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DARRYL MAXIMILIAN ROBINSON appeared on a Windy City Theatre stage for the first time in 17 years when he assumed the marvelous dual roles of MR. WILLIAM CARTWRIGHT, THE CHAIRMAN OF THE MUSIC HALL ROYALE and The Honorable MAYOR THOMAS SAPSEA in skilled Director ROBERT-ERIC WEST'S exciting new 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO revival of amazing Composer / Lyricist, Book Author / Orchestrator RUPERT HOLMES' multiple TONY AWARD-WINNING SOLVE-IT-YOURSELF MUSICAL WHODUNIT "THE MYSTERY OF EDWIN DROOD" ( based on the final and unfinished novel by 19th-century English literary master CHARLES DICKENS ) which was presented Oct. 26th through Nov. 18th of 2018 in the lovely and intimate Black Box Theatre of ST. BONAVENTURE CHURCH, 1625 West Diversey, Chicago, IL. 60614. Of his work in the show, the theatre critic of the Nov. 10, 2018 review of ART GETS OUT wrote: "But the real ringer is Darryl Maximilian Robinson, as the Chairman of The Music Hall Royale. It's a huge part that demands not just talent, but also charm during his frequent interactions with the audience in a show that looks for a joke at every turn and has no respect for the fourth wall". In addition to being critically-praised, Darryl Maximilian Robinson's performance in the dual roles of Mr. William Cartwright, Your Chairman of The Music Hall Royale, and The Mayor Thomas Sapsea of Cloisterham, England has been documented by Wikipedia, and in November of 2019: The Year of Chicago Theatre, he has captured a 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATION for BEST PERFORMER IN A MUSICAL OR REVUE ( RESIDENT NON-EQUITY ) for his work in Rupert Holmes' musical masterpiece! In addition, THE 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO REVIVAL OF RUPERT HOLMES' "THE MYSTERY OF EDWIN DROOD" HAS RECEIVED A GRAND TOTAL OF SEVEN 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATIONS Including Best Performer In A Musical or Revue ( Resident Non-Equity ) for SARAH MYERS for her fine portrayal of the dual roles of Edwin Drood and Miss Alice Nutting; Best Direction of A Musical or Revue ( Resident Non-Equity ) for ROBERT-ERIC WEST for his sterling staging; Best Choreography ( Resident Non-Equity ) for TAMARA DREW for her highly effective dances; Best Costume Design ( Resident Non-Equity ) for SANDRA LEANDER for her grand stage attire; Best Set Design ( Resident Non-Equity ) for EMIL ZBELLA for his handsome period decor; and BEST ENSEMBLE OF A MUSICAL ( RESIDENT NON-EQUITY ) FOR THE ENTIRE CAST! Those in The Theatre who love musical theatre performance in The Windy City that would like to honor and support Mr. Robinson and his fellow nominees for their work in Rupert Holmes' brilliant but seldom performed musical classic may CAST THEIR VOTES FOR "DROOD" BY VISITING: www.broadwayworld.com/chicago/liveupdateregion.cfm?btype=... or www.broadwayworld.com/chicago/voteregion.cfm . Your Support of The Tradition of Non-Equity Professional Theatre In Chicago Would Be Greatly Appreciated!
patch.com/illinois/chicago/calendar/event/20191231/713099...
www.chicagolandmusicaltheatre.com/darryl-maximilian-robin...
www.broadwayworld.com/chicago/article/MYSTERY-OF-EDWIN-DR...
www.facebook.com/media/set/?set=ms.c.eJxNj9sNxEAIxDo68Ryg...
en.everybodywiki.com/index.php?title=Draft:Darryl_Maximil...
Students begin to orchestrate their fanfares with members of the Orchestra of the Royal Opera House.
Find out more about Royal Opera House Education
Photograph: Sim Canetty-Clarke
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Ahmednagar, in Bhagana and so on. We have witnessed the entire state apparatus -its police & administrat1 .
