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Saskia van Uylenburgh, the Wife of the Artist
probably begun 1634/1635 and completed 1638/1640
Rembrandt van Rijn
Dutch, 1606 - 1669
After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a famous history painter. Upon completion of his training Rembrandt returned to Leiden. Around 1632 he moved to Amsterdam, quickly establishing himself as the town’s leading artist, specializing in history paintings and portraiture. He received many commissions and attracted a number of students who came to learn his method of painting.
Rembrandt’s wife, Saskia van Uylenburgh, came from a patrician family in Leeuwarden, the capital of the province of Friesland; her father served as the town’s burgomaster. Hendrik van Uylenburgh, Saskia’s cousin, was a painter and flourishing art dealer in Amsterdam. After moving to Amsterdam Rembrandt invested in Van Uylenburgh’s business and came to live in the art dealer’s house. The promising young painter must have met Saskia soon thereafter. They married in 1634, a year after their betrothal, and were together until her death in 1642. The couple had four children, but only Titus, born in 1641, survived infancy.
Rembrandt’s many drawings, etchings, and paintings of Saskia have left us with varied depictions of her personality, including her warmth and tenderness, but also a certain aloofness; her zest for life, but also the debilitating illness that frequently weakened her after the mid-1630s. Rembrandt probably began this painting around 1634–1635, shortly after their marriage. Saskia, wearing a fashionable dress, glances over her right shoulder toward her husband and the viewer. The diaphanous shawl that drapes her head enabled Rembrandt to present a softer, more intimate portrayal of his wife than a conventional bonnet would have allowed.
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For earlier visit in 2024 see:
www.flickr.com/photos/ugardener/albums/72177720320689747/
The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
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May 2008, Hamillville ON. Let this be a lesson to you folks- never assume there's nothing to see on a road you've been down before. I've driven by here dozens of times and somehow never noticed this place. I need to go back on a better day for more shots, but these'll do for now.
Joel Hernandez, Ambassador, Permanent Representative of Mexico to the OAS
Date: May 03, 2012
Place: Washington, DC
Credit: Juan Manuel Herrera/OAS
Chambery is an attractive and lively town in the Savoie department of the Rhone Alps, about 50 kilometres north of Grenoble.
The city has a long history linked with that of nearby Italy and the Dukes of Savoy and Chambery only became a permanent part of France in 1861 - see history of Chambery for details. There is still a great deal to see in the town from the 'Savoyard glory days' and it is now a modern and bustling regional centre with plenty of cafes, bars and restaurants where you can enjoy a rest from exploring the many streets, fountains, buildings and statues of Chambery
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OPCW Senior Analytical Chemist at the OPCW Centre for Chemistry and Technology and H.E. Mr Hugh Adsett, Permanent Representative of Canada to the OPCW
Margaret Gilmore, Chair of United Public Workers of America (UPWA) Local 3 (CIO), writes to her members circa 1949 giving an update on the struggle at the Bureau of Engraving for permanent status for all temporary workers.
The letter seeks individual petitions for permanent status, reports on a meeting with the Rep. William Dawson, the only Black elected representative in Congress, and informs members of a planned visit to the White House.
During World War II hundreds of temporary employees were hired at the Bureau of Engraving, including many temporary White printers, without competitive exams or consideration of tenure at the Bureau and often had to be trained by Black assistant printers and helpers.
By an agreement with the all-White printers union, the White temporary printers were given permanent status. At the same time, the Bureau began eliminating the positions of temporary Black workers that held printer assistant and printer helper positions.
UPWA Local 3 led a multi-year campaign against discrimination at the agency resulting in a resounding victory when the government opened the ranks of skilled plate printers to Black Americans. Other positions were also opened up to Black Bureau of Engraving workers.
Gilmore, led a broad coalition against Jim Crow at agency that included the Federation of Civil Associations, the Cafeteria Workers Union, the DC Coordinating Committee to End Discrimination, the NAACP, the civil liberties committee of the Elks, and luminaries such as Howard University President Mordecai Johnson, long time civil rights activist Rev. William H. Jernagin and civil rights attorney Charles Hamilton Houston.
The plate printer positions had traditionally been filled by the American Federation of Labor all-white printers union. The UPW, a Congress of Industrial Unions (CIO) organization railed against the fact that not a single African American was employed as a plate printer anywhere in the United States.
Charles Hamilton Houston wrote in February 1949:
“The Bureau maintains Jim Crow locker and rest rooms. Colored women can be printers’ helpers and colored men can be printers’ assistants but that is their limit regardless of education, aptitude, intelligence and experience.
“During World War II the labor demands on the Bureau were so heavy the Bureau hired hundreds and hundreds of workers (including printers, printers assistants and printers helpers) without competitive civil service examinations.
“The printers were all white; the printers assistants, in large number, colored males; and the printers helpers, predominantly colored women.
“After the War, the printers were “blanketed in” as permanent employees merely by fill out forms showing they met the civil service requirements. They did not have to take any competitive examinations.
“But to thin out the predominantly colored printers helpers, the women were notified that before they could be made permanent they would have to take a competitive examination open not only to Bureau employees but to the women in the whole United States.
