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Comissão Mista Permanente sobre Migrações Internacionais e Refugiados (CMMIR) realiza reunião semipresencial.
Após ser adiada no último dia 31 de agosto, o Congresso promove, nesta terça-feira (14), a instalação e eleição do seu presidente e vice-presidente.
Na tela, presidente da CMMIR, senador Paulo Paim (PT-RS), em pronunciamento via videoconferência.
À mesa, vice-presidente da CMMIR, deputada Bruna Furlan (PSDB-SP).
Foto: Roque de Sá/Agência Senado
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Fase de Arpa, Canto y Música de Cámara del Concurso Permanente de Jóvenes Intérpretes de Juventudes Musicales de España que ha tenido lugar los días 18 a 20 de noviembre´11 en Ciutadella de Menorca (Islas Baleares, Spain)
Toda la información en la web de Juventudes Musicales de España, o en la página de Joventuts Musicals de Ciutadella.
Álbum Concurso Permanente de Jóvenes Intérpretes JJMMEspaña – Ciutadella de Menorca - Noviembre´11
Madonna and Child with Saints in the
Enclosed Garden - c. 1440/1460
Follower of Robert Campin
Netherlandish, c. 1375 - 1444
This large panel painting by a follower of Robert Campin combines the new interest in nature of the fifteenth-century Netherlandish artists with a long tradition of symbolic religious painting. There is a thoroughly believable quality about the heavy folds of drapery, the delicate leaves of the flowers, and the shallow space within the garden walls. Yet this world is invested with mystical overtones through the figures' quiet poses and the minutely observed details which are painted in glowing oil colors and displayed in a steady light.
John the Baptist holds a lamb, recalling his recognition of Christ as the "Lamb of God." Seated on the left is Catherine of Alexandria with her sword and wheel, the instruments of her martyrdom. Saint Barbara offers Jesus an apple or a quince, an age-old symbol of love. Her special attribute is the impregnable tower, a symbol of her chastity. Half-hidden by Saint Anthony's robe, a pig beside him symbolizes gluttony, recalling his triumph over temptation.
The walled garden refers to a passage from the Song of Solomon where a bridegroom speaks of his beloved as "a garden enclosed ... a fountain sealed." To early Christian and medieval theologians, Mary became associated with this bride, and the enclosed garden symbolized her virginity and also the lost Eden which is regained through Christ's birth. Even the doorway recalls Christ's saying, "I am the door. No man cometh unto the Father but by me."
More information on this painting can be found in the Gallery publication Early Netherlandish Painting, which is available as a free PDF www.nga.gov/content/dam/ngaweb/research/publications/pdfs...
________________________________
For earlier visit in 2024 see:
www.flickr.com/photos/ugardener/albums/72177720320689747/
The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
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Girl with the Red Hat - c. 1669
Johannes Vermeer
Dutch, 1632 - 1675
Girl with the Red Hat is one of Johannes Vermeer’s smallest works, and it is painted on panel rather than on his customary canvas. The girl has turned in her chair and interacts with the viewer through her direct gaze. Girl with the Red Hat is portrayed with unusual spontaneity and informality. The artist’s exquisite use of color is this painting’s most striking characteristic, for both its compositional and its psychological effects. Vermeer concentrated the two major colors in two distinct areas: a vibrant red for the hat and a sumptuous blue for the robe. He then used the intensity of the white cravat to unify the whole.
Following in his father’s footsteps, Vermeer also was an art dealer in Delft. There is no documentation of his artistic training or apprenticeship, but in 1653 he became a master in the Saint Luke’s Guild in Delft; he would serve as head of that guild four times in the 1660s and 1670s. Although he was well regarded in his lifetime, he was heavily in debt when he died in 1675. Only in the late 19th century did Vermeer achieve widespread fame for his intimate genre scenes and quiet cityscapes.
The life and art of Johannes Vermeer are closely associated with the city of Delft. He was born in Delft in 1632 and lived there until his death in 1675. His father, Reynier Vermeer, was a silk weaver who produced caffa, a fine satin fabric, but in 1631 he also registered in the Saint Luke’s Guild in Delft as a master art dealer. By 1641 he was sufficiently prosperous to purchase a large house, the “Mechelen,” which contained an inn on the market square in Delft and from which he probably also sold paintings. When Reynier died in 1652 Johannes apparently inherited his business. By that time he must have already decided on a career as a painter. It is assumed that he trained in Delft, perhaps with Bramer, Leonard, who seems to have had close associations with Vermeer’s family, or with Fabritius, Carel. No documents, however, exist about his artistic training or apprenticeship, and he may have studied elsewhere, perhaps in Utrecht or Amsterdam.
Vermeer, who was baptized on October 31, 1632, in the Reformed Church in Delft, was raised a Protestant. In April 1653, however, he married into a Catholic family and seems to have converted to Catholicism shortly before that date to placate his future mother-in-law, Maria Thins, who lived in the so-called Papenhoek (Papists’ Corner) of Delft, adjacent to the Jesuit church on the Oude Langendijck, one of two hidden churches where Catholics could worship. Vermeer and his wife, Catharina Bolnes, eventually moved into her house. They named their first daughter Maria and their first son Ignatius, after the patron saint of the Jesuit order.
