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Day 98/365: Troopers trying to fix my camera (CF Card reading error)
If you want me to see your work, leave me something so I know you were here...
Darkday creates a beautiful enclosure of light using her l.e.d. sticks while deep inside the Nugg's Outsource storm drain
Darkday gets wild and crazy on the led sticks of coloured light and waves them about like a wacky underground cheerleader, from deep inside the Nugg's Outsource storm drain
It looks like the AA have outsourced their 'Home Start' service to the gorgeous Autocar & Spearmint Rhino girls ;-)
I wish!!
Autosport International show, NEC, Birmingham UK.
Nikon D-300, Nikkor 18-200mm f3.5/5.6 ED, Speedlite SB-800.
30mm, f5, 1/60 sec.
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Lost my job, lost my car, but haven't lost my way.
How does one write a post like this? I’ve been thinking about it since last Friday, when Bora first told me they were choosing to outsource I.T. and that my role is no longer need, and there is no easy way to find the words with so many emotions hitting all at once. I put my heart and soul into this company. I’ve enjoyed the feeling that we were literally changing the world through our architecture, and that, in my own unique and quirky way, I was a part of that. They’re an interesting crew here: passionate, inspirational, and talented… I strongly believe that who I am today and how I’ve grown over the past nine years is a direct result of surrounding myself with such exceptional people. This is the story of my life really, with everyone who has invested time in me over the years and nudged me forward in times of struggle and growth. Certainly this is true of no one more than my wife, but also people like my parents, my brother, my kids, or David Ortman, or Ed and Jan Cogar, or Mike Demkowicz, and countless others who if I took the time to list their names would fill up volumes.
But then there’s this unnatural coexistence of acceptance and denial to deal with. This strange feeling that optimism and pessimism have somehow moved in together, at least for a little while, to see how things work out. There are these times I feel on the verge of tears when coworkers stop by my desk share some kind words and are on the verge of tears themselves. I bear no ill will to my employer and wish them the best, and although I personally think they’re making a huge mistake I at least understand why the decision was made, which helps somehow. As a believer I take comfort in knowing that while this news came as a surprise to me, it did not come as a surprise to God, and that, as the cliché goes, sometimes when one door closes another opens. In reflecting back on past emails from friends who found themselves in similar circumstances I’m reminded of something Miyeko Endy, a former coworker of mine, said in her farewell letter, “I have learned at least one thing in my life, though it is a constant battle to remind myself of this lesson: that one can safely linger (but not dwell) in adversity, to better appreciate the richness of spirit that comes from contrast and challenge”. Yes, I think that’s about right; this rings true.
I took this particular photo a few months ago on a lazy Sunday afternoon. My family was taking a nap for a few hours so I drove the working car out to the nearby forest and took an intentional wrong turn, off trail and into the overgrowth, bushwhacking my way toward the sound of rushing water. What I found surprised me, this little cozy nook in the forest, where I could sit and stare for a while with the pinhole camera my wife gave me for my birthday a few months earlier. What a gift.
Zero Image Pinhole - Kodak Ektar 100
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Why didn't anyone tell me how awesome 'colour reversal film' was?!? The best part of these films is that when processed they actually look like real images (and not negatives). Lovin' the colours too!
Outsource to Detroit!
Film: expired (2003) Kodak Ektachrome 100 VS
Shutter: about 1/125
Aperture: F/8
Camera: Rolleiflex 2.8D
Sun-drenched
Outsourced
Overly educated
Ceramic floor
So softly I depart from all
Beyond the word giving
and giving
The word sunrise
Bathes you in it’s light
Tomorrow brings
Baskets of vegetables
Fresh cut grass
Apple like cheeks
And song
Right around this turn
We might
Find the city
Next exit
To your right
Darkday stands at the outflow to the underground storm drain called Nugg's Outsource. There is a beautiful pond of clean water surrounded by green bush. There was lots of water dragons and birds there too :)
Lightpainting the underground storm drain called Nugg's Outsource was a lot of fun. Darkday is great on the led light sticks and she can weave them about in many different patterns to create unique light art pictures
Darkday illuminates the underground storm drain pipe called Nugg's Outsource with her blue shielded led lamp
What to Keep in Mind When Planning to Outsource Insurance Claims Processing?
www.insurancesupportworld.com/blog/what-to-keep-in-mind-w...
If you have the faded, torn and any part of missing images in your real estate images, don’t worry, simply forward these types of real estate images to our address. All types of damaged real estate images will be understandable by our image experts and also they are well known about the curative actions for those images. For example, in your real estate image there is missing of the bright light settings, missing of tables and chairs in the interior location, missing attractive lamp, deleting the unwanted photo frames on the wall, etc.
2 Buildings making a comeback in our fair city: The Broderick Tower on the left, and the David Whitney Building on the right - both currently going under renovations.
The Broderick Tower, on the left, took 2 years to build, finally reaching completion in 1928. At 35 stories it was the 2nd tallest building in the state when it opened. Originally known as the Eaton Tower, the name was changed in 1945. The building closed in 2007 but had been primarily empty many years before that. Currently there are renovations being conducted on it - one can only hope these see fruition. The whale mural was painted by artist Wyland in 1997 and remained covered by advertising signs for many years ( until recently ) .
The 19 floor David Whitney Building was built in 1915. It has also been closed for many years although a loan has been issued to help with renovations.
For more information on the renovations being undertaken at the Broderick Tower, please go to: www.brodericktower.com/
The Noble M400 is a sports car from the British car maker Noble. Manufacturing was outsourced to Hi-Tech Automotive, based in Port Elizabeth, South Africa. The M400 was noted by the automotive press for excellent handling and power.
The Noble M400 features a transversely-mounted rear mid-engine, rear-wheel-drive layout. The power plant began life as a 2,968 cc (3.0 L; 181.1 cu in) DOHC with 4 valves per cylinder Ford Duratec V6 engine, as used in the Ford Mondeo ST220. With this engine as a base, Noble fits high-lift camshafts, revised fuel injection, and Garrett AiResearch T28 twin-turbochargers.
For durability, Noble also added forged pistons, an oil cooler, a larger baffled oil sump, and extra cooling ducts. Its engine has a maximum power of 425 bhp (431 PS; 317 kW) at 6,500 rpm, with a torque figure of 390 lb⋅ft (529 N⋅m) at 5,000 rpm. This power and a light weight allow the M400 to achieve a power-to-weight ratio of just over 400 bhp (406 PS; 298 kW)/ton, the figure for which it was named, a 0–60 mph (97 km/h) of 3.2 seconds and a 1⁄4 mile (402 m) time of 11.4 at 119.8 mph (192.8 km/h). Top speed is 187 mph (301 km/h). The UK automotive TV show Vroom Vroom suggested that the M400 gave Ferrari Enzo performance at a Porsche 911 price.
