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Goli Otok (Barren Island). Also known as the 'Croatian Alcatraz' for its use as a prison and labor camp for political prisoners. Estimates say over 4000 died on the island due to the harsh weather conditions and severe punishments.
The prison closed in December 1988 and was left to ruin. Those who survived call it "living hell".
Day six. A painting by one of my incredibly gifted roommates. I noticed a detail about it for the first time the other day when I looked at it up close. Today, after glancing at the thumbnail of it, I saw something new altogether.
This is part of a project I am doing with some friends called the 30 Day Blogrimage. It's a challenge to take something on for a month, be it a daily activity, a change in our way of life, learning something new or a challenge to overcome. Each day, we'll be blogging about it and following along with each other.
Medium: Acrylic on Canvas
Date : 18/06/13
Size: 95 x 45cm
The painting is a response piece to society as it depicts the concerns about self-image and expectations to have attractive teeth. In the 21st century due to our perception of beauty, it is continuously distorted because of our expectations to how we are supposed to look.
The lines and traces are used to create a movement and patterns are creating an organic form of subject matter. The arrangements of this piece allow the viewer to have an abstracted interpretation of the concept. The simple colour palette and texture allows the viewer to dive more in depth with their contribution to this concern.
'What They Carried' series.
For this project, I wanted to explore self-perception and objective analysis. By this I mean, how one perceives themselves, or the image in which they attempt to create an idealized image of themselves verse the perception of a third party, or individual other than themselves. For this project, I plan on shooting young, seemingly beautiful women. My incentive is to capture an ideal vastly different than when they have control of their perception. Being among a ‘selfie’ generation, where individuals take pictures or self-portraits of themselves, the individual ultimately has sole control. The individual has control over the setting that the picture is taken, the clothes in which they are wearing, the expression they portray, all the way to how the image is edited. Thus, the control of their self-perception is actively decided and how they want to be seen by others is emitted. In order to do this, I plan on revoking this sense of control from the individuals I photograph, causing the individual to surrender control. The reasoning for this is to capture how the individual views their ‘ideal’ self in contrast with my interpretation of their beauty in a more natural form. Ideally, I hope to contrast their self-objectivity and how their “raw” form is perceived.