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Comissão Mista Permanente sobre Migrações Internacionais e Refugiados (CMMIR) promove audiência pública interativa para discutir a nova Política Nacional de Migração e Refúgio, em desenvolvimento pelo Ministério da Justiça e Segurança Pública.
Mesa:
relatora da CMMIR, senadora Mara Gabrilli (PSD-SP);
Saifullah Ahmadzai - Afegão;
coordenador Nacional do Fórum Nacional de Conselhos e Comitês Estaduais para Refugiados, Apátridas e Migrantes (Fonacceram), Roberto Portela.
Foto: Waldemir Barreto/Agência Senado
Permanent Representative of the Kingdom of Cambodia, H.E. Amb. Heng Sarith, presented his credentials to the Secretary-General of ASEAN, H.E. Dr. Kao Kim Hourn, on 18 January 2023 at the ASEAN Secretariat. Image Credit: ASEAN Secretariat
Subcomissão Permanente de Direitos das Pessoas com Doenças Raras (CASRARAS) realiza audiência pública interativa destinada a debater o acesso às fórmulas dietoterápicas para erros inatos do metabolismo e outras condições de saúde raras e a qualidade das fórmulas nutricionais metabólicas disponibilizadas pelo Sistema Único de Saúde (SUS).
Bancada:
nutricionista da Sociedade Brasileira de Triagem Neonatal e Erros Inatos do Metabolismo (SBTEIM), Soraia Poloni;
representante da Associação Mães Metabólicas, Simone Arede;
nutricionista do Centro de Referência em Doenças Raras do Hospital de Apoio de Brasília da Secretaria de Estado de Saúde do Distrito Federal, Monique Poubel;
coordenador-geral de Alimentação e Nutrição do Ministério da Saúde, Kelly Poliany de Souza Alves;
coordenador-geral de Doenças Raras do Ministério da Saúde, Natan Monsores de Sá.
Foto: Geraldo Magela/Agência Senado
Comissão Mista Permanente sobre Migrações Internacionais e Refugiados (CMMIR) promove audiência pública interativa para discutir a nova Política Nacional de Migração e Refúgio, em desenvolvimento pelo Ministério da Justiça e Segurança Pública.
Mesa:
secretário de Assuntos Multilaterais Políticos do Ministério das Relações Exteriores, Carlos Márcio Bicalho Cozendey, em pronunciamento;
relatora da CMMIR, senadora Mara Gabrilli (PSD-SP);
coordenadora de Promoção dos Direitos das Pessoas Migrantes, Refugiadas e Apátridas do Ministério dos Direitos Humanos e Cidadania, Truyitraleu Tappa;
colaboradora do Instituto Migrações e Direitos Humanos (IMDH) e coordenadora da Rede Infâncias Protagonistas, Luciana Hartmann;
defensor Público Federal, Sérgio Armanelli Gibson.
Foto: Waldemir Barreto/Agência Senado
Auguste Renoir - French, 1841 - 1919
Woman with a Cat, c. 1875
West Building, Main Floor — Gallery 82
Shown from about the waist up, a young woman wearing white sits in an armchair cuddling a brown and black striped cat in this vertical painting. The scene is painted with blended brushstrokes, giving it a soft look. The wall behind them is seafoam green, and the edge of a yellow floral curtain lines the left edge of the canvas. The woman’s body is angled to our right and she looks at the cat with dark eyes. The woman’s light brown hair is pulled up, and her pale skin is accentuated by rosy cheeks. Her bare arms enfold the cat, held upright against the left side of her body so its head rests against her cheek. She supports the cat’s upper body with her right hand, on which she wears an emerald ring. The cat’s lower body nestles into the crook of the woman’s left arm. Its paws are extended and its head pulled back. The white and blue tones of the woman’s short-sleeved dress and kerchief tied around her neck contrast against the muted burgundy-red of the armchair behind her. To our right, behind the woman, vibrant, loose brushstrokes in red, orange, green, violet, and white could be a floral arrangement.
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The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
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[f/9|6.0] Every time I saw this sign I couldn’t help but think of one of my absolute favorite bands. As of such, I had to get a picture of it.
Permanent resident Peter indignant at having to pose for yet another photo but you are so photogenic Peter, how can I help it?
