Daily #Art - Day 05-13-19

(2019) Daenerys in Blue

This is an illustrated tribute to Daenerys Targaryen and Emilia Clarke the actress who portrays her in HBO's Game of Thrones.

In my opinion the mother of dragons looks the best in blue back in season 4.

To me fire and blood means the breaker of chains' passion and drives to change the world for the better, NOT literal fire and blood for destruction.

(#15,600 / #190 / #92)

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#dailyart #illustration #pendrawing #characterart #femaleportrait #portrait #gameofthrones #got #daenerystargaryen #daenerys #targaryen #motherofdragon #blue #dragon #drogon #fireandblood #hinxlinx #ericlynxlin #elynx #軒 #instaart #artofinstagram

POIKKAL KUTHIRAI - FAMOUS TAMIL FOLK ART FARM

Folk arts typically closely represent the culture and heritage of a region. In Tamil Nadu, the dance form of Poikkal Kuthirai Aatam is one such art. Also called Puravai Aatam, this is one of the oldest dance forms of the state that has been the birthplace for various innovative arts.As a community art, this dance is popular in villages across Tamil Nadu and has blended with the day-to-day life of the people. Unlike Karagattam and Kavadi Aatam, both religious dances, Poikkal Kuthirai is mostly performed as an entertainment during festivals. It may also be performed as part of religious celebrations; for instance, in honor of Ayyanar, the Hindu idol that is worshipped to protect the village.

Poikkal Kuthirai Aatam is performed bearing a lightweight dummy horse around the dancer’s waist. This dance may be called Puravi Naatiyam (Horse Dance), Poi Kuthirai (False Horse) and Marakkaladal (Wooden Leg Dancing). It is also popular in states other than Tamil Nadu. The dance is known as Saithikoda in Orissa, Theelu Gurram in Andhra Pradesh, Kachikoti in Rajasthan and Kuthikali in Kerala.

HISTORY

It is said that Poikkal Kuthirai Aatam was introduced to Tamil Nadu by the Maratha kings. There are also references to this art form in early Tamil epics. The dance is one of the 11 dances performed by Madhavi, a character in Silappadikaram. This work was written in the 2nd century and is one of the ancient epics of the Tamil language. References to Poikkal Kuthirai Aatam can also be found in the epic Tholkaapiam. In one section, the heroine’s parents ban the marriage between their daughter and her lover. The hero dons a horse-like structure made up of maple leaves and starts protesting in the streets to marry the girl. Mentions in these epics indicate that this art form originated many centuries ago.

There is a legend that Goddess Durga used to perform this dance. To take revenge, her enemies disguised themselves as poisonous snakes and scorpions, and planned to bite her while dancing. Durga was aware of their plan and for self-protection she tied wood around her legs and danced. As a result of heavy dance steps made by her, her enemies died. This gave the dance the name of Marakkaladal, or Wooden Leg Dancing. Later, the dance was renamed Poikkal Kuthirai.

AESTHETICS

The dummy horse is typically made up of jute, cardboard, paper and glass. It contains a hole into which the dancer can fit. The legs of the horse are, of course, the legs of the dancers, but it looks as if the dancer is sitting on a horse. The dancers also don wooden legs that sound like the horse’s hooves. The dummy horse is adorned with colorful skirts that swing around with the movements of the dancers.

This dance requires extensive training and skill as the wooden legs constrict one’s movement and are also heavy. In some places, such as Madurai, there is a practice of performing the dance without wooden legs and they dance barefoot, wearing only anklets.

This dance is typically performed in oorvalam, meaning procession, which covers all the areas surrounding the temple during festivals. Dancers often portray kings and queens and sport swords. Sometimes, the dance is performed by groups of eight or ten dancers standing in circles or lines.

Poikkal Kuthirai Aatam is performed to the accompaniment of Naiyandi Melam. A Naiyandi Melam musical ensemble typically includes two nathaswarams (wind-pipes), one sudhipetti, and one thaalam, and several drums played with drum sticks such as thavils, pambai, kidumutti or sinukuchatti. This is the style followed in Kongunadu region of Tamil Nadu. In southern parts of the state, an urumi—a drum with two conical heads—is also used along with the other instruments.

STALWARTS

Mr. Ramakrishnan, who lived in Thiruvayaru (near Tanjavur), was the first person to practice Poikkal Kuthirai Aatam.

POPULARITY

Poikkal Kuthirai Aatam is famous all over Tamil Nadu and most parts of India.

M.G. Ramachandran (former Chief Minister of Tamil Nadu) was a great fan of various forms of dances. Poikkal Kuthirai Aatam was one of his favorites.

Sculptures of Poikkal Kuthirai Aatam can be seen in Chennai, the capital city of Tamil Nadu, near Loyola School, Valluvar Kottam, Cathedral Road and Tirumalai Road.

Poikkal Kuthirai Aatam was made popular in the state of Tamil Nadu, and particularly in Chennai, by the Chennai Sangamam festival a few years ago.

INSTITUTIONS

Some institutes that provide training in folk dance forms are

● Alapadma Dance Yoga

● Academy of Arts of India, Chennai

● Academy of Modern Dance, Chennai

● Annamalai University, Annamalai Nagar

● Koothambalam, Chennai

● PSG College of Arts and Science, Coimbatore.