The 2009, Vancouver All British Field Meet, 24th Anniversary Celebration, held at, VanDusen Botanical Garden, Vancouver, British Columbia, Canada.
For my video; youtu.be/kTJBQLAOMYQ
This classic round block corncrib sits on an abandoned farm property near Yorktown,IL.It is still in very good condition for its age-the barn is a pile of debris and the old farmhouse a burned-out hulk.Its future,despite its rarity,is hazy and it will never be used for its intended purpose again.
another victim of technology....
The Founder of Fossil Watches, Tom Kartsotis, announced this week that he will be manufacturing out of the Argonaut Building in the New Center area of Detroit. Watches, as well as Bicycles, will be made there. And why THERE you ask? The owner of Fossil Watches thinks that nothing says "Made In The USA" with pride more than "Made in Detroit". Tough to argue that point, but hey, I'm a little biased.
Darkday investigates a small side pipe that branches of from the main tunnel of the storm drain called Nugg's Outsource
Darkday stands at the outflow to the Nugg's Outsource storm drain. It a very unique & different styled drain to the ones we are used to.
2019 " TOO LATE "exhibition at gallery Sabsay ( periode Venice Biennale)
www.emergencyrooms.org/biennalist.html
www.emergencyrooms.org/formats.html
more here about the Biennale :
Ralph Rugoff has declared: «May You Live in Interesting Times will no doubt include artworks that reflect upon precarious aspects of existence today, including different threats to key traditions, institutions and relationships of the “post-war order.” But let us acknowledge at the outset that art does not exercise its forces in the domain of politics. Art cannot stem the rise of nationalist movements and authoritarian governments in different parts of the world, for instance, nor can it alleviate the tragic fate of displaced peoples across the globe (whose numbers now represent almost one percent of the world’s entire population).»
ALBANIA
Maybe the cosmos is not so extraordinary
Commissioner: Ministry of Culture Republic of Albania. Curator: Alicia Knock.
Exhibitor: Driant Zeneli.
ALGERIA***
Time to shine bright
Commissioner/Curator: Hellal Mahmoud Zoubir, National Council of Arts and Letters Ministry of Culture. Exhibitors: Rachida Azdaou, Hamza Bounoua, Amina Zoubir, Mourad Krinah, Oussama Tabti.
Venue: Fondamenta S. Giuseppe, 925
ANDORRA
The Future is Now / El futur és ara
Commissioner: Eva Martínez, “Zoe”. Curators: Ivan Sansa, Paolo De Grandis.
Exhibitor: Philippe Shangti.
Venue: Istituto Santa Maria della Pietà, Castello 3701
ANTIGUA & BARBUDA
Find Yourself: Carnival and Resistance
Commissioner: Daryll Matthew, Minister of Sports, Culture, National Festivals and the Arts. Curator: Barbara Paca with Nina Khrushcheva. Exhibitors: Timothy Payne, Sir Gerald Price, Joseph Seton, and Frank Walter; Intangible Cultural, Heritage Artisans and Mas Troup.
Venue: Centro Culturale Don Orione Artigianelli, Dorsoduro 919
ARGENTINA
El nombre de un país / The name of a country
Commissioner: Sergio Alberto Baur Ambasciatore. Curator: Florencia Battiti. Exhibitor: Mariana Telleria.
Venue: Arsenale
ARMENIA (Republic of)
Revolutionary Sensorium
Commissioner: Nazenie Garibian, Deputy Minister. Curator: Susanna Gyulamiryan.
Exhibitors: "ArtlabYerevan" Artistic Group (Gagik Charchyan, Hovhannes Margaryan, Arthur Petrosyan, Vardan Jaloyan) and Narine Arakelian.
Venue: Palazzo Zenobio – Collegio Armeno Moorat-Raphael, Dorsoduro 2596
AUSTRALIA
ASSEMBLY
Commissioner: Australia Council for the Arts. Curator: Juliana Engberg. Exhibitor: Angelica Mesiti.
Venue: Giardini
AUSTRIA
Discordo Ergo Sum
Commissioner: Arts and Culture Division of the Federal Chancellery of Austria.
Curator: Felicitas Thun-Hohenstein. Exhibitor: Renate Bertlmann.
Venue: Giardini
AZERBAIJAN (Republic of )
Virtual Reality
Commissioner: Mammad Ahmadzada, Ambassador of the Republic of Azerbaijan.
Curators: Gianni Mercurio, Emin Mammadov. Exhibitors: Zeigam Azizov, Orkhan Mammadov, Zarnishan Yusifova, Kanan Aliyev, Ulviyya Aliyeva.
Venue: Palazzo Lezze, Campo S. Stefano, San Marco 2949
BANGLADESH (People’s Republic of)
Thirst
Commissioner: Liaquat Ali Lucky. Curators: Mokhlesur Rahman, Viviana Vannucci.
Exhibitors: Bishwajit Goswami, Dilara Begum Jolly, Heidi Fosli, Nafis Ahmed Gazi, Franco Marrocco, Domenico Pellegrino, Preema Nazia Andaleeb, Ra Kajol, Uttam Kumar karmaker.
Venue: Palazzo Zenobio – Collegio Armeno Moorat-Raphael, Dorsoduro 2596
BELARUS (Republic of)
Exit / Uscita
Commissioner: Siarhey Kryshtapovich. Curator: Olga Rybchinskaya. Exhibitor: Konstantin Selikhanov.
Venue: Spazio Liquido, Sestiere Castello 103, Salizada Streta
BELGIUM
Mondo Cane
Commissioner: Fédération Wallonie-Bruxelles. Curator: Anne-Claire Schmitz.
Exhibitor: Jos de Gruyter & Harald Thys.
Venue: Giardini
BOSNIA and HERZEGOVINA
ZENICA-TRILOGY
Commissioner: Senka Ibrišimbegović, Ars Aevi Museum for Contemporary Art Sarajevo.
Curators: Anja Bogojević, Amila Puzić, Claudia Zini. Exhibitor: Danica Dakić.
Venue: Palazzo Francesco Molon Ca’ Bernardo, San Polo 2184/A
BRAZIL
Swinguerra
Commissioner: José Olympio da Veiga Pereira, Fundação Bienal de São Paulo.