Ecuador, 16 de mayo del 2025.- Integración de las comisiones especializadas permanentes, de Fiscalización y Control Político:
1. Asambleísta Alvarez Zambrano Ferdinan Arturo
2. Asambleísta Morillo Solorzano Lourdes Nataly
3. Asambleísta Sanmartin Parra Fabiola Maribel
4. Asambleísta Tapia Vallejo Ana Belen
5. Asambleísta Villacreses Herrera Maria Paula
6. Asambleísta Nango Cuji Jose Luis
7. Asambleísta Bustos Salazar Janeth Katherine
8. Asambleísta George Tenorio Fricson Vinicio
9. Asambleísta Saant Juank Nanki Lauro
10. Asambleísta Herrera Gomez Ana Cecilia.
Foto Fernando Sandoval / Asamblea Nacional
Amanda Jane is a mobile technician who is fully trained, insured and qualified to the highest standards.Their treatment is carried out in the comfort of your own home.They will change your look according to your convenience at very affordable prices. They keep offering you their best offers like wedding makeup, hairdressing,permanent makeup, Eyelashes and mobile hairdressing in Turnbridge wells. They totally transform your look and make you look vivacious.
a dell laptop is perched on the legs of the Scrappy the eagle statue in front of the UNT union on 3/1/21
Ecuador, 19 de noviembre de 2023.- Integración de las comisiones especializadas permanentes, de Desarrollo Económico, Productivo y la Microempresa:
1. Asambleísta Valentina Centeno Arteaga
2. Asambleísta Blasco Regimio Luna Arévalo
3. Asambleísta Karina del Carmen Subía Dávalos
4. Asambleísta Steven Leonardo Ordoñez Bravo
5. Asambleísta Nicole Anahis Saca Baldeón
6. Asambleísta Lenin José Lara Rivadeneria
7. Asambleísta Lyne Katiuska Miranda Giler
8. Asambleísta Jorge Acaiturri Villa Varas
9. Asambleísta Pedro Ramiro Velasco Erazo
Foto Jhonatan Guerrero / Asamblea Nacional
Ecuador, 16 de mayo del 2025.- Integración de las comisiones especializadas permanentes, del Derecho a la Salud y Deporte:
1. Asambleísta Reyes Baquerizo Juan Jose
2. Asambleísta Blacio Carrion Diana Patricia
3. Asambleísta Azin Arce Annabella Emma
4. Ásambleísta Guschmer Tamariz Marcelo Andres
5. Asambleísta Becerra Contreras Anthony Sebastian
6. Asambleísta Tamayo Triviño Jorge Fabricio
7. Asambleísta Desintonio Malave Victoria Tatiana
8. Asambleísta Joseph Santiago Díaz Asque
9. Asambleísta Campos Tobar Hermel Andres
10. Asambleísta Jacome Benites Milena Cristina
Foto Gabriela Ramos / Asamblea Nacional
Comissão Permanente Mista de Combate à Violência contra a Mulher (CMCVM) realiza audiência pública para debater o projeto de lei que tipifica o crime de misoginia.
Mesa:
ministra substituta do Ministério das Mulheres, Eutália Barbosa - em pronunciamento;
presidente da CMCVM, deputada Luizianne Lins (PT-CE).
Foto: Ton Molina/Agência Senado
thebestofhairextensions.wordpress.com/2020/08/19/2-plus-1...
Permanent hair extensions will relieve you from wearing and removing it time and again. It saves time and you look magnificent in permanent hair extensions just like your natural hair. Varieties of colored hair extensions are available for you to select. Glam up your beautiful locks with different colors.
The Permanent Heads and World Council of the International Chamber of Commerce held meetings on 29 May in Paris during ICC’s centenary celebrations.
Students Gregory, Jeff, and Jadon sign a certificate acknowledging the Opening Event. In the fashion of a Quaker wedding certificate, this document will be signed by everyone involved with the school. It will be mounted and framed for permanent display in the new building.
Yukio Takasu, Permanent Representative of Japan to the United Nations, speaking to correspondents at the Security Council stakeout following the unanimous adoption by the Council of resolution 1890 (2009) extending the mandate of the International Security Force (ISAF) for 12 months beyond 13 October 2009.
Photo: Ryan Brown (UN).