“On the other hand, colored men have never been promoted to the journeyman class either as printer, electrician or any other mechanic or tradesman. The Bureau has always conducted apprentice training programs especially for its printers.
“Before World War II colored people had never been admitted to the apprentice training programs. Then under UPW pressure the Bureau opened the plate printers apprentice training program to us [African Americans]; and, July 11, 1948 announced an examination for apprentice plate printers would be held.
“About 30 colored, including many World War II veterans, applied and qualified to take the examination. For a moment it looked as if at last we [Black Americans] would get our chance to start on the long road to become journeyman printers.
“Then suddenly the Bureau announced the examination was indefinitely postponed.
“This did not mean that the Bureau does not need printers. It is still recruiting white printers through the AFL white printers union which has a strangle hold on the Bureau.
“These new white printers have to be trained in the specialized Bureau work, and the colored printers assistants in many cases do most of the practical training.
“But the white printers get the money and the grade and the white AFL printers union keeps a closed shop against colored on U.S. government property.
“The UPW has now carried the fight director to the White House to see whether Executive Order 9080 establishing Fair Employment Practice policies in government service is the law, or whether the AFL white printers union is a force stronger than the Executive order as far as the Bureau of Engraving and Printing is concerned.
“The next time you handle a dollar bill take a good look at it. It was printed by “white only.”
In February 1950 after three years of internal organizing and public pickets, rallies and speeches, the Bureau of Engraving opened the ranks of plate printers to Black Americans.
The UPW was effectively destroyed during the second Red Scare. Its leaders first resisted signing affidavits that they were not members of the Communist Party and the Congress of Industrial Organizations later expelled the union along with eight others in February 1950.
In Washington, D.C., the UPWA had led fights against discrimination at the Library of Congress, at the Bureau of Engraving, through the Cafeteria Workers Union had uplifted several thousand workers from poverty, had established a school to train its members and opened a union canteen.
The union embraced the fight for hiring Black bus and trolley operators, for establishment of a permanent Fair Employment Practices Commission, against the poll tax and many other fights for justice by Black Americans.
But it couldn’t withstand the onslaught led by many of the same opponents of racial equality who this time hid behind the fig leaf of anti-communism. The UPWA quickly lost affiliates during the second Red Scare and dissolved in 1953.
The only remnants of the UPWA in the city are the restaurant workers union that traces its roots back to the UPWA formation in 1937. Outside the city, the Hawaii Public Workers Union and the union for workers in the Panama Canal Zone can trace their roots back to the UPWA.
For a PDF of this 8 ½ x 14, one-sided letter, see washingtonareaspark.com/wp-content/uploads/2024/03/1949-c...
For more information and related images, see flic.kr/s/aHskCeLLQ5
Original held in the Smithsonian Institution, Anacostia Community Museum, Henry Preston Whitehead Collection.
July 17–22, 2025, the 44th National Veterans Wheelchair Games (NVWG) will take place in Minneapolis, Minnesota. Co-presented by the U.S. Department of Veterans Affairs and Paralyzed Veterans of America, the Games will bring together 537 Veteran athletes from across the United States to compete in 23 adaptive sports events, including 11 Paralympic competitions. More than 3,000 volunteers are expected to support the weeklong event, alongside dedicated VA staff and community partners.
Participation is open to Veterans with spinal cord injuries, lower extremity amputations, multiple sclerosis, or other permanent central neuro-muscular conditions that require the use of a wheelchair for sports. All participating Veterans must be eligible for care at a VA medical facility.
(AXEL VILLACIS/U.S. Department of Veterans Affairs)
Jean-Baptiste Oudry - French, 1686 - 1755
Misse and Luttine, 1729
West Building, Main Floor — Gallery 53
Two dogs, one with short white hair to our left and one with longer black hair to our right, stand in front of the base of a pair of columns set in a landscape in this horizontal painting. Both dogs stand with their heads to our left. The short-haired grayhound to our left leaps or is shown midstride with its front paws off the ground as it turns to look behind it, to our right. It has cream-colored fur with tawny brown spots near the base of its thin tail and covering its right eye and ear. The dog has a long, pointed snout, and its ribs show a little through its thin frame. To our right, the furry black dog has long ears, a short tail, and small white spots on its chest and lower lip. It stands planted on all four feet, looking at the grayhound with brown eyes. The tails of both dogs are raised as if in play. The caramel-brown, stone column base behind the grayhound is chipped and cracked in a few places, but supports a pair of columns that rise off the top edge of the canvas. The landscape beyond the dogs is painted with muted moss-green trees and a pale blue sky. A plant, possibly a marigold, grows from the scrubby green ground under the white dog. Names are written with capital, shiny gold letters under each dog. The name “MISSE” is written against a rock in the lower left corner and “LVTTINE” under the black dog. The artist signed and dated the work as if written on the face of the column base: “J.B, Oudry 1729.”