Curator: Gabriel Pérez-Barreiro. Exhibitor: Bárbara Wagner & Benjamin de Burca.
Venue: Giardini
BULGARIA
How We Live
Commissioner: Iaroslava Boubnova, National Gallery in Sofia. Curator: Vera Mlechevska.
Exhibitors: Rada Boukova , Lazar Lyutakov.
Venue: Palazzo Giustinian Lolin, San Marco 2893
CANADA
ISUMA
Commissioner: National Gallery of Canada. Curators: Asinnajaq, Catherine Crowston, Josée Drouin-Brisebois, Barbara Fischer, Candice Hopkins. Exhibitors: Isuma (Zacharias Kunuk, Norman Cohn, Paul Apak, Pauloosie Qulitalik).
Venue: Giardini
CHILE
Altered Views
Commissioner: Varinia Brodsky, Ministry of Cultures, Arts and Heritage.
Curator: Agustín Pérez. Rubio. Exhibitor: Voluspa Jarpa.
Venue: Arsenale
CHINA (People’s Republic of)
Re-睿
Commissioner: China Arts and Entertainment Group Ltd. (CAEG).
Curator: Wu Hongliang. Exhibitors: Chen Qi, Fei Jun, He Xiangyu, Geng Xue.
Venue: Arsenale
CROATIA
Traces of Disappearing (In Three Acts)
Commissioner: Ministry of Culture of the Republic of Croatia. Curator: Katerina Gregos.
Exhibitor: Igor Grubić.
Venue: Calle Corner, Santa Croce 2258
CUBA
Entorno aleccionador (A Cautionary Environment)
Commissioner: Norma Rodríguez Derivet, Consejo Nacional de Artes Plásticas.
Curator: Margarita Sanchez Prieto. Exhibitors: Alejandro Campins, Alex Hérnandez, Ariamna Contino and Eugenio Tibaldi. Venue: Isola di San Servolo
CYPRUS (Republic of)
Christoforos Savva: Untimely, Again
Commissioner: Louli Michaelidou. Curator: Jacopo Crivelli Visconti. Exhibitor: Christoforos Savva.
Venue: Associazione Culturale Spiazzi, Castello 3865
CZECH (Republic) and SLOVAK (Republic)
Stanislav Kolíbal. Former Uncertain Indicated
Commissioner: Adam Budak, National Gallery Prague. Curator: Dieter Bogner.
Exhibitor: Stanislav Kolibal.
Venue: Giardini
DOMINICAN (Republic) *
Naturaleza y biodiversidad en la República Dominicana
Commissioner: Eduardo Selman, Minister of Culture. Curators: Marianne de Tolentino, Simone Pieralice, Giovanni Verza. Exhibitors: Dario Oleaga, Ezequiel Taveras, Hulda Guzmán, Julio Valdez, Miguel Ramirez, Rita Bertrecchi, Nicola Pica, Marraffa & Casciotti.
Venue: Palazzo Albrizzi Capello, Cannaregio 4118 – Sala della Pace
EGYPT
khnum across times witness
Commissioner: Ministry of Culture. Curator: Ahmed Chiha.
Exhibitors: Islam Abdullah, Ahmed Chiha, Ahmed Abdel Karim.
Venue: Giardini
ESTONIA
Birth V
Commissioner: Maria Arusoo, Centre of Contemporary Arts of Estonia. Curators: Andrew Berardini, Irene Campolmi, Sarah Lucas, Tamara Luuk. Exhibitor: Kris Lemsalu.
Venue: c/o Legno & Legno, Giudecca 211
FINLAND (Alvar Aalto Pavilion)
A Greater Miracle of Perception
Commissioner: Raija Koli, Director Frame Contemporary Art Finland.
Curators: Giovanna Esposito Yussif, Bonaventure Soh Bejeng Ndikung, Christopher Wessels. Exhibitors: Miracle Workers Collective (Maryan Abdulkarim, Khadar Ahmed, Hassan Blasim, Giovanna Esposito Yussif, Sonya Lindfors, Bonaventure Soh Bejeng Ndikung, Outi Pieski, Leena Pukki, Lorenzo Sandoval, Martta Tuomaala, Christopher L. Thomas, Christopher Wessels, Suvi West).
Venue: Giardini
FRANCE
Deep see blue surrounding you / Vois ce bleu profond te fondre
Commissioner: Institut français with the Ministry for Europe and Foreign Affairs and the Ministry of Culture. Curator: Martha Kirszenbaum. Exhibitor: Laure Prouvost.
Venue: Giardini
GEORGIA
REARMIRRORVIEW, Simulation is Simulation, is Simulation, is Simulation
Commissioner: Ana Riaboshenko. Curator: Margot Norton. Exhibitor: Anna K.E.
Venue: Arsenale
GERMANY
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office, Germany. Curator: Franciska Zólyom. Exhibitor: Natascha Süder Happelmann.
Venue: Giardini
GHANA ***
Ghana Freedom
Commissioner: Ministry of Tourism, Arts and Culture. Curator: Nana Oforiatta Ayim.
Exhibitors: Felicia Abban, John Akomfrah, El Anatsui, Lynette Yiadom Boakye, Ibrahim Mahama, Selasi Awusi Sosu.
Venue: Arsenale
GREAT BRITAIN
Cathy Wilkes
Commissioner: Emma Dexter. Curator: Zoe Whitley. Exhibitor: Cathy Wilkes.
Venue: Giardini
GREECE
Mr Stigl
Commissioner: Syrago Tsiara (Deputy Director of the Contemporary Art Museum - Metropolitan Organization of Museums of Visual Arts of Thessaloniki - MOMus).
Curator: Katerina Tselou. Exhibitors: Panos Charalambous, Eva Stefani, Zafos Xagoraris.
Venue: Giardini
GRENADA
Epic Memory
Commissioner: Susan Mains. Curator: Daniele Radini Tedeschi.
Exhibitors: Amy Cannestra, Billy Gerard Frank, Dave Lewis, Shervone Neckles, Franco Rota Candiani, Roberto Miniati, CRS avant-garde.
Venue: Palazzo Albrizzi-Capello (first floor), Cannaregio 4118
GUATEMALA
Interesting State
Commissioner: Elder de Jesús Súchite Vargas, Minister of Culture and Sports of Guatemala. Curator: Stefania Pieralice. Exhibitors: Elsie Wunderlich, Marco Manzo.
Venue: Palazzo Albrizzi-Capello (first floor), Cannaregio 4118
HAITI
THE SPECTACLE OF TRAGEDY
Commissioner: Ministry of Culture and Communication.
