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A friend's impressive wall of books, very nicely organized and taking up little floor space.
Blogged:
yuriartibise.com/blog/reading-week-aka-spring-break-nerds/
www.ceoglobalnetwork.com/blog/2011/03/31/the-75-must-read...
blog.rafaelporto.com/2011/05/compartilhando-conteudo.html
www.yourweeklytutor.com/2011/05/lessons-from-eran-katz-an...
www.princeofpetworth.com/2011/08/friday-question-of-the-d...
vrypan.net/weblog/2011/08/21/6393/
online-english-lessons.eu/wordpress/2011/09/phrasal-verb-...
www.christiandroid.com/2011/09/christian-droid-giveaway-w...
schnikism.com/2011/12/15/school-updatewinter-break/
underthetikihut.blogspot.com/2012/04/call-to-adventure.html
blog.emergingscholars.org/2012/07/bielo-the-textual-econo...
www.anavaro.com/blog/weapon-of-choice/
www.zetcho.com/blog/2012/10/23/books-on-writing/
www.popville.com/2015/05/from-the-forum-twentythirtysomet...
www.popville.com/2023/03/friday-question-of-the-day-curre...
I finally organized my trims by color. Was getting a little tired of searching all over my sewing room for trims that I thought I still had so this is goin to be a big help! All my ribbons are hiding behind the jars.
+++ DISCLAIMER +++
Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!
Some background:
The Korean People's Army Air and Anti-Air Force began as the "Korean Aviation Society" in 1945. It was organized along the lines of flying clubs in the Soviet Union. In 1946, the society became a military organization and became an aviation division of the Korean People's Army (KPA). It became a branch of the army in its own right in November 1948. The KPAF incorporated much of the original Soviet air tactics, as well as North Korean experience from the UN bombings during the Korean War.
North Korea’s first indigenous jet fighter aircraft, the Wonsan Aircraft Works 여-1 (known as “W-1” outside of the country), started its existence in China as the Shenyang J-3 (Jianjiji = fighter). The J-3 was a project to exploit the knowledge and hardware gained through the license production of the Soviet MiG-15UTI trainer, locally designated JJ-2 (Jianjiji Jiaolianji – fighter trainer), a study that was primarily intended to improve China’s aircraft industry and the country’s respective engineering know how after the Korean War. The Soviet VVS and PVO had been the primary users of the MiG-15 during the Korean war, but not the only ones; it was also used by the PLAAF and KPAF (known as the United Air Army).
The J-3 was designed during the Korean War between 1952 and 1953 and two prototypes were built with Soviet help and tested in 1953, but the aircraft came too late – and it was not regarded as a successor or even an alternative to the Soviet MiG-15, because it lacked modern features like swept wings. The J-3’s design drew more on American rather than British inspiration, having elected to use features such as a very thin (but almost straight) wing akin to the Lockheed P-80 Shooting Star and a basic configuration comparable to the North American F-86 Sabre. Due to its conceptual interceptor role, an emphasis had been placed on a fast rate of climb. Power came from a Klimov VK-1 centrifugal-flow turbojet, a derivative of the British Rolls-Royce Nene Mk.104B that also powered the MiG-15. Armament consisted of four 23 mm (0.906 in) Nudelman-Suranov NS-23 autocannon under the nose.
The J-3’s rate of progress on the project was such that, within 15 months of design work having formally started, the first prototype had been fully constructed. On 28 October 1953, the first J-3 fighter prototype conducted its first flight, even though it still lacked pressurization, armament, and other military equipment. Gradually, new hardware was integrated and tested, and a second aircraft joined the tests in January 1954. Flight tests followed quickly and showed that the J-3 was easy to fly and had exceptional performance and maneuverability for a straight-wing aircraft. Unfortunately, it soon became clear that the laminar flow section used for the original tail unit was totally unsuitable, with extremely severe buffeting setting in at 500 km/h (310 mph). The buffeting was so bad that the test pilots were thrown about in the cockpit, banging their head on the canopy, and the needles fell off all the flight instruments. Fortunately, accidents could be avoided, and the tailplane section was changed with much improved results.
