Photographic Errors
View allAll Photos Tagged overexposure
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Practicing around. Tried with a longer exposure (1 sec.). It was very shadowy in there but still in the middle of the day... Opted for this sepia variant which result was better considering the overexposure (not interesting green tones).
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Pentax K-5
SMC Pentax-DA 18-55mm F3.5-5.6 AL WR
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© 2016 stefanorugolo | All rights reserved.
not really
Old shot from 2012 with a bit of overexposure and desaturation.
All rights reserved. © Thomas Retterath 2019
instagram @thomas63retterath
I went back to the ice factory, toghether with a couple of photographer friends and beautiful model Jimena Alarcon. We took a bunch of shots in the ice storage room, which was below freezing temperature so you can imagine she was pretty cold when we did this! She managed to withstand it though, and then some... really a delight to work with her. Will definitely post some more stuff later...
Strobist info: Camera on manual set to ISO 400 to get a good overexposure on the daylight outside behind her... 580 exII on camera, aiming at a wall on the left (which is reflective, just like the ones behind her) on manual underexposing (to act as fill light, also activating a second 580 exII just above her, held on a boom, aimed at her and going through a shoot-through 40' white umbrella.
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From a frosty morning autumn walk from last year
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Pentax K-5
SMC Pentax-M 50mm F1.7 (almost all shots with this lens taken with aperture at 2.0)
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© 2016 stefanorugolo | All rights reserved.
4289 Einträge listet Instagram bei der Suche nach Blesshuhn auf. Kann man dann noch ein interessantes Foto schießen, welches länger als 1 Sekunde betrachtet wird. .... mal sehen!?
#coot 4,289
4289 posts are listed on Instagram when you search for coot. Can you then take an interesting photo of a grebe viewed for longer than 1 second. Wait and see!?
A pair of anhingas (Anhinga anhinga), a species of cormorant, perches high in a dead tree in the middle of the fly-in rookery at the St. Augustine Alligator Farm in northeast Florida. What's a thing that distinguishes an anhinga from a cormorant? Cormorants have a hooked beak for capturing their prey; anhingas use their very sharp beaks to spear fish. (Photo note: The light background is not from Photoshop but from 3 stops of overexposure to capture the details of the bird.) c.2021 John M. Hudson | jmhudson1.com
I was almost ready to trash this photo from my archives.
When I had Lumix FZ1000 camera new, I made lots of experiments, overexposures, high keys and so on.
But from all of them I kept this Magnolia shot and made a new RAW processing, using DxO Pur RAW and then Luminar Neo by Skylum.
© This photo is the property of Helga Bruchmann. Please do not use my photos for sharing, printing or for any other purpose without my written permission. Thank you!
Another photo of the special sunrise I recently experienced at the Quitzdorf reservoir in Saxony. The colors and mood are so completely different from what I'm usually used to from a sunrise.
That's because of the dome of Saharan dust that hung over the country that day, filtering almost every color out of the light except yellow.
Of course, this doesn't make the photo really spectacular, but it's definitely something special. Best of all, the haze in the air allowed me to get an enlarged shot of the sun without overexposure. You can see the results here shortly.
Ein weiteres Foto von dem besonderen Sonnenaufgang, den ich kürzlich am Stausee Quitzdorf in Sachsen erleben konnte. Die Farben und die Stimmung sind so völlig anders, als ich es normalerweise von einem Sonnenaufgang gewohnt bin.
Das liegt an der Kuppel aus Saharastaub, die an diesem Tag über dem ganzen Land gelegen hat und die außer gelb so gut wie alle Farben aus dem Licht gefiltert hat.
Dadurch wird das Foto natürlich nicht wirklich spektakulär doch es ist sicherlich etwas Besonders. Das Beste daran war, dass der Schleier in der Luft es mir ermöglicht hatte eine vergrößerte Aufnahme der Sonne zu machen, ohne dass es zu einer Überbelichtung gekommen ist. Das Ergebnis seht ihr hier in Kürze.
more of this on my website at: www.shoot-to-catch.de
at dawn on the ghats of Varanasi
Makar Sankranti
14. Januar 1999
EOS 1, Kodak CN 400
Lithprint auf Kodabrome II RC
SE5 1+10, no overexposure, 6:20 min
Lith G 1+100, 30 sec
Selentonung MT1 1+9, 1 min
Playing with over (OVER) exposing the photo at a pond shore in a sunny afternoon last Summer. Many tries until I got the balance I wanted between whiteness and leaf detail.