Charles Dana Gibson (American illustrator, 1867-1944)

1896 pen and ink on paper

published in the artist's collection London (1897)

See MCAD Library's catalog record for this book.

Gibson, Charles Dana. The Gibson Book; a Collection of the Published Works of Charles Dana Gibson ... New York: C. Scribner’s Sons [etc.], 1906

intranet.mcad.edu/library

Drawing is a form of visual art in which a person uses various drawing instruments to mark paper or another two-dimensional medium. Instruments include graphite pencils, pen and ink, inked brushes, wax color pencils, crayons, charcoal, chalk, pastels, various kinds of erasers, markers, styluses, various metals (such as silverpoint), and electronic drawing.

An artist who practices or works in technical drawing may be called a drafter, draftsman, or draughtsman.[1]

A drawing instrument releases small amount of material onto a surface, leaving a visible mark. The most common support for drawing is paper, although other materials, such as cardboard, plastic, leather, canvas, and board, may be used. Temporary drawings may be made on a blackboard or whiteboard or indeed almost anything. The medium has been a popular and fundamental means of public expression throughout human history. It is one of the simplest and most efficient means of communicating visual ideas.[2] The wide availability of drawing instruments makes drawing one of the most common artistic activities.

Drawing is one of the major forms of expression within the visual arts. It is generally concerned with the marking of lines and areas of tone onto paper, where the accurate representation of the visual world is expressed upon a plane surface.[3] Traditional drawings were monochrome, or at least had little colour,[4] while modern colored-pencil drawings may approach or cross a boundary between drawing and painting. In Western terminology, drawing is distinct from painting, even though similar media often are employed in both tasks. Dry media, normally associated with drawing, such as chalk, may be used in pastel paintings. Drawing may be done with a liquid medium, applied with brushes or pens. Similar supports likewise can serve both: painting generally involves the application of liquid paint onto prepared canvas or panels, but sometimes an underdrawing is drawn first on that same support.

Drawing is often exploratory, with considerable emphasis on observation, problem-solving and composition. Drawing is also regularly used in preparation for a painting, further obfuscating their distinction. Drawings created for these purposes are called studies.

There are several categories of drawing, including figure drawing, cartooning, doodling and shading. There are also many drawing methods, such as line drawing, stippling, shading, the surrealist method of entopic graphomania (in which dots are made at the sites of impurities in a blank sheet of paper, and lines are then made between the dots), and tracing (drawing on a translucent paper, such as tracing paper, around the outline of preexisting shapes that show through the paper).

A quick, unrefined drawing may be called a sketch.

In fields outside art, technical drawings or plans of buildings, machinery, circuitry and other things are often called "drawings" even when they have been transferred to another medium by printing.

Drawing as a Form of Communication Drawing is one of the oldest forms of human expression, with evidence for its existence preceding that of written communication.[5] It is believed that drawing was used as a specialised form of communication before the invent of the written language,[5][6] demonstrated by the production of cave and rock paintings created by Homo sapiens sapiens around 30,000 years ago.[7] These drawings, known as pictograms, depicted objects and abstract concepts.[8] The sketches and paintings produced in prehistoric times were eventually stylised and simplified, leading to the development of the written language as we know it today.

Drawing in the Arts Drawing is used to express one's creativity, and therefore has been prominent in the world of art. Throughout much of history, drawing was regarded as the foundation for artistic practise.[9] Initially, artists used and reused wooden tablets for the production of their drawings.[10] Following the widespread availability of paper in the 14th century, the use of drawing in the arts increased. At this point, drawing was commonly used as a tool for thought and investigation, acting as a study medium whilst artists were preparing for their final pieces of work.[11][12] In a period of artistic flourish, the Renaissance brought about drawings exhibiting realistic representational qualities,[13] where there was a lot of influence from geometry and philosophy.[14]

The invention of the first widely available form of photography led to a shift in the use of drawing in the arts.[15] Photography took over from drawing as a more superior method for accurately representing visual phenomena, and artists began to abandon traditional drawing practises.[16] Modernism in the arts encouraged "imaginative originality"[17] and artists' approach to drawing became more abstract.

Drawing Outside of the Arts Although the use of drawing is extensive in the arts, its practice is not confined purely to this field. Before the widespread availability of paper, 12th century monks in European monasteries used intricate drawings to prepare illustrated, illuminated manuscripts on vellum and parchment. Drawing has also been used extensively in the field of science, as a method of discovery, understanding and explanation. In 1616, astronomer Galileo Galilei explained the changing phases of the moon through his observational telescopic drawings.[16] Additionally, in 1924, geophysicist Alfred Wegener used illustrations to visually demonstrate the origin of the continents.[16]

Notable draftsmen[edit]

Since the 14th century, each century has produced artists who have created great drawings.

Notable draftsmen of the 14th, 15th and 16th centuries include Leonardo da Vinci, Albrecht Dürer, Michelangelo and Raphael.

Notable draftsmen of the 17th century include Claude, Nicolas Poussin, Rembrandt, Guercino, and Peter Paul Rubens.

