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Sensors in the room pick up your heart beat and you can hear it. Magical and loud. The work is described as an immersive biometric artwork.
"Pulse Topology"
Artist: Rafael Lozano-Hemmer
3,000 LED filament lightbulbs, DMX controllers, custom-made
photoplethysmography sensors, computers. The installation covers an area between 1,000 and 5,000 square feet depending on the size of the room that it's installed in.
Multiple exposure based on this piece by Yin XiuZhen from the Chinese Material Art exhibition in Chicago.
More about this incredible artist here:
www.pacegallery.com/artists/yin-xiuzhen/
**All photos are copyrighted**
The two from Robert Indiana's series "One Through Zero (The Ten Numbers" installed on the terrace of Pace Gallery.
The artist assigned meanings to the numbers with 1 representing birth and 0 death - with the numbers 2 through 9 various stages of life
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inspired by Avedon's "Killer Joe" Piro
www.pacegallery.com/artists/richard-avedon/ #52Frames #W48:InspiredByAPhotographer
Certainly not the most technically sound image, I don't have a great lens for this and tripods weren't allowed BUT I loved the exhibit. So there ya go!
*Shout-out to the stranger who was a happy accident
Another work in Tim Hawkinson's show at Pace Gallery. Tim is perhaps the least predictable artist I know. This piece, titled "Laocoon", is made of paper, wire, string and foam rubber. There isn't just irony in titling a replication of a blown out monster car tire made out of humble household materials "Laocoon": The title clearly references a very famous ancient Greek sculpture depicting the Trojan priest Laocoön and his two sons being strangled by snakes as a punishment for trying to warn the Trojans about the famous wooden horse sent by the Greek enemies. Not only does Hawkinson' piece echo the composition of that sculpture, but it seems to me there is an oblique critique of contemporary culture–"high" (you can't get much "higher" than Chelsea's art temples, I mean galleries, like Pace) and "low" (the Monster Car "race" is the ultimate American low brow entertainment)–in the literally convoluted reference to the Trojan horse.
The third exhibition that drew my into NYC last Friday is the retrospective-ish show of Tim Hawkinson at Pace Gallery . Tim is kind of cross between a mad scientist, an incredibly precocious ten year old and an engineer. If you are in or near NYC do not miss this show. This piece–titled "Signature"–is a homemade signature machine. Continuously signing "Tim Hawkinson" on a piece of paper and then cutting the signed piece free to join the ever growing stack of such signed pieces of paper on the floor.
Joel Shapiro American : 1941 - 2025
Untitled, 1989
Bronze
The Phillip G. Schrager Collection.
Promised gift of Terri L. Schrager
From the Placard: Joslyn Art Museum, Omaha Nebraska
en.wikipedia.org/wiki/Joel_Shapiro
www.pacegallery.com/artists/joel-shapiro/
The Language of Form in Space: Artist Joel Shapiro and Curator Jed Morse in Conversation
"Untitled (Mylar), 2011" by Tara Donovan, at Pace Gallery, 545 West 22nd Street. According to the gallery, the installation "is composed of sheets of Mylar, which grow into towering organic structures of varying heights rising up to approximately 11 feet tall. Light plays a pivotal role in the work as it catches the metallic surfaces and radiates off its undulating form."
"PixCell-Maral Deer"
taxidermied reindeer covered with glass orbs, composed by Kohei Nawa and presented by Pace Gallery at the Fog Design and Art Fair. Asking $500k
Fort Mason Center
San Francisco, California
"Untitled (Mylar), 2011" by Tara Donovan, at Pace Gallery, 545 West 22nd Street. According to the gallery, the installation "is composed of sheets of Mylar, which grow into towering organic structures of varying heights rising up to approximately 11 feet tall. Light plays a pivotal role in the work as it catches the metallic surfaces and radiates off its undulating form."
Went to The Pace Gallery here in NYC and there is this huge frosted doors with great light and decided to play with it.
Apollolaan 04/06/2023 18h09
In my opinion a beautiful piece of art of bronze but on a totally wrong location. Too much shade so the artwork does not come into the picture nicely.
GALILEO'S TABLE [1989]
Julian Schnabel (USA 1951)
ArtZuid
ARTZUID is an international large-scale sculpture exhibition which takes place every two years in Amsterdam.
ARTZUID was established in 2008.The initiative came from United Art Consult led by Cintha van Heeswijck. From 2009 on, the exhibition takes place every odd year in the monumental Art-Deco district in Amsterdam, designed in 1917 by Hendrik P. Berlage. ARTZUID sculpture route starts at the Museum Square in front of the Rijksmuseum and stretches for 2,5 kilometers south along the Minervalaan, the Apollolaan and Churchilllaan and finally up to the Station Zuid.
The eighth edition of the biennial Amsterdam Sculpture Biennial ARTZUID took place from 19 May to 24 September 2023. On Apollolaan and Minervalaan in Amsterdam-Zuid, 50 sculptures have been selected by curator Jasper Krabbé under the theme Transfer.
The selected art reflects the transfer of social commitment of artists and iconic movements from the 60s, 80s, and 2000s that brought ‘art to the streets’. Think (Neo)Pop art, Nouveau Realisme, Arte Povera and Street art. With the help of sponsors, ten commissions were given to Dutch artists.
[ Wikipedia ]
During my recent brief sojourn in NYC I had the pleasure of meeting up with the marvelous artist Dina Brodsky and her recently arrived son Mark. We wandered around Chelsea while talking and I took this photograph of the two of them standing in front of a giant doodle-ish (and mind-boggling) drawing by Tim Hawkinson. Tim's drawing is actually an apt visual metaphor for Dina's extraordinary work as a curator and Instagram guru.
www.pacegallery.com/exhibitions/james-turrell-9/
James Turrell’s recent Constellation works, the focal point of this exhibition, are the culmination of Turrell's lifelong pursuit. Generating what the artist has called “spaces within space,” these luminous portals are instruments for altering our perception; gazing into them results in the slow dissolution of the boundaries of the surrounding room, enveloping the viewer in the radiance of pure color. Fusing the temporal, sensuous, and illusory qualities of his projection works and architectural installations, the Constellations synthesize several aspects of Turrell’s practice. Unlike his early projection pieces, however, they are not about generating an illusion; instead, they greet the viewer with the actual materiality of light, what Turrell calls “the physical manifestation of light, which we have trained our eyes too readily to look through rather than to look at.”
Random postings of photos I have taken over the last few years. Explore the photo set to find other work by the artist or of the same theme or event.
All photos © Ian Cox. If you would like to use this image please ask first. Best viewed as a set here
Follow Wallkandy on Instagram to see photos as they are posted. These images are also being posted on the Wallkandy facebook page and Tumblr.
Random postings of photos I have taken over the last few years. Explore the photo set to find other work by the artist or of the same theme or event.
All photos © Ian Cox. If you would like to use this image please ask first. Best viewed as a set here
Follow Wallkandy on Instagram to see photos as they are posted. These images are also being posted on the Wallkandy facebook page and Tumblr.
Viewed through a mesh shade at Pace Gallery, the Hudson Yards North Tower is the 6th tallest building in Manhattan. The "Edge" -- a triangular outdoor observation deck that juts out from the 100th floor at 1,100 feet up -- opened in March 2020. (No thanks)
-- Could it be that the design of these new intentionally tilted tall buildings was inspired in some way by the accidentally leaning Millennium Tower in San Francisco? Another example is the American Copper Buildings, which look like they are held upright by the elevated swimming pool deck that connects them.