Delta 400 @ 640 in Finol,
Fomatone 132,
Easy Lith FT Special , 3 f-stops overexposure,
40+40+800ml 7 minutes.
Early morning on Lake Lucerne
Weggis LU, Schweiz
Hasselblad 503 CW, Makro Planar 4/120 mm
Kodak TMY 400/Tanol
Lithprint auf Fomatone 131 (2015)
SE5 1+10, no overexposure, 9:20 min
Selentonung MT1, 1+10, 1:20 min
at dawn on the ghats of Varanasi
Makar Sankranti
14. Januar 1999
EOS 1, Kodak CN 400
Lithprint auf Kodabrome II RC
SE5 1+10, no overexposure, 6:20 min
Lith G 1+100 30 sec
Selentonung MT1 1+9, 1 min
Altes Pfarrhaus am Panoramaplatz
Old rectory on Panorama Square
Bildstein, Vorarlberg
Olympus XA, Eastman Double-X, Kodak D-76 (1+1)
SE15 Polychrome auf Wephota Baryt Polygrade
SE5 1+8, no overexposure, 5:30 min
Siena 24 + NH4Cl 12 + Carbonat 16 + H2O 800, 45 sec
Selentonung MT 1, 1+10, 1:15 min
Blazing Sun......
This shot of a tree caught in the glare of a brilliant afternoon sun. i intentionally pushed the camera into overexposure mode to get the infrared effect on this shot.
taken at Gairloch Gardens in Oakville the fountain is in the foreground almost lost in the highlights are a couple at the water's edge and what appears to be a dog in silhouette off to the right. a lot to see if you look hard enough.
Please do not copy my image or use it on websites, blogs or other media without my express permission.
© NICK MUNROE (MUNROE PHOTOGRAPHY)
You can contact me
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at dawn on the ghats of Varanasi
Makar Sankranti
14. Januar 1999
EOS 1, Kodak CN 400
Lithprint auf Kodabrome II RC
SE5 1+10, no overexposure, 7:20 min
Lith G 1+100 1min
Selentonung MT1 1+9, 1:10 min
Tried to do a long exposure before the sun set with a variable ND filter and the result as expected was totally blown highlights and even shooting in RAW mode I couldn't recover that detail in post. This was just an experiment so I played with it a bit in post and made it look apocalyptic. Will add another one that is properly exposed at a later date. Hope Y'all have a delightful week.
(REM in Glastonbury, 1999) www.youtube.com/watch?v=wa43FNUdpU8
Early morning on Lake Lucerne
Hasselblad 503 CW, Makro Planar 4/120 mm
Kodak TMY 400/Tanol
SE15 Polychromeprint auf Fomatone 131 (2015)
SE5 1+10, no overexposure, 8 min
Siena 24 + NH4Cl 12 + Carbonat 12 + Lith D 6 + H2O 800, 1 min
Selentonung MT1, 1+10, 1 min
Experimental overexposure
See the b&w edition here:
www.instagram.com/p/B9wlo5EKmkw/?utm_source=ig_web_copy_link
magic forest
Hasselblad 503 CW, Makro Planar 4/120 mm
Ilford HP5+, Kodak D-76 (1+1)
Lithprint auf Agfa Brovira BN1
SE5 1+10, no overexposure, 13:15 min
gebleicht mit Hexacyanoferrat/Kaliumbromid 1+49, 45 sec
Vario Schwefeltoner MT 3 (50+50+900)
At the moment, I prefer to make pictures in the evening, because sunrise is so early :-( Amazingly, I am planning the use of my drone more thoroughly than using my SLR camera.
Under these light conditions, the merging of two shots to an HDR image is sufficient to avoid overexposure.
This began life as a colour image of a badly overexposed moon in a cloudy sky above Saint Michel l'Observatoire. However, after changing from colour to black and white, the overexposure no longer seemed to matter, and the contrast between the light and dark areas (in my opinion) seems to add to the overall feel of the image rather than distract from it.