Notable draftsmen of the 18th century include Jean-Honoré Fragonard, Giovanni Battista Tiepolo, and Antoine Watteau.

Notable draftsmen of the 19th century include Paul Cézanne, Aubrey Beardsley, Jacques-Louis David, Pierre-Paul Prud'hon, Edgar Degas, Théodore Géricault, Francisco Goya, Jean Ingres, Odilon Redon, Henri de Toulouse-Lautrec, Honoré Daumier, and Vincent van Gogh.

Notable draftsmen of the 20th century include Käthe Kollwitz, Max Beckmann, Jean Dubuffet, George Grosz, Egon Schiele, Arshile Gorky, Paul Klee, Oscar Kokoschka, Alphonse Mucha, M. C. Escher, André Masson, Jules Pascin, and Pablo Picasso.

The medium is the means by which ink, pigment or color are delivered onto the drawing surface. Most drawing media are either dry (e.g. graphite, charcoal, pastels, Conté, silverpoint), or use a fluid solvent or carrier (marker, pen and ink). Watercolor pencils can be used dry like ordinary pencils, then moistened with a wet brush to get various painterly effects. Very rarely, artists have drawn with (usually decoded) invisible ink. Metalpoint drawing usually employs either of two metals: silver or lead.[18] More rarely used are gold, platinum, copper, brass, bronze, and tinpoint.

Paper comes in a variety of different sizes and qualities, ranging from newspaper grade up to high quality and relatively expensive paper sold as individual sheets.[19] Papers can vary in texture, hue, acidity, and strength when wet. Smooth paper is good for rendering fine detail, but a more "toothy" paper holds the drawing material better. Thus a coarser material is useful for producing deeper contrast.

Newsprint and typing paper may be useful for practice and rough sketches. Tracing paper is used to experiment over a half-finished drawing, and to transfer a design from one sheet to another. Cartridge paper is the basic type of drawing paper sold in pads. Bristol board and even heavier acid-free boards, frequently with smooth finishes, are used for drawing fine detail and do not distort when wet media (ink, washes) are applied. Vellum is extremely smooth and suitable for very fine detail. Coldpressed watercolor paper may be favored for ink drawing due to its texture.

Acid-free, archival quality paper keeps its color and texture far longer than wood pulp based paper such as newsprint, which turns yellow and become brittle much sooner.

The basic tools are a drawing board or table, pencil sharpener and eraser, and for ink drawing, blotting paper. Other tools used are circle compass, ruler, and set square. Fixative is used to prevent pencil and crayon marks from smudging. Drafting tape is used to secure paper to drawing surface, and also to mask an area to keep it free of accidental marks sprayed or spattered materials and washes. An easel or slanted table is used to keep the drawing surface in a suitable position, which is generally more horizontal than the position used in painting.

Almost all draftsmen use their hands and fingers to apply the media, with the exception of some handicapped individuals who draw with their mouth or feet.[20]

Prior to working on an image, the artist typically explores how various media work. They may try different drawing implements on practice sheets to determine value and texture, and how to apply the implement to produce various effects.

The artist's choice of drawing strokes affects the appearance of the image. Pen and ink drawings often use hatching—groups of parallel lines.[21] Cross-hatching uses hatching in two or more different directions to create a darker tone. Broken hatching, or lines with intermittent breaks, form lighter tones—and controlling the density of the breaks achieves a gradation of tone. Stippling, uses dots to produce tone, texture or shade. Different textures can be achieved depending on the method used to build tone.[22]

Drawings in dry media often use similar techniques, though pencils and drawing sticks can achieve continuous variations in tone. Typically a drawing is filled in based on which hand the artist favors. A right-handed artist draws from left to right to avoid smearing the image. Erasers can remove unwanted lines, lighten tones, and clean up stray marks. In a sketch or outline drawing, lines drawn often follow the contour of the subject, creating depth by looking like shadows cast from a light in the artist's position.

Sometimes the artist leaves a section of the image untouched while filling in the remainder. The shape of the area to preserve can be painted with masking fluid or cut out of a frisket and applied to the drawing surface, protecting the surface from stray marks until the mask is removed.

Another method to preserve a section of the image is to apply a spray-on fixative to the surface. This holds loose material more firmly to the sheet and prevents it from smearing. However the fixative spray typically uses chemicals that can harm the respiratory system, so it should be employed in a well-ventilated area such as outdoors.

Another technique is subtractive drawing in which the drawing surface is covered with graphite or charcoal and then erased to make the image.[23]

Shading is the technique of varying the tonal values on the paper to represent the shade of the material as well as the placement of the shadows. Careful attention to reflected light, shadows and highlights can result in a very realistic rendition of the image.

Blending uses an implement to soften or spread the original drawing strokes. Blending is most easily done with a medium that does not immediately fix itself, such as graphite, chalk, or charcoal, although freshly applied ink can be smudged, wet or dry, for some effects. For shading and blending, the artist can use a blending stump, tissue, a kneaded eraser, a fingertip, or any combination of them. A piece of chamois is useful for creating smooth textures, and for removing material to lighten the tone. Continuous tone can be achieved with graphite on a smooth surface without blending, but the technique is laborious, involving small circular or oval strokes with a somewhat blunt point.