The gun armament caused troubles, too. Firing all four NS-23 at once made the robust engine surge – a problem that did not occur on the MiG-15, but it only carried two of these weapons. A remedy was eventually found through the introduction of a slightly elongated nose that kept the air intake further away from the gun blast shock waves. The flight and test program lasted until 1955, and a total of five J-3 prototypes were built, but with no serious plan to put this aircraft into series production, even more so after China had been offered to produce the even more modern and capable Soviet MiG-17 fighter under license as the J-5. In the People's Republic of China (PRC), an initial MiG-17F was assembled from parts in 1956, with license production following in 1957 at Shenyang. The Chinese-built version was/is known as the Shenyang J-5 (for local use) or F-5 (for export). After this decision, the J-3 program was stopped, but the machines were retained in flightworthy condition as testbeds and chase planes by the PLAAF until the late Sixties
However, this was not the end of the J-3. After fighting had ended on 27 July 1953 when the Korean Armistice Agreement was signed, the Korean People's Army Air and Anti-Air Force (KPAAF) was keen to boost its capabilities and build a domestic aircraft industry, beyond the option to produce existing designs in license. Turning to its main sponsor China, North Korea was offered the plans for the J-3 and its tools, together with a supply of Chinese-built VK-1 engines. Even though the J-3 did not represent the state-of-the-art in jet fighters anymore, it was the best option for an industrial quickstart and until 1956 a dedicated production site for the J-3 was built at Wonsan, leading to the Wonsan Aircraft Works (Wonsan hang-gong-gi jag-eob , 원산 항공기 작업) and its first military product, the 여-1 (Yeo-1 = W-1). When NATO became aware of the aircraft it received the reporting code name “Freshman”.
However, despite the J-3’s plans and tools at hand, the W-1’s production was hampered by the lack of experience, sub-optimal materials, and poor logistics (esp. concerning vital imported components like the Chinese WP-5 engine, a license-built VK-1). Consequently, it took almost three years to roll out the first pre-serial production aircraft in 1959, and even then, the W-1 was plagued with material and reliability problems. Furthermore, once the W-1 became operational in 1961, the aircraft had become outdated. The W-1 had been designed to intercept straight-and-level-flying enemy bombers, not for air-to-air combat (dogfighting) with other fighters. The subsonic (Mach .76) fighter was effective against slower (Mach .6-.8), heavily loaded U.S. fighter-bombers from the Fifties, as well as the mainstay American strategic bombers during the aircraft's development cycle (such as the Boeing B-50 Superfortress or Convair B-36 Peacemaker, which were both still powered by piston engines). It was not however able to intercept the new generation of British jet bombers such as the Avro Vulcan and Handley Page Victor, which could both fly higher. Most W-1s were initially used as night fighters – even though they lacked any on-board radar and the pilot had to rely on visual contact and/or radio guidance from ground stations to make out and close in on a potential target. The USAF's introduction of strategic bombers capable of supersonic dash speeds such as the B-58 Hustler and General Dynamics FB-111 rendered the W-1 totally obsolete in front-line KPAAF service, and they were quickly supplanted by supersonic interceptors such as the MiG-21 and MiG-23.
The rugged aircraft was not retired, though, and found use as ground attack aircraft (despite its limited payload of around 2 tons) and as an advanced fighter trainer. Total production numbers are uncertain, but less than 100 W-1s were produced until 1969, with no further variants becoming known. In 1990, probably forty were still operational, and even after 2000 some KPAAF W-1s were still flying.
