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German postcard by ISV, no. T-13.
American film, stage and television actress Carroll Baker (1931) enjoyed popularity as both a serious dramatic actress and as a sex symbol. Cast in a wide range of roles during her heyday in the 1960s, Baker was especially memorable playing brash, flamboyant women, due to her beautiful features, striking blonde hair, and distinctive Southern drawl. In the late 1960s she moved to Italy, where she starred in numerous giallo thrillers and horror films.
Carroll Baker was born Karolina Piekarski in Johnstown, Pennsylvania, in 1931. Her parents were Virginia (née Duffy) and Polish born William Watson Baker (Piekarski), who was a travelling salesman. After spending a year in college, she began working as the assistant of magician the Great Volta and joined a dance company. Baker moved to New York City. In 1953, she married furrier Louie Ritter, but the marriage ended the same year. She studied acting under Lee Strasberg, eventually becoming part of the famed Actors Studio, where she was an acquaintance of Marilyn Monroe and became a close friend of James Dean. Baker began her film career with a small part in Easy to Love (Charles Walters, 1953). After appearing in television commercials, she took a role in the Broadway production of All Summer Long. Then director Elia Kazan cast her as the title character in his controversial Baby Doll (1956), based on a script by Tennessee Williams. Her role as the thumb-sucking teenage bride to a failed middle-aged cotton gin owner (Karl Malden) brought Baker instant fame as well as a certain level of notoriety. It earned her an Oscar nomination and a Golden Globe. She also appeared in Giant (George Stevens, 1956) alongside Elizabeth Taylor, Rock Hudson, and James Dean.
Carroll Baker would go on to work steadily in films throughout the late fifties and early sixties. She appeared in a variety of genres: romances, such as The Miracle (Irving Rapper, 1959), co-starring a young Roger Moore, and But Not for Me (Walter Lang, 1959) with Clark Gable, as well as westerns, including The Big Country (William Wyler, 1958) and a lead role in the epic How the West Was Won (Henry Hathaway, John Ford, George Marshall, 1962); and steamy melodramas, including the controversial independent film Something Wild (1961), directed by her then-husband Jack Garfein, in which she plays a rape victim; and Station Six-Sahara (1962). Baker was also chosen by MGM for the lead in Cat on a Hot Tin Roof, but her contract with Warner Brothers prevented her from accepting the role, which ultimately went to Elizabeth Taylor. Baker's portrayal of a Jean Harlow-type movie star in The Carpetbaggers (Edward Dmytryk, 1964) brought her a second wave of notoriety. The film was the top money-maker of that year, with domestic box-office receipts of $13,000,000 and marked the beginning of a tumultuous relationship with the film's producer, Joseph E. Levine. Based on her Carpetbaggers performance, Levine began to develop Baker as a sex symbol, casting her in the title roles of Sylvia (Gordon Douglas, 1965) and Harlow (Joseph E. Levine, 1965). Despite much pre-publicity, the latter film was not a success, and relations between Baker and Levine soured.
