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And this I pray, that your love may abound yet more and more in knowledge and in all judgment;
Philippians 1:9
Difficult to believe that this is the same old campus, only for those who accept the altered perception as reality
Oil on canvas painting - Available in a variety of fine art prints at
www.pictorem.com/73812/Cosmic Perception.html
Same flower, taken from different angles and high
Three pictures together
(but have taken lots more, see the album of one of them)
Windows of perception to see what is, rather than simply what we think.
Or maybe....its all just a distortion......
Whatever it maybe...I love windows
©MysticRaven
Percepción
Sensación interior que resulta de una impresión material hecha en nuestros sentidos...
Come and hold my hand, I wanna contact the living, Not sure I understand
This role I've been given, I sit and talk to God, And he just laughs at my plans
My head speaks a language, I don't understand…
In the sky, there is no distinction of east and west; people create distinctions out of their own minds and then believe them to be true.
Buddha
We are shaped by our thoughts; we become what we think. When the mind is pure, joy follows like a shadow that never leaves.
Buddha
So many photos are dependent upon our moods to determine how they are presented to the world.
My moods today are probably a bit dark for vacation photos :-)
Is the glass half empty or half full?
Is a common expression, used rhetorically to indicate that a particular situation could be a cause for optimism (half full) or pessimism (half empty); or as a general litmus test to simply determine an individual's worldview. The purpose of the question is to demonstrate that the situation may be seen in different ways depending on one's point of view and that there may be opportunity in the situation as well as trouble.
Perception is unique to every individual and is simply one's interpretation of reality.
Ary Scheffer, Dordrecht 1795 - Argenteuil 1858
Paolo und Francesca im Wirbelsturm - The Shades of Francesca di Rimini and Paolo Malatesta Appearing to Dante and Virgil (1854)
Kunsthalle Hamburg
What is your perception of Hell? Do you think of it as a huge furnace full of burning souls, or simply a place of deprivation? We do not know and I don’t believe we will ever know what it is like or whether it or its sister-place, Heaven, really exists and so with this lack of evidence we can then formulate in our own minds what it is all about without fear of contradiction. One person who did just that was Durante degli Alighieri, better known simply as Dante Alighieri.
In the first part (Inferno) of his epic poem entitled Divine Comedy he tells of his journey he made through Hell with the Roman poet Virgil acting as his guide. Many artists have painted pictures based on Dante’s Inferno with its concentric circles full of various types of sinners. To get to the gates of Hell Dante and Virgil had to cross the river Acheron which could only be achieved by being transported by ferry, piloted by Charon.
According to Dante, Hell is situated within the Earth, it is made up of nine circles of torment. The circles are concentric, and represent a gradual increase in evilness. The outer circle, or the first circle is the resting place of those who were never baptised, the second circle was for people whose sin was one of Lust. As Dante and Virgil moved inwards they came across circles which housed the souls who had committed the sins of Gluttony, Greed, Anger, Heresy, Violence, Fraud and Treachery. It is interesting to note that for Dante, an Italian male, those who committed the sin of Lust were only in the second circle, as presumably in Dante’s mind, Lust was not that bad a sin! The inner most part of this Hell ends at the centre of the earth, where Satan is held in bondage. The sinners who populated each of the circles were punished in a fashion fitting their crimes, a system of contrapasso; derived from the Italian words contra and patior meaning “suffer the opposite” a sort of poetic justice.
My featured painting today is about two lovers from Dante’s Divine Comedy who Dante and Virgil meet, trapped in the stormy darkness of the Second Circle of Hell (Lust). It is here that those overcome by lust during their time on earth have been sentenced to remain. Dante condemns them, and those like them, calling them “carnal malefactors” for letting their sexual appetites affect their reasoning. These hapless souls are blown to and fro by the terrible winds of a violent storm, without hope of rest and this symbolizes the power of lust to blow one about needlessly and aimlessly. It is here that Francesca da Rimini tells Dante the story of how she and her lover Paolo ended up in this Second Circle of Hell.
Francesca da Rimini and Paolo Malatesta are depicted in the painting by Ary Scheffer, which is entitled Dante and Virgil Encountering the Shades of Francesca da Rimini and Paolo in the Underworld or simply Francesca da Rimini. The story goes back to the time when Francesca’s father, Guido I da Polenta was lord of Ravenna but had been at war with a rival family, the Malatesta family. Peace between the two families finally came about and to cement their relationship Guido agreed that one of his daughters, Francesca, should marry Giovanni Malatesta, the son and heir of the Malatesta clan. Although Giovanni was an able man and would on the death of his father become ruler, he was ugly and deformed.
The friends of Francesca’s father told him that if Francesca was to set eyes on Giovanni prior to the marriage, she would never go through with it. So the two fathers hatched plan and sent Giovanni’s younger brother Paolo to Ravenna with authorisation to marry Francesca in Giovanni’s name. Paolo, unlike his elder brother was handsome and courteous and Francesca immediately fell in love with him. The marriage took place and the marriage contract signed and bride and bridegroom returned to Rimini, with Francesca still unaware of the deception.
