View allAll Photos Tagged pacifiers
Elara, a reliable babysitter, becomes obsessed with the luxurious lifestyle of the family she works for.
Driven by a desperate need for money to escape her own lifestyle, she decides on a brazen plan: she will kidnap the baby and demand a hefty ransom.
Box of vanilla cupcakes with whipped cream filling and vanilla buttercream icing topped with a handmade fondant pacifiers.
Wellington - 2015
The new Clyde Quay Wharf building from across the marina, with the Saint Gerards Monastery in the background at the foot of Mount Victoria.
Sorry I have not been the best contact on flickr lately...
I've been feeling pretty ill the last month or so.
I'm told I'll eventually be feeling much better...possibly sometime next April...
E listens toThey Might Be Giants on a hand-me-down MP3 Player. I thought we'd gotten rid of all the pacifiers in the house...
Paul Joostens
"Les Mollusques" 1925
Complete set of 6 original lithographs, each 15 5/8 x 16 ½ inches
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Carol Cole
"Back into the Womb" 1997
Satin, lace, velour, rubber foam, acrylic paint,
play tent, pacifiers, nipples, 48 x 48 x 48 inches
www.francisnaumann.com/EXHIBITIONS/VV/index.html
“THE VISIBLE VAGINA”
FRANCIS M. NAUMANN FINE ART
and DAVID NOLAN GALLERY
January 28 – March 20, 2010
Wednesday, January 27, 2010, 6-8 pm at Francis M. Naumann Fine Art
Thursday, January 28, 2010, 6-8 pm at David Nolan Gallery
THE VISIBLE VAGINA is an exhibition jointly organized by Francis M. Naumann and David Nolan. It is scheduled to open at Francis M. Naumann Fine Art (24 West 57th Street) and at David Nolan Gallery (527 West 29th Street) on January 28, 2010. Both shows will run concurrently, ending on March 20, 2010.
As the title of the exhibition suggests, the show is designed to make visible a portion of the female anatomy that is generally considered taboo―too private and intimate for public display. If shown at all, this part of a woman’s body is usually presented in an abject fashion, generally within the context of pornography, intended, in almost all cases, for the exclusive pleasure of men. The goal of this exhibition is to remove these prurient connotations, implicit even in works of art, ever since the pudendum was prudishly covered by a fig leaf. This gesture of false modesty, it should be noted, was devised and enforced entirely by men (not only in the case of classical sculpture, but also in the Bible, in which, immediately after their disobedience in the Garden of Eden, Adam and Eve cover their genitalia with fig leaves). Indeed, until recently, virtually all depictions of the frontal nude female figure were made by men, but as this exhibition will demonstrate, that has changed dramatically in recent years.
The catalogue for THE VISIBLE VAGINA will trace this motif in art history from prehistoric to modern times. It includes an introduction by the exhibition organizers, as well as a highly informative and provocative essay by Anna C. Chave, Professor of Contemporary Art and Theory at the Graduate Center of the City University of New York. Inspiration for both the show and its catalogue came from Eve Ensler’s The Vagina Monologues, a stage play that premiered off-Broadway in 1996, and was followed by various productions throughout the world (it appeared as a book in 1998). Ensler gave voice to countless women worldwide, honoring the complexity and mystery of their sexuality, basically encouraging them to consider their vaginas as powerful and expressive components of their physical selves, something not to be ashamed of, but to be proudly protected as an assertive and positive manifestation of their being. The idea for this show came from realizing that there was no better group to give vision to this goal than artists, many of whom had already incorporated imagery of the vagina in their works. Because of Ensler’s pioneering work in this field, the catalogue is dedicated to her, and proceeds from its sale shall be donated to V-Day, the organization she founded to end violence against women and girls throughout the world.
The following is a list of the artists whose work will be included in the exhibition (as well as a number whose work is only reproduced in the catalogue): Magdalena Abakanowicz, Ghada Amer, Beth B, Judie Bamber, Tracey Baran, Nancy Becker, Hans Bellmer, Mike Bidlo, Louise Bourgeois, Robert Brinker, Judy Chicago, Carol Cole, Maureen Connor, Gustave Courbet, Tee Corinne, John Currin, Sarah Davis, James Dee, Jay Defeo, Jim Dine, Leo Dohman, Marcel Duchamp, Carroll Dunham, Tracy Emin, India Evans, John Evans, Valie Export, Robert Forman, Neil Gall, Kathleen Gilje, Guerrilla Girls, Nancy Grossman, Barbara Hammer, Jane Hammond, Mona Hatoum, Stanley William Hayter, Sandra Vásquez de la Horra, David Humphrey, Paul Joostens, Pamela Joseph, Mel Kendrick, Elisabeth Kley, Jeff Koons, Mark Kostabi, Shigeko Kubota, Zoe Leonard, Sherrie Levine, Lee Lozano, Henri Maccheroni, Chema Madoz, Réné Magritte, Gerard Malanga, Man Ray, Robert Mapplethorpe, Marcel Mariën, André Masson, Sophie Matisse, Ana Mendieta, Allyson Mitchell, Cathy de Monchaux, Vik Muniz, Wangechi Mutu, Gladys Nilsson, Yoko Ono, Pablo Picasso, Chloe Piene, Richard Prince, Daniel Ranalli, Oona Ratcliffe, Niki de Saint-Phalle, Katia Santibanez, Peter Saul, Naomi Savage, Egon Schiele, Carolee Schneemann, Mira Schor, Michelle Segre, Tom Shannon, Cindy Sherman, James Siena, Laurie Simmons, Kiki Smith, Julie Speed, Nancy Spero, Betty Tompkins, Kiyoshi Tsuchiya, John Tweddle, Tabitha Vevers, Douglas Vogel, Robert Watts, Hannah Wilke, Terry Winters, Beatrice Wood.