Vermeer became a master in the Saint Luke’s Guild on December 29, 1653. His early aspiration was to be a history painter, and his first works were large-scale mythological and religious paintings. Shortly thereafter he began to paint the genre scenes, landscapes, and allegories for which he became so renowned. Although Vermeer’s subject matter changed in the mid-1650s, he nevertheless continued to imbue his later works with the quiet, intimate moods he had preferred in his early history paintings.
Very little is known about Vermeer’s relationships with other painters who might have influenced the thematic and stylistic directions of his art. He apparently knew Borch the Younger, Gerard ter, with whom he cosigned a document in 1653. Another artist who may well have had an impact on his work during the 1650s was Hooch, Pieter de, who painted comparable scenes in Delft during that period. Vermeer remained a respected artist in Delft throughout the rest of his life. He was named hoofdman of the Saint Luke’s Guild in 1662, 1663, 1670, and 1671.
Vermeer’s few works—they number about thirty-five—were not well known outside of Delft. It has been postulated that many of his paintings were concentrated in the collection of a patron in that city who seems to have had a special relationship with the artist. When Vermeer died, however, he was heavily in debt, in part because his art-dealing business had suffered during the difficult economic times in the Netherlands in the early 1670s. He was survived by his wife and eleven children, ten of whom were minors. His wife petitioned for bankruptcy the following year. Antonie van Leeuwenhoek, the famed Delft microscopist, was named trustee of the estate.
Vermeer’s works were appreciated during the eighteenth century, but his fame did not develop until the late nineteenth century, partly a result of enthusiastic appraisal by the French critic Théophile Thoré, whose pseudonym was William Bürger
________________________________
For earlier visit in 2024 see:
www.flickr.com/photos/ugardener/albums/72177720320689747/
The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
.
Brasília 17 11 2021 - 6ª Reunião do Fórum de Discussão Permanente de Gestão da Carreira dos Servidores do Poder Judiciário da União .
Foto:G.Dettmar/Ag.CNJ
Subcomissão Permanente sobre Esporte, Educação Física e Formação de Categorias de Base (CEEEFCB) realiza segunda audiência pública interativa sobre o "Plano Nacional de Esporte".
Mesa:
presidente da Confederação Brasileira do Desporto Escolar (CBDE), Antônio Hora Filho;
representante do Ministério da Defesa, general de divisão Jorge Antonio Smicelato;
presidente da CEEEFCB, senadora Leila Barros (PSB-DF);
secretário especial do Esporte do Ministério da Cidadania, Décio dos Santos Brasil;
representante da Confederação Brasileira de Desportos de Surdos (CBDS), Deborah Dias de Souza.
Foto: Geraldo Magela/Agência Senado
Don't know who dug up this old photo - circa 1992, clearly - but that's Susan Church lecturing to a roomful of people wanting to learn about Permanent Makeup!
Well, it was not: www.flickr.com/photos/dadaa/7850351198/
Permanent Makeup rocking New World Brewery, Ybor City, Tampa, FL - December 25, 2014.
Note: Please share, download and use these photos for non-commercial purposes but be sure to abide by the creative commons license by crediting the photos to Nicole Kibert / www.elawgrrl.com and if using online, add a link back to this page or to www.elawgrrl.com. This license does not permit commercial use. Thanks.
From left to right:
Gerald Anderson, OAS Secretary for Administration and Finance
Dante Negro, Director of the OAS Department of International Law
José Miguel Insulza, OAS Secretary General
Gillian Bristol, Chair of the OAS Permanent Council and Permanent Representative of the Grenada to the OAS
Carmen Lucia de la Pava, Chief of Staff of the OAS Assistant Secretary General
Date: May 04, 2011
Place: Washington, DC
Credit: Juan Manuel Herrera/OAS
Comissão Permanente Mista de Combate à Violência contra a Mulher (CMCVM) realiza audiência pública para discutir desafios e possibilidades da guarda compartilhada frente à violência doméstica.
Em pronunciamento, à mesa, pesquisadora do Núcleo de Estudos e Pesquisa sobre a Mulher da Universidade de Brasília, Ana Liési Thurler.
Foto: Jefferson Rudy/Agência Senado
Realizado em Brasília nos dias 19, 20 e 21 de novembro, uma iniciativa do Ministério da Saúde, por meio da Secretaria de Gestão do Trabalho e da Educação na Saúde, do Departamento de Gestão e Regulação do Trabalho (DEGERTS) e da Mesa Nacional de Negociação Permanente do SUS (MNNP-SUS), com o objetivo de contribuir para a consolidação das diretrizes da Política Nacional de Negociação Permanente do SUS e do seu Sistema Nacional de Negociação Permanente – SINNP-SUS.
Fotos: Ana Oliveira/MNNP-SUS
Permanent Makeup plays the Hold Tight House, Tampa, FLA on December 2, 2012.
