View allAll Photos Tagged perception
What do you see here?
A bunch of colors in the form of different shapes?
Maybe you see cells and this is from a microscope.
Maybe you see a black landscape outlined in blue, sitting below a blue sky.
Maybe you see a blue landscape upside-down sitting in a black sky.
Maybe it's a map for a match in a random video game where kills, deaths, and plays are marked.
Maybe it's a topography map. Scatter plot graph, maybe? Perception offers unlimited possibilities. You just have to find and see them.
La Vision du noir et blanc
Le photographe qui utilise des films en couleurs se concentre sur la lumière mais aussi sur l'arrangement des tons ou couleurs de la photographie.
En photographie noir et blanc, les couleurs étant retranscrites en niveau de gris, la lumière joue un rôle plus important, la vision est par conséquent différente. Les scènes aux luminosités singulières seront plus mises en valeurs que les scènes très colorées.
Voici quelques exemples illustratifs :
des troncs à contre-jour un matin brumeux d'hiver seront plus mis en valeur en noir et blanc qu'en couleur. Il en est de même si les rayons sont perpendiculaires à l'angle de champ du photographe et qu'ils traversent la photographie dans un brouillard épais
un parterre de feuilles d'automne aux multiples couleurs sera en revanche mieux mis en valeur en couleur. L'utilisation d'un film noir et blanc ne rendrait que des tons voisins de gris au tirage.
Toutefois cela n'empêche pas le photographe de prêter attention aux 2 éléments, lumière et couleur, qu'il fasse des photographies en noir et blanc ou couleur. Au contraire, il est important de comprendre comment ces éléments sont respectivement retranscrits selon le type de photographie choisi.
Maîtres du noir et blanc
Robert Doisneau
Henri Cartier-Bresson
Robert Capa
Helmut Newton
Félix Nadar
Lewis Hine
Willy Ronis
Ansel Adams
Robert Frank
Walker Evans
Paul Strand
Richard Avedon
Michael Kenna
Le papillon butine sur les meilleures fleurs, tout comme inakis sélectionne les acteurs de la filière des produits & services écologiques, équitables et éthiques, correspondant à sa charte. inakis vient du nom latin d’un papillon de nos contrées (inachis io, le "paon du jour"). Il symbolise la nature et sa fragilité, et « l’effet papillon » : « les petites causes produisent les grands effets »...
If the doors of perception were cleansed, everything would appear as it is, infinite.
William Blake,
This photograph was taken with a HTC One mobile phone.
Join the HTC One Users Group for discussion, tips and advice. You are welcome to post your best photos from this amazing phone to our friendly user group.
Murals created for Comstock NE Middle School, Kalamazoo, Michigan. Many thanks to the Greater Kalamazoo Arts Council for their generous support.
Photo's courtesy Nicholas Zastrow.
SO I was really quickly trying to get a test shot for an upcoming shoot and getting angry because OF COURSE it wasn't working when I accidentally came out with this. Wasn't intentionally meant to share but I really like the drama and how this could be perceived in so many different ways. #selfportrait
Artist & Best Friends Animal Society founder, Cyrus Mejia's show Pits & Perception opened in Los Angeles @ Artology 101 in Glendale. There were several live pit bulls in attendance at the festivities.
From cyrusmejia.com/art/pits-and-perception
"Art can present us with a different view, a new perspective, another way of thinking about things. In this series of paintings of Pit Bulls I’m challenging the current-day perception of these dogs. Not by changing their image, but by depicting them close-up, larger than life, and inviting the viewer to question how they see and perceive Pit Bulls."
This photo is part of The Watcher Project cyrusmejia.com/blog/the-watcher-project
Another derivative of Rene Magritte. This idea from his "Carte Blanche".
This was put together from Deviant Art artists' work.
The horse and rider is from Lor Myers ( meetmeatthelake2nite.deviantart.com/ )
And the forest is from blood-and-hell.deviantart.com/
You are a child of the universe, no less than the trees and the stars; you have a right to be here. And whether or not it is clear to you, no doubt the universe is unfolding as it should.
Had a great morning down the Chemical Beach, Seaham with
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Thanks very much for visiting and commenting :)
emilianoboga.wordpress.com/2012/01/30/weird-perceptions/
perceptions, feelings, issues, needs, desires, fears, paranoia, irresolution, and again and again and again, live gliding in a Moebius strip, with no way out, every time, repeatedly!
“strane percezioni”
percezioni, sensazioni, questioni, necessità, desideri, paure, paranoie, irrisolutezza, e ancora, e ancora e ancora, vivere la vita veleggiando sul nastro di moebius, senza via di d’uscita, ogni volta, ripetutamente!