Born in Paris on March 17, 1686, Jean-Baptiste Oudry was the son of a minor painter and art dealer, Jacques Oudry (c. 1661-1720), and his wife, née Nicole Papillon. In 1706 his father was made director of the Académie de Saint-Luc, the old painters' guild that was the only serious competition to the more prestigious and influential Académie royale de peinture et de sculpture. Jacques Oudry taught his son the technical aspects of his art, and the youth attended drawing courses at the Académie de Saint-Luc and the Académie royale. In 1704 he received some training from Michel Serre (1658-1733), a cousin of the portraitist Hyacinthe Rigaud (1659-1743).
In 1707, Oudry began a five-year apprenticeship with Rigaud's main competitor, Nicolas de Largillierre (1656-1746), under whose direction he copied works of the Flemish and Dutch schools of the seventeenth century. With Largillierre he refined his sense of color and his remarkable skills as a painter of still life and portraiture, both subject types in which his master had deservedly achieved enormous fame. In 1708, after completing as his reception piece a now-lost religious composition depicting Saint Jerome, Oudry was inducted into the Académie de Saint-Luc. Other religious paintings followed, as well as a long series of portraits, many of which were recorded in the drawings of his early two-volume Livre de raison (Département des Arts Graphiques, Musée du Louvre). In 1710, Oudry married Marie Marguerite Froissé, by whom he would have many children, including a son, Jacques Charles (1722/1723-1778), who also became a painter.
In 1719 Oudry was elected to membership in the Académie royale. From the start of his career, he was attracted to the painting of flora and fauna in the manner of the Dutch animalier painters Frans Snyders (1579-1657), Jan Fyt (1611-1661), Jan Baptist Weenix (1621-1660/1661), Melchior d'Hondecoeter (1636-1695), and Abraham Hondius (c. 1625-1691), and he soon became a congenial rival to the older Alexandre François Desportes (1661-1743), who specialized in the same genres. He proved his mettle in such sumptuous performances as the decorative series of the Four Elements (Stockholm, Nationalmuseum) of 1719-1721 and the pendants Dead Wolf and Dead Roe (London, Wallace Collection) of 1721. These masterpieces were followed by several large hunt pictures, the most notable of which are the Wolf Hunt (Ansbach, Ansbach Residenz) and the Stag Hunt (Stockholm, Royal Palace). As the Académie royale held no exhibitions between 1704 and 1737, for a time Oudry showed his works at the only public venue available to him, the Exposition de la jeunesse, which was held on the Place Dauphine on the feast of Corpus Christi.
The greatest boost to Oudry's official career was provided by his patron, Henri Camille, the chevalier de Beringhen (NGA 1994.14.1), who introduced the painter to the young Louis XV, and he was soon made painter in ordinary of the royal hunts and granted a studio and lodgings for himself and his family in the Tuileries palace. In 1728 the royal arts administration commissioned him to paint a huge canvas representing Louis XV Hunting Deer in the Forest of Saint-Germain (originally hung in the main pavilion at Marly and today in the Musée des Augustins, Toulouse), which he completed in 1730. He depicts himself in the lower right corner of this composition, the first of his celebrations of the chasse à courre, the king's favorite physical activity. For the Château de Compiègne, the artist executed a series of overdoor "portraits" of royal hunting dogs (an example is Misse and Luttine, NGA 1994.53.1). Switching registers, he painted commedia dell'arte subjects, arabesque decorations in the manner of Jean Antoine Watteau (1684-1721), and views of model farms that hark back to the bucolic landscapes of Peter Paul Rubens (1577-1640).
Oudry's favor at court was such that in March 1726 he exhibited the contents of his studio in the Grands Appartements at Versailles. That year another of his patrons, the finance minister Louis Fagon (1680-1744), obtained for him the position of painter to the Beauvais tapestry works, whose director he became in 1734. During his tenure he completely overhauled the administration of the manufactory, imposing strict technical standards on the weavers, whom he compelled to adhere more strictly to the painted cartoons. In a stroke of genius he hired François Boucher (1703-1770) as principal designer at Beauvais. Oudry himself provided cartoons for several series of wall hangings, among them The New Hunts, Country Pleasures, The Comedies of Molière, and The Fables of La Fontaine. In 1733 he began designing for the Gobelins tapestry factory one of eighteenth-century France's greatest masterpieces of the decorative arts, the nine-panel series of the Royal Hunts (modelli in the Musée Camondo, Paris, and full-size painted cartoons in the Musée de Fontainebleau and the Musée du Louvre), which were woven only twice (Musées des domaines nationaux de Compiègne and Florence, Palazzo Pitti). As a reward the artist was appointed inspector of the Gobelins in 1748.