General characteristics:
Crew: 1
Length: 10.73 m (35 ft 2 in)
Wingspan: 12.16 m (39 ft 10½ in)
Height: 4.46 m (14 ft 7½ in)
Wing area: 23.8 m² (256 sq ft)
Aspect ratio: 7.3
Empty weight: 4,142 kg (9,132 lb)
Gross weight: 7,404 kg (16,323 lb)
Max takeoff weight: 7,900 kg (17,417 lb)
Powerplant:
1× Wopen WP-5 (Rolls-Royce Nene Mk.104B) centrifugal-flow turbojet
with 26.5 kN (5,950 lbf) thrust
Performance:
Maximum speed: 940 km/h (580 mph, 510 kn) at sea level
Maximum speed: Mach 0.76
Cruise speed: 750 km/h (470 mph, 400 kn)
Maximum Mach number: M0.83
Combat range: 450 km (280 mi, 240 nmi)
Ferry range: 920 km (570 mi, 500 nmi)
Service ceiling: 13,000 m (43,000 ft)
Rate of climb: 38 m/s (7,500 ft/min)
Take-off run: 783 m (2,569 ft)
Landing run: 910 m (2,986 ft)
Armament:
4× 23 mm (0.906 in) Nudelman-Suranov NS-23 autocannon with 100 rounds per gun
2× underwing hardpoints for 2.000 kg of payload, including a variety of unguided iron bombs such
as 2× 250 kg (500 lb) bombs, napalm tanks, pods with unguided missiles, or 2× 350 l (92 US
gal; 77 imp gal) drop tanks for extended range.
The kit and its assembly:
I always thought that the tubby Dassault Ouragan had something “Soviet-ish” about it, looking much like one of the obscure early Yakowlew jet fighter prototypes (e .g. the straight-wing Yak-25 [first use of this designation in 1947] or the swept-wing Yak-30) around 1950. With this idea I had stashed away a Heller Ouragan for a while, and recently wondered about an indigenous North-Korean aircraft that could have emerged after the Korean War? The Ouragan looked like a good basis, and so this project started as a simple conversion of the Heller kit.
While most of the airframe was retained, I made some cosmetic changes to change the aircraft’s looks and add a Warsaw Pact flavor. The characteristic wing tip tanks disappeared, and the wings’ ends were rounded off. The fin tip was extended with a piece of 1.5 mm styrene sheet and a different fin shape was sculpted from it. The original stabilizers were replaced with what I think are stabilizers from a VEB Plasticart 1:100 An-24 – they better match the wing shape than the OOB parts!
The cockpit was taken OOB, I just replaced the ejection seat with a different piece from a KP 1:72 MiG-19. The air intake was modified with the opening from a Heller 1:72 F-84G, extending and narrowing it slightly, even though the internal splitter plate (which also bears the front wheel well) was retained. The landing gear was also basically taken OOB, but the main wheels were now mounted on the outside position (with an adaptation of the covers), and the front wheel was moved 3 mm further forward, to compensate for the slightly longer nose section, and its cover was modified accordingly. The flaps were lowered, primarily because this modification is easy to realize on this kit and it makes the simple aircraft look “livelier”, and the canopy was cut into three parts for open display.
Pylons were added under the wings, together with drop tanks from a Hobby Boss 1:72 MiG-15. The same source provided the swept antenna mast behind the cockpit and the small but characteristic altimeter sensors under the wings. As a final twist of “Sovietization” I added small fences to the wings, made from styrene profiles – they would not be necessary on the aircraft’s straight wings, but they help change the model’s overall look. 😉
Building the Heller Ouragan was a straightforward affair, even though the plastic of the recent re-boxing I used was pretty soft and took long to cure after gluing parts together. A real problem occurred when I tried to close the fuselage halves, though, because the parts did not align well behind the cockpit, as if they were warped? The walls were rather thin, too, and as a result a lot of PSR went into the spine and the ventral area behind the wings, which mismatched badly. The rather thin material in these areas did not help much, either. I have built the Ouragan before, and I do not remember these massive troubles?!