In the late 1960s, Carroll Baker moved to Italy after a protracted legal battle with Paramount Pictures, as well as a divorce from her second husband, Jack Garfein. The next decade, she starred in a multitude of Italian films. These included several horror films and giallo thrillers such as L’Harem/Her Harem (Marco Ferreri, 1967) with Renato Salvatori, Il dolce corpo di Deborah/The Sweet Body of Deborah (Romolo Guerrieri, 1968) opposite Jean Sorel, and Il diavolo a sette face/The Devil Has Seven Faces (Osvaldo Civirani, 1971). She became a favourite of cult director Umberto Lenzi who directed her in the horror films Così dolce... così perversa/So Sweet... So Perverse (1969) with Jean-Louis Trintignant, Orgasmo/Paranoia (1969) with Lou Castel, Paranoia/A Quiet Place to Kill (1970), and Il coltello di ghiaccio/Knife of Ice (1972). She followed her roles in Lenzi's films with a leading role in Baba Yaga/Black Magic (Corrado Farina, 1973) as the titular witch, alongside George Eastman. In those years, film locations would take her all around the world, including Spain, Germany, the United Kingdom, and Mexico. She returned to American cinema with a leading part as a beauty salon owner who provides hit men with jobs in Andy Warhol's Bad (Jed Johnson, 1977). She played a washed-up actress living among expatriates in a Spanish village in Las flores del vicio/The Sky Is Falling (Silvio Narizzano, 1979) with Dennis Hopper. She appeared in British theatre productions of Bell, Book, and Candle; Rain, Lucy Crown, and Motive. There she met her third husband, stage actor Donald Burton. Baker starred in the Walt Disney-produced horror film, The Watcher in the Woods (John Hough, 1980), alongside Bette Davis and played the mother of Dorothy Stratten in Star 80 (Bob Fosse, 1983). She also played Jack Nicholson's wife in Ironweed (Héctor Babenco, 1987). She later had supporting roles in Kindergarten Cop (Ivan Reitman, 1990) and the acclaimed thriller The Game (David Fincher, 1997), before retiring in 2002. During a career spanning 50 years, Carroll Baker appeared in over 80 roles in film, television, and theatre. In 1983, Baker published a well-received autobiography entitled Baby Doll: An Autobiography, and later wrote two other books, To Africa with Love, and a novel entitled A Roman Tale. Baker has two children with Jack Garfein, Blanche Baker (1956) and Herschel Garfein (1958).
Sources: AllMovie, Glamour Girls of the Silver Screen, Wikipedia and IMDb.
Kama Sutra
The Kama Sutra (Sanskrit: कामसूत्र About this sound pronunciation (help·info), Kāmasūtra) is an ancient Indian text widely considered to be the standard work on human sexual behavior in Sanskrit literature written by Vātsyāyana. A portion of the work consists of practical advice on sexual intercourse.
It is largely in prose, with many inserted anustubh poetry verses. "Kāma" which is one of the four goals of Hindu life, means sensual or sexual pleasure, and "sūtra" literally means a thread or line that holds things together, and more metaphorically refers to an aphorism (or line, rule, formula), or a collection of such aphorisms in the form of a manual. Contrary to popular perception, especially in the western world, Kama sutra is not just an exclusive sex manual; it presents itself as a guide to a virtuous and gracious living that discusses the nature of love, family life and other aspects pertaining to pleasure oriented faculties of human life.
The Kama Sutra is the oldest and most notable of a group of texts known generically as Kama Shastra (Sanskrit: Kāma Śāstra). Traditionally, the first transmission of Kama Shastra or "Discipline of Kama" is attributed to Nandi the sacred bull, Shiva's doorkeeper, who was moved to sacred utterance by overhearing the lovemaking of the god and his wife Parvati and later recorded his utterances for the benefit of mankind.
Historians attribute Kamasutra to be composed between 400 BCE and 200 CE. John Keay says that the Kama Sutra is a compendium that was collected into its present form in the 2nd century CE.
Content
Vatsyayana's Kama Sutra has 1250 verses, distributed in 36 chapters, which are further organized into seven parts.
According to both the Burton and Doniger translations, the contents of the book are structured into seven parts like the following:
1. General remarks
five chapters on contents of the book, three aims and priorities of life, the acquisition of knowledge, conduct of the well-bred townsman, reflections on intermediaries who assist the lover in his enterprises.
2. Amorous advances/Sexual union
ten chapters on stimulation of desire, types of embraces, caressing and kisses, marking with nails, biting and marking with teeth, on copulation (positions), slapping by hand and corresponding moaning, virile behavior in women, superior coition and oral sex, preludes and conclusions to the game of love. It describes 64 types of sexual acts.
Artistic depiction of a sex position. Although Kama Sutra did not originally have illustrative images, part 2 of the work describes different sex positions.
3. Acquiring a wife
five chapters on forms of marriage, relaxing the girl, obtaining the girl, managing alone, union by marriage.