Oudry was made associate professor in the Académie royale in 1739 and full professor in 1743. From 1737 until 1753 he was a regular exhibitor at the Salon in the Palais du Louvre, where he and his family were provided lodgings in 1744. He could count among his international clientele the Margrave of Ansbach, Grand Duke Friedrich of Mecklenburg-Schwerin (1717-1785), and Sweden's ambassador to the court of France, Count Carl Gustaf Tessin (1695-1770). To these patrons he sold some of the most important paintings he had retained in his studio, and for them he executed still lifes, game pieces, hunt scenes, depictions of exotic animals, and rural landscapes. Among the masterpieces of the artist's mature period are Mallards Attacked by a Bird of Prey (Schwerin, Staatliches Museum) of 1740, the Dead Crane (Schwerin, Staatliches Museum) of 1745, The Farm (Paris, Musée du Louvre) of 1750, Bitch Hound Nursing Her Pups (Paris, Musée de la Chasse et de la Nature) of 1752, and the best known of his trompe l'oeil still lifes, The White Duck (collection of the Marquess of Cholmondeley, Houghton Hall, Norfolk; reported stolen in 1992) of 1753. The latter is a stylistic exercise in which the description of the textures and surfaces of the objects is a breathtaking tour de force.
A consummate draftsman, Oudry executed a considerable body of highly finished presentation drawings and preparatory sketches, many of them the result of his direct observation of nature. Between 1725 and 1735 he produced illustrations for two literary masterpieces of the reign of Louis XIV, Le Roman Comique by Paul Scarron (1610-1660) and Les Fables of Jean de La Fontaine (1621-1695); a number of these are in the National Gallery of Art. He also drew many landscape studies, the best of which depict views of the abandoned park and gardens of the prince de Guise's estate at Arcueil.
Jean Baptiste Oudry died at Beauvais on April 30, 1755, after experiencing several apoplectic strokes.
[Joseph Baillio, in French Paintings of the Fifteenth through the Eighteenth Century, The Collections of the National Gallery of Art Systematic Catalogue, Washington, D.C., 2009: 350-351.]
________________________________
The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
..
________________________________
The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
.
In contrast to the BMtnC MCX, the Surly Crosscheck (which Mike also sells) doesn't have bent chainstays -- although it does still offer great rear tire clearance (and a threaded fender mount -- who knew?).
Watch this video and find out how we install permanent metal roofs throughout Vancouver Island. We always use 100% recyclable materials in our permanent roof. It reduces landfill waste by using composite roofs rather than asphalt or fiberglass. Visit our website: ironwoodshakeandtile.com to know more!
La Comisión Permanente no Legislativa para las Políticas Integrales de la Discapacidad para la IX Legislatura se ha reunido con el siguiente orden del día:
1. Debate y votación de las solicitudes de comparecencia, presentadas por el Grupo Parlamentario Socialista, de las siguientes asociaciones y organismos, al objeto de que informen sobre sus actividades, propuestas y demandas:
- FEDERACIÓN CASTELLANO-MANCHEGA ASPACE.
- FEDERACIÓN SALUD MENTAL CASTILLA-LAMANCHA.
- FEDERACIÓN REGIONAL LUNA CASTILLA-LA-MANCHA.
- FESORMANCHA.
- ONCE.
- ADACE CLM.
- PLENA INCLUSIÓN CASTILLA-LA MANCHA.
- FASPAS CLM.
- ASPAYM CLM.
- FEDERACIÓN REGIONAL AUTISMO CASTILLA-LA MANCHA.
- FEDERACIÓN SINDROME DE DOWM CASTILLA-LA MANCHA.
- ENTIDADES ADHERIDAS ASEM CLM.
- FEACEM CLM.
- ENTIDADES COLABORADORAS COCEMFE.
- FACAM TDAH.
- FÓRUM DE LA DISCAPACIDAD DE CUENCA.
(Expediente 09/ACAP-00032).
2. Propuestas de los Grupos Parlamentarios, en su caso, sobre el calendario de dichas comparecencias.
La Comisiíon ha estado presidida por Emilio Sáez y han participado José Luis Escudero (PSOE), David Llorente (Podemos) y Cortes Valentín y Pilar Martínez (PP).
Comissão Mista Permanente sobre Mudanças Climáticas (CMMC) realiza audiência pública para discutir sobre a contribuição dos Biocombustíveis no cumprimento das metas brasileiras estabelecidas na iNDC.
Mesa (E/D):
professor doutor da UFRJ, Donato Aranda;
chefe geral da Embrapa Agroenergia, Guy de Capdeville;
diretor superintendente da União Brasileira do Biodiesel e Bioquerosene (Ubrabio), Donizete Tokarski;
relator da CMMC, senador Fernando Bezerra Coelho (PSB-PE);
secretário de Petróleo, Gás Natural e Biocombustíveis do Ministério de Minas e Energia (MME), Márcio Félix Carvalho Bezerra;
pesquisadora Rede Clima, Samya de Lara Pinheiro
Foto: Marcos Oliveira/Agência Senado
Véronèse (Paolo Caliari)
Verona 1528 – Venice 1588
Christ Crowned with Thorns
About 1584-1585
Oil on canvas
75.5 x 57.3 cm
Purchase, the Museum Campaigns 1988-1993 and 1998-2002 Funds, gift in memory of Dr Alicja Lipecka Czernick and her husband, Dr Stanislas Czernick, the Montreal Museum of Fine Arts' Volunteer Association Fund, and Horsley and Annie Townsend Bequest, inv. 2010.23
Veronese was one of a triumvirate of competing yet mutually influencing, transcendently great artists who dominated painting in Venice in the second half of the sixteenth century, the other two being Titian and Tintoretto. Titian defined the comprehensive terms of the Venetian variant of the High Renaissance, with its rich colourism, grand and idealized forms emerging within a palpable atmosphere. Veronese, born a generation and a half later than the great master, appreciated the appeal to the tactile sumptuousness of rich surfaces, and the visual stimulation of the juxtaposition of colours. In his late works his previously resplendent colours became increasingly denser and darker and a new emotional resonance, even poignance enters, his work, as in this painting executed in the last years of his life.