Painting and markings:
I initially considered a North-Korean night fighter camouflage from the Korea War, but since the aircraft would have been introduced into service after the open hostilities, I rather settled for a very dry NMF finish with minimal markings. Therefore, the model received an overall coat with “White Aluminum” from the rattle can and a light overall rubbing treatment with graphite to emphasize the raised panel lines and add a slightly irregular metallic shine to the paint. Since they had disappeared through PSR, I also added/recreated some panel lines with a soft pencil.
The cockpit interior was painted in medium grey and Soviet cockpit turquoise, the landing gear and its wells became metallic-grey (Humbrol 56). The areas around the exhaust and the guns were painted with Revell 91 (Iron), the only color contrasts are red trim tabs.
The large KPAAF roundels with a white background came from a Cutting Edge MiG-15 sheet, the large red tactical code was left over from an unidentifiable “Eastern Bloc” model’s decal sheet. After some more graphite treatment around the guns and the tail section the model was sealed with a coat of semi-gloss acrylic varnish (Italeri), resulting in a nice metallic shine that looks better than expected on this uniform aircraft.
Well, this converted Ouragan looks pretty dull at first sight, due to its simple livery. But this makes it pretty plausible, and the small cosmetic changes add a serious Soviet-esque touch to the aircraft.
...One day a Bloody and broken currier trooper reached the capital east gates this is the story he told:
My Lady this is a report from the Gleensburg Valley fortification complex!
the day before this and the day before that it was just an ordinary day, we had controlled border transports and taxed them according to our laws, we where just about to close the main gate for the night...
Then they where there all close to our fortification, Captain Beefheart panicked and pulled the portcullus, so a few of our guys where where outside, they were slaughtered by the hordes, then a bad thing was that because of the friendly peaceful times that have lasted for so long in this area, we were undermanned, since a lot of soldiers were "on leave" with the families and down the pub, something that Captain Beefheart often didn´t take very serious since, the barbarians were not as active these days as they had been in the past...
Then there was a second front, from the inside of the fort commandos had been hiding in the merchants and peasants charts and transports...
obviously no charts had been inspected as well as we should have, again Beefheart´s fault, he was far to slack on everything, that is what long lasting peace does to soldiers... I men non of us had seen blood for ages...
...so anyhow, now we were only a few crossbows and archers up above the gate, they Barbarians where organized this time fighting in squads, they even formed a shield-wall to block out arrows and bolts...
they were not behaving like before, my Lady you know, before if the killed a trooper they would pillage him directly sometimes smaller fights would erupt among themselves now they just kept moving in their units and formations...
...they fought almost like us, the collaborated amongst themselves...
...now ma´am I have almost no soul left and no blood left, I am asking for permission to pass out and taken to a bed, I will give a full report later, I am sorry we failed you ma´am, we.. we.. failed... we, fail...
the soldier passes out in front of Esmeralda.
i finally removed my [unused and untouched] kawaii stationery out of their boxes and placed them on the bottom shelf. :D (hover over the picture for notes!)
This is my splendiferously organized home office storage closet. I spent way too many years as a disorganized slob, and then HGTV changed my life. ;-) Heeheeheehee....
Gelsenkirchen
The Ruhr area ('Ruhrgebiet') is named after the river that borders it to the south and is the largest urban area in Germany with over five million people. It is mostly known as a densely-populated industrial area. By 1850 there were almost 300 coal mines in operation in the Ruhr area. The coal was exported or processed in coking ovens into coke, used in blast furnaces, producing iron and steel. Because of the industrial significance, it had been a target from the start of the war, yet "the organized defences and the large amount of industrial pollutants produced a semi-permanent smog or industrial haze that hampered accurate bombing". During World War II, the industry and cities in the Ruhr area were heavily bombed. The combination of the lack of historic city centres, which were burned to ashes, and (air) pollution has given the area and the cities a bad reputation. Especially because it is so close to the Netherlands, I thought it would be an interesting area to visit for a little trip. I have spent three nights at a campsite on the Ruhr and visited six cities.