What do you think?
Fomatone 132, Lithprint (Kontakt von einem Kallitypie Drucknegativ) mit speziell für Fomatone Papier abgestimmten Easy Lith FT, gefolgt von Polychromentwickler Siena (Glycin). Für farbige Bildtöne ist auch hierbei eine starke Überbelichtung erforderlich. Der Farbton wird bestimmt durch die Abstimmung des Zweitentwicklers.
Anleitung als PDF www.moersch-photochemie.de/files/articles/Anleitung%20Eas...
Fomatone 132, Lithprint (contact from a Kallitype print negative) with Easy Lith FT specially adapted for Fomatone paper, followed by Polychrome Developer Siena (Glycine). For coloured image tones, a strong overexposure is also necessary here. The colour tone is determined by the adjustment of the second developer.
Instructions as PDF www.moersch-photochemie.de/files/articles/Handout%20Easy%...
at dawn on the ghats of Varanasi
Makar Sankranti
14. Januar 1999
EOS 1, Kodak CN 400
Lithprint auf Kodabrome II RC
SE5 1+10, no overexposure, 5:40 min
Selentonung MT1 1+9, 1:10 min
For "Macro Mondays" group theme "Bottle(s)"
A photograph taken out of curiosity.
I already had something for the theme which was quite spectacular in colour. But curiosity made me look out a lens I hadn't used for some time.
There was some white foam sheet on top of my 'bit box' so I laid this onto the desk top, arranged a more or less white background. The desk light lit the bottles and a second light covered with a piece of coloured cellophene lit the background.
A bit of overexposure and some post processing to get the high key effect, and I was more than surprised with the result.
The bottles, very small, and photo in the 3 inch limits.
The lens - A triplet in construction and made during the 1960-70s which makes it 50 years old - mine looks like it too!
Isco Göttingen Isconar f4 100mm
am Panoramaplatz in Bildstein, Vorarlberg
Olympus XA, Eastman Double-X, Kodak D-76 (1+1)
SE15 Polychrome auf Foma Retrobrom
SE5 1+10, no overexposure, 8 min
Selentonung MT 1, 1+10, 1 min
© michael fellner 2010 all rights reserved
tunes: matthew herbert . the audience www.youtube.com/watch?v=INwJj8-Ak-A
Negative scanning: not quite there yet
I am continuing to work on my negative scanning skills with mixed but improving results. This is my latest conversion. The photo was taken on Kodak Portra 400 exposed at ISO 200. I'm not sure that this was the best approach and will be shooting at 320 in my next experiment. One stop of overexposure adds saturation and appears to do some odd things to the sky (or is it that my skills at converting negatives and color correction are simply not there yet?).
For this one, I digitized the film using my Canon EOS R and my trusty Sigma 105mm Macro. Upon importing into Adobe Lightroom, I used the Enhance command, which refines the quality of raw files and creates an enhanced DNG file. I converted the DNG file using Negative Lab Pro, which gave me better colors than Negmaster for some reason. I then finished processing the image in Photoshop.
Any hints, critiques, advice, and/or other input is cordially requested. Any questions will be answered to the best of my ability.
Technical information:
Camera: Zenza Bronica ETRSI
Lens: Zenzanon PE 50mm f/2.8
Filme: Kodak Portra 400 overexposed by one stop (ISO 200)
Processed by Memphis Film Lab
Digitized with a Canon EOS R, Sigma 105mm Macro, the Valoi 360 film holder, and converted with Negative Lab Pro software in Adobe Lightroom, then edited in Adobe Photoshop
Magic Forest, reedit.
Hasselblad 503 CW, Makro Planar 4/120 mm
Ilford HP5+, Kodak D-76 (1+1)
Lithprint auf Agfa Brovira BN1
SE5 1+10, no overexposure, 13:30 min
Selentonung MT1, 1+10, 1:30 min
gebleicht mit Hexacyanoferrat/Kaliumbromid 1+49, 45 sec
Vario Schwefeltoner MT 3 (50+50+900)
High key shot of a mute swan. In case you're unfamiliar with the term, it's quite simply a deliberate/controlled overexposure to get a more abstract look.