In the 1580s, Veronese executed some of his most moving and personal compositions, often simplified to single figures, featuring a dark, introspective tonalism. In the period of the Counter-Reformation, immediately following the Council of Trent, a tense political climate existed in Venice, resulting from a series of serious defeats from and battles with the Ottoman Turks. Venice, already a city of profound religious faith and many public religious activities, became even more intensely pious. This piety was enhanced by a series of plagues, including a particularly virulent one in 1576. It is in this ambience that the Christ Crowned with Thorns was created.
Fórum Nacional Permanente em Defesa da Amazônia se pronuncia sobre operação “Fogo do Sairé”, que acabou prendendo preventivamente quatro membros da Brigada de Incêndio de Alter do Chão (PA) e fez uma busca ostensiva nas dependências da ONG Projeto Saúde e Alegria, com sede em Santarém (PA). Foto: Gabriel Paiva
ILO Introductory Briefing for Permanent Missions, 7 October 2024, Geneva, Switzerland. Alioune NDiaye/ILO
Comissão Mista Permanente sobre Mudanças Climáticas (CMMC) realiza reunião para instalação e eleição do presidente, do vice-presidente e do relator.
Mesa:
presidente eventual, senador Cristovam Buarque (PPS-DF);
presidente da CMMC, deputado federal Daniel Vilela (PMDB-GO)
Foto: Beto Barata/Agência Senado
twitter.com/Memoire2cite il Les 30 Glorieuses . com et la carte postale ... Il existe de nos jours, de nombreux photographes qui privilégient la qualité artistique de leurs travaux cartophiles. A vous de découvrir ces artistes inconnus aujourd’hui, mais qui seront peut-être les grands noms de demain. archipostcard.blogspot.com/search?updated-max=2009-02-13T... - museedelacartepostale.fr/periode-semi-moderne/ - archipostalecarte.blogspot.com/ - museedelacartepostale.fr/blog/ - museedelacartepostale.fr/exposition-permanente/ - www.queenslandplaces.com.au/category/headwords/brisbane-c... - collection-jfm.fr/t/cartes-postales-anciennes/france#.XGe... - www.cparama.com/forum/la-collection-de-cpa-f1.html - www.dauphinomaniac.org/Cartespostales/Francaises/Cartes_F... - furtho.tumblr.com/archive
le Logement Collectif* 50,60,70's, dans tous ses états..Histoire & Mémoire d'H.L.M. de Copropriété Renouvellement Urbain-Réha-NPNRU., twitter.com/Memoire2cite tout içi sig.ville.gouv.fr/atlas/ZUS/ - media/InaEdu01827/la-creatio" rel="noreferrer nofollow">fresques.ina.fr/jalons/fiche-media/InaEdu01827/la-creatio Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,
www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije
Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.
Lieux géographiques : la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye
www.dailymotion.com/playlist/x34ije_territoiresgouv_cinem... - mémoire2cité - le monde de l'Architecture locative collective et bien plus encore - mémoire2cité - Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,
Le Joli Mai (Restauré) - Les grands ensembles BOBIGNY l Abreuvoir www.youtube.com/watch?v=eUY9XzjvWHE … et la www.youtube.com/watch?v=hK26k72xIkU … www.youtube.com/watch?v=xCKF0HEsWWo …
Genève Le Grand Saconnex & la Bulle Pirate - architecte Marçel Lachat -
Un film de Julien Donada içi www.youtube.com/watch?time_continue=1&v=4E723uQcpnU … … .Genève en 1970. pic.twitter.com/1dbtkAooLM è St-Etienne - La muraille de Chine, en 1973 ce grand immeuble du quartier de Montchovet, existait encore photos la Tribune/Progres.
www.youtube.com/watch?v=AJAylpe8G48 …, - la tour 80 HLM située au 1 rue Proudhon à Valentigney dans le quartier des Buis Cette tour emblématique du quartier avec ces 15 étages a été abattu par FERRARI DEMOLITION (68). VALENTIGNEY (25700) 1961 - Ville nouvelle-les Buis 3,11 mn www.youtube.com/watch?v=C_GvwSpQUMY … - Au nord-Est de St-Etienne, aux confins de la ville, se dresse une colline Montreynaud la ZUP de Raymond Martin l'architecte & Alexandre Chemetoff pour les paysages de St-Saens.. la vidéo içi * Réalisation : Dominique Bauguil www.youtube.com/watch?v=Sqfb27hXMDo … … - www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije
Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.
