View allAll Photos Tagged palimpsest
Mes Palimpsestes - objets ramassés dans la rue, peints à l’aquarelle, et galerie de créatures imaginaires. © www.abirato.com 2014
-Boliviana en España-
Palimpsesto.
Técnica mixta.
Presentación: libro
12 cm X 20 cm
Páginas intervenidas: En proceso
Portada: .
Fecha: 2011- no terminado
"Migrantes son invitados e invitadas a intervenir (ojalá en su idioma de origen) dos páginas de éste libro dejando sus impresiones, emociones, evocaciones o lo que le significa ser "INMIGRANTE"
The Working Group on Slavery and Visual Culture is pleased to announce the launch of its second digital exhibit, Palimpsests: Visual Idioms of Enslavement in the Nineteenth Century and their Afterlives, soon to be available on the digital platform The Visual Afterlives of Slavery. This collaborative exhibit unearthed various modes in which nineteenth-century visual idioms of enslavement endure in present-day constructions of Blackness as a site for policing, discipline, labor, desire, love, death, and/or pity, as well as the challenged responses offered by contemporary artists across the Americas to that legacy. The conceptual figure that organized this exploration is the palimpsest—the idea of a primary inscription that both persists and is disfigured underneath the surface of a new one.
Photos by Abel Arciniega
The Pantheon in Rome is a world icon of permanence. It has withstood nearly 20 centuries of wear and tear since its construction in 125 A.D. Its function has changed numerous times as well as the people who use it, but still it remains standing as an example of Rome’s antiquity. Today, it is supported by the people that are drawn to it. Locals and tourists both flock to this monument to see its grandeur.
This post is one piece to a string of images and coments to bring awareness to the recent earthquake in the Abruzzo region of Italy. Towns such as L’Aquila and Castelvecchio Calvisio are left damaged and crumbled from this unfortunate event. Rome is an example of restoration and preservation not only of architecture and art, but of culture. In this way, Rome can be an example and even help to the Abruzzo region because of its familiarity with these issues.
To follow this string, click this link to the following blog about the Pantheon: www.facebook.com/group.php?gid=209490060287&ref=ts
-Mexicana en España-
Palimpsesto.
Técnica mixta.
Presentación: libro
12 cm X 20 cm
Páginas intervenidas: En proceso
Portada: .
Fecha: 2011- no terminado
"Migrantes son invitados e invitadas a intervenir (ojalá en su idioma de origen) dos páginas de éste libro dejando sus impresiones, emociones, evocaciones o lo que le significa ser "INMIGRANTE"
PALIMPSESTO, proyecto de la violoncellista Julia Martín Arias para LE PASQUIN POÉTICO 2016 que tuvo lugar en el Palacio del Conde Luna el 10 de junio´16.
Palimpsesto.
Técnica mixta.
Dimensiones: 19 x 16 cm.
Presentación: cuadernillo
Portada: intervenida.
Contraportada: intervenida.
Páginas intervenidas: 20.
Fecha: 2007.
"El olvido y el recuerdo se entremezclan"
PALIMPSESTO, proyecto de la violoncellista Julia Martín Arias para LE PASQUIN POÉTICO 2016 que tuvo lugar en el Palacio del Conde Luna el 10 de junio´16.
PALIMPSESTO, proyecto de la violoncellista Julia Martín Arias para LE PASQUIN POÉTICO 2016 que tuvo lugar en el Palacio del Conde Luna el 10 de junio´16.
Samedi 7 mai 2016 10h-12h / 14h-16h
Tout public sur inscription (complet)
Factures, cartes anciennes, pages de livres anciens... Pierre Alechinsky aime utiliser ces supports qui suscitent et libèrent toute sa créativité. Plusieurs œuvres exposées actuellement à la médiathèque en témoignent. mediathequequimperle.blogspot.fr/2016/05/a-la-maniere-de-...
Francés en Barcelona
Palimpsesto.
Técnica mixta.
Presentación: libro
12 cm X 20 cm
Páginas intervenidas: En proceso
Portada: .
Fecha: 2011- no terminado
"Migrantes son invitados e invitadas a intervenir (ojalá en su idioma de origen) dos páginas de éste libro dejando sus impresiones, emociones, evocaciones o lo que le significa ser "INMIGRANTE"
Curated by Amy Skodak, MA candidate
Exhibition: May 30 – June 20, 2024
Reception: Thursday, May 30 from 5-7PM
Cohen Commons
Work by:
Jessica Joyce and Rylee Rumble
Chloe Serenko
SiHyun Vision Kim
Anna Riberdy
Danielle Petti
Temporal Palimpsests explores personal memory and collective understandings of time as layered. It questions how palimpsest as metaphor and methodology communicates temporal relationships.
The term palimpsest describes the visible traces that remain after a manuscript has been recycled by erasing and writing over the original text. It is derived from the Latin word, palimpsestus, meaning “parchment cleaned for reuse.” In the seventeenth century, palimpsests spurred intrigue at the possibility of uncovering hidden texts. Metaphorically ,the palimpsest presents a lens through which to understand time as a layering of experiences and voices that shape the story of a culture, landscape or individual. As a methodology in art, the palimpsest allows for a visual rendering of these layered encounters.
The exhibit showcases the work of artists from the Department of Visual Arts at Western University who address themes such as memory, the passage of time, the impacts of time, and the cataloging of time. Through repurposing material and in multi-media installation, these artists reimagine the palimpsest.
© 2024; Department of Visual Arts; Western University