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Subcomissão Permanente de Direitos das Pessoas com Doenças Raras (CASRARAS) realiza audiência pública interativa destinada a debater o acesso às fórmulas dietoterápicas para erros inatos do metabolismo e outras condições de saúde raras e a qualidade das fórmulas nutricionais metabólicas disponibilizadas pelo Sistema Único de Saúde (SUS).
Bancada:
nutricionista da Sociedade Brasileira de Triagem Neonatal e Erros Inatos do Metabolismo (SBTEIM), Soraia Poloni;
representante da Associação Mães Metabólicas, Simone Arede;
nutricionista do Centro de Referência em Doenças Raras do Hospital de Apoio de Brasília da Secretaria de Estado de Saúde do Distrito Federal, Monique Poubel;
coordenador-geral de Alimentação e Nutrição do Ministério da Saúde, Kelly Poliany de Souza Alves;
coordenador-geral de Doenças Raras do Ministério da Saúde, Natan Monsores de Sá.
Foto: Geraldo Magela/Agência Senado
Easdale Island
is the smallest permanently inhabited island of the Inner Hebrides. It was once the centre of a thriving Scottish slate mining industry, and one of the disused quarries forms a perfect arena for the World Stone Skimming Championships.
The championships are held every year on the last Sunday in September. Anyone of any age and any level of skill can enter. Each competitor is allowed 3 skims using specially selected Easdale slate skimming stones.
For a skim to qualify the stone must bounce at least three times - it is then judged on the distance achieved before it sinks.
Registration
for the championships takes place at Easdale Island Community Hall from 11.00am until 1.00pm on the day itself; if you would like to compete just turn up as there are no qualifying rounds. Easdale Island
is the smallest permanently inhabited island of the Inner Hebrides. It was once the centre of a thriving Scottish slate mining industry, and one of the disused quarries forms a perfect arena for the World Stone Skimming Championships.
The championships are held every year on the last Sunday in September. Anyone of any age and any level of skill can enter. Each competitor is allowed 3 skims using specially selected Easdale slate skimming stones.
For a skim to qualify the stone must bounce at least three times - it is then judged on the distance achieved before it sinks.
Registration
for the championships takes place at Easdale Island Community Hall from 11.00am until 1.00pm on the day itself; if you would like to compete just turn up as there are no qualifying rounds. Easdale Island
is the smallest permanently inhabited island of the Inner Hebrides. It was once the centre of a thriving Scottish slate mining industry, and one of the disused quarries forms a perfect arena for the World Stone Skimming Championships.
The championships are held every year on the last Sunday in September. Anyone of any age and any level of skill can enter. Each competitor is allowed 3 skims using specially selected Easdale slate skimming stones.
For a skim to qualify the stone must bounce at least three times - it is then judged on the distance achieved before it sinks.
Registration
for the championships takes place at Easdale Island Community Hall from 11.00am until 1.00pm on the day itself; if you would like to compete just turn up as there are no qualifying rounds.
[f/9|6.0] Every time I saw this sign I couldn’t help but think of one of my absolute favorite bands. As of such, I had to get a picture of it.
Hard to tell the color of this house (near the Columbia River and Scappoose, OR) with the orange-colored light.
Elihu Vedder, Born New York City 1836-
died Rome, Italy 1923
Volterra, 1860,
oil on canvas mounted on canvas, 12 1⁄4 x 25 1⁄2 in.
The career of Elihu Vedder, who was born in New York City in 1836 and died in Rome, Italy, in 1923, spanned some sixty-five years. He began to paint when Courbet was a name to enflame the young and raise the hackles of critics, and died when Cubism had already become academic. His work related to neither. Although he was quite aware of the various art currents of his time, he was far too concerned with his own perceptions, dreams, and inventions to stay long with any particular vogue. Living most of his life in Italy, Vedder was in many ways a truly expatriate artist; he realized early that art itself provided a homeland and to it he was a loyal citizen. For him, Italy was the closest approximation of that land to be found on earth.
Vedder has been remembered for several different accomplishments but rarely as a unified artistic personality. His extraordinary illustrations to accompany Omar Khayyám's Rubáiyát, published in 1884, are an early and persuasive lesson in the compelling, evocative powers of a decorative style. His disarmingly simple, richly colored glimpses of the Italian landscape, however, celebrate the pleasures of direct perception. His work seems to be rooted firmly in two opposing traditions, each revolutionary in its way in the nineteenth century. Yet probably the most revolutionary aspect of Vedder was his refusal to take sides, to admit that the perceptual and visionary were at odds with each other.
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The Smithsonian American Art Museum is the home to one of the most significant and most inclusive collections of American art in the world. Its artworks reveal America’s rich artistic and cultural history from the colonial period to today. The museum’s main building is located at Eighth and G streets N.W., above the Gallery Place/Chinatown Metrorail station. Admission is free.