Curator: Giscard Bouchotte. Exhibitor: Jean Ulrick Désert.
Venue: Circolo Ufficiali Marina, Calle Seconda de la Fava, Castello 2168
HUNGARY
Imaginary Cameras
Commissioner: Julia Fabényi, Museo Ludwig – Museo d’arte contemporanea, Budapest.
Curator: Zsuzsanna Szegedy-Maszák. Exhibitor: Tamás Waliczky.
Venue: Giardini
ICELAND
Chromo Sapiens – Hrafnhildur Arnardóttir / Shoplifter
Commissioner: Eiríkur Þorláksson, Icelandic Ministry of Education, Science and Culture.
Curator: Birta Gudjónsdóttir. Exhibitor: Hrafnhildur Arnardóttir / Shoplifter.
Venue: Spazio Punch, Giudecca 800
INDIA
Our time for a future caring
Commissioner: Adwaita Gadanayak National Gallery of Modern Art.
Curator: Roobina Karode, Director & Chief Curator, Kiran Nadar Museum of Art. Exhibitors: Atul Dodiya, Ashim Purkayastha, GR Iranna, Jitish Kallat, Nandalal Bose, Rummana Hussain, Shakuntala Kulkarni.
Venue: Arsenale
INDONESIA
Lost Verses
Commissioner: Ricky Pesik & Diana Nazir, Indonesian Agency for Creative Economy.
Curator: Asmudjo Jono Irianto. Exhibitors: Handiwirman Saputra and Syagini Ratna Wulan.
Venue: Arsenale
IRAN (Islamic Republic of)
of being and singing
Commissioner: Hadi Mozafari, General Manager of Visual Arts Administration of Islamic Republic of Iran. Curator: Ali Bakhtiari.
Exhibitors: Reza Lavassani, Samira Alikhanzadeh, Ali Meer Azimi.
Venue: Fondaco Marcello, San Marco 3415
IRAQ
Fatherland
Commissioner: Fondazione Ruya. Curators: Tamara Chalabi, Paolo Colombo.
Exhibitor: Serwan Baran.
Venue: Ca’ del Duca, Corte del Duca Sforza, San Marco 3052
IRELAND
The Shrinking Universe
Commissioner: Culture Ireland. Curator: Mary Cremin. Exhibitor: Eva Rothschild.
Venue: Arsenale
ISRAEL
Field Hospital X
Commissioner: Michael Gov, Arad Turgeman. Curator: Avi Lubin. Exhibitor: Aya Ben Ron.
Venue: Giardini
ITALY
Commissioner: Federica Galloni, Direttore Generale Arte e Architettura Contemporanee e Periferie Urbane, Ministero dei Beni e delle Attività Culturali. Curator: Milovan Farronato.
Exhibitors: Enrico David, Liliana Moro, Chiara Fumai.
Venue: Padiglione Italia, Tese delle Vergini, Arsenale
IVORY COAST
The Open Shadows of Memory
Commissioner: Henri Nkoumo. Curator: Massimo Scaringella. Exhibitors: Ernest Dükü, Ananias Leki Dago, Valérie Oka, Tong Yanrunan.
Venue: Castello Gallery, Castello 1636/A
JAPAN
Cosmo-Eggs
Commissioner: The Japan Foundation. Curator: Hiroyuki Hattori. Exhibitors: Motoyuki Shitamichi, Taro Yasuno, Toshiaki Ishikura, Fuminori Nousaku.
Venue: Giardini
KIRIBATI
Pacific Time - Time Flies
Commissioner: Pelea Tehumu, Ministry of Internal Affairs. Curators: Kautu Tabaka, Nina Tepes. Exhibitors: Kaeka Michael Betero, Daniela Danica Tepes, Kairaken Betio Group; Teroloang Borouea, Neneia Takoikoi, Tineta Timirau, Teeti Aaloa, Kenneth Ioane, Kaumai Kaoma, Runita Rabwaa, Obeta Taia, Tiribo Kobaua, Tamuera Tebebe, Rairauea Rue, Teuea Kabunare, Tokintekai Ekentetake, Katanuti Francis, Mikaere Tebwebwe, Terita Itinikarawa, Kaeua Kobaua, Raatu Tiuteke, Kaeriti Baanga, Ioanna Francis, Temarewe Banaan, Aanamaria Toom, Einako Temewi, Nimei Itinikarawa, Teniteiti Mikaere, Aanibo Bwatanita, Arin Tikiraua.
Venue: European Cultural Centre, Palazzo Mora, Strada Nuova 3659
KOREA (Republic of)
History Has Failed Us, but No Matter
Commissioner: Arts Council Korea. Curator: Hyunjin Kim. Exhibitors: Hwayeon Nam, siren eun young jung, Jane Jin Kaisen.
Venue: Giardini
KOSOVO (Republic of)
Family Album
Commissioner: Arta Agani. Curator: Vincent Honore. Exhibitor: Alban Muja.
Venue: Arsenale
LATVIA
Saules Suns
Commissioner: Dace Vilsone. Curators: Valentinas Klimašauskas, Inga Lāce.
Exhibitor: Daiga Grantiņa.
Venue: Arsenale
LITHUANIA
Sun & Sea (Marina)
Commissioner: Rasa Antanavičıūte. Curator: Lucia Pietroiusti.
Exhibitors: Lina Lapelyte, Vaiva Grainyte and Rugile Barzdziukaite.
Venue: Magazzino No. 42, Marina Militare, Arsenale di Venezia, Fondamenta Case Nuove 2738c
LUXEMBOURG (Grand Duchy of)
Written by Water
Commissioner: Ministry of Culture of Luxembourg.
Curator: Kevin Muhlen. Exhibitor: Marco Godinho.
Venue: Arsenale
NORTH MACEDONIA (Republic of )
Subversion to Red
Commissioner: Mira Gakina. Curator: Jovanka Popova. Exhibitor: Nada Prlja.
Venue: Palazzo Rota Ivancich, Castello 4421
MADAGASCAR ***
I have forgotten the night
Commissioner: Ministry of Communication and Culture of the Republic of Madagascar. Curators: Rina Ralay Ranaivo, Emmanuel Daydé.
Exhibitor: Joël Andrianomearisoa.
Venue: Arsenale
MALAYSIA ***
Holding Up a Mirror
Commissioner: Professor Dato’ Dr. Mohamed Najib Dawa, Director General of Balai Seni Negara (National Art Gallery of Malaysia), Ministry of Tourism, Arts and Culture of Malaysia. Curator: Lim Wei-Ling. Exhibitors: Anurendra Jegadeva, H.H.Lim, Ivan Lam, Zulkifli Yusoff.
