Panel Vans or Wagons
View allAll Photos Tagged panels.
Here in the UK today, Sunday 22 March, it's Mothering Sunday; the strangest one ever for all mothers in the country. We all usually all go out for lunch - today my children & grandchildren left my presents outside my front door and we spoke to one another through the (closed) window; the practise of social distancing.
This artwork is from some of the flowers I received.
Ah well - I've plenty of chocolates to keep me going!
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Couldn't help but notice how flat this Swallowtail was holding his wings - like solar panels to soak up all the suns warmth and energy possible.
It was almost noontime and already the day was sweltering hot so it probably didn't take too long to get all charged up.
Seen in the Children's Garden at Dauset Trails Nature Center.
** Best when viewed large
Explore: 8-01-16, #285
This is a close-up HDR photo of the patterning detail in a plastic panel. I love the gradual transitions across the patterning grid in the blue/yellow colours and the refracted light from the windows. Best viewed enlarged in slideshow.
This is the last mult-panel panorama I have to share. Maybe I'll take more at some point. They're fun, but quite a time-suck.
This is a 4-panel version of a 3-panel pano I did at the same time. This one has no edits between photos.
It's so strange to see the two shiprocks together though. In real life you don't quite get this view.
All I can really say about these is that they're harder than they look. Not much harder though. With a little pre-thought and some planning, you can pull it off.
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'4/3'
Camera: Chamonix 45F-2
Lens: Steinheil München Anastigmat Actinar 4.5; 135mm
Film: Agfa CP-BU M X-Ray Film; 25iso
Exposure: f/25; 1/10sec
Process: HC-110; 1+100; 5mins
Washington
March 2025
The panels in the Coca-Cola Beatbox, an interactive art installation within the Olympic Park, in Stratford, London.
Designed by Asif Khan and Pernilla Ohrstedt, the structure fuses architecture, sport, music and technology, inviting participants to activate the panels, each of which play a recording of a sport-derived noise to create music.
3-shot HDR taken with a Nikon D7000 and a Nikkor AFS DX 18-200mm F/3.5-5.6G lens, merged in Photomatix, then processed in GIMP and Photoscape. Potentially a bit heavy handed with the tone-mapping...
This is a close-up photo of rust on an iron panel on the wharf at Port Maitland Beach. The amazing textures are best seen full screen in Slideshow.
This is a close-up photo of rust patterns on an iron panel on the wharf at Port Maitland Beach, and light reflections on seepage that suggest a pareidolia portrait.
This is a photo of the light shinning through a frosted glass panel in the lobby of the library in Yarmouth.
Out to grass at Hurn sometime in the late 1980's and with various panels missing, this unidentified Hawker Hunter appears to have a 'recce' pack installed in the port underbelly blister
Scanned print
Another from the signal box tour and the New Street PSB panel, with one of the other chaps on the tour studying a bit of detail.
The signal box was only taken out of use at Xmas 2022, but as you can see the panel is a trove of detail from the 60s onwards.
This is a photo of a rusted iron panel on the wharf at Port Maitland Beach that suggests a pareidolia portrait.
Excerpt from www.aph.gov.au/visit_parliament/about_the_building:
Marble Foyer
The Marble Foyer features 48 marble columns that evoke the muted pinks and greens of the Australian landscape as well as the colours of the two Parliamentary Chambers, clad in green Cipollino marble from Italy and creamy pink Atlantide Rosa marble from Portugal. The two marble staircases feature stone finials created by Sydney sculptor Anne Ferguson, which were inspired by the seed forms of Australian trees. The floor has a series of circles, semi-circles and triangles of Paradise White marble and black Granitello Nero limestone from Belgium. The limestone is full of fossils of sea life that existed some 345 million years ago. You can see the remains of ancient corals, sponges and crinoids, or 'sea lilies'.
The walls feature twenty marquetry panels depicting Australian native flora, designed by Adelaide artist Tony Bishop and produced by Michael Retter, the six panels above the entrance feature plants traditionally used by Aboriginal people, and those on the southern side feature plants collected by Sir Joseph Banks in 1770.
Carolin and I are members of a local Landcare group. Carolin is vastly more active in this area than I am, but I did attend an event last week. It was entertaining and interesting. The property we visited had a number of features of interest, including this old Morris van which was certainly beyond salvage, but interesting in its own way.