Shading techniques that also introduce texture to the drawing include hatching and stippling. A number of other methods produce texture. In addition to the choice of paper, drawing material and technique affect texture. Texture can be made to appear more realistic when it is drawn next to a contrasting texture; a coarse texture is more obvious when placed next to a smoothly blended area. A similar effect can be achieved by drawing different tones close together. A light edge next to a dark background stands out to the eye, and almost appears to float above the surface.

Form and proportion[edit]Measuring the dimensions of a subject while blocking in the drawing is an important step in producing a realistic rendition of the subject. Tools such as a compass can be used to measure the angles of different sides. These angles can be reproduced on the drawing surface and then rechecked to make sure they are accurate. Another form of measurement is to compare the relative sizes of different parts of the subject with each other. A finger placed at a point along the drawing implement can be used to compare that dimension with other parts of the image. A ruler can be used both as a straightedge and a device to compute proportions.

When attempting to draw a complicated shape such as a human figure, it is helpful at first to represent the form with a set of primitive shapes. Almost any form can be represented by some combination of the cube, sphere, cylinder, and cone. Once these basic shapes have been assembled into a likeness, then the drawing can be refined into a more accurate and polished form. The lines of the primitive shapes are removed and replaced by the final likeness. Drawing the underlying construction is a fundamental skill for representational art, and is taught in many books and schools. Its correct application resolves most uncertainties about smaller details, and makes the final image look consistent.[24]

A more refined art of figure drawing relies upon the artist possessing a deep understanding of anatomy and the human proportions. A trained artist is familiar with the skeleton structure, joint location, muscle placement, tendon movement, and how the different parts work together during movement. This allows the artist to render more natural poses that do not appear artificially stiff. The artist is also familiar with how the proportions vary depending on the age of the subject, particularly when drawing a portrait.

Perspective[edit]

Linear perspective is a method of portraying objects on a flat surface so that the dimensions shrink with distance. Each set of parallel, straight edges of any object, whether a building or a table, follows lines that eventually converge at a vanishing point. Typically this convergence point is somewhere along the horizon, as buildings are built level with the flat surface. When multiple structures are aligned with each other, such as buildings along a street, the horizontal tops and bottoms of the structures typically converge at a vanishing point.When both the fronts and sides of a building are drawn, then the parallel lines forming a side converge at a second point along the horizon (which may be off the drawing paper.) This is a two-point perspective.[25] Converging the vertical lines to a third point above or below the horizon then produces a three-point perspective.

Depth can also be portrayed by several techniques in addition to the perspective approach above. Objects of similar size should appear ever smaller the further they are from the viewer. Thus the back wheel of a cart appears slightly smaller than the front wheel. Depth can be portrayed through the use of texture. As the texture of an object gets further away it becomes more compressed and busy, taking on an entirely different character than if it was close. Depth can also be portrayed by reducing the contrast in more distant objects, and by making their colors less saturated. This reproduces the effect of atmospheric haze, and cause the eye to focus primarily on objects drawn in the foreground.

Doodle

A doodle is an unfocused or unconscious drawing made while a person's attention is otherwise occupied. Doodles are simple drawings that can have concrete representational meaning or may just be abstract shapes.

Stereotypical examples of doodling are found in school notebooks, often in the margins, drawn by students daydreaming or losing interest during class. Other common examples of doodling are produced during long telephone conversations if a pen and paper are available.

Popular kinds of doodles include cartoon versions of teachers or companions in a school, famous TV or comic characters, invented fictional beings, landscapes, geometric shapes, patterns and textures.

Etymology[edit]

The word doodle first appeared in the early 17th century to mean a fool or simpleton.[1] It may derive from the German Dudeltopf or Dudeldop, meaning simpleton or noodle (literally "nightcap").[1]

The meaning "fool, simpleton" is intended in the song title "Yankee Doodle", originally sung by British colonial troops prior to the American Revolutionary War. This is also the origin of the early eighteenth century verb to doodle, meaning "to swindle or to make a fool of". The modern meaning emerged in the 1930s either from this meaning or from the verb "to dawdle", which since the seventeenth century has had the meaning of wasting time or being lazy.

In the movie Mr. Deeds Goes to Town, Mr. Deeds mentions that "doodle" was a word made up to describe scribblings to help a person think. According to the DVD audio commentary track, the word as used in this sense was invented by screenwriter Robert Riskin.[citation needed]

Effects on memory[edit]

According to a study published in the scientific journal Applied Cognitive Psychology, doodling can aid a person's memory by expending just enough energy to keep one from daydreaming, which demands a lot of the brain's processing power, as well as from not paying attention. Thus, it acts as a mediator between the spectrum of thinking too much or thinking too little and helps focus on the current situation. The study was done by Professor Jackie Andrade, of the School of Psychology at the University of Plymouth, who reported that doodlers in her experiment recalled 7.5 pieces of information (out of 16 total) on average, 29% more than the average of 5.8 recalled by the control group made of non-doodlers.[2]