4. Duties and privileges of the wife
two chapters on conduct of the only wife and conduct of the chief wife and other wives.
5. Other men's wives
six chapters on behavior of woman and man, how to get acquainted, examination of sentiments, the task of go-between, the king's pleasures, behavior in the women's quarters.
6. About courtesans
six chapters on advice of the assistants on the choice of lovers, looking for a steady lover, ways of making money, renewing friendship with a former lover, occasional profits, profits and losses.
7. Occult practices
two chapters on improving physical attractions, arousing a weakened sexual power.
Il Kāma Sūtra (sanscrito: कामसूत्र) è un antico testo indiano sul comportamento sessuale umano, ampiamente considerato come l'opera più importante nella letteratura sanscrita sull'amore. Il libro è stato scritto da Vatsyayana ed il suo titolo completo è Vātsyāyana Kāma Sūtra ("Aforismi sull'amore, di Vatsyayana"). Si crede che l'autore sia vissuto in un'epoca fra il I ed il VI secolo, probabilmente durante il periodo Gupta.
Il Kama Sutra contiene 36 capitoli, organizzati in sette parti, ognuna delle quali scritta da un esperto nel rispettivo campo. Le parti sono:
Introduzione (4 capitoli) - sull'amore in generale, il suo posto nella vita di un uomo ed una classificazione delle donne.
Sull'unione sessuale (10 capitoli) - una discussione approfondita sul bacio, vari tipi di preliminari, orgasmo, una lista di posizioni sessuali, sesso orale, parafilia, e ménage à trois.
Sull'acquisizione di una moglie (5 capitoli) - corteggiamento e matrimonio.
Su una moglie (2 capitoli) - il comportamento corretto di una moglie.
Sulle mogli degli altri (6 capitoli) - principalmente seduzione.
Sulle cortigiane (6 capitoli).
Sui mezzi per attrarre gli altri a qualcuno (2 capitoli).
Il Kama Sutra contiene un totale di 64 posizioni sessuali anche rappresentate. Hanno diversi nomi, come ad esempio quelli degli animali o delle azione degli animali. Vatsyayana credeva che ci fossero otto modi di fare l'amore, moltiplicati per otto posizioni per ognuno. Nel libro queste sono note come le 64 Arti. Il capitolo che elenca le posizioni è il più famoso e per questo è spesso scambiato per l'intera opera.
Tuttavia, solo circa il 20 per cento del libro è dedicato alle posizioni sessuali. Il resto è una guida su come essere un buon cittadino e parla delle relazioni fra uomini e donne. Il Kama Sutra descrive il fare l'amore come un'unione divina. Vatsyayana credeva che il sesso in sé non fosse sbagliato, a meno che non lo si facesse frivolmente. Il Kama Sutra ha aiutato le persone a godere dell'arte del sesso in maniera più profonda e può essere considerato una guida tecnica al godimento sessuale, oltre a provvedere ad una descrizione dei costumi e delle pratiche sessuali dell'India di quei tempi.
Il Kama (in sanscrito piacere o benessere) non è infatti percepito come un peccato, ma è uno dei quattro scopi della vita (purushartha).
La traduzione inglese più conosciuta del libro è quella del 1883 di Sir Richard Burton.
il Kamasultra di Jacovitti e Marchesi, scandalizzò i cattolici e costrinse il disegnatore a interrompere la collaborazione con "DiarioVitt". Il solare e ingenuo erotismo di Jacovitti oggi non turba più nessuno, ma permette di completare la conoscenza di uno dei più grandi cartoonist dello scorso secolo, sicuramente il padre del fumetto "made in Italy".
Les Nabis Mistress With Red Shoe.