À quel point les écrans peuvent faire mal aux très jeunes enfants ?
C'est un problème qui est de plus en plus étudié par les spécialistes !!!
Et leurs premières conclusions sont alarmantes, au point qu'il est possible de dire qu'une bombe a été jetée sur la jeunesse avec cette invention.
Le nom de cette bombe ?
La « maladie des écrans », d'après le mot de la pédopsychiatre Stéphanie Dauver.
Elle donne dans une interview avec Ouest France un premier descriptif des symptômes : « quand un bébé ne me jette pas un regard en entrant dans la pièce. Quand il n'a pas de contact visuel avec ses parents. Quand il n'a pas de gestes sociaux (comme sourire en réponse ou faire bravo avec les mains à 12 mois). Quand il ne cherche pas à se saisir des jouets que je lui présente… »
Et le problème est particulièrement sérieux, car en plus du déficit d'attention généré par les écrans, maintenant assez connu, cette surexposition serait « un facteur de développement d’une forme d’autisme ».
Par ailleurs, cette maladie, qui entraîne des retards de la motricité et du langage, touche les foyers les plus modestes, où les enfants sont en moyenne plus présents devant les écrans.
« Ils n’ont pas conscience de l'effet délétère qu'ont les écrans sur leur bébé. Ils pensent même que cela va accélérer leur maîtrise du langage ! De fait, ils parlent parfois trois langues, mais sont incapables de s'intéresser à autre chose que ce sur quoi ils ont pris l'habitude de se focaliser » pointe du doigt Stéphanie Dauver.
Une situation d'autant plus compliquée qu'elle est difficilement réversible avec le temps. « Dans le développement, vous avez des fenêtres temporelles pour passer des étapes. Si elle est ratée, c’est trop tard pour la rouvrir », rappelle la pédopsychiatre. Ainsi, si vers les 13-14 mois, il est encore possible de reprendre le développement de l'enfant en le privant totalement d'écran, « après l’âge de 2 ans et demi, c’est catastrophique. »
A bon entendeur … soyez vigilants “chers parents & grands parents” 🤔
_____________________PdF_______________________
How much screens can hurt very young children?
This is a problem that is increasingly studied by specialists!
And their first conclusions are alarming, to the point that it is possible to say that a bomb was thrown on the youth with this invention.
The name of this bomb?
The "screen disease", according to the words of child psychiatrist Stéphanie Dauver.
She gives in an interview with Ouest France a first description of the symptoms: “when a baby does not look at me when entering the room. When he has no eye contact with his parents. When he lacks social gestures (like smiling in response or waving hands at 12 months). When he is not trying to grab the toys that I present to him…”
And the problem is particularly serious, because in addition to the attention deficit generated by screens, now fairly well known, this overexposure would be "a factor in the development of a form of autism".
In addition, this disease, which causes delays in motor skills and language, affects the most modest households, where children are on average more present in front of screens.
“They are not aware of the deleterious effect that screens have on their baby. They even think that it will accelerate their mastery of the language! In fact, they sometimes speak three languages, but are incapable of being interested in anything other than what they have become accustomed to focusing on,” points out Stéphanie Dauver.
A situation that is all the more complicated in that it is difficult to reverse over time. “In development, you have time windows to pass stages. If it is missed, it is too late to reopen it, ”recalls the child psychiatrist. Thus, if around 13-14 months, it is still possible to resume the development of the child by completely depriving him of the screen, “after the age of 2 and a half years, it is catastrophic. »
A good hearer … be vigilant “dear parents & grandparents” 🤔
Vineyards
bei Langenlois, Niederösterreich
Hasselblad 503 CW, Sonnar 5,6/250 mm, Fuji Acros
Easylith (25 A+25 B+15 D+800 H2O), no overexposure
22 min auf Fomatone 332 RC
Selentonung MT1 1+9, 1:30 min
Bitte keine Awards und Bildchen!
- Please no awards and banners! -
Just your words, thank you 🙏
Was photographing a red tail hawk flying above a field when saw a bobcat heading my way. I quickly got down and tried to stay still (ended up not changing my overexposure for the RTH) and couldn't believe that the bobcat kept coming closer and closer. Finally he veered away. I had always wanted to get this shot so was very happy.