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This fearsome beastie seems to have taken up residence in the rear-wiper housing of my car.
Just as long as it stays outside :-O
(View original size, but don't blame me if it gives you nightmares......)
We're inside some Las Vegas hotel...
Even if you fly in to Las Vegas in the middle of the night, you need sunglasses. In Denmark we teach our kids to switch off unnecessary standby lights on monitors and TV's.
Permanent Makeup rock their record release at New World Brewery, Ybor City, Tampa, FL - February 23, 2013.
Note: Please share, download and use these photos for non-commercial purposes but be sure to abide by the creative commons license by crediting the photos to Nicole Kibert / www.elawgrrl.com and if using online, add a link back to this page or to www.elawgrrl.com. This license does not permit commercial use. Thanks.
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Permanent Representative of Malaysia to ASEAN, H.E. Amb. Nur Izzah Wong Mee Choo, presented her credentials to the Secretary-General of ASEAN, H.E. Dr. Kao Kim Hourn, on 7 March 2023 at the ASEAN Secretariat. Image Credit: ASEAN Secretariat/ Kusuma Pandu Wijaya
"Novas Mídias, Novas Histórias" foi o tema da 9ª edição do Fórum. Contou com palestras de Iara Xavier e Eduardo Xavier, fundadores do Caçadores de Bons Exemplos; Vinícius Lima, um dos fundadores do SP Invisível; e Semayat Silva e Oliveira, uma das fundadoras do Nós, Mulheres da Periferia. Aconteceu no MAM/Museu de Arte Moderna de São Paulo, dia 16 de junho. Fotos: Natalia Belasalma
I noticed this beautifully carved door at Lahore Fort (Diwan-e-Khaas), but what really caught my attention was the chain lock chipping the wood away… 400 years of history is lost forever!
A Secretária Executiva da Comunidade dos Países de Língua Portuguesa (CPLP), Maria do Carmo Silveira, participou no evento “Diálogo com a Juventude – Perspetivas sobre a Educação, Emprego e Prevenção da Radicalização que leva ao Extremismo Violento”, na sede da Organização das Nações Unidas (ONU), em Nova Iorque, no dia 30 de maio de 2018, a convite do Presidente da 72ª sessão da Assembleia Geral, Miroslav Lajčák.
A Secretária Executiva da CPLP, Maria do Carmo Silveira, a Secretária-Geral da Francofonia, Michaëlle Jean, e a Secretária-Geral Ibero-Americana, Rebeca Grynspan, intervieram em conjunto no evento “Diálogo com a Juventude – Perspetivas sobre a Educação, Emprego e Prevenção da Radicalização que leva ao Extremismo Violento”, no dia 30 de maio de 2018.
Recordemo-nos, o evento teve o objetivo de aproximar construir uma ponte entre jovens e os decisores políticos, representantes permanentes junto das Nações Unidas e outras organizações internacionais e instituições da sociedade civil, que participaram neste diálogo: para ouvir e responder a questões apresentadas, nas áreas da educação, emprego e prevenção da radicalização que conduz ao extremismo violento.
Nesta senda, a Secretária Executiva da CPLP, Maria do Carmo Silveira, a Secretária-Geral da Francofonia, Michaëlle Jean, e a Secretária-Geral Ibero-Americana, Rebeca Grynspan, participaram, no dia 31 de maio, de um diálogo de alto nível organizado conjuntamente pela CPLP, OIF, a SEGIB e a Representação Permanente da União Africana junto às Nações Unidas. sobre o tema: "Multilateralismo, a vitalidade do multilinguismo e a renovação de parcerias: que contribuições das áreas linguísticas e geográficas? ".
A Secretária Executiva efetuou ainda, uma reunião de trabalho com a subsecretária-geral das Nações Unidas, Amina Mohammed, para abordar a questão do multilinguismo no atual processo de reforma da ONU.
Permanent Makeup plays The Drunken Unicorn, Atlanta, GA on September 18, 2015.
Note: Please share, download and use these photos for non-commercial purposes but be sure to abide by the creative commons license by crediting the photos to Nicole Kibert / www.elawgrrl.com and if using online, add a link back to this page or to www.elawgrrl.com. This license does not permit commercial use. Thanks.
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Permanent makeup pigments have revolutionized the beauty industry by offering long-lasting and natural enhancements. However, improper application or handling of these pigments can lead to unsatisfactory results or even complications. Here’s a guide to the most common mistakes when using permanent makeup pigments and how to avoid them for flawless results. For more information visit us at www.ibrow.in.