.
orchestrating the. massacre of dalits, ensuring their violent dispossession and destitution. We have seen rn~ Brahmanical judiciary of this so cal.led 'democracy' acquitting all the dominant caste butchers of Bathanitcla Laxmanpur Bathe, Arwal and Tsunduru dalit massacres. Today's result is the "victory" for Brahmanism, but certainJJ .
not for the people ofthe country. .
Today's results is probably one of the most brazen reminders of the fact that the ''liberal de,mocratic .
electoral process" itself inherently serves the interest of the dominant and regressive forces and big capitaL.
·~democracy" of "constitutional values". But. of course, what followed in last ten years of UPA rule was only a continuation of the minority witch hunt -Batla House, Malegaon, Azamgarh. Hyderabad. An unbroken string o. We still recall how just a decade earlier, the electoral defeat of the NDA was touted as the victory of "secularism o1.
pogroms and engineered riots targeting the Muslims -Dhule, Rudrapur, Bharatpur, Meerut, Muzaffarnagar and sc .
on. While the UPA came with the much trumpeted promise of revoking the dracon1an POTA of the NDA regime, if .
very shrewdly inserted in all of POTA's provisions into the. UAPA -a weapon it has used time and again agains1 .
minorities and people's activists. A most brutal war in a scale unprecedented smce 1947, codenamed Operatior Green Hunt, declared by the Indian state in the hallowed name of 'Development' on the adivasis to crush their heroic resistance at the behest of the corporates to facilitate rapacious loot and plunder of resources. It is only such monstrosity that has paved way for more today. The only thing that has changed is that all the corporates that hac .
safely bet upon the UPA in 2004 & 2009 to earn them super-profits, today have favoured the "iron fist" of Modi tc deliver them better results through more a ruthless implementation of the anti-people policies..
Many today are, however, are lamenting the fact that today, there is "no opposition" within the parliament But the question to be posed is, was there ever an opposition? All the shades within the parliament, till date, has always stood together in passing all possible anti-people policies and in zealously preserving the status quo of the tightening feudal-imperialist stranglehold over the oppressed. The entire spectrum within the parliament, from the right to the parliamentary 'left' have had no real opposition or difference (beyond lip-service and rhetoric) on alj crucial matters of "national (read ruling class) interest". Be it the waging of the brutal Green Hunt-by far the largesl "anti-insurgency" operation since 1947; be it the passing of the draconian UAPA to orchestrate witch hunt and gag .
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all voices of dissent; be it the passing of the anti-people and brazenly pro-corporate Special Economic Zone (SEZ) .
.
Bill; be it the forceful occupation of nationalities in Kashmir & North East by Indian forces; or the imposition o1 .
draconian laws like the AFSPA -there has never been any "opposition" within the parliament. They have all been.
parliamentary opposition has disappeared, which only serves to show that any real opposition lies not within. bu1 passed with complete consensus across the spectrum within the parliament. Today even the facade of a.
.
outside the parliament-in the struggles of the people..
, .
of reclaiming democracy from the evil hands of Modi. But today's results are certainly not the "defeat" of Some would still claim that this mandate signals the defeat of democracy, of secularism. They would spe.ak'democracy' or 'secularism'. They were never there beyond a few words scribbled in the preamble of the Constitution. A country where all ·its so called "pillars of democracy": judiciary through i·ts clean chit to Modi, .
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executive (or the police) through faithfully executing the minorities in pogroms & fake encounters; the media through .
its incessant NaMo chant burying his "past"; and the parliament came together to pave way for Modi and the RSS.
figurehead today has been possible precisely because right from its so called "tryst with destiny"I can not in any sense be called a democracy. The resistible rise of a self-proclaimed RSS brand Hindutva-fascisl.
right from its blood· soaked genesis under the "iron fist" of Sardar Patel when lakhs were butchered, -this country only wore a mask ol .
democracy. It had always remained a Hindu-fascist state; and hence Modi's monstrous tribute today to Sardar Pate.
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including the hypocrites of the parliamentary 'left'I.
with destiny". And Modi today has come as that destiny's child. .
in his dream project of the Statue of Unity. Instead of unmasking this sham. all the shades within the parliament,.
for last 65 .years has only served to defend the myth of the "tryst.