In the morning following the wedding she became aware of the deception. She was furious that she had been deceived and to make matters worse she realised that she had fallen in love with Paolo. Giovanni left Rimini on business leaving Paolo and Francesca together and they both realised that they loved each other. Their lovemaking was witnessed by Giovanni’s servant who sent word to his master, who then secretly returned home. He went to Francesca’s room in which were the two lovers. He banged on the door and shouted her name. They recognised Giovanni’s voice. Paolo pointed to a trapdoor in the floor that led to a room below. He told Francesca to go open the door as he planned his escape. However as he jumped through the open trapdoor part of his jacket got caught on a piece of iron.
Francesca, unaware of his Paolo’s predicament, opened the door for Giovanni, believing she would be able to make excuses, now that Paolo was gone. When Giovanni entered the bedchamber he noticed Paolo caught by his jacket on the trap door. He immediately ran towards the trapdoor and with his rapier drawn thrust it at Paolo intending to kill him. Seeing what Giovanni intended to do, Francesca quickly ran between the two brothers to try to prevent it. But Giovanni’s rapier was already thrusting downwards towards the hapless Paolo but before it struck him the blade passed through Francesca’s bosom. Giovanni was totally distraught by what he had done for he still loved Francesca. He withdrew the blade of the sword from her body and immediately plunged it into his brother, killing him. The next morning, amidst much weeping, the two lovers were buried in the same tomb.
In the painting we see Dante and Virgil standing to the right hand side watching as the two, almost-naked, lovers cling to each other. Art critics at the time praised this exceptional work by Scheffer, and it was to become one of his most famous and most admired works. Scheffer went on to produce several replicas of it.
Source: mydailyartdisplay.wordpress.com/2012/05/15/francesca-da-r...
For this project I wanted to look at the human form from an abstract view, taking away any previous experience or relation to the human body I wanted to create this new physical form relating more to extra terrestrials and the idea of life beyond earth.
What would they look like ?
how would they move ?
Enjoy
GIUSEPPE GRECO 2010
CANON EOS 5D EF 17-40L
NEW WEBSITE WWW.GIUSEPPEGRECOPHOTO.IT
© All rights reserved. Use without permission is illegal
Golfo Aranci,Sardinia.ITALY
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
"Se le porte della percezione fossero sgomberate, ogni cosa apparirebbe così com’è, infinita."
"If the doors of perception were evacuated, everything would appear as it is, infinite."
william blake
retrofuturs#flickr #logo #marketing #digitalmarketing #perception #digital #socialmedia #social #graphicdesign #artdirection #artdirector for retrofuturs 2012
Reflections on reflections, anamorphic distortion of the perception. Expanding perception over 180 degrees...
The human being may be no more real than is a cinematograph film. When the projected light is switched off all that remains is a blank screen. That which has been projected by light was a series of 'stills'. Such also is what is beng projected by 'life'. The more you consider the analogy the more perfect it seems to be: it could help us to understand. - Wei Wu Wei...
Darling, will you still love me?
This is the 5th installment of the "Perceptions" Series. Each image is a "manually edited" photograph, meaning all effects are done directly on a print by hand with painting and multi-media techniques.
This image considers beauty. Which side of her face are you drawn to? Which is more intriguing? What does she ask you as the viewer?
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This was filmed between 4th and 11th April 2011. I had the pleasure of visiting El Teide.
Spain´s highest mountain @(3718m) is one of the best places in the world to photograph the stars and is also the location of Teide Observatories, considered to be one of the world´s best observatories.
The goal was to capture the beautiful Milky Way galaxy along with one of the most amazing mountains I know El Teide. I have to say this was one of the most exhausting trips I have done. There was a lot of hiking at high altitudes and probably less than 10 hours of sleep in total for the whole week. Having been here 10-11 times before I had a long list of must-see locations I wanted to capture for this movie, but I am still not 100% used to carrying around so much gear required for time-lapse movies.
A large sandstorm hit the Sahara Desert on the 9th April (bit.ly/g3tsDW) and at approx 3am in the night the sandstorm hit me, making it nearly impossible to see the sky with my own eyes.
Interestingly enough my camera was set for a 5 hour sequence of the milky way during this time and I was sure my whole scene was ruined. To my surprise, my camera had managed to capture the sandstorm which was backlit by Grand Canary Island making it look like golden clouds. The Milky Way was shining through the clouds, making the stars sparkle in an interesting way. So if you ever wondered how the Milky Way would look through a Sahara sandstorm, look at 00:32.
Available in Digital Cinema 4k.
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Music by my friend: Ludovico Einaudi - "Nuvole bianche" with permission.
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This video was created using the Dynamic Perception Stage-Zero dolly found here:
dynamicperception.com/index.php?main_page=product_info&am...
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Watch this video on Vimeo. Video created by TSO Photography.