la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye 1975 Réalisateur : Sydney Jézéquel, Karenty
la construction des Autoroutes en France - Les liaisons moins dangereuses 1972 www.dailymotion.com/video/xxi0ae?playlist=x34ije Cardem les 60 ans de l'entreprise de démolition française tres prisée des bailleurs pour les 80, 90's (1956 - 2019) toute l'Histoire de l'entreprise içi www.youtube.com/watch?v=Yyf1XGvTZYs - 69 LYON & la Cardem pour la démolition de la barre 230 Quartier la Duchère le 2 juillet 2015, youtu.be/BSwidwLw0NA pic.twitter.com/5XgR8LY7At -34 Béziers - C'était Capendeguy le 27 janv 2008 En quelques secondes, 450 kg d'explosifs ont soufflé la barre HLM de 492 lgts, de 480 m, qui laissera derrière elle 65.000 tonnes de gravas. www.youtube.com/watch?v=rydT54QYX50 … … Les usines Peugeot - Sochaux Montbéliard. 100 ans d'histoire en video www.youtube.com/watch?v=X4w3CxXVAyY … - 42 LOIRE SAINT-ETIENNE MONTREYNAUD LA ZUP Souvenirs avec Mascovich & son clip "la tour de Montreynaud" www.youtube.com/watch?v=p7Zmwn224XE …
- Villeneuve-la-Garenne, La Caravelle est à mettre au crédit de Jean Dubuisson, l’un des architectes les plus en vue des années 1960, www.dailymotion.com/video/x1re3h5 via @Dailymotion - AMIENS les HLM C'était le 29 juillet 2010, à 11h02. En quelques secondes, cette tour d'habitation s'est effondrée, détruite par implosion. Construite en 1961, la tour avait été vidée de ses habitants quelques années auparavant. www.youtube.com/watch?v=ajz2xk5KBNo … … - Les habitants de Montreynaud parlent de leur quartier et de cette destruction entre nostalgie et soulagement içi en video www.dailymotion.com/video/xmiwfk - Les bâtiments de la région parisienne - Vidéo Ina.fr www.ina.fr/video/CAF96034508/les-batiments-de-la-region-p... … via @Inafr_officiel - Daprinski - George Michael (Plaisir de France remix) www.youtube.com/watch?v=sJeH-nzlj3I
Ministère de l'Équipement et de l'Aménagement du Territoire - Dotation par la France d'autoroutes modernes "nécessité vitale" pour palier à l'inadaptation du réseau routier de l'époque voué à la paralysie : le reportage nous montre des images d'embouteillages. Le ministre de l'Équipement et de l'Aménagement du Territoire dans les deux gouvernements de Pierre Messmer, de 1972 à 1974, Olivier Guichard explique les ambitions du programme de construction qui doit atteindre 800 km par ans en 1978. L'ouverture de section nouvelles va bon train : Nancy / Metz par exemple. Le reportage nous montre l'intérieur des bureaux d'études qui conçoivent ces autoroute dont la conception est assistée par ordinateurs dont le projet d'ensemble en 3D est visualisé sur un écran. La voix off nous informe sur le financement de ces équipements. Puis on peut voir des images de la construction du pont sur la Seine à Saint Cloud reliant l'autoroute de Normandie au périphérique, de l'échangeur de Palaiseau sur 4 niveau : record d'Europe précise le commentaire. Le reportage nous informe que des sociétés d'économies mixtes ont étés crées pour les tronçons : Paris / Lille, Paris / Marseille, Paris / Normandie. Pour accélérer la construction l’État a eu recours à des concessions privées par exemple pour le tronçon Paris / Chartres. "Les autoroutes changent le visage de la France : artères économiques favorisant le développement industriel elles permettent de revitaliser des régions en perte de vitesse et de l'intégrer dans le mouvement général de l'expansion" Sur le plan européen elles vont combler le retard de la France et réaliser son insertion. Images de l'inauguration de l'autoroute entre Paris et Bruxelles par le président Georges Pompidou. Le reportage rappel que l'autre fonction capitale des autoroute est de favoriser la sécurité. La question de la limitation de vitesse est posée au ministre de l’Équipement, qui n'y est favorable que sur certains tronçons. Un des facteur de sécurité selon le commentaire est l'humanisation des autoroutes : aires de repos, restaurants, signalisation touristiques... "Rien n'est impossible aux techniques modernes" nous apprend la voix off qui prend comme exemple le déplacement sur rail de 65 mètres d'un château classé afin de faire passer l'autoroute Lille / Dunkerque.Durée : 4 minutes 30 secondes