The museum has been a leader in identifying and collecting significant aspects of American visual culture, including photography, modern folk and self-taught art, African American art, Latino art, and video games. The museum has the largest collection of New Deal art and exceptional collections of contemporary craft, American impressionist paintings and masterpieces from the Gilded Age. In recent years, the museum has focused on strengthening its contemporary art collection, and in particular media arts, through acquisitions, awards, curatorial appointments, endowments, and by commissioning new artworks.
Explore the sweep of the American imagination across four centuries at the nation's flagship museum for American art and craft. Dive into inspiring artworks, the reimagined collection, and an array of special exhibitions including Glenn Kaino: Bridge. Experience our offerings both online and in person at our two locations, including national educational programs, innovative research, video interviews with artists, virtual artist studio tours, lectures, audio guides, and more. Admission is always free.
Since 1968, the National Portrait Gallery has been housed in the former Patent Office building, a structure designed by Robert Mills in the neoclassical style and built between 1836-1867. This historic building, which is the third oldest government building in the city, is shared with another Smithsonian museum, the Smithsonian American Art Museum. The building's marble and granite porticos are inspired by those of the Parthenon in Athens, Greece.
An undulating steel and glass canopy wows visitors who enter the Kogod Courtyard. Inside you’ll find diners from the museum’s café, tourists soaking their weary feet in the shallow fountain running across the space, and students taking advantage of free Wi-Fi in the light and airy setting. The modern roof seals the center of the old Patent Office Building, currently shared by the National Portrait Gallery and American Art Museum. Architect Norman Foster designed the roof to have minimal impact on the building by creating a support system that prevents direct contact and weight placement on it. Unlike most of the other Smithsonian Museums located on the Mall, this gem is found in the busy Penn Quarter of downtown D.C. It is a favorite place to bring visitors, not only for the impressive courtyard space, but also for the preserved architecture of the patent offices on the top floor. Check the Smithsonian’s website for special courtyard workshops, concerts, or events. The museum is right near the Gallery Place/Chinatown Metro on the green, yellow, and red lines.
The Smithsonian American Art Museum showcases rotating exhibits, which have previously exposed visitors to work created in response to the Vietnam War, glasswork, native women artists and more. The Smithsonian American Art Museum also operates a separate branch, the Renwick Gallery, devoted to contemporary craft and decorative arts.
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Allan Culham, Ambassador, Permanent Representative of Canada to the OAS
Date: September 6, 2012
Place: Washington, DC
Credit: Juan Manuel Herrera/OAS
From left to right:
Carmen Lucia de la Pava, Advisor to the OAS Secretary General
Tomás Ignacio Pascual Ricke, Chair of the OAS Permanent Council and Ambassador, Permanent Representative of Chile to the OAS
Date: December 17, 2025
Place: Washington, DC
Credit: Rafael Cruz/OAS
2024 UN Permanent Forum on Indigenous Issues. Photo credit: UN DESA DISD/ Ines Belchior, Ronja Porho. United Nations, New York
The Permanent Secretariat of the Community of Democracies received funding from the Government of Canada for a series of high-level workshops on decentralization in Ukraine.
Former Hungarian Prime Minister Ferenc Gyurcsány and former Slovak Prime Minister Iveta Radicova are scheduled to facilitate workshops for members of parliament, elected municipal leaders and civil society representatives from three regions of Ukraine (Dnepropetrovsk, Odessa and Lviv), followed by summary workshop in Kiev.
Este museu, situado no Palácio dos Carrancas exibe colecçãos permanentes de pintura e escultura portuguesas. Destacam-se especialmente as esculturas da autoria de Soares dos Reis (1847-1889).
A pintura portuguesa de 1850 a 1950 está representada por pinturas da autoria de Silva Porto, Henrique Pousão entre outros, e pode também admirar-se pinturas antigas, coleções de cerâmica, ourivesaria e arte sacra.
O Museu Portuense, também conhecido por Ateneu D. Pedro IV, foi mandado organizar oficialmente entre 9 e 11 de abril de 1833 por iniciativa do regente D. Pedro, Duque de Bragança, D. Pedro I do Brasil.
Comissão Permanente Mista de Combate à Violência contra a Mulher (CMCVM) realiza audiência pública para debater o projeto de lei que tipifica o crime de misoginia.
Mesa:
ministra substituta do Ministério das Mulheres, Eutália Barbosa - em pronunciamento;
presidente da CMCVM, deputada Luizianne Lins (PT-CE).
Foto: Ton Molina/Agência Senado
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From left to right:
Tomás Pascual Ricke, Ambassador, Permanent Representative of Chile to the OAS
Albert R. Ramdin, OAS Secretary General
Date: September 12, 2025
Place: Washington, DC
Credit: Juan Manuel Herrera/OAS
Students Gregory, Jeff, and Jadon sign a certificate acknowledging the Opening Event. In the fashion of a Quaker wedding certificate, this document will be signed by everyone involved with the school. It will be mounted and framed for permanent display in the new building.
Gilbert Stuart - American, 1755 - 1828
Robert Liston, 1800
West Building, Main Floor — Gallery 60-A
Information on this painting can be found in the Gallery publication American Paintings of the Eighteenth Century, pages 221-224, which is available as a free PDF www.nga.gov/content/dam/ngaweb/research/publications/pdfs...