PANEL DISCUSSION: David Nolan Gallery will host a panel discussion on the exhibition with the featured artists on Saturday, January 30 from 2-4 pm at 527 West 29th Street.
FRANCIS M. NAUMANN FINE ART
24 West 57th Street, Suite 305
New York, NY, 10019
Telephone: 212.582.3201
LHOOQ@FRANCISNAUMANN.COM
The Sandworm takes visitors to the tip of the branch, the top of Denmark, where the North Sea and the Kattegat meet.
A recent 'tradition' has parents offering redundant dummies/pacifiers to the tractor drivers who tie the donations into shapes on the front of their tractors!
Apparently this is like a rite of passage for the child to understand that they have moved on from needing the device and that the big, storng tractor will look after they long-loved friend!
flic.kr/p/2rpu4tE is a Sandworm!
When the snow melts, stuff emerges. This baby's pacifier was spotted near Lower Lake on the path going to 1837.
yes, 'black gold' jesus was fun, but, its all about the 'full package', just cause someone looks like a j double or he is muscle-bound does not guarantee crowd approval...sadly, 'black gold' in gold lame was a tad 'lame'...not really funny, and he could of ran with it...unfortunately, several others went up there expecting a win just because....that aint gonna happen......the win is captured by a bit of creativity and hilarity, and muscles does help.....
the guy in the ripped white polyester jumpsuit on roller skates doing the most awesome jumps and splits on stage brought the crowd into a frenzy of applause...Disco J really rocked..err..disco'd the crowd into excitement .
the super-muscled thin guy brought on his entourage which is not allowed in the rules, yes, even mayhem has rules. so no last-supper, or last-brunch in this case...so, super-muscle went on some silly J-rant (for fun, but hell, if you can't say it in a couple of sentences, sit down)... basically, the audience roared when he came on, muscle approval will do that for you, but, the crowd instantly fell asleep with his plentitude of zzzz;s pretend preaching...
so, another tan-muscled j came on stage, once again causing the audience to rise ...to their feet. he had his toy bunnies, a pacifier, and baby bottle...his baby-talk was somewhat funny, but, clearly he was not going to win the crowd over in his diaper....there were several volunteers who wanted to change his diaper right-then-and-there whether it needed changing or not....then he said something about, 'wanna milkie bobo', which everyone silently snickered.. more of a wtf moment, than humoristic ......he then proceeded to squirt the milk all over his muscular tanned rippled muscles a la Flashdance....the crowd went W-I-L-D. (now granted, the milk had to be corn-starch enhanced to stick to the rippled muscles...but, hell, it made an incredible show with a tad, just a tad mind you , of eroticism ) ...
a winner of 2015 was declared...and the guy was mobbed by folks wanting photos of him with the dripping white milk still clinging to his muscular, hairy, tanned body
The 2015 HUNKY JESUS CONTEST with THE SISTERS OF PERPETUAL INDULGENCE !
ADDA DADA, Hunky Jesus, Sister Roma, Alisson Gothz & the Sisters of Perpetual Indulgence...............OH MY!
In Leah Garchik San Francisco Chronicle DATEBOOK column !
..."And man on the scene ADDA DADA reports that the winner of the Sisters of Perpetual Indulgence Hunky Jesus Contest Dolores Park was muscular Mark Root, as "Baby Jesus"; the Foxy Mary contest winner was actually pregnant.
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A MUSCLE-BOUND, diaper clad, HUNKY JESUS carrying his toy Easter bunnies, two baby bottles filled with milk, and sucking on a pacifier waddled up on stage much to the delight of Sister ROMA and the crowd. Everyone went in to a wild uproar when he squirted his bottle of milk all over his golden tan, rippled muscled beautiful body a la Flashdance. Milk really do a body good...BABY JESUS won the title of 2015 HUNKY JESUS CONTEST!
The sexy lanky ROLLER DISCO JESUS stunned the crowed with his roller skating antics on stage, ok it was his tight muscled body in a white disco jumpsuit which was ripped open in just the right places !
The EXORCIST JESUS also got the audience howling with his Dr. Frankenfurter black lace , neglige outfit and 6-inch black platform boots.
Afterwards, HUNKY, MUSCLE-BOUND BABY JESUS was pulled aside by tons of people for a photo-op !
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