Gelsenkirchen is the 25th largest city in Germany and the fourth largest in the Ruhr region with a population of 260,000. Gelsenkirchen remained a small settlement until the nineteenth century, when the industrial revolution led to a rapid population increase. It became an independent city in 1896. The city used to have many torches due to the excess of coke oven gas from the coking plants, which gave Gelsenkirchen its nickname Stadt der 1000 Feuer (City of 1000 Fires). Gelsenkirchen is primarily known for its soccer club: Schalke 04, which is named after the Gelsenkirchener district Schalke.
Gelsenkirchen suffers from problems including high unemployment due to its former reliance on the coal and steel industry, high crime rates and a large amount of vacant houses caused by population decline. The population reached an all-time high in 1959 with 391,745 inhabitants; the forecast for 2025 lies at only 226,100 inhabitants, making it one of the fastest shrinking cities in Germany. Gelsenkirchen now tries to turn around things by expanding its service sector and positioning itself as a hub for solar technology.
Even though 75% of the city was destroyed during World War II, there are still plenty of remains of the architectural past.
Source: Wikipedia
The Liebfrauenkirche was constructed in 1894.
We cleaned and re-organized my daughter's room today. It is gradually becoming an undersea/turtle room. The main part is under the ocean, the area on the right is the island area - Hawaii.
Photographer: Fred H. Politinsky
Subject: Chaos
Chaos often breeds life, when order breeds habit.
----Henry Adams, The Education of Henry Adams (1918), 16
View my most recent photographs at www.flickr.com/photos/jackpot999.
Taking the 'blad to a first responder work day. It isn't the most compact camera, but after hauling around an Intrepid 8x10 with gear, as Tim Lowe once said, it's like a point and shoot. Another day in the life of an unending public health challenge that faces us all. Thankfully we have the creation of images to help us through it.
A little project today...I organized my embroidery floss! Got this cute bento box container when I was in Japantown in SF last time I was there. It fits all my floss perfect! YAY! :)
Maker: Photo Club de Paris
Born:
Active:
Medium: exhibition poster
Size: 34 in x 48in
Location:
Object No. 2025.531
Shelf: tube
Publication:
Other Collections
Provenance: Online Poster Sale, 10/20/25, Bonham’s Cornette de Sainte Cyr, Paris, Lot 3
Rank: 1427
Notes: Instead of an exposition, the more fashionable “salon” was designated by the Photo-Club de Paris for their fourth international exhibition of photographic art for 1897. The show was held at the Galerie Des Champs Elysées in Paris from April 13- 28, 1897. One franc gained admittance to the exhibit. The Photo-Club de Paris was created by members who seceded from the Société de Francaise de Photographie and included the influential French photographers Robert Demachy and Constant Puyo. (Source: Photoseed)
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Source: en.wikipedia.org/wiki/Pinckneyville,_Illinois
Pinckneyville is a city in and the county seat of Perry County, Illinois, United States. The population was 5,066 at the 2020 census. It is named for Charles Cotesworth Pinckney, an early American diplomat and presidential candidate.
Pinckneyville is the location of the Pinckneyville Power Plant, a combustion turbine generator (CTG)-type power plant run by Ameren.
Source: www.americanthresherman.com/history.html
ATA HISTORY
The American Thresherman Association (ATA) was organized in March of 1959.
At the annual meeting in 1962, Amos Rixman commented that the Association "organized three years ago this month for the purpose of furnishing some enjoyment to its members and to be the beginning of something very worthwhile." Already in its brief life the Association had earned such a reputation that three towns vied for the chance to become the permanent site for the show. The Pinckneyville Chamber of Commerce invited the ATA with open arms and pledges of support, and the Perry County community was chosen over Mascoutah and Highland for the 1962 show site.