La Universidad de Deusto ha organizado junto con la UPV/EHU los días 27, 28 y 29 de abril de 2016, el Congreso anual de la RUEPEP en el que se han analizado las nuevas formas de relación Universidad-Empresa. Más información: bit.ly/1SN621S
Imagen tomada por EHU-UPV.
The Pantheon in Rome is a world icon of permanence. It has withstood nearly 20 centuries of wear and tear since its construction in 125 A.D. Its function has changed numerous times as well as the people who use it, but still it remains standing as an example of Rome’s antiquity. Today, it is supported by the people that are drawn to it. Locals and tourists both flock to this monument to see its grandeur.
This post is one piece to a string of images and coments to bring awareness to the recent earthquake in the Abruzzo region of Italy. Towns such as L’Aquila and Castelvecchio Calvisio are left damaged and crumbled from this unfortunate event. Rome is an example of restoration and preservation not only of architecture and art, but of culture. In this way, Rome can be an example and even help to the Abruzzo region because of its familiarity with these issues.
To follow this string, click this link to the following blog about the Pantheon: www.facebook.com/group.php?gid=209490060287&ref=ts
Gilbert Stuart - American, 1755 - 1828
John Adams, c. 1821
West Building, Main Floor — Gallery 60-A
Information on this painting can be found in the Gallery publication American Paintings of the Eighteenth Century, pages 265-266, 268-270, and 273, which is available as a free PDF www.nga.gov/content/dam/ngaweb/research/publications/pdfs...
Gilbert Stuart was the preeminent portraitist in Federal America. He combined a talent for recording likeness with an ability to interpret a sitter's personality or character in the choice of pose, color and style of clothing, and setting. He introduced to America the loose, brushy style used by many of the leading artists of late eighteenth century London. He recorded likenesses of lawyers, politicians, diplomats, native Americans, their wives and children. His sitters included many prominent Americans, among them the first five presidents, their advisors, families, and admirers. He is known especially for his numerous portraits of George Washington.
Born in 1755 in North Kingston, Rhode Island, Stuart was baptized with his name spelled "Stewart". His father, an immigrant Scot, built and operated a snuff mill that may have led to the artist's addiction to snuff. He grew up in the trading city of Newport, where itinerant Scottish portraitist Cosmo Alexander (1724-1772) gave him his earliest training in painting. He accompanied Alexander to Scotland in 1771, returning home at the older artist's death. Three years later in 1775, on the eve of the American Revolution, he went to London, where he worked for five years (1777-1782) as assistant to the Anglo-American painter Benjamin West. He exhibited at the Royal Academy from 1777 to 1785, using the name Gilbert Charles Stuart the first year. The success of The Skater (NGA 1950.18.1), painted in 1782, enabled him to establish his own business as a portrait painter. In 1786 Stuart married Charlotte Coates, and the following year they went to Dublin, where Stuart painted portraits of the Protestant ruling minority for over five years.
Stuart returned to the United States in 1793, planning to paint a portrait of George Washington that would establish his reputation in America. After about a year in New York City, he went to Philadelphia, the capital of the United States, with a letter of introduction to Washington from John Jay. He painted the president in the winter or early spring of 1795. He was not satisfied with his first life portrait of Washington, but others were. Martha Washington commissioned a second and Mrs. William Bingham commissioned two full-lengths. His success led immediately to many other commissions. His sitters were politically prominent and wealthy, from the merchant and landed classes. After Washington, D.C. became the new national capital, Stuart moved there in December of 1803, and this group continued as his patrons. There he painted the Madisons, Jefferson, the Thorntons, and others from Jefferson's administration.
In the summer of 1805 Stuart settled in Boston. In his Roxbury studio he continued to paint politically and socially prominent sitters and, on request, to make replicas of his second "Athenaeum" portrait of George Washington. Throughout his life younger artists, including John Trumbull, Thomas Sully, Rembrandt Peale, and John Vanderlyn, sought his advice and imitated his work. Among his students were his children Charles Gilbert (1787-1813) and Jane (1812-1888). One indication of Stuart's popularity is the number of portraits he painted, over a thousand during his long career, excluding copies of the portraits of Washington. Another indication is the number of copies of his work that other artists made. His sitters indicated their fascination for his talent and personality by recording lengthy anecdotes and descriptions of their sittings, producing an unusally rich written record about an American portraitist. Stuart died in Boston in 1828
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The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
..
________________________________
The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
.