View allAll Photos Tagged performance,
At last a wonderful sunrise.... a big smile and made my day:)
17mm, ISO 50, Exposure 15'' F Stop 11 . Lee Filters ND .09 & ND Hard Grad .09
Thai dancers hold their bodies straight from the neck to the hips in a vertical axis and move their bodies up and down with their knees bent, stretching to the rhythm of the music. The arms and hands in Thai dancing are kept in curves, or wong, at different levels, high medium or low, and the legs are bent with the knees opening outward to make an angle called liem. The grace and beauty of the dancer depends on how well these curves and angles are maintained in relationship with the proportion of the whole body.
Asiatique: The Riverfront is a large open-air mall in Bangkok, Thailand. It occupies the former docks of the East Asiatic Company, and faces the Chao Phraya River and Charoen Krung Road. The complex opened in 2012 after extensive renovation of the site. Wikipedia
As well as all this food and shopping, the 2 biggest entertainment draws are the Thai puppets by Joe Louis Theatre and Calypso Cabaret, one of Bangkok’s celebrated ladyboy shows. Both these shows have been attracting large audiences for years, and Asiatique is the perfect new surrounding for them, offering so much more than just a performance.
Peak Class46 46045 heads along Tenbury Wall, Northwood Lane, Bewdley during day2 of the Severn Valley Railway Spring Diesel Gala on 15-5-26.
The working is the 16.25 Kidderminster to Bridgnorth service.
There were long periods when the sun was in but the small group on the 'mound' managed to photograph this and also the services hauled by 59001 and D9551 +D821 all in pleasant sunshine.
Ref: IMG_4081 15-5-26
via: LB Performance Offers 'Normal Fenders' kit for Huracan
picture by: LB Performance
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(Re)Spacing
Mittwoch, 08.05.2024 Kunsthalle Gießen
(Re)Spacing – „A Journey to Share“
Tanzperformances von und mit Pin-Chen Hsu,
Omar Torrico Real & Rose Marie Lindstrøm
Eine Kooperation mit dem Stadttheater Gießen
Die Tänzer*innen des Stadttheaters Gießen setzen sich in zwei miteinander verschränkten Performances mit den Umbrüchen und Vergänglichkeiten verschiedener
Stadien des Lebens auseinander. Damit setzen sie sich zur jüngsten Ausstellung der Kunsthalle Gießen ins Verhältnis,
„A Journey You Take Alone“ der britischen Künstlerin
Emma Talbot.
Kunsthalle Giessen
Copyright: Rolf K. Wegst
I can not describe a person I do not know or have seen in my life.
I was sitting on a terrace in a square in San Sebastian where a group of musicians entertained the aperitif.
At the end of his performance this man appeared from I do not know where, greeting the audience with his hand between the applause of the respectable and left.
Meanwhile, I was shooting with a camera comfortably sitting in the shade without knowing who I was photographing.
It is possible that it is someone very well known in the area. I dont know. If someone can inform me, I will be very grateful.
It's a "stolen" photo and maybe I'm getting into a mess, but for me it's just one of the many photos I have in my files and that one day, it occurred to me to edit it to see if I could get something decent.
I liked the result and there it is. Nothing else.
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No puedo describir a una persona que ni conozco ni había visto en mi vida.
Estaba sentado en una terraza en una plaza de San Sebastián donde un grupo de músicos amenizaba el aperitivo.
Al terminar su actuación este señor apareció de no sé donde, saludo a la audiencia con la mano entre los aplausos del respetable y se fue.
Mientras, yo iba disparando con cámara cómodamente sentado a la sombra sin saber a quién fotografiaba.
Es posible que sea alguien muy conocido en la zona. No sé. Si alguien puede informarme, le estaré muy agradecido.
Es una foto "robada" y quizá me estoy metiendo en un lio, pero para mí solo es una de tantas fotos que tengo en mis archivos y que un día cualquiera, se me ocurrió editarla a ver si sacaba algo decente.
Me gustó el resultado y ahí está. Nada más.
At the Hirshhorn (10/30/2016). The work features a single, sequin-clad woman strumming an E-minor chord endlessly, rotating on a pedestal in a gold-tinseled room, a performance that walks a characteristic line between kitsch and earnest commentary on feminine objectification. A rotating cast of Washington-area musicians will play the "Woman."
Performed by the Republic Polytechnic Dharma Endari at the Esplanade Outdoor Theatre during In Youthful Company.
Consoling dawsoncrying.gif pt. 2
Friday 26th of November
@ Kutomo, Turku, Finland
Performances start at 7 p.m.
This moment before Houdini's daring feat is just one of the photographic slices of time featured in the “Not an Ostrich” exhibition currently on display in Los Angeles, California. Read more about the photos included in the exhibit in our recent Picture This blog post “Not an Ostrich”—Exhibition of Library of Congress Photos.”
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Thurston, John H. (John Henry), 1852-, photographer
[Houdini jumps from Harvard Bridge, Boston, Massachusetts] / John H. Thurston, stereopticons
[1908 April 30]
1 photograph : glass lantern slide ; 82 x 102 mm.
Summary: Photograph shows Houdini standing by the side of the Charles River wearing chains and handcuffs.
Notes:
• Title devised by Library staff.
• Master of the "Impossible Possible," Houdini performs one of his stunning manacled jumps from Harvard Bridge, followed by an under-water escape in the Charles River. As with his upside-down straitjacket escapes, Houdini's jumps drew huge crowds and publicized his stage appearances. In 1908, he appeared in Boston for two weeks at Keith's theater, a major venue on the Keith Vaudeville Circuit.
• Forms part of: McManus-Young collection of pictorial material relating to magic.
• Exhibited as a digital copy in: "Not an Ostrich: And Other Images from America's Library" at the Annenberg Space for Photography, 2018; Arts section.
Subjects:
• Houdini, Harry,--1874-1926--Performances.
• Magic--Massachusetts--Boston--1900-1910.
• Magicians--1900-1910.
• Bridges--Massachusetts--Boston--1900-1910.
• Jumping--Massachusetts--Boston--1900-1910.
• Handcuffs--1900-1910.
• Escapes--Massachusetts--Boston--1900-1910.
Format:
Lantern slides--1900-1910.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/cph.3a27316
Call Number: LOT 7427 [item]