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Captured on Seré beach, Carmel, Uruguay, a few minutes before sunset.
Canon 6D + canon 16-35mm f4 L
Marcus Foster "Nameless Path": www.youtube.com/watch?v=OO75Qd0Obu0
Win, lose or draw, may the times set you on the right path ahead.
Press "L".
5x7" (13x18cm) large format throught 210mm lens front standard drop with rear swing, Rollei Ortho 25S developed in HC-110, wet-mounted drumscan.
Super foggy path on a greenway, making the end nearly invisible. Used Nik to convert, add som eantique toning and a lot of grain to make the modern setting look older than it is.
Whenever I can, love to take a walk in this part of oporto city. This breakwater, especially, is in really beautiful place, where the river meets the sea. So sometimes the sea here is a bit dangerous and creates some waves that pass over the breakwater.
This was the precise moment that a big wave was hitting the breakwater, flooding it. After this shot had to run for cover :P but didn't run fast enough so came home all wet.. well, at least the picture was worth it and both me and the camera safely returned home. (this wasn't during a sea storm or something like that, it was just one especially big wave)
A log lies in the way just ahead for me to not trip and fall over. It is a cluttered path that quickly loses clarity and goes who knows where.
The biggest obstacles are yet unseen. But oh how wondrous the hike, with colors to behold and textures to grasp.
Minolta Vectis S-1
Minolta Vectis 22-80mm 1:4-5.6
ExtraFilm.com 200-40, expired 2009-06, ID 577-701
Adobe Photoshop Elements 2019
A10216_024
This began as a photo of a path through a meadow and a row of trees and was digitally altered to create a painterly type piece with soft autumn colors and the feel of a damp, moody day.
Framed for the Down Under Challenge . It was too beautiful to change :-)
With thanks to Roger for the source image