Then, whose defeat is it? It is the defeat of the very idea that that there ever was a space within the muck of .
parliamentary electoral politics to fight communalism. feudalism. Brahmanism, patriarchy or corporate takeover.
complete rejection of the path of parliamentary opportunism, today's context provides us yet another opportunity tc While all of this was most coherently brought to fore decades back by the historic Naxalbari movement through its.
see the truth in its barest form. The only hope today lies is in the struggles of the people that has surged .
ahead over the last five decades with the legacy of Tebhaga, Telangana, Naxalbari, Nandigram & lalgarh. .
What we need today is not to 'defend' democracy, but build a real one through people's struggles aimed at. as .
Bhagat Singh said a social and economic revolution. and not just a 'secular' outcome in the next elections! We must .
take the opportunity today to strengthen the people's struggles; to forge a revolutionary unity of all the oppressed -.
the dalits, adivasis, Muslims, workers, peasants, women and other oppressed genders -on whom fascism looms .
large. Today's context also demands the coming together of all democratic and progressive sections to come.
threats, the momentous opportunity that it provides could very well make the present.
situation yet another turning point in history, when we must not fail to tum. .
together to resist any and every assault of fascism in the days to come. Along with the apparent & overwhelming .
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聖誕節, 詩歌班開始練歌咯.
A Christmas Proclamation of Hope
Composers: Lloyd Larson (Composer)
Joseph Martin (Composer)
Pamela Martin (Narrator)
Brant Adams (Orchestrator)
Voicing: SATB with Optional Full Orchestra, Performance/Accompaniment CD
Audio Sample(s): 1. Narration 1
2. The King Shall Come
3. Narration 2
4. Celebrate the Promise
5. Narration 3
6. Sleep, Little Baby
7. Narration 4
8. Let Every Nation
9. Narration 5
10. The Holy Christmas Night
11. Narration 6
12. Christmas Bells Are Gladly Ringing
13. Narration 7
14. Fit for a King
15. Narration 8
16. The Birthday of a King
Description: Old Testament prophets foretold of the Messiah who would be sent by God to earth. Those awaiting the fulfillment of that prophecy believed this promised One would come with power and might to conquer and assume a kingly throne. God's plan, though, was that the promised King would take the form of a baby and change the world not with might, but by the power of love. Lloyd Larson and Joseph M. Martin combine their composing talents to create this fresh and inspired look at the Christmas story. Pamela Martin's narration blends a powerful script with new and familiar melodies in this Christmas proclamation of hope .
DARRYL MAXIMILIAN ROBINSON appeared on a Windy City Theatre stage for the first time in 17 years when he assumed the marvelous dual roles of MR. WILLIAM CARTWRIGHT, THE CHAIRMAN OF THE MUSIC HALL ROYALE and The Honorable MAYOR THOMAS SAPSEA in skilled Director ROBERT-ERIC WEST'S exciting new 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO revival of amazing Composer / Lyricist, Book Author / Orchestrator RUPERT HOLMES' multiple TONY AWARD-WINNING SOLVE-IT-YOURSELF MUSICAL WHODUNIT "THE MYSTERY OF EDWIN DROOD" ( based on the final and unfinished novel by 19th-century English literary master CHARLES DICKENS ) which was presented Oct. 26th through Nov. 18th of 2018 in the lovely and