Carla Bozulich – Evangelista I | youtu.be/mD3jTHMOdrU
New mesh corsets at *Perception*
Corsets and Demos at Perception Mainstore and on the Marketplace.
7 sizes: 5 standard sizes plus M+ for very curvy avatars and Bx for top-heavy avatars.
It is the light and the faculty of vision that enable one to perceive the macro physical world or the universe around us.One sees shapes and colours
It is enlightenment and inner vision that enable one to realize the micro, the Self within us .
And that inner perception makes one identify oneself with the macro.One realizes God or the great bliss within self.
“A gentleman knows his actions carry more weight than any words spoken.”
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@Chicchateau.sl- Stairway Backdrop-https://marketplace.secondlife.com/stores/253529
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Hause of London-Level Up Pose (LM)
maps.secondlife.com/secondlife/WestCoast%20Stables/60/201... or MP marketplace.secondlife.com/stores/252148
Of course you have to view on BLACK
That’s the worst part of growing up, and I’m beginning to realize it. The things you wanted so much when you were a child don’t seem half as wonderful to you when you get them.
-Anne of Green Gables
Personal Fine Art Practice
Perception- Interactive installation
Approximately 2m by 1.5m by 2.5m
Nylon mesh, soil, liquid latex, straw and grass
Summer term
This poster was created for a FotoFest exhibition titled Mechanical Perception featuring photographic work by Mei-Mei Dillard, Eileen Maxson, Brian Piana, Soody Sharifi and Anderson Wrangle. These artists are also alumni from the University of Houston Photo/Digital Media program hence the lineup for this show. Mechanical Perception exhibition runs from September 5 – October 12, 2008 at the FotoFest Headquarters.
This was one of my first poster outside the usual Nameless Sound or rock music poster; this being one for a local art space. This was also the first poster that I created my new studio space, Box 13 ArtSpace.
The 13" wide by 26" high poster was screenprinted using four colors (variations of red) on French Paper line of papers called Poptone. This particular one is called Cherry.
“The material basis of media technologies – and books are only one example – is changing, for which historical perspectives might give not only comforting back-up (‘nothing is as permanent as change’) but also ideas to push the change forward.” (Jussi Parikka, 2012)
We can certainly talk about change; our present landscape is a space where the digital and physical have become synonymous, which many believe to be signaling the coming of an ontology-less future, through the accelerated disruption of cultural value. In this light old standards show their age and obsolescence in the face of the new, and with each new wave of informational overload we are further alienated by the system, that revolves around an economy of monetary circulation. All these factors come together to push a re-evaluation of identity and the human value. This brings to mind the genealogy of currency, articulated by Joseph Beuys during the discussion entitled What is money? : “Of course ‘Geld’ [‘money’] comes from ‘Gold’, same etymology. But it comes equally from ‘Geltung’ [‘validity’], meaning the value people fix based on their perception of a natural right. The word ‘Geltung’ is rooted in representations of a natural right, while the word ‘Gold’ is rooted in the economy of barter!” (Joseph Beuys, 2012).
In this light, Geltung [validity]: perception of a natural right brings together four artistic investigations that re-evaluate established methods of financial exchange bestowing new material values and identities to their subjects. In a landscape where monetary currency is pinnacle, the artists interrogate notions of personal and individual history, locality and its impact in identity and the framework that contains our cultural objects.
Diogo da Cruz’s work, WORDCOIN (2016 – Current), proposes the implementation of a new currency, that will give a literal value to each one’s speech. By creating The Bank for Argumentation, the costumer-museum-goer will have the opportunity to trust his or hers arguments to an institution that can save and trade them, giving the deserved and objective exposure to their ideas. Max Dovey presents Breath (BRH) (2017), a digital currency that is mined through human respiration. The installation combines breathing and micro-computers to mine, store and trade human breath as a virtual currency on the crypto-market(s). The market value of BRH is determined by the inflation created by respiratory miners who participate in the physical installation. Felicity Hammond’s artworks draws upon images from her own archive, using documents of the landscape and found images online; those of both existing and imagined future spaces. Hammond utilises particular motifs and structures that respond specifically to the digital representations found online of Dundee’s vast regeneration programme. For I keep forgetting I’ve been to Tokyo: GAIDEN (2017), Petra Szemán follows the virtual self through parallel and intersecting realities, along the departure-initiation-return structure of a hero’s journey. Drawing upon personal and/or constructed experiences, the work explores the idea of a non-localised identity that’s an archive of accumulated personal mythologies acquired from a multitude of realities.
An offline/online exhibition curated by Alejandro Ball and Inês Costa
Opening night: 27 October 2017, 7pm – 9pm
Performance part of NEoN Festival: 9 November 2017, 7pm – 8pm
Supported by Creative Scotland, University of Dundee and Leisure and Culture Dundee