Baisers Awake assoiffés secrets combustion du matin humides,
ardente lingue consumo di orgasmo dentro,
cuisses expansion sans fin séparation horizontale amour qui coule,
ricordi costanti respirazione desideri carne soddisfatti,
strålande omhuldade nöjen många välsignelser bred,
magische Brüste endlosen mystischen Muse,
guthanna paisin dhraíocht stoirm dreaming bliss,
belas almas têmpera deliciar dedos curiosos longo,
părul ciufulit expiră imaginația viguroase sălbatic,
weelderig bloed uitnodigend bevende armen omhelzen,
leniter fovit flores circum dulcibus fine contingit,
charmes rougir de nombreux vents perplexe chatouillent,
エロ靴は栄光の肉を着て笑って休まれます.
Steve.D.Hammond.
[ES] - Este fin de semana ha sido el segundo encuentro fotográfico de fotografía nocturna y larga exposición Ciudad de Albarracín. Un congreso muy bien organizado por el grupo Night Photography Belchite, que se quedó corto en días, pues se me ha pasado volando el fin de semana! Un placer conocer a fotógrafos que comparten tu misma pasión por el linterneo nocturno y ponerles cara a muchos otros con los que tenía contacto a través de redes sociales. El viernes, al llegar a Albarracín, aparcamos y subimos corriendo a las murallas para echar un par de fotos del atardecer -que ya no llegamos- y de la hora azul. Cuando nos íbamos a ir, solté mi típica frase de "una más y nos vamos" y me subí a la parte más alta de las murallas a disparar desde allí. Cuando ya bajaba de la torre, pensé en hacer una panorámica, pero lo que no esperaba era encontrarme con esto al montarla en Lightroom... Había captado la Vía Láctea, parte de su centro galáctico, con una luna al 48% que no sólo estaba en plano, sino justo al lado de la vía!!! Puro orgasmo visual, pensaba que nunca podría captar la VL con luna! Y encima con la composición final que esperaba, ya que por las prisas y hacer las 15 fotos a ojo, pensaba que no habría atinado. Espero que os guste tanto como a mí!
[EN] - This weekend has been the second photographic meeting of night photography and long exposure Ciudad de Albarracín. A group of conferences and activities very well organized by the group Night Photography Belchite, which finally was short in days. It's been a pleasure to meet photographers who share your same passion for nocturnal lanterning and to face on many others with whom you had contact through social networks. On Friday, when we arrived in Albarracín, we parked and ran up to the walls to take a couple of photos of the sunset -we hadn't arrived on time- and the golden hour. When we were going to leave, I told my typical phrase of "one more and let's go" and I climbed to the highest part of the walls to shoot from there. When I was coming down from the tower, I thought I would take a look, but what I did not expect was to find this when I mounted it in Lightroom ... I had captured the Milky Way, part of its galactic center, with a moon at 48% it was flat, but right next to the stars path!!! Pure visual orgasm, I thought I could never catch the VL with the moon! And over with the final composition I was hoping for, because of the rush and making the 15 photos by eye, I thought I would not have noticed. I hope you like it as much as me!
Trollop.
Böjda vingar genomskinliga vinkar perspektiv oberoende nacke ler tysta nöjen privata erotiska passioner rörande drömmar,
nu charmante épaules désirs insondables sexuel esprit agité forte cuisses belle chair extrême dimensions belle toucher sauvage nuits,
curiosis artibus exquisitis deliciis firma formam complectens figmentis poeticis libertates linguis hodiernis natantes contours luctaretur,
nectares fantasias orgasmos universais barriga corajosa aventuras sexuais rapsódias de excitação clandestina amanhece coração arrebatador grandes impulsos,
kysse blød morgen brændende somre stjerner blomster skygger lyse forførende timer hvisket svajer spændinger lettet snoet dybder udforsket,
巨大な満足のオーガズム発汗ディメンション無限大パラダイス愛好家の織りやすいストローク柔らかい胸の幻想的なファンタジーの実現.
Steve.D.Hammond.