Venue: Palazzo Malipiero, San Marco 3198
MALTA
Maleth / Haven / Port - Heterotopias of Evocation
Commissioner: Arts Council Malta. Curator: Hesperia Iliadou Suppiej. Exhibitors: Vince Briffa, Klitsa Antoniou, Trevor Borg.
Venue: Arsenale
MEXICO
Actos de Dios / Acts of God
Commissioner: Gabriela Gil Verenzuela. Curator: Magalí Arriola. Exhibitor: Pablo Vargas Lugo.
Venue: Arsenale
MONGOLIA
A Temporality
Commissioner: The Ministry of Education, Culture, Science and Sports of Mongolia.
Curator: Gantuya Badamgarav. Exhibitor: Jantsankhorol Erdenebayar with the participation of traditional Mongolian throat singers and Carsten Nicolai (Alva Noto).
Venue: Bruchium Fermentum, Calle del Forno, Castello 2093-2090
MONTENEGRO
Odiseja / An Odyssey
Commissioner: Nenad Šoškić. Curator: Petrica Duletić. Exhibitor: Vesko Gagović.
Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE (Republic of)
The Past, the Present and The in Between
Commissioner: Domingos do Rosário Artur. Curator: Lidija K. Khachatourian.
Exhibitors: Gonçalo Mabunda, Mauro Pinto, Filipe Branquinho.
Venue: Palazzo Mora, Strada Nova, 3659
NETHERLANDS (The)
The Measurement of Presence
Commissioner: Mondriaan Fund. Curator: Benno Tempel. Exhibitors: Iris Kensmil, Remy Jungerman. Venue: Giardini
NEW ZEALAND
Post hoc
Commissioner: Dame Jenny Gibbs. Curators: Zara Stanhope and Chris Sharp.
Exhibitor: Dane Mitchell.
Venue: Palazzina Canonica, Riva Sette Martiri
NORDIC COUNTRIES (FINLAND - NORWAY - SWEDEN)
Weather Report: Forecasting Future
Commissioner: Leevi Haapala / Museum of Contemporary Art Kiasma / Finnish National Gallery, Katya García-Antón / Office for Contemporary Art Norway (OCA), Ann-Sofi Noring / Moderna Museet. Curators: Leevi Haapala, Piia Oksanen. Exhibitors: Ane Graff, Ingela Ihrman, nabbteeri.
Venue: Giardini
PAKISTAN ***
Manora Field Notes
Commissioner: Syed Jamal Shah, Pakistan National Council of the Arts, PNCA.
Curator: Zahra Khan. Exhibitor: Naiza Khan.
Venue: Tanarte, Castello 2109/A and Spazio Tana, Castello 2110-2111
PERU
“Indios Antropófagos”. A butterfly Garden in the (Urban) Jungle
Commissioner: Armando Andrade de Lucio. Curator: Gustavo Buntinx. Exhibitors: Christian Bendayán, Otto Michael (1859-1934), Manuel Rodríguez Lira (1874-1933), Segundo Candiño Rodríguez, Anonymous popular artificer.
Venue: Arsenale
PHILIPPINES
Island Weather
Commissioner: National Commission for Culture and the Arts (NCCA) / Virgilio S. Almario.
Curator: Tessa Maria T. Guazon. Exhibitor: Mark O. Justiniani.
Venue: Arsenale
POLAND
Flight
Commissioner: Hanna Wroblewska. Curators: Łukasz Mojsak, Łukasz Ronduda.
Exhibitor: Roman Stańczak.
Venue: Giardini
PORTUGAL
a seam, a surface, a hinge or a knot
Commissioner: Directorate-General for the Arts. Curator: João Ribas. Exhibitor: Leonor Antunes.
Venue: Fondazione Ugo e Olga Levi Onlus, Palazzo Giustinian Lolin, San Marco 2893
ROMANIA
Unfinished Conversations on the Weight of Absence
Commissioner: Attila Kim. Curator: Cristian Nae. Exhibitor: Belu-Simion Făinaru, Dan Mihălțianu, Miklós Onucsán.
Venues: Giardini and New Gallery of the Romanian Institute for Culture and Humanistic Research (Campo Santa Fosca, Palazzo Correr, Cannaregio 2214)
RUSSIA
Lc 15:11-32
Commissioner: Semyon Mikhailovsky. Curator: Mikhail Piotrovsky. Exhibitors: Alexander Sokurov, Alexander Shishkin-Hokusai.
Venue: Giardini
SAN MARINO (Republic of)
Friendship Project International
Commissioner: Vito Giuseppe Testaj. Curator: Vincenzo Sanfo. Exhibitors: Gisella Battistini, Martina Conti, Gabriele Gambuti, Giovanna Fra, Thea Tini, Chen Chengwei, Li Geng, Dario Ortiz, Tang Shuangning, Jens W. Beyrich, Xing Junqin, Xu de Qi, Sebastián.
Venue: Palazzo Bollani, Castello 3647; Complesso dell’Ospedaletto, Castello 6691
SAUDI ARABIA
After Illusion بعد توهم
Commissioner: Misk Art Insitute. Curator: Eiman Elgibreen. Exhibitor: Zahrah Al Ghamdi.
Venue: Arsenale
SERBIA
Regaining Memory Loss
Commissioner: Vladislav Scepanovic. Curator: Nicoletta Lambertucci. Exhibitor: Djordje Ozbolt.
Venue: Giardini
SEYCHELLES (Republic of)
Drift
Commissioner: Galen Bresson. Curator: Martin Kennedy.
Exhibitors: George Camille and Daniel Dodin.
Venue: Palazzo Mora, Strada Nova, 3659
SINGAPORE
Music For Everyone: Variations on a Theme
Commissioner: Rosa Daniel, Chief Executive Officer, National Arts Council (NAC).
Curator: Michelle Ho. Exhibitor: Song-Ming Ang.
Venue: Arsenale
SLOVENIA (Republic of)
Here we go again... SYSTEM 317
A situation of the resolution series
Commissioner: Zdenka Badovinac, Director Moderna galerija / Museum of Modern Art, Ljubljana. Curator: Igor Španjol. Exhibitor: Marko Peljhan.