Alexander Pushkin's notebooks are celebrated for their superabundance of marginal doodles, which include sketches of friends' profiles, hands, and feet. These notebooks are regarded as a work of art in their own right. Full editions of Pushkin's doodles have been undertaken on several occasions.[3] Some of Pushkin's doodles were animated by Andrei Khrzhanovsky and Yuriy Norshteyn in the 1987 film My Favorite Time.[4][5]

Notable doodlers

Nobel laureate (in literature, 1913) poet Rabindranath Tagore made huge number of doodles in his manuscript.[6] Poet and physician John Keats doodled in the margins of his medical notes; other literary doodlers have included Samuel Beckett and Sylvia Plath.[7] Mathematician Stanislaw Ulam developed the Ulam spiral for visualization of prime numbers while doodling during a boring presentation at a mathematics conference.[8] Many American Presidents (including Thomas Jefferson, Ronald Reagan and Bill Clinton) have been known to doodle during meetings.[9]

Some doodles and drawings can be found in notebooks of Leonardo da Vinci.

Daily #Art - Day 05-01-19

(2019) Lakota and Lakota

Here's an illustration of a Lakota girl and her giant wolf companion, both named Lakota.

This illustration is a request from DeviantArt user @Jackdabs101 for a drawing of his oc wolf character.

(www.deviantart.com/jackdabs101/art/New-Ref-For-Lakota-785...)

(#15,588 / #178 / #79)

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#dailyart #illustration #pendrawing #animalart #creatureart #wolf #greywolf #direwolf #giantwolf #lakota #nativeamerican #lakotagirl #girl #hinxlinx #ericlynxlin #elynx #instaart #artofinstagram

t-shirt design for Thesis Social Jam Sessions

Daily #Art 10-04-20

忠恕 Loyalty and Forgiveness

「夫子之道，忠恕而已矣。」

"The doctrine is to be true to the principles of our nature and the benevolent exercise of them to others, this and nothing more."

(#16,110 / #700)

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#dailyart #pendrawing #calligraphyart #chinesecalligraphy #loyalty #truthful #forgive #forgiveness #woman #womaninred #忠 #恕 #忠恕 #紅 #心 #hinxlinx #ericlynxlin #elynx #軒 #靖軒 #林靖軒

POIKKAL KUTHIRAI - FAMOUS TAMIL FOLK ART FARM

Folk arts typically closely represent the culture and heritage of a region. In Tamil Nadu, the dance form of Poikkal Kuthirai Aatam is one such art. Also called Puravai Aatam, this is one of the oldest dance forms of the state that has been the birthplace for various innovative arts.As a community art, this dance is popular in villages across Tamil Nadu and has blended with the day-to-day life of the people. Unlike Karagattam and Kavadi Aatam, both religious dances, Poikkal Kuthirai is mostly performed as an entertainment during festivals. It may also be performed as part of religious celebrations; for instance, in honor of Ayyanar, the Hindu idol that is worshipped to protect the village.

Poikkal Kuthirai Aatam is performed bearing a lightweight dummy horse around the dancer’s waist. This dance may be called Puravi Naatiyam (Horse Dance), Poi Kuthirai (False Horse) and Marakkaladal (Wooden Leg Dancing). It is also popular in states other than Tamil Nadu. The dance is known as Saithikoda in Orissa, Theelu Gurram in Andhra Pradesh, Kachikoti in Rajasthan and Kuthikali in Kerala.

HISTORY

It is said that Poikkal Kuthirai Aatam was introduced to Tamil Nadu by the Maratha kings. There are also references to this art form in early Tamil epics. The dance is one of the 11 dances performed by Madhavi, a character in Silappadikaram. This work was written in the 2nd century and is one of the ancient epics of the Tamil language. References to Poikkal Kuthirai Aatam can also be found in the epic Tholkaapiam. In one section, the heroine’s parents ban the marriage between their daughter and her lover. The hero dons a horse-like structure made up of maple leaves and starts protesting in the streets to marry the girl. Mentions in these epics indicate that this art form originated many centuries ago.

There is a legend that Goddess Durga used to perform this dance. To take revenge, her enemies disguised themselves as poisonous snakes and scorpions, and planned to bite her while dancing. Durga was aware of their plan and for self-protection she tied wood around her legs and danced. As a result of heavy dance steps made by her, her enemies died. This gave the dance the name of Marakkaladal, or Wooden Leg Dancing. Later, the dance was renamed Poikkal Kuthirai.

AESTHETICS

The dummy horse is typically made up of jute, cardboard, paper and glass. It contains a hole into which the dancer can fit. The legs of the horse are, of course, the legs of the dancers, but it looks as if the dancer is sitting on a horse. The dancers also don wooden legs that sound like the horse’s hooves. The dummy horse is adorned with colorful skirts that swing around with the movements of the dancers.

This dance requires extensive training and skill as the wooden legs constrict one’s movement and are also heavy. In some places, such as Madurai, there is a practice of performing the dance without wooden legs and they dance barefoot, wearing only anklets.

This dance is typically performed in oorvalam, meaning procession, which covers all the areas surrounding the temple during festivals. Dancers often portray kings and queens and sport swords. Sometimes, the dance is performed by groups of eight or ten dancers standing in circles or lines.