Gilbert Stuart was the preeminent portraitist in Federal America. He combined a talent for recording likeness with an ability to interpret a sitter's personality or character in the choice of pose, color and style of clothing, and setting. He introduced to America the loose, brushy style used by many of the leading artists of late eighteenth century London. He recorded likenesses of lawyers, politicians, diplomats, native Americans, their wives and children. His sitters included many prominent Americans, among them the first five presidents, their advisors, families, and admirers. He is known especially for his numerous portraits of George Washington.
Born in 1755 in North Kingston, Rhode Island, Stuart was baptized with his name spelled "Stewart". His father, an immigrant Scot, built and operated a snuff mill that may have led to the artist's addiction to snuff. He grew up in the trading city of Newport, where itinerant Scottish portraitist Cosmo Alexander (1724-1772) gave him his earliest training in painting. He accompanied Alexander to Scotland in 1771, returning home at the older artist's death. Three years later in 1775, on the eve of the American Revolution, he went to London, where he worked for five years (1777-1782) as assistant to the Anglo-American painter Benjamin West. He exhibited at the Royal Academy from 1777 to 1785, using the name Gilbert Charles Stuart the first year. The success of The Skater (NGA 1950.18.1), painted in 1782, enabled him to establish his own business as a portrait painter. In 1786 Stuart married Charlotte Coates, and the following year they went to Dublin, where Stuart painted portraits of the Protestant ruling minority for over five years.
Stuart returned to the United States in 1793, planning to paint a portrait of George Washington that would establish his reputation in America. After about a year in New York City, he went to Philadelphia, the capital of the United States, with a letter of introduction to Washington from John Jay. He painted the president in the winter or early spring of 1795. He was not satisfied with his first life portrait of Washington, but others were. Martha Washington commissioned a second and Mrs. William Bingham commissioned two full-lengths. His success led immediately to many other commissions. His sitters were politically prominent and wealthy, from the merchant and landed classes. After Washington, D.C. became the new national capital, Stuart moved there in December of 1803, and this group continued as his patrons. There he painted the Madisons, Jefferson, the Thorntons, and others from Jefferson's administration.
In the summer of 1805 Stuart settled in Boston. In his Roxbury studio he continued to paint politically and socially prominent sitters and, on request, to make replicas of his second "Athenaeum" portrait of George Washington. Throughout his life younger artists, including John Trumbull, Thomas Sully, Rembrandt Peale, and John Vanderlyn, sought his advice and imitated his work. Among his students were his children Charles Gilbert (1787-1813) and Jane (1812-1888). One indication of Stuart's popularity is the number of portraits he painted, over a thousand during his long career, excluding copies of the portraits of Washington. Another indication is the number of copies of his work that other artists made. His sitters indicated their fascination for his talent and personality by recording lengthy anecdotes and descriptions of their sittings, producing an unusally rich written record about an American portraitist. Stuart died in Boston in 1828
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The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
..
________________________________
The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
.
Subcomissão Permanente sobre Esporte, Educação Física e Formação de Categorias de Base no Esporte (CEEEFCB) realiza 2ª audiência pública para debater o Plano Nacional de Esporte.
Foto: Geraldo Magela /Agência Senado
Eucharistic Liturgy Celebrating the Permanent Deacon Jubilee at the Center for Ministry Chapel in Saginaw Township on October 10, 2023. Photo by Jeff Schrier
Comissão Permanente Mista de Combate à Violência contra a Mulher (CMCVM) realiza reunião para apreciação das emendas ao Projeto de Lei de Diretrizes Orçamentárias (PLDO) de 2024.
Em pronunciamento via videoconferência, relatora do PL 4/2023, senadora Jussara Lima (PSD-PI).
Mesa:
presidente da CMCVM, senadora Augusta Brito (PT-CE).
Foto: Pedro França/Agência Senado
Subcomissão Permanente de Direitos das Pessoas com Doenças Raras (CASRARAS) realiza audiência pública interativa destinada a debater o acesso às fórmulas dietoterápicas para erros inatos do metabolismo e outras condições de saúde raras e a qualidade das fórmulas nutricionais metabólicas disponibilizadas pelo Sistema Único de Saúde (SUS).
À mesa:
senador Flávio Arns (PSB-PR);
presidente da CASRARAS, senadora Mara Gabrilli (PSD-SP).
Foto: Waldemir Barreto/Agência Senado
Permanent Representative of the Republic of Lithuania to the OPCW, H.E. Mr Neilas Tankevičius, and Ambassador Fernando Arias, OPCW Director-General
Toledo, 3 de marzo de 2020.- Comisión no Permanente de Estudio para alcanzar un Pacto contra la Despoblación en Castilla-La Mancha, con comparecencias de nuevos expertos y responsables de entidades y organizaciones.
En la fotografía, comparecencia de Carlos Duque Gallego, Secretario General de FICA-UGT Castilla-la Mancha.
FOTOS: Carmen Toldos.
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