Mirant l'arxiu m'he adonat que tinc oblidada la V211 que ens va visitar per les obres del tram Manresa-Calaf. Fa molt de temps que no penjo cap foto d'aquesta preciosa locomotora alemanya, i això que en tinc per donar i per vendre. Després d'anar fins a Rajadell a posar gasoil (1) (2), la V211 va haver de tornar a Manresa seguida de tota la comitiva d'obres en el següent ordre: V211, perfiladora, batonadora i estabilitzadora. La raó era que l'estabilitzadora ja havia acabat la seva feina i havia de marxar via Terrassa, però com que anava la primera van haver d'apartar-se a les vies de Manresa la resta de màquines. Aprofito per saludar en Josep Maria Creus, amb qui vaig compartir aquell memorable matí d'orgasme ferroviari.
Mirando mi archivo me he dado cuenta que tengo olvidada a la V211 que nos visitó en las obras del tramo Manresa-Calaf. Hace mucho tiempo que no subo ninguna foto de esta preciosa locomotora alemana, y eso que tengo un montón. Después de ir hasta Rajadell a repostar gasoil (1) (2), la V211 tuvo que volver a Manresa seguida por toda la comitiva de obras en el siguiente orden: V211, perfiladora, bateadora y estabilizadora. La razón era que la estabilizadora ya había terminado su trabajo y tenía que irse via Terrassa, pero como que iba la primera tuvieron que apartarse en las vías de Manresa el resto de máquinas. Aprovecho para saludar a Josep Maria Creus, con quien compartí aquella memorable mañana de orgasmo ferroviario.
fonte: www.diggita.it/v.php?id=1572264 Ricetta e Ingredienti Orgasmo Cocktail via ---> www.diggita.it/v.php?id=1572264
www.goear.com/listen/8ea5d6e/your-time-is-gonna-come-led-...
Tema: Your Time Is Gonna Come
Intérprete: Led Zeppelin
The Western Outlaws took a Donkervoort S8A and replaced the original mudguards and body panels by ones in carbon fibers. They made a slightly more aggressive face and put the air intakes on the side of the hood for more efficiency. Put smaller but more powerful headlights. They used the powerful brakes and the gearbox + rear axle of a Porsche 928 GTS for a perfect mass distribution and to accommodate the power increase. Because, instead of the good old Ford 2 liter engine they put a 2l Subaru flat 4 from the Impreza, tuned it for running on hydrogen and added 2 turbos: one low and one high pressure. The little beast now delivers 333 HP. Where the gear box was, they put an electric motor that replaces the starter and the alternator and delivers a little but instant boost of 12,5 Kw when you push your right feet to the floor. But, most important of all, it also powers a Stanley Meyer’ system that produces the hydrogen with the water you fill the tank of (sic).
The final result is called the W.Ows H7O for Western Outlaws Hyper Seven Orgasmo. It weighs 625 Kg for a total power of 350 HP and runs on water! It proves it’s possible to have a lot of fun with a totally ecological vehicle powered by an internal combustion engine. And that is an achievement!
El orgasmo femenino ¿Es necesario para la reproducción? Pues puede haber ayudado a la ovulación en el pasado evolutivo, dicen los científicos
LONDRES (HealthDay News/Dr. Tango) - El orgasmo femenino - famosamente falsificado por Meg Ryan en "When Harry Met Sally" - puede tener sus verdaderas r...
comoperderkilosrapidamente.com/el-misterio-del-orgasmo-fe...
En realidad, llegar al orgasmo no debería ser un problema pues, a fin de cuentas, es una reacción natural a una serie de sensaciones placenteras asociadas al sexo. Sin embargo algunas mujeres padecen durante años de anorgasmia, un problema menos frecuente en los hombres
Los sexólogos coinciden en señalar que en la mayoría de los casos la anorgasmia no tiene un origen fisiológico y sí psicológico, o está asociada a errores u omisiones en la rutina sexual de la pareja. Es decir, que no se puede llegar a la meta por el camino equivocado y, si tienes o has tenido problemas para llegar al clímax, aquí te van algunos consejos para llegar al orgasmo .
