dance!

Susie Burpee is a contemporary choreographer and dancer based in Toronto. She was awarded the K.M. Hunter Artist Award in 2006, and has received Dora Mavor Moore Awards for Outstanding Performance and Outstanding New Choreography. She trained at the Professional Program of Contemporary Dancers in Winnipeg and studied at the Limon and Cunningham Schools in New York and Ecole Philippe Gaulier in Paris. Burpee has worked with many innovative Canadian choreographers and companies, including Dancemakers and Le Groupe Dance Lab.

Copyright Ā© All rights reserved Peter Vahlersvik! Please do not use this image on websites, blogs or any other media in any way without my explicit written permission.

  

At the different part of the world, philosophy of living can be vary.

 

At this part of China (大理/DaLi, äŗ‘å—/Yunnan), women are the main labour force, where men tend to stay at home doing nothing (ideal for some guys, isn't it?), there is nothing about male chauvinism, only the tradition and culture, or, even more of a maternal society thing.

 

As I travelled to the famous Butterfly Spring (č“č¶ę³‰), I saw a group of local women sitting under the tree shades, enjoying the nice weather, peacefully. I was so curious why they are not working in the field but only sit there, so I went to an elder lady and asked her. Her answer was so simple, yet it was like from a sainted philosopher. She said, ever since we were born, we are all heading to one place, which is death, if we are all heading to the same place, the same direction, why in a hurry?

 

We work hard and try hard to make a better living, but often, we forget to slow down and enjoy what life can offer us, we complain how life is not fair, how life is a bitch, but never noticed that we are missing out so much of it, so, slow down my friends, take your time to enjoy life, it is beautiful.

MusƩe Rolin, Autun

SaƓne-et-Loire, Burgundy, France

 

Exquisitely detailed Roman mosaic (2nd or 3rd century) depicting a Greek philosopher. It was discovered under a street in Autun (Augustodunum).

created for: Surrealart challenge "Two in one"

 

Escola de Atenas by: Rafael Sanzio (detalhe)

Aspasia Surrounded by Greek Philosophers by: Michele Corneille the Younger ( detalhe)

A minature O-scale hand-painted figure of a man sitting on a book in a library. To compose the photo, the minature man and the large old book were placed in front of a computer screen with a blurred-out image of a book shelf as the background. Lighting was achieved with an adjustable mini-LED placed above the camera pointing down and slightly toward the subject.

 

Developed using Darktable 3.6.0. Color graded with GIMP 2.10.24 and G'MIC 2.7.9 filters. A light texture and a light leak overlay were also added.

Dead Philosophers' Limbo, 2009

Susie Burpee - Toronto, Canada

Dance

Dead Philosophers' Limbo is a twelve-hour dance to the life of ideas and the death of philosophers as told by the living philosopher Simon Critchley in his, The Book of Dead Philosophers. Each dancer's boombox emits passages from the book, broadcasting epitaphs as the score for the performers who literally and figuratively use dance to break into that space between life and death, between mind and body and between the here and the now. Find your place in this limbo as twenty-four dancers dance and nearly two hundred philosophers die. Witness the wonder and amazement as these bodies describe a philosophical dictum for the ages. Dance all you dead philosophers - dance!

Susie Burpee is a contemporary choreographer and dancer based in Toronto. She was awarded the K.M. Hunter Artist Award in 2006, and has received Dora Mavor Moore Awards for Outstanding Performance and Outstanding New Choreography. She trained at the Professional Program of Contemporary Dancers in Winnipeg and studied at the Limon and Cunningham Schools in New York and Ecole Philippe Gaulier in Paris. Burpee has worked with many innovative Canadian choreographers and companies, including Dancemakers and Le Groupe Dance Lab.

Boscha has passed away on Nov the 25th 2020. R.I.P.

Sheldonian Theatre, Oxford

Ascetic philosopher, Pattirakiriyar. Pattirakiriyar was a king of Kongu Nadu before becoming a religious mendicant under Pattinathar.

Carlos is a Colombian philosopher I Meet in North Pakistan...

No writing books, but living with a simple idea... be free !

 

So as he told me.. don't forget :

 

No women no cry

No chapattis no chaĆÆ

No money no honey

No toilet no shower...

24 hours full power

My philosopher friend, David Chalmers, pondering philosophical stuff while reclining on the sofa, under the Australian sun in his living room under the skylight.

 

David is a longtime connoisseur of colourful mismatched socks, which he assures me is a deliberate design decision each morning.

 

Taken with iPhone 3GS.

 

Entry for Daily Shoot 426: "Make a photograph of two complementary objects arranged to show their relationship to each other."

www.dailyshoot.com

 

Sorry, uploaded the wrong photo, please see this one.

Busts of Greek philosophers and poets on display at the reconstructed 'New Museum' on Museum Island in Berlin.

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