Sur les routes de France les ponts renaissent 1945 reconstruction de la France après la Seconde Guerre mondiale www.dailymotion.com/video/xuxrii?playlist=x34ije Lyon, Tournon, Caen - Le Bosquel, un village renait 1947 l'album cinématographique de la reconstruction, réalisation Paul de Roubaix production ministère de la Reconstruction et de l'Urbanisme, village prototype, architecte Paul Dufournet, www.dailymotion.com/video/xx5tx8?playlist=x34ije - Demain Paris 1959 dessin animé présentant l'aménagement de la capitale dans les années 60, Animation, dessin animé à vocation pédagogique visant à promouvoir la politique d’aménagement suivie dans les années 60 à Paris. Un raccourci historique sur l’extension de Paris du Moyen Âge au XIXe siècle (Lutèce, œuvres de Turgot, Napoléon, Haussmann), ce dessin animé retrace la naissance de la banlieue et de ses avatars au XXe siècle. Il annonce les grands principes d’aménagement des villes nouvelles et la restructuration du centre de Paris (référence implicite à la charte d’Athènes). Le texte est travaillé en rimes et vers. Une chanson du vieux Paris conclut poétiquement cette vision du futur. Thèmes principaux : Aménagement urbain / planification-aménagement régional Mots-clés : Banlieue, extension spatiale, histoire, quartier, ville, ville nouvelle Lieu géographique : Paris 75 Architectes ou personnalités : Eugène Haussmann, Napoléon, Turgot Réalisateurs : André Martin, Michel Boschet Production : les films Roger Leenhardt
www.dailymotion.com/video/xw6lak?playlist=x34ije - Rue neuve 1956 la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, villes, villages, grands ensembles réalisation : Jack Pinoteau , Panorama de la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, ce film de commande évoque les villes et villages français détruits puis reconstruits dans un style respectant la tradition : Saint-Malo, Gien, Thionville, Ammerschwihr, etc. ainsi que la reconstruction en rupture avec l'architecture traditionnelle à Châtenay-Malabry, Arles, Saint Étienne, Évreux, Chambéry, Villeneuve-Saint-Georges, Abbeville, Le Havre, Marseille, Boulogne-sur-Mer, Dunkerque. Le documentaire explique par exemple la manière dont a été réalisée la reconstruction de Saint-Malo à l'intérieur des rempart de la vieille ville : "c'est la fidélité à l'histoire et la force du souvenir qui a guidé l'architecte". Dans le même esprit à Gien, au trois quart détruite en 1940, seul le château construit en 1494 pour Anne de Beaujeu, fille aînée de Louis XI, fut épargné par les bombardements. La ville fut reconstruite dans le style des rares immeubles restant. Gien est relevé de ses ruines et le nouvel ensemble harmonieux est appelé « Joyau de la Reconstruction française ». Dans un deuxième temps est abordé le chapitre de la construction des cités et des grands ensembles, de l’architecture du renouveau qualifiée de "grandiose incontestablement". S’il est précisé "on peut aimer ou de ne pas aimer ce style", l’emporte au final l’argument suivant : les grands ensembles, c'est la campagne à la ville, un urbanisme plus aéré, plus vert." les films caravelles 1956, Réalisateur : Jack Pinoteau (connu pour être le metteur en scène du film Le Triporteur 1957 qui fit découvrir Darry Cowl) www.dailymotion.com/video/xuz3o8?playlist=x34ije - www.dailymotion.com/video/xk1g5j?playlist=x34ije Brigitte Gros - Urbanisme - Filmer les grands ensembles 2016 - par Camille Canteux chercheuse au CHS -Centre d'Histoire Sociale - Jeanne Menjoulet - Ce film du CHS daté de 2014 www.youtube.com/watch?v=VDUBwVPNh0s … L'UNION SOCIALE POUR L'HABITAT le Musée des H.L.M. musee-hlm.fr/ union-habitat.org/ - EXPOSITION :LES 50 ANS DE LA RESIDENCe SALMSON POINT-Du JOUR www.salmsonlepointdujour.fr/pdf/Exposition_50_ans.pdf - Sotteville Construction de l’Anjou, le premier immeuble de la Zone Verte sottevilleaufildutemps.fr/2017/05/04/construction-de-limm... - www.20minutes.fr/paris/diaporama-7346-photo-854066-100-an... - www.ladepeche.fr/article/2010/11/02/940025-140-ans-en-arc... dreux-par-pierlouim.over-blog.com/article-chamards-1962-9... missionphoto.datar.gouv.fr/fr/photographe/7639/serie/7695...