Venue: Arsenale
SOUTH AFRICA (Republic of)
The stronger we become
Commissioner: Titi Nxumalo, Console Generale. Curators: Nkule Mabaso, Nomusa Makhubu. Exhibitors: Dineo Seshee Bopape, Tracey Rose, Mawande Ka Zenzile.
Venue: Arsenale
SPAIN
Perforated by Itziar Okariz and Sergio Prego
Commissioner: AECID Agencia Espanola de Cooperacion Internacional Para El Desarrollo. Ministerio de Asuntos Exteriores, Union Europea y Cooperacion. Curator: Peio Aguirre.
Exhibitors: Itziar Okariz, Sergio Prego.
Venue: Giardini
SWITZERLAND
Moving Backwards
Commissioner: Swiss Arts Council Pro-Helvetia: Marianne Burki, Sandi Paucic, Rachele Giudici Legittimo. Curator: Charlotte Laubard. Exhibitors: Pauline Boudry/Renate Lorenz.
Venue: Giardini
SYRIAN ARAB (Republic)
Syrian Civilization is still alive
Commissioner/Curator: Emad Kashout. Exhibitors: Abdalah Abouassali, Giacomo Braglia, Ibrahim Al Hamid, Chen Huasha, Saed Salloum, Xie Tian, Saad Yagan, Primo Vanadia, Giuseppe Biasio.
Venue: Isola di San Servolo; Chiesetta della Misericordia, Campo dell'Abbazia, Cannaregio
THAILAND
The Revolving World
Commissioner: Vimolluck Chuchat, Office of Contemporary Art and Culture, Ministry of Culture, Thailand. Curator: Tawatchai Somkong. Exhibitors: Somsak Chowtadapong, Panya Vijinthanasarn, Krit Ngamsom.
Venue: In Paradiso 1260, Castello
TURKEY
We, Elsewhere
Commissioner: IKSV. Curator: Zeynep Öz. Exhibitor: İnci Eviner.
Venue: Arsenale
UKRAINE
The Shadow of Dream cast upon Giardini della Biennale
Commissioner: Svitlana Fomenko, First Deputy Minister of Culture. Curators: Open group (Yurii Biley, Pavlo Kovach, Stanislav Turina, Anton Varga). Exhibitors: all artists of Ukraine.
Venue: Arsenale
UNITED ARAB EMIRATES
Nujoom Alghanem: Passage
Commissioner: Salama bint Hamdan Al Nahyan Foundation.
Curators: Sam Bardaouil and Till Fellrath. Exhibitor: Nujoom Alghanem.
Venue: Arsenale
UNITED STATES OF AMERICA
Martin Puryear: Liberty
Commissioner/Curator: Brooke Kamin Rapaport. Exhibitor: Martin Puryear.
Venue: Giardini
URUGUAY
“La casa empática”
Commissioner: Alejandro Denes. Curators: David Armengol, Patricia Bentancur.
Exhibitor: Yamandú Canosa.
Venue: Giardini
VENEZUELA (Bolivarian Republic of)
Metaphore of three windows
Venezuela: identity in time and space
Commissioner/Curator: Oscar Sottillo Meneses. Exhibitors: Natalie Rocha Capiello, Ricardo García, Gabriel López, Nelson Rangelosky.
Venue: Giardini
ZIMBABWE (Republic of)
Soko Risina Musoro (The Tale without a Head)
Commissioner: Doreen Sibanda, National Gallery of Zimbabwe. Curator: Raphael Chikukwa. Exhibitors: Georgina Maxim, Neville Starling , Cosmas Shiridzinomwa, Kudzanai Violet Hwami.
Venue: Istituto Provinciale per L’infanzia “Santa Maria Della Pietà”. Calle della Pietà Castello n. 3701 (ground floor)
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invited artist :
Lawrence Abu Hamdan (Jordan / Beirut)
Njideka Akunyili Crosby (Nigeria / USA),Halil Altındere (Turkey),Michael Armitage (Kenya / UK),Korakrit Arunanondchai (Thailand / USA),Alex Gvojic (USA),Ed Atkins (UK / Germany / Denmark),Tarek Atoui (Lebanon / France),
Darren Bader (USA),Nairy Baghramian (Iran / Germany,
Neïl Beloufa (France),Alexandra Bircken (Germany),Carol Bove (Switzerland / USA,
Christoph Büchel (Switzerland / Iceland,
Ludovica Carbotta (Italy / Barcelona),Antoine Catala (France / USA),Ian Cheng (USA),George Condo (USA
Alex Da Corte (USA),Jesse Darling (UK / Germany),Stan Douglas (Canada),Jimmie Durham (USA / Germany),Nicole Eisenman (France / USA,
Haris Epaminonda (Cyprus / Germany),Lara Favaretto (Italy),Cyprien Gaillard (France / Germany), Gill (India),Dominique Gonzalez-Foerster (France),Shilpa Gupta (India),Soham Gupta (India),Martine Gutierrez (USA),Rula Halawani (Palestine),Anthea Hamilton (UK),Jeppe Hein (Denmark / Germany),Anthony Hernandez (USA),Ryoji Ikeda (Japan / France),Arthur Jafa (USA),Cameron Jamie (USA / France / Germany),Kahlil Joseph (USA),Zhanna Kadyrova (Ukraine),Suki Seokyeong Kang (South Korea),Mari Katayama (Japan),Lee Bul (South Korea),Liu Wei (China),Maria Loboda (Poland / Germany),Andreas Lolis (Albania / Greece),Christian Marclay (USA / London),Teresa Margolles (Mexico / Spain),Julie Mehretu (Ethiopia / USA),Ad Minoliti (Argentina),Jean-Luc Moulène (France),Zanele Muholi (South Africa),Jill Mulleady (Uruguay / USA),Ulrike Müller (Austria / USA),Nabuqi (China),Otobong Nkanga (Nigeria / Belgium),Khyentse Norbu (Bhutan / India),Frida Orupabo (Norway),Jon Rafman (Canada).Gabriel Rico (Mexico),Handiwirman Saputra (Indonesia),Tomás Saraceno (Argentina / Germany),Augustas Serapinas (Lithuania),Avery Singer (USA),Slavs and Tatars (Germany),Michael E. Smith (USA),Hito Steyerl (Germany),Tavares Strachan (Bahamas / USA),Sun Yuan and Peng Yu (China),Henry Taylor (USA),Rosemarie Trockel (Germany),Kaari Upson (USA),Andra Ursuţa (Romania),Danh Vō (Vietnam / Mexico),Kemang Wa Lehulere (South Africa),Apichatpong Weerasethakul (Thailand) and Tsuyoshi Hisakado (Japan),Margaret Wertheim and Christine Wertheim (Australia / USA) ,Anicka Yi (South Korea/ USA),Yin Xiuzhen (China),Yu Ji (China / Austria)
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other Biennale :(Biennials ) :Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale
Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art
وینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
venice biennale Venezia Venedig biennalen Bienal_de_Venecia Venise Venecia Bienalo Bienal Biënnale Venetië Veneza Μπιενάλε της Βενετίας ヴェネツィ ア・ビエンナーレ 威尼斯双年展 Venedik Bienali Venetsian biennaali Wenecji biennial #venicebiennale #venicebiennial biennalism
Veneziako Venecija Venècia Venetië Veneetsia Venetsia VenedigΒ ενετία Velence Feneyjar Venice Venēcija Venezja Venezia Wenecja VenezaVeneția Venetsiya Benátky Benetke Fenisוועניס Վենետիկ ভেনি স威尼斯 威尼斯 ვენეციისવે નિસवेनिसヴ ェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya Italy italia
Ralph Rugoff Ralph_Rugoff #RalphRugoff RalphRugoff 2019
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Thierry Geoffroy / Colonel
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Asian businesswoman discussing and brainstorm with young freelance man in meeting room. Business company co-operate with outsource worker concept.
