View allAll Photos Tagged perception

A photo I made one afternoon.

This video is a collaboration between Sheldon Neill and Colin Delehanty. All timelapses were shot on the Canon 5D Mark II with a variety of Canon L and Zeiss CP.2 Lenses.

 

Project Yosemite Website: projectyose.com

Contact info: info@projectyose.com

 

Thanks to Dynamic Perception for their motion controlled dolly and continued support!

 

Dynamic Perception Website: dynamicperception.com

 

Music is "Outro" from the new album Hurry Up, We're Dreaming by M83.

Publishing: emimusicpub.com

Licensing: bankrobbermusic.com

 

This whole project has been an amazing experience. The two of us became friends through Vimeo and explored a shared interest in timelapsing Yosemite National Park over an extended period of time. We'd like to expand this idea to other locations and would appreciate any suggestions for a future project.

 

Twitter:

twitter.com/#!/SheldonNeill

twitter.com/#!/barple

 

Facebook:

www.facebook.com/sheldon.neill

www.facebook.com/delehanty

 

Behind The Scenes: vimeo.com/35223326

By Dalton Runberg

 

Yosemite HD | 2K will be hosted on YouTube shortly. Link coming soon!

 

Our hearts go out to the families of Markus Praxmarer who lost his life while climbing Half Dome on September 19th, 2011 and Ranger Ryan Hiller, who was crushed by a tree January 22nd 2012. They will be missed.

 

Watch this video on Vimeo. Video created by Project Yosemite.

PERCEPTION - the name of our exhibition. We had to design each of us a publicity image that will go in postcards, leaflets and posters. So this is something i made in Illustrator.

 

Details of the exhibition:

 

PERCEPTION -

A Photography Exhibition, created by The Second Year Photographic Students from The Manchester College. Each student has completed their Self Directed Final Photographic Project, to display in an Open Exhibition that will be held at 52 Princess Street, Manchester. On the 8th June 2010.

Work from over 20 students will be hung at 52 Princess Street. A diverse range of Photographic styles, that embraces Portraiture, Landscapes, Documentary and Fashion.

There will be Free Drinks on entry.

Series emulating the photographic style of Francesca Woodman to show how women are often perceived in society.

This painting represents a magical perception of this spot. Each time I go there I get in a peaceful mood. I used the pictures of the branches to paint the tree.

The way Van Gogh paints his drawings also inspired me to paint the fields.

A4 - Gouache and watercolour

Doing a quick field-test of my Dynamic Perception mini! At Santana Row.

Is it in the perception of the soul, or perception in the mind that creates the battling reality of the shot. Or is there nothing, just the constant continuing on of the reality the perspective is in? There is something that grabs me with this one, though. I believe a calm should be set about through mankind and when the reality sets in of this shot, I don't feel calm. I feel enraged, regardless of circumstances.

perception - amazing all the same size yet her head/face appears smaller in the darker processing, might prove the old adage that black really is slimming :)

What you see and hear depends a good deal on where you are standing; it also depends on what sort of person you are ~ Lewis

 

up and close

  

original idea of using butterfly brushes on the eye : stella's www.flickr.com/photos/stella_umbrella/440950331/

 

photoshop brushes : www.brushes.obsidiandawn.com/sets/wings.htm

 

Advertising Agency: age. comunicações, São Paulo, Brazil

Creative Director: Carlos Domingos

Art Director: Henrique Mattos

Copywriter: Daguito Rodrigues

Published: June 2009

3:366-1 2011

January 3, 2011

My 60th Year

I woke up this morning thinking about observation and perception and the similarity and difference between my internal perceptions of myself and what I outwardly observe about myself. Of course this all has to do with my obsession this year with aging. I realize that it’s a cliché to say that I don’t feel I’m any different today than I was twenty or thirty or forty years ago. But when I look in the mirror I don’t see the person I see in my head and I wonder what happened to that tight faced young woman and I think I want to be her again. But really I wouldn’t. I would not want to have twenty or thirty or forty years of experiences have had no impact on the way I think. Or the way I love. Or the way I dream. The twenty year old me wasn’t yet a mother or a grandmother and did not, could not, know how to give true unconditional love; the thirty year old me thought that career success was what I needed to be accepted and the forty and fifty year old me, well suffice it to say a whole lot happened in those two decades. So here I am on the cusp of sixty and I may mourn that I see a saggy face and thinner hair when I look in the mirror but the reality of it is that I like myself more now. Oh, there are still things I would like to change: sometimes I’m too selfish; sometimes I snap and growl and stomp; sometimes I’m too opinionated. But most of the time I’m just OK and that’s OK with me.

What do you see here?

 

A bunch of colors in the form of different shapes?

 

Maybe you see cells and this is from a microscope.

 

Maybe you see a black landscape outlined in blue, sitting below a blue sky.

 

Maybe you see a blue landscape upside-down sitting in a black sky.

 

Maybe it's a map for a match in a random video game where kills, deaths, and plays are marked.

 

Maybe it's a topography map. Scatter plot graph, maybe? Perception offers unlimited possibilities. You just have to find and see them.

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