Additional Foreign Language Tags:
(United States) "الولايات المتحدة" "Vereinigte Staaten" "アメリカ" "美国" "미국" "Estados Unidos" "États-Unis"
(Illinois) "الينوي" "伊利诺伊州" "इलिनोइस" "イリノイ" "일리노이" "Иллинойс"
(Pinckneyville) "بينكنيفيل" "平克尼维尔" "पिंकनीविले" "ピンクニービル" "핀크니빌" "Пинкнивилль"
My first submission for this weeks "organized chaos" theme.
When I left the classroom many of my classroom library books ended up in my son's room because I don't have a lot of storage space. He has two book cases in there, both with the books shelved two deep. I'm sure you can tell which ones he's been reading lately...
All over the capital, the Arirang adverts (« Grand mass gymnastic and artistic performance », « Welcome to Pyongyang » and so on) warn the profane…Between August and October, takes place one of the biggest and most impressive performances in the world. The tone is set : even the Beijing Olympics ceremony can’t compete with the mass games organized by the Democratic People's Republic of Korea (DPRK). The show is held several times a week and welcomes tourists from all over the World, including the US, in one of the most isolated and despised country on earth. The well-called « mass games » are designed to emphasize group dynamics rather than individual performances as the supreme emblem of communism. Prepared by hundred of thousands performers all along the year, after their classes for the youngest of them, they are entirely dedicated to the NK’s leader Kim Jong Il and his deceased father Kim Il Sung, considered as the « Eternal president » and « sun of the 21st century »…
In the surroundings of Pyongyang's May Day giant Stadium, two girls are running to perform for the Arirang show. They are already dressed in their gymnastic outfits, as well as some 100,000 others who participate to the performance. They all come to honour their self-proclaimed « dear leader » Kim Jong Il, after a very hard and gruelling training, since their earliest age. Yet, it has been many years that Kim Jong Il has not shown up, formally for business reasons. But officials now admit the western medias’ assertions of illness. Anyways, Kim Jong Il or not, the mass games are held every year in Pyongyang, as a means for the regime to show to the entire world the country’s strength and good shape. To reach this sole purpose, not less than 100,000 people are involved in a choreographed show of simultaneous dancing and gymnastics. Many symbols are displayed by thousands of trained athlets, whether they are adults or even children. Hand over their heart, the young pupils sing in chorus "We are the happiest children in the world", one of the famous propaganda songs in North Korea. Many dancers make movements either with ribbons or colourful flowers named « kimjonglias » after the leader Kim Jong Il. All along the show, a live band plays a ceremonious music.
On the background, some 20,000 young koreans sit on the terraces, facing the spectators. They flip coloured cards at a high speed to form a fresco of animated and detailed images, changing from one to another. Each time they turn the page to create a new giant picture, they cry out. It creates a awe-inspiring atmosphere, as the shout is mixed with the noise of thousands of pages turned at the same moment. The figures are stunning : to compose these images, 2000 children are needed to make only one soldier, 20,000 for a north korean flag. Hiding a much more grim reality, the panels represent Pyongyang enlightened by night, wheat fields ready for harvest, scientists at work, atoms as symbols of the nuclear bomb and others for the reunification of two Koreas. One of the North Korea’s myths (history according to them) is recounted by the means of a huge image made by thousands of children. It represents the two pistols reportedly used by Kim Il Sung, when he founded the Anti-Japanese People’s Guerrilla Army in 1932. When the pistols appear, the audience applauses loudly. Among them, many soldiers attend the show as the ultimate award after years of good and faithful service.The thousands and thousands of boys and girls involved create a giant mass movement in the stadium which leaves the public stunned. These talented performers are used to that kind of performance: in North Korea they have to dance, sing, jump and spin around as many times as there are celebrations, always in praise of their leaders. There are mainly two sorts of shows. The first one is the classical artistic show, named "Arirang" after the famous korean folk song (whose story sometimes changes, but most often recounts the legend of a disappointed woman who hopes that her lover will return to her –metaphor of the break-up with South Korea). The second one is a more political show, which was untitled in 2008 "Prosper our country" and intended to show the country’s greatest achievements and its struggle against the foreign oppressors.