intimate Black Box Theatre of ST. BONAVENTURE CHURCH, 1625 West Diversey, Chicago, IL. 60614. Of his work in the show, the theatre critic of the Nov. 10, 2018 review of ART GETS OUT wrote: "But the real ringer is Darryl Maximilian Robinson, as the Chairman of The Music Hall Royale. It's a huge part that demands not just talent, but also charm during his frequent interactions with the audience in a show that looks for a joke at every turn and has no respect for the fourth wall". In addition to being critically-praised, Darryl Maximilian Robinson's performance in the dual roles of Mr. William Cartwright, Your Chairman of The Music Hall Royale, and The Mayor Thomas Sapsea of Cloisterham, England has been documented by Wikipedia, and in November of 2019: The Year of Chicago Theatre, he has captured a 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATION for BEST PERFORMER IN A MUSICAL OR REVUE ( RESIDENT NON-EQUITY ) for his work in Rupert Holmes' musical masterpiece! In addition, THE 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO REVIVAL OF RUPERT HOLMES' "THE MYSTERY OF EDWIN DROOD" HAS RECEIVED A GRAND TOTAL OF SEVEN 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATIONS Including Best Performer In A Musical or Revue ( Resident Non-Equity ) for SARAH MYERS for her fine portrayal of the dual roles of Edwin Drood and Miss Alice Nutting; Best Direction of A Musical or Revue ( Resident Non-Equity ) for ROBERT-ERIC WEST for his sterling staging; Best Choreography ( Resident Non-Equity ) for TAMARA DREW for her highly effective dances; Best Costume Design ( Resident Non-Equity ) for SANDRA LEANDER for her grand stage attire; Best Set Design ( Resident Non-Equity ) for EMIL ZBELLA for his handsome period decor; and BEST ENSEMBLE OF A MUSICAL ( RESIDENT NON-EQUITY ) FOR THE ENTIRE CAST! Those in The Theatre who love musical theatre performance in The Windy City that would like to honor and support Mr. Robinson and his fellow nominees for their work in Rupert Holmes' brilliant but seldom performed musical classic may CAST THEIR VOTES FOR "DROOD" BY VISITING: www.broadwayworld.com/chicago/liveupdateregion.cfm?btype=... or www.broadwayworld.com/chicago/voteregion.cfm . Your Support of The Tradition of Non-Equity Professional Theatre In Chicago Would Be Greatly Appreciated!
patch.com/illinois/chicago/calendar/event/20191231/713099...
www.chicagolandmusicaltheatre.com/darryl-maximilian-robin...
www.broadwayworld.com/chicago/article/MYSTERY-OF-EDWIN-DR...
www.facebook.com/media/set/?set=ms.c.eJxNj9sNxEAIxDo68Ryg...
en.everybodywiki.com/index.php?title=Draft:Darryl_Maximil...
June 2nd, 2006
Fall River, Massachusetts - Fall River VFW
Killwhitneydead, The Demonstration, Orchestrate the Incident, Follow the Flies, Dour Cursiva, Likethembirds
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For video footage from some of the shows I've been to check out my Youtube account at: www.youtube.com/user/lanvids
For some of my other (non-concert) photography check out my main Flickr page at: www.flickr.com/photos/lanimilbus
For a full collection of my photography check out my website at: www.lanimilbus.com
Minnesota Sinfonia Jay Fishman orchestrated the music of Teddy Bear Band for a special concert at The Great Hall of Edinborough Park in Edina Minnesota to widen the appeal of orchestral music to young audiences.
Annual celebration of all things pig orchestrated by Chef Jeremiah Bullfrog of the gastroPod on November 15, 2015.