ITALIA ARCHEOLOGICA & RESTAURO ARCHITETTURA: Polly Toynbee, "Welcome to the National Gallery, Dr Finaldi. Now look after your staff", GUARDIAN U.K., | Gabriele Finaldi, un italiano, a dirigere dal prossimo agosto la National Gallery di Londra. Il Mess. (18|03|2015).
NOTA - sotto: Gabriele Finaldi, IL MESSAGGERO (18|03|2015).
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1). Polly Toynbee, Welcome to the National Gallery, Dr Finaldi. Now look after your staff - The gallery’s new director should cancel plans to outsource the jobs of gallery assistants – there would be no better start to his tenure, THE GUARDIAN U.K., (18|03|2015).
Welcome to the new director of the National Gallery. Dr Gabriele Finaldi, from the Prado, knows it well from working there as a curator with Neil MacGregor until 2002. “I feel deeply honoured” he said. “I eagerly look forward to working with the trustees and the staff to strengthen the gallery’s bond with the public.”
But that bond risks fracturing, between trustees, staff, gallery and public. The gallery assistants return to the picket line from Tuesday to Sunday next week, closing most rooms. The gallery is outsourcing all its 400 staff in visitor services, including the gallery assistants, many of whom have worked there for years, becoming steeped in knowledge about the paintings they watch over. Once outsourced, the staff can by law be dispersed to anywhere by their new employer: people with long experience of guiding visitors can be sent to guard a supermarket car park. New staff taken on in the gallery can be paid less, with worse conditions: that’s how outsourcing works.
Finaldi will know many assistants and he should insist on stepping in now to stop this. Talks continue at the Advisory, Conciliation and Arbitration Service, but the current director refuses to consider the staff’s alternative plan. The dispute has been handled exceptionally badly: how does it help to suspend union rep Candy Udwin from her job in the middle of this?
The gallery’s grant is cut severely, so it needs to make money with paid evening events. Staff are willing – but naturally expect extra pay. No other major national museum has outsourced its entire visitor team, and the National is the only one not paying the living wage. A security company with no museum experience has been brought in to the guard the Sainsbury paid-for exhibition wing, kept open during strikes: CIS is a company that mainly provides heavies to guard empty buildings.
One trustee told me that CIS was brought in as a warning. The union says the trustees have never been allowed to hear the staff case, to meet their representatives or to see their alternative proposals. Meanwhile on strike days outside the gallery, the public offer strong support. Donations have flooded in to help keep the low-paid strikers going without pay. The tender to put out the services to the likes of CIS, Serco or G4S goes out two days before the general election.
The National Gallery as a great British emblem should resist becoming yet another icon for Britain’s low-pay, zero-hours contemptuous treatment of valuable employees. Disputes get deadlocked when management feels its pride and power to manage is threatened: winning becomes more important than finding a peaceful solution. Dr Finaldi may hope it’s all sorted out before he officially takes over in August – but he should step in now, with a fresh eye and goodwill from all sides. What better way to set out than by welcoming the assistants back into the fold of the gallery?
FONTE | SOURCE:
-- THE GUARDIAN U.K., (18|03|2015).
www.theguardian.com/commentisfree/2015/mar/19/welcome-nat...
2). National Gallery in London picks Prado deputy chief as new director - Gabriele Finaldi, who presided over modernisation at the Madrid institution, takes over from Nicholas Penny in August, THE GUARDIAN U.K., (18|03|2015).
Gabriele Finaldi, the deputy director of the Prado museum in Madrid, has been appointed as the new director of the National Gallery.
Finaldi takes over from Nicholas Penny, who announced his retirement last summer, in August.
Born in London to Anglo-Italian parents and a British citizen, Finaldi is no stranger to the London institution and its workings – he was a curator between 1992 and 2002 responsible for the later Italian paintings and the Spanish collection.
Finaldi said: “I feel deeply honoured to take on the directorship of the National Gallery after Nicholas Penny. This is a world-class collection in a world-class city and I eagerly look forward to working with trustees and the staff to strengthen the gallery’s bond with the public and its international standing.
“I also look forward to developing an exciting exhibition programme and the gallery’s research and educational activities.”
The 49-year-old art historian narrowly missed out on the job when Penny was appointed in 2008.
This time, he has been the firm favourite and joins a gallery in mixed health with, on the positive side, a well-regarded exhibition programme – not least its current and hugely popular Inventing Impressionism show.
There are problems to tackle, however, including the industrial dispute with workers and members of the Public and Commercial Services union, who were on strike again last weekend over plans to privatise its visitor services.
The gallery hopes that the dispute will be settled by the time Penny leaves although there is no sign yet of a breakthrough. Five more days of strikes are planned between 24 and 28 March. The Guardian last week published a letter signed by union leaders as well as artist Bob and Roberta Smith and filmmaker Ken Loach calling on the gallery’s trustees to rethink its proposals to outsource two thirds of its workforce.
Finaldi has been instrumental in modernising the Prado during his tenure – which included the opening of the Prado extension in 2007 and the Prado Research Centre in 2008 – and may face similar challenges in London.
