View allAll Photos Tagged parallel
Screening of Harun Farocki's Parallel I-IV
Courtesy of Harun Farocki GbR
KAM WORKSHOPS 2015
ARTIFICIAL NATURES
Chania, 21.8.2015
sometimes love is like .. me and you stay in a different train, have a different direction to go
it's a parallel and will never be merged to the same line.
how much you try .. thats also how hurt you will get. an endless pain ..
Series Introduction: "Parallel Vintage"
In a world of relentless complexity, we often find ourselves turning to the past—not as it was, but as we wish it could have been. Nostalgia is the quiet rebellion of the soul, a longing for simplicity, for the tactile warmth of a time untouched by the frenetic pace of modernity. Yet what if the past we yearn for was never ours to begin with?
This series, "Parallel Vintage", explores that very idea. Through the lens of AI, we step into a realm where vintage is not a memory, but a reimagining—a delicate fusion of early 1900s charm and subtle retro-futurism. These images are not snapshots of history, but fragments of an alternate timeline: a world where sepia tones, hand-tinted hues, and the soft haze of old postcards meet the quiet wonder of what might have been. Here, the grain of film and the brushstroke of watercolor do not preserve the past; they invent it.
AI liberates longing. It does not recreate reality—it reveals the realities we never knew we missed.
Screening of Harun Farocki's Parallel I-IV
Courtesy of Harun Farocki GbR
KAM WORKSHOPS 2015
ARTIFICIAL NATURES
Chania, 21.8.2015
A sculpture made of mesh. You can go inside and walk the corridors which curve in and out,narrowing until my fat arse couldnt get past
WPC 2008, Evian, October 6 - Henry Siegman, American journalist specializing in the Middle East policy towards Israel;
I was testing the distance of my remote release button today and noticed the images I was getting had a passing resemblance to the famous James Dean at Times Square pics. It got me thinking about parallel universes....
and on a totally side note, this is the stretch of road where I learned to ride a bike many, many years ago; though I imagine Jimmy Dean didn't finally master the art of balancing on the bicycle minus the stabilisers at Times Square...
Pasando un antivirus en XP mientras termina de instalarse Windows 98.
Mis impresiones sobre su funcionamiento están en Parallels Workstation para Macintosh: primeras impresiones.
WPC 2015, Montreux, November 21 - Bark Taeho, Professor at Seoul National University, former Minister for Trade, Republic of Korea.
Screening of Harun Farocki's Parallel I-IV
Courtesy of Harun Farocki GbR
KAM WORKSHOPS 2015
ARTIFICIAL NATURES
Chania, 21.8.2015
This project is my speculation about presumable existence of parallel universes. The universe is infinite, but there is only limited amount of particles everything is made of. That means, that any combination of limited amount of participles will repeat again. Theory of hyperspace says, that our universe is just one small bubble in the foam full of bubbles.What if somewhere there, in the depth of infinite universe, exists exactly the same version of me?
Or you?
Screening of Harun Farocki's Parallel I-IV
Courtesy of Harun Farocki GbR
KAM WORKSHOPS 2015
ARTIFICIAL NATURES
Chania, 21.8.2015
Screening of Harun Farocki's Parallel I-IV
Courtesy of Harun Farocki GbR
KAM WORKSHOPS 2015
ARTIFICIAL NATURES
Chania, 21.8.2015
Screening of Harun Farocki's Parallel I-IV
Courtesy of Harun Farocki GbR
KAM WORKSHOPS 2015
ARTIFICIAL NATURES
Chania, 21.8.2015
Screening of Harun Farocki's Parallel I-IV
Courtesy of Harun Farocki GbR
KAM WORKSHOPS 2015
ARTIFICIAL NATURES
Chania, 21.8.2015
Screening of Harun Farocki's Parallel I-IV
Courtesy of Harun Farocki GbR
KAM WORKSHOPS 2015
ARTIFICIAL NATURES
Chania, 21.8.2015
Series Introduction: "Parallel Vintage"
In a world of relentless complexity, we often find ourselves turning to the past—not as it was, but as we wish it could have been. Nostalgia is the quiet rebellion of the soul, a longing for simplicity, for the tactile warmth of a time untouched by the frenetic pace of modernity. Yet what if the past we yearn for was never ours to begin with?
This series, "Parallel Vintage", explores that very idea. Through the lens of AI, we step into a realm where vintage is not a memory, but a reimagining—a delicate fusion of early 1900s charm and subtle retro-futurism. These images are not snapshots of history, but fragments of an alternate timeline: a world where sepia tones, hand-tinted hues, and the soft haze of old postcards meet the quiet wonder of what might have been. Here, the grain of film and the brushstroke of watercolor do not preserve the past; they invent it.
AI liberates longing. It does not recreate reality—it reveals the realities we never knew we missed.