twitter: @frodnesor
instagram: @frodnesor
DARRYL MAXIMILIAN ROBINSON appeared on a Windy City Theatre stage for the first time in 17 years when he assumed the marvelous dual roles of MR. WILLIAM CARTWRIGHT, THE CHAIRMAN OF THE MUSIC HALL ROYALE and The Honorable MAYOR THOMAS SAPSEA in skilled Director ROBERT-ERIC WEST'S exciting new 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO revival of amazing Composer / Lyricist, Book Author / Orchestrator RUPERT HOLMES' multiple TONY AWARD-WINNING SOLVE-IT-YOURSELF MUSICAL WHODUNIT "THE MYSTERY OF EDWIN DROOD" ( based on the final and unfinished novel by 19th-century English literary master CHARLES DICKENS ) which was presented Oct. 26th through Nov. 18th of 2018 in the lovely and intimate Black Box Theatre of ST. BONAVENTURE CHURCH, 1625 West Diversey, Chicago, IL. 60614. Of his work in the show, the theatre critic of the Nov. 10, 2018 review of ART GETS OUT wrote: "But the real ringer is Darryl Maximilian Robinson, as the Chairman of The Music Hall Royale. It's a huge part that demands not just talent, but also charm during his frequent interactions with the audience in a show that looks for a joke at every turn and has no respect for the fourth wall". In addition to being critically-praised, Darryl Maximilian Robinson's performance in the dual roles of Mr. William Cartwright, Your Chairman of The Music Hall Royale, and The Mayor Thomas Sapsea of Cloisterham, England has been documented by Wikipedia, and in November of 2019: The Year of Chicago Theatre, he has captured a 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATION for BEST PERFORMER IN A MUSICAL OR REVUE ( RESIDENT NON-EQUITY ) for his work in Rupert Holmes' musical masterpiece! In addition, THE 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO REVIVAL OF RUPERT HOLMES' "THE MYSTERY OF EDWIN DROOD" HAS RECEIVED A GRAND TOTAL OF SEVEN 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATIONS Including Best Performer In A Musical or Revue ( Resident Non-Equity ) for SARAH MYERS for her fine portrayal of the dual roles of Edwin Drood and Miss Alice Nutting; Best Direction of A Musical or Revue ( Resident Non-Equity ) for ROBERT-ERIC WEST for his sterling staging; Best Choreography ( Resident Non-Equity ) for TAMARA DREW for her highly effective dances; Best Costume Design ( Resident Non-Equity ) for SANDRA LEANDER for her grand stage attire; Best Set Design ( Resident Non-Equity ) for EMIL ZBELLA for his handsome period decor; and BEST ENSEMBLE OF A MUSICAL ( RESIDENT NON-EQUITY ) FOR THE ENTIRE CAST! Those in The Theatre who love musical theatre performance in The Windy City that would like to honor and support Mr. Robinson and his fellow nominees for their work in Rupert Holmes' brilliant but seldom performed musical classic may CAST THEIR VOTES FOR "DROOD" BY VISITING: www.broadwayworld.com/chicago/liveupdateregion.cfm?btype=... or www.broadwayworld.com/chicago/voteregion.cfm . Your Support of The Tradition of Non-Equity Professional Theatre In Chicago Would Be Greatly Appreciated!
patch.com/illinois/chicago/calendar/event/20191231/713099...
artgetsout.com/tag/the-mystery-of-edwin-drood/
www.picturethispost.com/saint-sebatian-players-the-myster...
www.goldstar.com/purchases/11665042/attendance#attendance...
news.wttw.com/2018/11/07/10-things-do-weekend-nov-8-11
theatre.wikia.com/wiki/Darryl_Maximilian_Robinson_as_The_...
wcturckshelterskelter.wordpress.com/2018/10/25/you-solve-...
Image of the "5 + 3" framework from (Roschelle et al, 2013, p. 524)
Roschelle, J., Dimitriadis, Y., & Hoppe, U. (2013). Computers & Education Classroom orchestration : Synthesis. Computers & Education, 69, 523–526. doi:10.1016/j.compedu.2013.04.010
GANGA
The Cockpit London 31 August 2022
Music: Jataneel Banerjee
Orchestrations and score preperation: Michael Hyman
Words: Original Sanskrit text from Mahabharata by Veda Vyasa and Atharvaveda. Additional Sanskrit text by Dr Baldevanand Sagar and English texts by Jataneel Banerjee.
Concept, Direction and Production: Jataneel Banerjee
Language consultant & coach: Dr Baldevanand Sagar
Poster & program design: Subhankar Dutta
Ganga: Magdalena Maria Herfurtner
Mahabhish, Brahma, Vasu: Jonathan Cooke
Chorus (Temple priests)
1. Chandrasekhar Gurukkal
2. Kishore Ram Rajagopalan
3. Sivabalasundaram pitchadanamoorthy
4. Srivatsan Pitchadanamoorthy
5. Abishek kalyanasundaram
Piano: Kausikan Rajeshkumar
Violin: Aritra Bhattacharya
Cello: Michael Hyman
photo: Claire Shovelton
@claireshov