His appointment was confirmed by the prime minister, David Cameron. He was chosen from an international shortlist that included Axel Rüger, the German-born director of the Van Gogh museum in Amsterdam; Dutchman Taco Dibbits, director of collections at the Rijksmuseum in Amsterdam; Emilie Gordenker, a Dutch-American in charge of the Mauritshuis in The Hague; and Luke Syson, a Briton, curator of European sculpture and decorative arts at the Met in New York.
Finaldi’s boss in Madrid, director of the Prado Miguel Zugaza, said: “Gabriele Finaldi has contributed decisively to the modernisation of the Museo del Prado in the last decade, most significantly in positioning the museum internationally and developing its conservation and research roles.
“At the Prado we hope that his presence in London will give a new impulse to the highly positive collaboration already established between our museum and the gallery under the leadership of our esteemed friend and colleague, Nicholas Penny.”
Finaldi studied art history in London at Dulwich College and the Courtauld Institute of Art, where his doctoral research focused on the 17th-century painter Jusepe de Ribera. He recently curated an exhibition on Murillo that went on display at the Prado, in Seville and at the Dulwich Picture Gallery, but is best remembered at the National Gallery for the 1997 show he curated, Discovering the Italian Baroque: The Denis Mahon Collection.
Finaldi will be joined by a new chair of trustees at the gallery with Hannah Rothschild taking over from Mark Getty, also in August.
Getty said he was delighted that Finaldi was joining. “In addition to his scholarship, particularly in Italian and Spanish painting, Dr Finaldi has been responsible for internationally acclaimed exhibitions and publications.
“As co-director of the Prado he has been responsible for a range of successful and complex projects and he will bring considerable experience to the gallery.”
FONTE | SOURCE:
-- THE GUARDIAN U.K., (18|03|2015).
www.theguardian.com/artanddesign/2015/mar/18/national-gal...
3). La National Gallery di Londra affidata a un italiano: luce verde dal Governo, IL MESSAGGERO (18|03|2015).
Sarà Gabriele Finaldi, un italiano, a dirigere dal prossimo agosto la National Gallery di Londra. La decisione, presa dal consiglio di amministrazione dopo tre mesi di selezioni, ha avuto l’ok anche da parte di Downing street e diventerà pienamente operativa la prossima estate, con il termine del mandato di Nicolas Penny, direttore uscente.
Finaldi, nato a Londra ma di famiglia italiana, ha battuto gli altri quattro favoriti, tra cui uno dei curatori del Metropolitan di New York, inglese, e tre storici dell’arte olandesi. Nei passati 13 anni Finaldi è stato vice-direttore del Museo del Prado di Madrid: qui, nonostante la crisi e la riduzione dei contributi statali, un’attenta gestione – unita alla sua esperienza – hanno permesso al museo madrileno di passare attraverso una notevole trasformazione. Tra le novità più importanti dovute alla gestione Finaldi, l’apertura dell’ampliamento del Prado nel 2007, oltre alla ristrutturazione dell’impianto museale e all’inaugurazione di un centro ricerche, entrambe nel 2008. Vanno poi segnalate anche la completa riorganizzazione della collezione permanente e lo sviluppo di un ambizioso programma di mostre internazionali.
Il critico 49enne ha una formazione prettamente inglese: ha infatti studiato storia dell’arte al Courtauld Institute di Londra, dove il suo dottorato di ricerca si è focalizzato sulla pittura seicentesca di Jusepe de Ribera. Prima di essere nominato vice-direttore del Prado, Finaldi aveva già lavorato per 10 anni alla National Gallery: conosce quindi molto bene il museo di Trafalgar square. In questo periodo ha curato le opere del barocco italiano e la collezione spagnola. È stato promotore, inoltre, di diverse importanti mostre, tra cui “La natura morta in Spagna da Velazquez a Goya” (1995), “Orazio Gentileschi alla corte di Carlo I” (1999) e “Vedere il Salvatore: l’immagine di Cristo” (2000).
L’evento per cui Finaldi è maggiormente conosciuto a Londra, tuttavia, riguarda una mostra intitolata “Alla scoperta del barocco italiano”, incentrata soprattutto sui pezzi del collezionista Denis Mahon. Quelle opere sono poi state donate alla National Gallery in uno dei più grandi lasciti degli ultimi tempi. Ora, da direttore, Finaldi si occuperà ancora una volta di questa collezione, magari allestendo nuove mostre.
FONTE | SOURCE:
-- IL MESSAGGERO (18|03|2015).
www.ilmessaggero.it/PRIMOPIANO/ESTERI/la_national_gallery...
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FOTO | FONTE | SOURCE:
National Gallery employee: why I'm on strike over privatisation - The gallery and the service we provide are too important to be thrown into the gutter by a penny-pinching government and a mean-spirited employer, THE GUARDIAN U.K., (04|02|2015).
www.theguardian.com/public-leaders-network/2015/feb/04/na...
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s.v.,
-- Polly Toynbee, Inside the National Gallery, a portrait of modern inequality - The museum’s move to privatise its staff illustrates how wages have been squeezed across the country, THE GUARDIAN U.K., (20|01|2015).
The National Gallery’s colonnaded splendour radiates across Trafalgar Square a sense of the importance of art in Britain’s national life. But the reality inside is far less glorious. The 400 gallery assistants are about to be outsourced to a private company against their will, to squeeze pay and conditions. A ballot by their union, PCS, closes this week, calling for a five-day strike in protest.
Fonte | source:
-- THE GUARDIAN U.K., (20|01|2015).
www.theguardian.com/commentisfree/2015/jan/20/national-ga...
Documentation that is thorough and well-managed is quite often not available in cases where companies outsource claims management and remains a major problem.
The government spends £284 billion – almost a third of its total expenditure – on external suppliers. The money spent goes to a complex web of organisations, including large contractors, SMEs, charities, housing associations and academy chains, who all deliver public services. But while public service delivery has changed, the law has not kept up – and there is less information about outsourced services than those delivered directly by the government.
At this event, we discussed:
What additional information should government routinely publish about outsourced public services?
Whether the Freedom of Information Act 2000 should be extended to all providers of public services?
How public services can be made more transparent without placing burdens on SMEs, charities and other small providers?
Our panel included:
Meg Hillier MP, Chair of the Public Accounts Committee
Kate Steadman, Group Strategy & Communications Director, Serco
Karl Wilding, Chief Executive at the National Council for Voluntary Organisations
Steve Wood, Deputy Commissioner (Policy) at the Information Commissioner’s Office
The event was chaired by Nick Davies, Programme Director at the Institute for Government.
We would like to thank international law firm Gowling WLG for supporting this event.
#IFGoutsourcing
Photos by Candice McKenzie