La Magia esta en Sentir ( :
los colores es lo unico q m gusta :P
quiero detener el mundo a mis pies
extasis de vivir
Vendo diario vendo diario!(8)
Supongo que a estas alturas del reto ya habréis visto que soy MUY tonto. Creo que de pequeño me caí de cabeza sobre el pico de una plancha y me quedé así.
Pero la primavera, además de alergias, colores y flores, es también la época de apareamientos y de ebullición de la sangre. Ya lo dice el dicho: "La primavera la sangre altera". Y así vamos.
Pensando, se me ha empezado a ir la olla muy fuerte con situaciones absurdas o para nada excitantes que pueden verse en un ordenador, pero que por el tiempo del año en el que estamos, cualquier excusa es buena. Y qué carajo… la carne es débil.
Me da mucho el rollito de meme, así que puede que acabe usando esta imagen a modo de respuesta generalizada. No me lo tengáis muy en cuenta, por favor. Pensad que es por una buena causa. XDDDD
* * *
#birdcarlos1 #D3200carlos1 #2013carlos1 #postado
MACUQUINHO, macuquinho, Eleoscytalopus indigoticus (Wied, 1831)
+ Tirada em passarinhada com o amigo da ECOAVIS João Sérgio em sua cidade natal. No segundo dia de tentativas, chamando o bicho no play-black, não é que ele saiu quase debaixo de minhas pernas... levei um baita susto e o amigo João quase teve um orgasmo ornitológico... (hehehe!) Realmente, foi emocionante!
+ Taken in passarinhada with friend of John ECOAVIS Sergio in his hometown. On the second day of attempts, calling the animal in the play-black, is not that it came out almost under my legs... I took a hell of a fright and friend John almost had an ornithological orgasm... (hehehe!) Indeed, it was exciting!
New post in Blog
Nuevo post y spot en el Blog
www.jlopezsaguar.com/index.php?option=com_wordpress&I...
Please, do not use this photo without permission
Por Favor no usar esta fotografía sin permiso
En Vídeo: Te decimos los pasos para que le des un orgasmo intenso de senos a tu pareja ift.tt/2jILE8X t.co/ebuiNLkVkP (via Twitter twitter.com/AgenciaCN/status/822715105603448832)
Esta es la expresión de una persona que,en ese preciso momento, está disfrutando al máximo, sintiendo, diría yo, placer extremo.
Podría haberlo puesto de cuerpo entero o la mitad, con su guitarra bien enfocada, porque eso es lo que está haciendo, tocar la guitarra, pero solo quería poner su cara, captar ese momento en el que casi parece que está en éxtasis. Cuando un músico siente algo así, lo disfruta y muestra de este modo, es imposible que no lo transmita al publico y contagie ese estado de plenitud a los que lo están viendo y escuchando.
...♪♫♪♪ ( a nuestra manera )
Without you, today's emotions would be the scurf of yesterday.
܇܇܇܇܇܇܇܇܇܇܇܇܇܇܇܇܇܇܇܇܇܇܇܇܇܇܇܇܇܇܇܇
Sin ti, las emociones de hoy serían la caspa de ayer.
₪₪₪₪₪₪₪₪₪₪ Le fabuleux destin d'Amélie Poulain
৹
Todas tus cartas, tus miradas, tus llamadas, tus caricias, tus orgasmos, tus regalos, tus sonrisas, tus despedidas, tus te quiero, tus te echo de menos, tus besos, tu lengua, tus brazos rodeando el mío, tus manos desnudándome, tus comentarios, tus frases, tus camisetas, tu olor, tu cama, tus sábanas y almohadones, todas tus películas y mis ilusiones, tus textos escritos por mí, todas tus fotos, tus labios, tu espalda, tus pestañas y su magia, tus gemidos, tus perdóname, tus gracias, tu risa, tus lágrimas, tus calcetines, tu música, tus dibujos, tu arte, tu oxígeno, tu vida.
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