Note: Please share, download and use these photos for non-commercial purposes but be sure to abide by the creative commons license by crediting the photos to Nicole Kibert / www.elawgrrl.com and if using online, add a link back to this page or to www.elawgrrl.com. This license does not permit commercial use. Thanks.
The Royal Armouries Museum in Leeds, West Yorkshire, England, is a national museum which displays the National Collection of Arms and Armour. It is part of the Royal Armouries family of museums, the other sites being the Tower of London, its traditional home, Fort Nelson, Hampshire, for the display of its National Collection of Artillery, and permanent galleries within the Frazier History Museum in Louisville, Kentucky, USA. The Royal Armouries is a non-departmental public body sponsored by the Department for Culture, Media and Sport. The Royal Armouries Museum is a £42.5 million purpose-built museum located in Leeds Dock that opened in 1996. Its collection was previously on display or in storage at the Tower of London where the Royal Armouries still maintains a presence and displays in the White Tower.
Comissão Permanente Mista de Combate à Violência contra a Mulher (CMCVM) realiza lançamento da publicação do seminário "12 Anos da Lei Maria da Penha", realizado em dezembro de 2018.
Mesa:
coordenador do Observatório da Mulher contra a Violência do Senado Federal, Henrique Marques Ribeiro;
advogada e Mestre em Direitos Humanos, Rúbia Abs da Cruz;
presidente da CMCVM, senadora Zenaide Maia (Pros-RN);
juíza auxiliar da Presidência do Conselho Nacional de Justiça, Flávia Moreira Guimarães Pessoa;
advogada e fundadora do Centro Feminista de Estudos e Assessoria (Cfemea), Iáris Ramalho Cortês.
Foto: Waldemir Barreto/Agência Senado
Subcomissão Permanente de Proteção e Defesa da Pessoa Idosa (CASDPI) realiza audiência pública interativa para tratar sobre a efetividade da Lei n° 10.741, de 2003, o Estatuto da Pessoa Idosa, o qual procura garantir o acesso da pessoa idosa ao trabalho digno e adequado às suas condições; afastar qualquer discriminação na admissão ou na atividade profissional da pessoa idosa; e habilitar e capacitar as pessoas idosas para o trabalho.
Em pronunciamento, presidente da CASDPI, senador Eduardo Gomes (MDB-TO).
Foto: Roque de Sá/Agência Senado
I reach for inspiration and go back to the 3rd grade. My friend Ben puked up a carton of Jungle Juice on 6 people one day. It looked like a blood bath.
Realizado em Brasília nos dias 19, 20 e 21 de novembro, uma iniciativa do Ministério da Saúde, por meio da Secretaria de Gestão do Trabalho e da Educação na Saúde, do Departamento de Gestão e Regulação do Trabalho (DEGERTS) e da Mesa Nacional de Negociação Permanente do SUS (MNNP-SUS), com o objetivo de contribuir para a consolidação das diretrizes da Política Nacional de Negociação Permanente do SUS e do seu Sistema Nacional de Negociação Permanente – SINNP-SUS.
Fotos: Ana Oliveira/MNNP-SUS
H.E. Mr Askar Zhumagaliyev, Permanent Representative of the Republic of Kazakhstan, presents his credentials to H.E. Mr Fernando Arias, Director-General of the OPCW
Six weeks after digging up part of my driveway to replace the gas line, BGE finally put in the permanent patch. July 16, 2019.
Permanent Makeup plays the Hold Tight House, Tampa, FLA on December 2, 2012.
Note: Please share, download and use these photos for non-commercial purposes but be sure to abide by the creative commons license by crediting the photos to Nicole Kibert / www.elawgrrl.com and if using online, add a link back to this page or to www.elawgrrl.com. This license does not permit commercial use. Thanks.
Permanent Makeup rocking New World Brewery, Ybor City, Tampa, FL - December 25, 2014.
Note: Please share, download and use these photos for non-commercial purposes but be sure to abide by the creative commons license by crediting the photos to Nicole Kibert / www.elawgrrl.com and if using online, add a link back to this page or to www.elawgrrl.com. This license does not permit commercial use. Thanks.
This book is a documentation of process, exploration, experimentation, and knowledge acquired during the research and creations that resulted from the senior thesis course on tattoo aesthetics in design culture.
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Using one's body as a canvas for artwork has been a growing trend in the United States. Art on the body has always fascinated and held people's interest. This way of communicating a message and of personal expression has spread into mainstream society, and also had developed into an art form. With a greater demand for this type of aesthetic, technological advancements, as well as medical advancements, have paved a smoother course for the future of tattoos in design culture.
Not only have tattoos become more welcomed into mainstream society, they have greatly contributed to design culture by reestablishing, enhancing, and creating new styles of communication.
The collaboration of the movement in technology, art, and social structure, is making tattoos a changing entity in the design world. From advertisements, television shows, to furniture design and interactive body art, society is finally opening up to this medium of aesthetic art. Tattoos are changing the design world as we know it, and personal expression through the art of ink on skin will continue to evolve as a way of expressing self beauty.