Poikkal Kuthirai Aatam is performed to the accompaniment of Naiyandi Melam. A Naiyandi Melam musical ensemble typically includes two nathaswarams (wind-pipes), one sudhipetti, and one thaalam, and several drums played with drum sticks such as thavils, pambai, kidumutti or sinukuchatti. This is the style followed in Kongunadu region of Tamil Nadu. In southern parts of the state, an urumi—a drum with two conical heads—is also used along with the other instruments.

STALWARTS

Mr. Ramakrishnan, who lived in Thiruvayaru (near Tanjavur), was the first person to practice Poikkal Kuthirai Aatam.

POPULARITY

Poikkal Kuthirai Aatam is famous all over Tamil Nadu and most parts of India.

M.G. Ramachandran (former Chief Minister of Tamil Nadu) was a great fan of various forms of dances. Poikkal Kuthirai Aatam was one of his favorites.

Sculptures of Poikkal Kuthirai Aatam can be seen in Chennai, the capital city of Tamil Nadu, near Loyola School, Valluvar Kottam, Cathedral Road and Tirumalai Road.

Poikkal Kuthirai Aatam was made popular in the state of Tamil Nadu, and particularly in Chennai, by the Chennai Sangamam festival a few years ago.

INSTITUTIONS

Some institutes that provide training in folk dance forms are

● Alapadma Dance Yoga

● Academy of Arts of India, Chennai

● Academy of Modern Dance, Chennai

● Annamalai University, Annamalai Nagar

● Koothambalam, Chennai

● PSG College of Arts and Science, Coimbatore.

Found in the late in-laws' desk drawer. Early 1970s? Don't remember. We knew a number of young abondoned wives with small children whose husbands needed to "find themselves". I'm guessing that is where this came from.

Doodle

A doodle is an unfocused or unconscious drawing made while a person's attention is otherwise occupied. Doodles are simple drawings that can have concrete representational meaning or may just be abstract shapes.

Stereotypical examples of doodling are found in school notebooks, often in the margins, drawn by students daydreaming or losing interest during class. Other common examples of doodling are produced during long telephone conversations if a pen and paper are available.

Popular kinds of doodles include cartoon versions of teachers or companions in a school, famous TV or comic characters, invented fictional beings, landscapes, geometric shapes, patterns and textures.

Etymology[edit]

The word doodle first appeared in the early 17th century to mean a fool or simpleton.[1] It may derive from the German Dudeltopf or Dudeldop, meaning simpleton or noodle (literally "nightcap").[1]

The meaning "fool, simpleton" is intended in the song title "Yankee Doodle", originally sung by British colonial troops prior to the American Revolutionary War. This is also the origin of the early eighteenth century verb to doodle, meaning "to swindle or to make a fool of". The modern meaning emerged in the 1930s either from this meaning or from the verb "to dawdle", which since the seventeenth century has had the meaning of wasting time or being lazy.

In the movie Mr. Deeds Goes to Town, Mr. Deeds mentions that "doodle" was a word made up to describe scribblings to help a person think. According to the DVD audio commentary track, the word as used in this sense was invented by screenwriter Robert Riskin.[citation needed]

Effects on memory[edit]

According to a study published in the scientific journal Applied Cognitive Psychology, doodling can aid a person's memory by expending just enough energy to keep one from daydreaming, which demands a lot of the brain's processing power, as well as from not paying attention. Thus, it acts as a mediator between the spectrum of thinking too much or thinking too little and helps focus on the current situation. The study was done by Professor Jackie Andrade, of the School of Psychology at the University of Plymouth, who reported that doodlers in her experiment recalled 7.5 pieces of information (out of 16 total) on average, 29% more than the average of 5.8 recalled by the control group made of non-doodlers.[2]

Alexander Pushkin's notebooks are celebrated for their superabundance of marginal doodles, which include sketches of friends' profiles, hands, and feet. These notebooks are regarded as a work of art in their own right. Full editions of Pushkin's doodles have been undertaken on several occasions.[3] Some of Pushkin's doodles were animated by Andrei Khrzhanovsky and Yuriy Norshteyn in the 1987 film My Favorite Time.[4][5]

Notable doodlers

Nobel laureate (in literature, 1913) poet Rabindranath Tagore made huge number of doodles in his manuscript.[6] Poet and physician John Keats doodled in the margins of his medical notes; other literary doodlers have included Samuel Beckett and Sylvia Plath.[7] Mathematician Stanislaw Ulam developed the Ulam spiral for visualization of prime numbers while doodling during a boring presentation at a mathematics conference.[8] Many American Presidents (including Thomas Jefferson, Ronald Reagan and Bill Clinton) have been known to doodle during meetings.[9]

Some doodles and drawings can be found in notebooks of Leonardo da Vinci.