Subcomissão Permanente de Direitos das Pessoas com Doenças Raras (CASRARAS) realiza audiência pública interativa destinada a debater o acesso às fórmulas dietoterápicas para erros inatos do metabolismo e outras condições de saúde raras e a qualidade das fórmulas nutricionais metabólicas disponibilizadas pelo Sistema Único de Saúde (SUS).
Bancada:
representante da Associação Mães Metabólicas, Simone Arede - em pronunciamento;
nutricionista do Centro de Referência em Doenças Raras do Hospital de Apoio de Brasília da Secretaria de Estado de Saúde do Distrito Federal, Monique Poubel.
Foto: Waldemir Barreto/Agência Senado
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— Electrolysis SD (@SDElectrolysis) September 7, 2018
Ordenaciones diáconos permanentes en la catedral de la Almudena
Fotos de Juan Carlos Martin / Archimadrid
Cecilia Beaux - American, 1855 - 1942
Sita and Sarita, c. 1921
West Building, Main Floor — Gallery 69
A woman with pale skin and dressed in white sits on a couch gazing into the distance to our left as she raises one arm to stroke a black cat perched on her shoulder in this vertical portrait. Shown from the lap up, the woman’s dress has voluminous, puffed, elbow-length sleeves and a high collar, and her narrow waist is cinched with a white sash. Her dark brown hair is parted down the middle and tied back, and she has pale blue eyes and pink lips. She reaches up to the cat with her left hand, on our right, and her other hand, farther from us, rests flat in her lap. The black cat looks at us with greenish-yellow eyes as it almost disappears into the dark brown background above the white couch, which is decorated with a blue pattern. The artist signed the work with dark letters in the lower left corner: “Cecilia Beaux.”
This portrait by Cecilia Beaux portrays the artist's cousin, Sarah Allibone Leavitt, dressed in white with her black cat on her shoulder. Beaux was recognized not only for her bold painting technique, but also for her ability to imbue her female subjects with wit and intelligence, rendering them more than just mere objects of beauty. A student in Paris in the late 1880s, the artist was influenced by her firsthand exposure to French impressionism. Her light-filled palette and gestural style invite comparisons with many of her contemporaries, including William Merritt Chase, James McNeill Whistler, John Singer Sargent, and Mary Cassatt.
The sitter's white dress, for instance, evokes Whistler's infamous 1862 painting of Joanna Hiffernan, Symphony in White, No. 1: The White Girl (National Gallery of Art, Washington). The formal connection between the two paintings demonstrates Beaux's knowledge of Whistler's painting. Additionally, the direct gaze of the black cat perched on Sarah's shoulder references Edouard Manet's painting Olympia (1865, Musée d'Orsay, Paris), in which a similarly posed black cat sits at the foot of Olympia's bed. These connections suggest that Beaux intended to reveal more with this portrait than simply her mastery of painting technique. The enigmatic title of the painting may represent Manet's influence—Beaux's use of Spanish diminutives, Sarita for Sarah and Sita, meaning "little one," for the cat, acknowledges the late 19th-century popularity of Spanish painting, championed by Manet. The present work is a replica of the original painted in 1893 and displayed in the 1895 Society of American Artists exhibition in New York. Before donating the original to the Musée de Luxembourg in Paris (now in the collection of the Musée d'Orsay, Paris), Beaux recorded that she made a second painting for her "own satisfaction when the original went to France for good."
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The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
..
________________________________
The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
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1º Sessão Ordinária do Fórum de Discussão Permanente de Gestão das Carreiras dos Servidores do Poder Judiciário da União de 2026.
Foto: Zenildo Trajano/CNJ
Comissão Mista Permanente sobre Migrações Internacionais e Refugiados (CMMIR) promove audiência pública para debater o uso, como instrumento de coerção contra mães brasileiras, de convenção internacional criada para impedir o sequestro internacional de crianças.
Em pronunciamento, via videoconferência, procurador Regional da República, André de Carvalho Ramos.
Mesa:
coordenadora-geral da Autoridade Central Administrativa Federal do Ministério da Justiça e Segurança Pública, Michele Najara;
presidente da CMMIR, senadora Mara Gabrilli (PSD-SP);
diretor do Departamento de Imigração e Cooperação Jurídica do Ministério das Relações Exteriores, André Veras Guimarães;
co-fundadora do Instituto Nós por Elas, Natalie de Castro Alves.
Foto: Jefferson Rudy/Agência Senado