View allAll Photos Tagged pathos
(Perfect Balance, Ser. ..) .
Pathos; Wabi-Sabi . **
Lingering, Fading . . Series. ..
( Click Tock, Tick Clock . .. . ! . . S-S-t.o...P . (*!*) .. . )
((( Banded .. . ( Window (Light) Reflected unto, under Window . .. ) . )))
Soft..Quiet*ude..Etude.. *.
70 years old Amena begum begs alms in a street corner at Dhaka. She has no option but begging in this old age. Not being taken care of by her children Amena begum has to live on begging to bear the weight of life. Her story can be read well looking at her face full of pathos…
Weds 19/1/00. Steps lead down to a multi-chambered sunken sanctuary honouring a Jewish woman whose 7 children were martyred by one of the Selucide kings of Palestine. Frescoes are a mess, first vandalised by the Crusaders. Complex MAY have been the synagogue of Roman Paphos and a pagan shrine before that.
Photography by Shay Rowan at the first performance.
Come for the music, stay for the existential crisis.
"As irreverent as it is poignant" (Australian Arts Review), this classical cello recital plays out like a piece of performance art run by a masterly jester blurring artistry, humanity, and insanity. Featuring Suite Number One in G Major by JS Bach and personal comedic pieces crafted in Idiot classes, Karen fuses in a healthy dose of pathos tackling identity, expectations, and success through the eyes of a fool.
Winner - Tour Ready Award San Diego Fringe
Winner - Best of the Broadwater encore at Hollywood Fringe
Winner - Weekly Judges Pick in Spoken Word and Storytelling at Sydney Fringe
Nominee - Best Overall in Spoken Word and Storytelling at Sydney Fringe
Top Ten Theatre pick by Stage Raw Los Angeles
★★★★ - Sydney Arts Guide
★★★★ "comic timing as impeccable as her playing" Everything Theatre UK, London
★★★★ - The Alternative Gig Guide, Melbourne
SOLD OUT Run at Vancouver Fringe
Tickets greatermanchesterfringe.co.uk/events/delusions-and-grandeur/
Photography by Shay Rowan at the first performance.
Come for the music, stay for the existential crisis.
"As irreverent as it is poignant" (Australian Arts Review), this classical cello recital plays out like a piece of performance art run by a masterly jester blurring artistry, humanity, and insanity. Featuring Suite Number One in G Major by JS Bach and personal comedic pieces crafted in Idiot classes, Karen fuses in a healthy dose of pathos tackling identity, expectations, and success through the eyes of a fool.
Winner - Tour Ready Award San Diego Fringe
Winner - Best of the Broadwater encore at Hollywood Fringe
Winner - Weekly Judges Pick in Spoken Word and Storytelling at Sydney Fringe
Nominee - Best Overall in Spoken Word and Storytelling at Sydney Fringe
Top Ten Theatre pick by Stage Raw Los Angeles
★★★★ - Sydney Arts Guide
★★★★ "comic timing as impeccable as her playing" Everything Theatre UK, London
★★★★ - The Alternative Gig Guide, Melbourne
SOLD OUT Run at Vancouver Fringe
Tickets greatermanchesterfringe.co.uk/events/delusions-and-grandeur/