POIKKAL KUTHIRAI - FAMOUS TAMIL FOLK ART FARM

Folk arts typically closely represent the culture and heritage of a region. In Tamil Nadu, the dance form of Poikkal Kuthirai Aatam is one such art. Also called Puravai Aatam, this is one of the oldest dance forms of the state that has been the birthplace for various innovative arts.As a community art, this dance is popular in villages across Tamil Nadu and has blended with the day-to-day life of the people. Unlike Karagattam and Kavadi Aatam, both religious dances, Poikkal Kuthirai is mostly performed as an entertainment during festivals. It may also be performed as part of religious celebrations; for instance, in honor of Ayyanar, the Hindu idol that is worshipped to protect the village.

Poikkal Kuthirai Aatam is performed bearing a lightweight dummy horse around the dancer’s waist. This dance may be called Puravi Naatiyam (Horse Dance), Poi Kuthirai (False Horse) and Marakkaladal (Wooden Leg Dancing). It is also popular in states other than Tamil Nadu. The dance is known as Saithikoda in Orissa, Theelu Gurram in Andhra Pradesh, Kachikoti in Rajasthan and Kuthikali in Kerala.

HISTORY

It is said that Poikkal Kuthirai Aatam was introduced to Tamil Nadu by the Maratha kings. There are also references to this art form in early Tamil epics. The dance is one of the 11 dances performed by Madhavi, a character in Silappadikaram. This work was written in the 2nd century and is one of the ancient epics of the Tamil language. References to Poikkal Kuthirai Aatam can also be found in the epic Tholkaapiam. In one section, the heroine’s parents ban the marriage between their daughter and her lover. The hero dons a horse-like structure made up of maple leaves and starts protesting in the streets to marry the girl. Mentions in these epics indicate that this art form originated many centuries ago.

There is a legend that Goddess Durga used to perform this dance. To take revenge, her enemies disguised themselves as poisonous snakes and scorpions, and planned to bite her while dancing. Durga was aware of their plan and for self-protection she tied wood around her legs and danced. As a result of heavy dance steps made by her, her enemies died. This gave the dance the name of Marakkaladal, or Wooden Leg Dancing. Later, the dance was renamed Poikkal Kuthirai.

AESTHETICS

The dummy horse is typically made up of jute, cardboard, paper and glass. It contains a hole into which the dancer can fit. The legs of the horse are, of course, the legs of the dancers, but it looks as if the dancer is sitting on a horse. The dancers also don wooden legs that sound like the horse’s hooves. The dummy horse is adorned with colorful skirts that swing around with the movements of the dancers.

This dance requires extensive training and skill as the wooden legs constrict one’s movement and are also heavy. In some places, such as Madurai, there is a practice of performing the dance without wooden legs and they dance barefoot, wearing only anklets.

This dance is typically performed in oorvalam, meaning procession, which covers all the areas surrounding the temple during festivals. Dancers often portray kings and queens and sport swords. Sometimes, the dance is performed by groups of eight or ten dancers standing in circles or lines.

Poikkal Kuthirai Aatam is performed to the accompaniment of Naiyandi Melam. A Naiyandi Melam musical ensemble typically includes two nathaswarams (wind-pipes), one sudhipetti, and one thaalam, and several drums played with drum sticks such as thavils, pambai, kidumutti or sinukuchatti. This is the style followed in Kongunadu region of Tamil Nadu. In southern parts of the state, an urumi—a drum with two conical heads—is also used along with the other instruments.

STALWARTS

Mr. Ramakrishnan, who lived in Thiruvayaru (near Tanjavur), was the first person to practice Poikkal Kuthirai Aatam.

POPULARITY

Poikkal Kuthirai Aatam is famous all over Tamil Nadu and most parts of India.

M.G. Ramachandran (former Chief Minister of Tamil Nadu) was a great fan of various forms of dances. Poikkal Kuthirai Aatam was one of his favorites.

Sculptures of Poikkal Kuthirai Aatam can be seen in Chennai, the capital city of Tamil Nadu, near Loyola School, Valluvar Kottam, Cathedral Road and Tirumalai Road.

Poikkal Kuthirai Aatam was made popular in the state of Tamil Nadu, and particularly in Chennai, by the Chennai Sangamam festival a few years ago.

INSTITUTIONS

Some institutes that provide training in folk dance forms are

● Alapadma Dance Yoga

● Academy of Arts of India, Chennai

● Academy of Modern Dance, Chennai

● Annamalai University, Annamalai Nagar

● Koothambalam, Chennai

● PSG College of Arts and Science, Coimbatore.

Daily #Art - Day 09-02-19

(2019) Deceptions

Here's an illustration of eyespots, a form of animal mimicry.

Have been soaking up so much dark side of humanity recently, just mindless doodled some peacock train and a wing of a Gladeye Bushbrown butterfly.

There is no lack of deception, brutality, and corruption in the world, may humanity embrace truth, goodness, and beauty.