The show continues in the same way for one hour. Thereafter, the thousands of people present vanish in the dark and silent streets of Pyongyang, which contrast with the flood of lights and music in the stadium. Within the space of a few hours, it gives us a a strange feeling, between the real and unreal, of another universe both terrifying and fantastic.
Dans toute la ville, les publicités d’Arirang (« Grande représentation gymnastique et artistique de masse », « Bienvenue à Pyongyang » etc.) mettent le profane en garde …Entre août et octobre, a lieu l’une des plus grandes et impressionnantes représentations au monde. Le ton est donné : pas même la cérémonie des Jeux de Pékin ne peut rivaliser avec les mass games organisés par la République Démocratique Populaire de Corée (RDPC). Le spectacle se tient plusieurs fois par semaine et accueille des touristes du monde entier, y compris des Etats-Unis, dans l’un des pays les plus isolés et méprisés sur terre. Les biens nommés mass games (« mouvements de masse») sont conçus pour mettre en avant les dynamiques de groupe plutôt que les performances individuelles comme emblème suprême du communisme. Préparés par des centaines de milliers d’artistes tout au long de l’année, après les cours pour les plus jeunes d’entre eux, les jeux sont entièrement dédiés au leader de la Corée du Nord, Kim Jong Il, et feu son père Kim Il Sung, considéré comme l’ « Eternel président » et « soleil du 21ème siècle »…
Aux environs du Stade géant May Day de Pyongyang, deux filles courent pour participer au spectacle de Arirang. Elles sont déjà en costume de gymnastique, tout comme quelque 100 000 autres qui participent à la représentation. Tous viennent pour honorer leur autoproclamé « cher leader » Kim Jong Il, après un très difficile et éprouvant entraînement, depuis leur plus jeune âge. Pourtant, cela fait plusieurs années que Kim Jong Il ne s’est pas montré, formellement pour des raisons professionnelles. Mais des officiels admettent les assertions des médias occidentaux sur sa maladie. Quoi qu’il en soit, Kim Jong Il ou pas, les jeux de masse ont lieu chaque année à Pyongyang, comme moyen pour le régime de montrer au monde entier la puissance et bonne santé du pays. Pour atteindre ce seul but, pas moins de 100 000 personnes sont engagées dans une chorégraphie de danses et gymnastiques synchronisées. De nombreux symboles sont affichés par des milliers d’athlètes entraînés, qu’il s’agisse d’adultes ou même d’enfants. Main sur le cœur, les jeunes élèves chantent en chœur « Nous sommes les enfants les plus heureux du monde », l’une des chansons de propagande les plus connues en Corée du Nord. De nombreux danseurs font des mouvements avec des rubans ou avec des fleurs colorées appelées « kimjonglias », du nom du leader Kim Jong Il. Tout le long du spectacle, un orchestre joue une musique solennelle.