Official Trailer - the Pruitt-Igoe Myth: an Urban History
www.youtube.com/watch?v=g7RwwkNzF68 - la dérive des continents youtu.be/kEeo8muZYJU Et la disparition des Mammouths - RILLIEUX LA PAPE & Dynacité - Le 23 février 2017, à 11h30, les tours Lyautey étaient foudroyées. www.youtube.com/watch?v=W---rnYoiQc …
Ginger CEBTP Démolition, filiale déconstruction du Groupe Ginger, a réalisé la maîtrise d'oeuvre de l'opération et produit les études d'exécution. L'emblématique ZUP Pruitt Igoe. vaste quartier HLM (33 barres de 11 étages) de Saint-Louis (Missouri) USA. démoli en 1972 www.youtube.com/watch?v=nq_SpRBXRmE … "Life is complicated, i killed people, smuggled people, sold people, but perhaps in here.. things will be different." ~ Niko Bellic - cité Balzac, à Vitry-sur-Seine (23 juin 2010).13H & Boom, quelques secondes plus tard, la barre «GHJ», 14 étages et 168 lgts, s’effondrait comme un château de cartes sous les applaudissements et les sifflets, bientôt enveloppés dans un nuage de poussière. www.youtube.com/watch?v=d9nBMHS7mzY … - "La Chapelle" Réhabilitation thermique de 667 logements à Andrézieux-Bou... youtu.be/0tswIPdoVCE - 11 octobre 1984 www.youtube.com/watch?v=Xk-Je1eQ5po …
DESTRUCTION par explosifs de 10 tours du QUARTIER DES MINGUETTES, à LYON. les tours des Minguettes ; VG des tours explosant et s'affaissant sur le côté dans un nuage de fumée blanche ; à 13H15, nous assistons à l'explosion de 4 autres tours - St-Etienne Métropole & Montchovet - la célèbre Muraille de Chine ( 540 lgts 270m de long 15 allees) qui était à l'époque en 1964 la plus grande barre HLM jamais construit en Europe. Après des phases de rénovation, cet immeuble a été dynamité en mai 2000 www.youtube.com/watch?v=YB3z_Z6DTdc … - PRESQU'ILE DE GENNEVILLIERS...AUJOURD'HUI...DEMAIN... (LA video içi parcours.cinearchives.org/Les-films-PRESQU-ILE-DE-GENNEVI... … ) Ce film de la municipalité de Gennevilliers explique la démarche et les objectifs de l’exposition communale consacrée à la presqu’île, exposition qui se tint en déc 1972 et janvier 1973 - le mythe de Pruitt-Igoe en video içi nextcity.org/daily/entry/watch-the-trailer-for-the-pruitt... … - 1964, quand les loisirs n’avaient (deja) pas le droit de cité poke @Memoire2cite youtu.be/Oj64jFKIcAE - Devenir de la ZUP de La Paillade youtu.be/1qxAhsqsV8M v - Regard sur les barres Zum' youtu.be/Eow6sODGct8 v - MONTCHOVET EN CONSTRUCTION Saint Etienne, ses travaux - Vidéo Ina.fr www.ina.fr/video/LXF99004401 … via - La construction de la Grande Borne à Grigny en 1969 Archive INA www.youtube.com/watch?time_continue=12&v=t843Ny2p7Ww (discours excellent en seconde partie) -
Camera: Holga 120N. Yonge And Queen. Tri-X 400 processed in Rodinal @ 1:100.
Back to the office today after a long weekend. I finally finished the roll of Tri-X 400 that was sitting in my Holga for at least a month or so. Don't even ask me how long it took to process. Shameful, I am. At any rate, I think I'm in love with the combination of a Holga and Tri-X.
Riyad Mansour (centre, facing the camera), Permanent Observer of the State of Palestine to the United Nations, briefs reporters on recent developments in Gaza together with Permanent Representatives of the Arab Group.
UN Photo/Mark Garten
6 December 2023
New York, United States of America
Photo # UN71015657
The Province of British Columbia is adopting permanent year-round daylight saving time (DST) to improve people’s overall health, reduce disruptions for families, simplify scheduling and provide an extra hour of evening light during the winter months.
Learn more: news.gov.bc.ca/33415
Exhibit in the Infantry Barracks
Fort Scott was established in Eastern Kansas in 1842 to protect the promise of a "Permanent Indian Frontier". That promise didn't last long and with the rise of settlers throughout the midwest Fort Scott was abandoned in 1853.
In 1855 the fort's buildings were sold at auction and became the new town of Fort Scott. Tensions between the pro and anti slave factions in the town led to violence, and the Army returned to try and restore order.
Fort Scott was recommissioned during the Civil War and served as a supply depot for Union armies in the west, along with a place to protect Kansas from a possible Confederate invasion.
After the Civil War Fort Scott remained active into the 1870's, protecting railroad workers as they lay tracks throughout the midwest. Today it is a unit of the National Park Service.
"Rapporti anali non graditi, ore e ore di tormenti in attesa di una erezione che non fa capolino, discussioni sul prossimo set, consigli fra donne su come abbreviare i tormenti di una permanenza orizzontale pagata come pedaggio"
Our first museum tour included the historical collections, some of which were blown up as icons, such as this belt buckle in the background.
Permanent Makeup rocking Andy's Birthday Show presented by ThxMgmt at New World Brewery, Ybor City, Tampa, FL - January 12, 2013.
Note: Please share, download and use these photos for non-commercial purposes but be sure to abide by the creative commons license by crediting the photos to Nicole Kibert / www.elawgrrl.com and if using online, add a link back to this page or to www.elawgrrl.com. This license does not permit commercial use. Thanks.
A Comissão Permanente Mista de Combate à Violência contra a Mulher (CMCVM) se reúne para apresentação da pesquisa sobre violência doméstica e familiar contra a mulher; apreciar o Plano de Trabalho da Comissão e analisar requerimentos.
Mesa (E/D):
presidente do Congresso Nacional, senador Renan Calheiros (PMDB-AL);
procuradora especial da mulher do Senado Federal, senadora Vanessa Grazziotin (PCdoB-AM)
Fotos: Marcos Oliveira/Agência Senado