每日藝術 - 2019年9月2日

(2019) 欺騙

這裡有一幅眼狀斑點的插圖，一種眼睛圖案的動物擬態。

最近一直沉浸在觀注人性黑暗面，無意識地塗鴉了畫了些孔雀尾羽和一張沉瞳眉眼蝶的翅。

塵世中不乏欺騙，殘酷，和腐壞，願世人與真善美相隨相行。

(#15,712 / #302)

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#dailyart #illustration #pendrawing #animalpattern #eyespots #animalmimicry #peacock #peacocktrain #feather#gladeyebushbrownbutterfly #butterfly #孔雀尾 #羽 #沉瞳眉眼蝶 #翅 #真善美 #hinxlinx #ericlynxlin #elynx #軒 #instaart #artofinstagram

watercolour and pen

From an old calendar -

The New England Calendar - 1949 Week by Week

For Engagements By Samuel Chamberlain

EXPLORE Jun, 19, 2006 #492

Wikipedia, Ballpoint pen drawing

By Jerry Stith on Friday, October 28, 2011 at 6:21pm

Ballpoint Pen Drawings are a form of art that consist of the usage of a ballpoint pen in a way similar to an average pencil except that the results are more permanent. The medium itself is considered to be easier to purchase when compared to other artistic materials. It is also a tool that any level of artist can use. Unlike other pens such as a fountain pen or crowquill pen the ink is less messy and does not bleed as much. The ink is instead distribute through the small ball at the tip of the pen which helps manage ink distribution more without difficulty. There are many intricate pictures produced by shading and the creating of many tones through techniques that are very similar to a pencil drawing. Not only is black ballpoint pen ink being used, various color inks have been as well. Subject matters for this type of art consist of portraits, sketches, still-life's, landscapes, abstracts and ect. The most prolific ballpoint pen artist, publisher, video producer and information provider Jerry Stith,[1] is known for pushing in the whole new movement of using ballpoint pens as a medium for illustrating and drawing period. He has produced 3,750 of his own art pieces using this medium and is still continuing as of 2011. The movement itself has been going on for some time and is picking up speed even now. Thanks to his enthusiasm in this new form of art many amazing artist such as Babis Kiliaris, Juan F. Casas, Virginia Rodriguez Cañete, Andrey Hrenov and Shirish Deshpande [2] have appeared in the art world. Not only are the many artworks created with this medium made for just amusement they are being placed in exhibits such as the one by the Korean artist Il Lee, who will display his abstract drawings at The Crow Collection of Asian Art located in Dallas, Texas on April 8, 2011.[3]

From Wikipedia, the free encyclopedia

(Redirected from Ballpoint Pen Drawings)

References; [links dead]

Doodle

A doodle is an unfocused or unconscious drawing made while a person's attention is otherwise occupied. Doodles are simple drawings that can have concrete representational meaning or may just be abstract shapes.

Stereotypical examples of doodling are found in school notebooks, often in the margins, drawn by students daydreaming or losing interest during class. Other common examples of doodling are produced during long telephone conversations if a pen and paper are available.

Popular kinds of doodles include cartoon versions of teachers or companions in a school, famous TV or comic characters, invented fictional beings, landscapes, geometric shapes, patterns and textures.

Etymology[edit]

The word doodle first appeared in the early 17th century to mean a fool or simpleton.[1] It may derive from the German Dudeltopf or Dudeldop, meaning simpleton or noodle (literally "nightcap").[1]

The meaning "fool, simpleton" is intended in the song title "Yankee Doodle", originally sung by British colonial troops prior to the American Revolutionary War. This is also the origin of the early eighteenth century verb to doodle, meaning "to swindle or to make a fool of". The modern meaning emerged in the 1930s either from this meaning or from the verb "to dawdle", which since the seventeenth century has had the meaning of wasting time or being lazy.

In the movie Mr. Deeds Goes to Town, Mr. Deeds mentions that "doodle" was a word made up to describe scribblings to help a person think. According to the DVD audio commentary track, the word as used in this sense was invented by screenwriter Robert Riskin.[citation needed]

Effects on memory[edit]

According to a study published in the scientific journal Applied Cognitive Psychology, doodling can aid a person's memory by expending just enough energy to keep one from daydreaming, which demands a lot of the brain's processing power, as well as from not paying attention. Thus, it acts as a mediator between the spectrum of thinking too much or thinking too little and helps focus on the current situation. The study was done by Professor Jackie Andrade, of the School of Psychology at the University of Plymouth, who reported that doodlers in her experiment recalled 7.5 pieces of information (out of 16 total) on average, 29% more than the average of 5.8 recalled by the control group made of non-doodlers.[2]

Alexander Pushkin's notebooks are celebrated for their superabundance of marginal doodles, which include sketches of friends' profiles, hands, and feet. These notebooks are regarded as a work of art in their own right. Full editions of Pushkin's doodles have been undertaken on several occasions.[3] Some of Pushkin's doodles were animated by Andrei Khrzhanovsky and Yuriy Norshteyn in the 1987 film My Favorite Time.[4][5]

Notable doodlers

Nobel laureate (in literature, 1913) poet Rabindranath Tagore made huge number of doodles in his manuscript.[6] Poet and physician John Keats doodled in the margins of his medical notes; other literary doodlers have included Samuel Beckett and Sylvia Plath.[7] Mathematician Stanislaw Ulam developed the Ulam spiral for visualization of prime numbers while doodling during a boring presentation at a mathematics conference.[8] Many American Presidents (including Thomas Jefferson, Ronald Reagan and Bill Clinton) have been known to doodle during meetings.[9]

Some doodles and drawings can be found in notebooks of Leonardo da Vinci.