À l’arrière-plan, quelque 20 000 jeunes coréens sont assis sur les gradins, faisant face aux spectateurs. Ils retournent des cartes colorées à une grande vitesse pour former une fresque d’images animées et détaillées, changeant de l’une à l’autre. Chaque fois qu’ils tournent la page pour créer une nouvelle illustration, ils crient. Cela crée une atmosphère impressionnante, le cri étant mêlé avec le bruit de milliers de pages tournées au même moment. Les chiffres sont stupéfiants : pour composer ces images, 2000 enfants sont nécessaires pour faire un seul soldat, 20 000 pour un drapeau de la Corée du Nord. Cachant une réalité bien plus dure, les panneaux représentent Pyongyang éclairée la nuit, des champs de blé prêt à être récolté, des scientifiques au travail, des atomes comme symboles de la bombe nucléaire et d’autres pour la réunification des deux Corées. L’un des mythes de Corée du Nord (ou histoire selon eux) est relaté au moyen d’une image gigantesque faite par des milliers d’enfants. Elle représente les deux pistolets que Kim Il Sung aurait utilisés quand il a fondé l’armée de guérilla populaire anti-japonaise en 1932. Lorsque les deux pistolets apparaissent, le public applaudit bruyamment. Parmi eux, de nombreux soldats assistent au spectacle comme récompense ultime après des années de bons et loyaux services. Les milliers et milliers de garçons et de filles participant créent un mouvement de masse géant dans le stade, qui laisse le public ébahi. Ces artistes talentueux sont coutumiers de ce type de représentation : en Corée du Nord ils doivent danser, chanter, sauter et virevolter autant de fois qu’il y a de célébrations, toujours à la gloire de leurs chefs. Il existe principalement deux sortes de spectacles. Le premier est le spectacle classique artistique, appelé « Arirang » d’après la célèbre chanson folklorique coréenne (dont l’histoire quelques fois change, mais qui raconte le plus souvent la légende d’une femme déçue qui espère que son amant lui reviendra –métaphore de la séparation avec la Corée du Sud). Le second est un spectacle plus politique, qui était intitulé en 2008 « Que prospère notre pays » et qui tentait de montrer les plus grandes réalisations du pays et sa lutte contre les oppresseurs étrangers.
Le spectacle continue de cette façon pendant une heure. Ensuite, les milliers de personnes présentes disparaissent dans les rues sombres et silencieuses de Pyongyang, ce qui contraste avec le déluge de lumières et de musique dans le stade. En l’espace de quelques heures, cela nous donne un étrange sentiment, entre le réel et l’irréel, d’un autre univers à la fois terrifiant et fantastique.
© Eric Lafforgue
With a flair for home decor, the Vogelkop Bowerbird (Amblyornis inornata) produces perhaps the most artful creation of any animal, all in the name of romance. Here, a male bird shows off his collection of freshly collected flowers, fungi, beetle shells, and blue berries, neatly organized in piles laid out on a mat of meticulously cleaned moss. The twig hut in the back is not a nest - rather its construction is made entirely for the purpose of impressing a visiting female who will choose to mate with him only after a thorough inspection of his display. Arfak Mountains, West Papua, Indonesia (New Guinea).
Corner of Country hills and Stoney Trail this is just a few of the hundreds in this little bit of open water.
I've been asked how do I keep my George Nelson Swag Desk set-up minimal and uncluttered. The desk may be small but it has quite a few cubbies and the drawers are deep. I store an extra ultrabook (when I have to use Windows). I use SSDs that I swap out in Thunderbolt sleds or eSata cartridges. I normally transfer large VMs so I need fast I/O and I rely on Thunderbolt. Everything is kept tidy as you can see in my other photos.
Processed with VSCOcam with c1 preset
Aerial landscape of the flevopolder in the Netherlands just before sunset. This land used to be the bottom of the sea and is now used for agriculture.
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Two weeks in NOLA for the mardi gras 2017
Organized in 2000, the Krewe of Muses is named after the legendary daughters of Zeus. In Greek mythology, muses were patrons of the arts and sciences, as well as sources of inspiration for artists, poets, philosophers, and musicians.
The parade has become one of Mardi Gras' favorites, thanks to its humorous and biting parade themes. Each year, in addition to their year-long philanthropic works, the Muses host a design contest for students in the area. The winner rides as a guest of the krewe and his or her design is turned into a throw cup!
In addition to allowing students to design their throw cup logos, they also have had children design their masks. Now those duties have been passed along to adults, such as senior citizens and other adults in rehabilitative environments that may have not been able to participate in the parade as parade goers.