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BROWARD COUNTY PUBLIC LIBRARY / MAIN Branch at 100 S. Andrews Avenue in Fort Lauderdale, FL on Monday morning, 16 June 2014 by Elvert Barnes Photography
COLOR & RHYTHM: A Visual Orchestration by YAACOV AGAM
www.broward.org/ARTS/PUBLICART/PADTOUR/INVENTORY/Pages/Ag...
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PUBLIC ART IN PUBLIC SPACES
MuCEM Marseille, France - 2013
Architects: Rudy Ricciotti and C+T architecture
Views, sea, sun, a mineral quality, which all must be orchestrated by a program that will become federal and cognitive. First of all a perfect square of 72 m per side, it is a classic plan, Latin, under the control of Pythagoras. Within this square, another of 52 m per side, comprising the exhibition and conference halls identified as the heart of the museum.
Around, above and below are the service areas. But between these areas and the heart, openings entirely bypass the central square and form interconnected spaces. More interested by the views of the fort, the sea or the port, the culturally overwhelmed visitor will choose this route. Along two interlacing ramps, he will then plunge into the imaginary of the tower of Babel or of a ziggurat in order to climb up to the rooftop and on to Fort Saint- Jean. This peripheral loop will be a demuseumifying breathe, enveloped by the smells of the sea from the proximity to the moats, a pause to dispel any lingering doubts about the use of the history of our civilizations. The MuCEM will be a vertical Casbah.
The tectonic choice of an exceptional concrete coming from the latest research by French industry, reducing the dimensions to little more than skin and bones, will affirm a mineral script under the high ramparts of Fort Saint-Jean. This sole material in the colour of dust, matt, crushed by the light, distant from the brilliance and technological consumerism, will commend the dense and the delicate. The MuCEM sees itself evanescent in a landscape of stone and Orientalist through its fanning shadows.
More than 120 participants from 76 countries and 30 nationalities mix at IMD's executive program Orchestrating Winning Performance in Singapore.
MuCEM Marseille, France - 2013
Architects: Rudy Ricciotti and C+T architecture
Views, sea, sun, a mineral quality, which all must be orchestrated by a program that will become federal and cognitive. First of all a perfect square of 72 m per side, it is a classic plan, Latin, under the control of Pythagoras. Within this square, another of 52 m per side, comprising the exhibition and conference halls identified as the heart of the museum.
Around, above and below are the service areas. But between these areas and the heart, openings entirely bypass the central square and form interconnected spaces. More interested by the views of the fort, the sea or the port, the culturally overwhelmed visitor will choose this route. Along two interlacing ramps, he will then plunge into the imaginary of the tower of Babel or of a ziggurat in order to climb up to the rooftop and on to Fort Saint- Jean. This peripheral loop will be a demuseumifying breathe, enveloped by the smells of the sea from the proximity to the moats, a pause to dispel any lingering doubts about the use of the history of our civilizations. The MuCEM will be a vertical Casbah.
The tectonic choice of an exceptional concrete coming from the latest research by French industry, reducing the dimensions to little more than skin and bones, will affirm a mineral script under the high ramparts of Fort Saint-Jean. This sole material in the colour of dust, matt, crushed by the light, distant from the brilliance and technological consumerism, will commend the dense and the delicate. The MuCEM sees itself evanescent in a landscape of stone and Orientalist through its fanning shadows.
Charles Nelson, recently moved to Fresno and now a dual member of the San Joaquin Valley and Southern California Grottos, was in charge of the vertical practice. He recruited the help of John Woods and Daniel and Betty Veelik to help set up a treadmill system hanging off of the overhanging cliff.
Songs of Choir:
1.The Sorrow of Corrupt Mankind
2.Man’s True Condition of Being Corrupted by Satan
3.The Practical God Saves Men in Obscurity
1.The Sorrow of Corrupt Mankind
Man walked through the ages with God, yet man knows not that God rules the fate of all things and living beings or how God orchestrates and directs all things. This is something that has eluded man since time immemorial to the present day. As for the reason why, it is not because the ways of God are too elusive, or because the plan of God has yet to be realized, but because the heart and spirit of man are too distant from God. Therefore, even as man follows God, he unknowingly remains in the service of Satan.
...
None actively seek out the footsteps or appearance of God, and none wish to exist in the care and keeping of God. Rather, they are willing to rely on the corrosion of Satan and the evil one in order to adapt to this world and to the rules of life the wicked mankind follows. At this point, the heart and spirit of man are sacrificed to Satan and become its sustenance, and moreover, become a place in which Satan can reside and a playground for it. In this way, man unknowingly loses his understanding of the principles of being human, and of the worth and purpose of human existence. The laws from God and the covenant between God and man gradually fade away in man’s heart until man no longer seeks or pays heed to God, no longer seeks or pays heed to God. As time passes, man no longer understands why God created man, nor does he understand the words that come from the mouth of God or realize all that is from God. Man begins to resist the laws and decrees from God; the heart and spirit of man become deadened. …God loses the man of His original creation, and man loses the root of his beginning. This is the sorrow of this mankind, this is the sorrow of this mankind. Woo … woo … woo … woo….
...
from “God is the Source of Man’s Life” in The Word Appears in the Flesh
2. Man’s True Condition of Being Corrupted by Satan
For so many years, the thought man lives by has corrupted man’s heart, man’s heart. So man becomes crafty, cowardly, and base. Man has no perseverance or resolution, and is greedy and frail and willful. He does not have the will to transcend himself at all, much less have any courage to break away from the bondage of the influence of darkness. Man has a depraved mind and leads a depraved life. Man’s viewpoint of believing in God is still awful, and it is even intolerable to the ear, intolerable to the ear once it is spoken of. All men are cowardly, powerless, base, and fragile. They do not feel loathing for the force of darkness, and do not love the light and the truth, but they do their possible to drive them out. All men are cowardly, powerless, base, and fragile. They do not feel loathing for the force of darkness, and do not love the light and the truth, but they do their possible to drive them out.
from “Why Are You Not Willing to Be a Setoff?” in The Word Appears in the Flesh
3. The Practical God Saves Men in Obscurity
God has become flesh this time to do the work that He has yet to complete, to judge this age and bring it to a close, to save man from the sea of affliction, to utterly conquer man and transform their life disposition, and to free man from the suffering and oppression of dark forces that are black as night. Many are the sleepless nights that God has endured for the sake of the work of mankind. He comes from up high to the lowest depths and lives in the living hell. Ah! He passes His days with man, and has never complained of the shabbiness among man. He never asks too much of man, but endures the greatest humiliation as He personally carries out His work. For the whole of mankind to find rest sooner, He has endured humiliation and suffered injustice to come to earth, and personally entered into the tiger’s den to save man. How many times has He faced the stars, how many times has He departed at dawn and returned at dusk, enduring great agony, enduring the attacks and “breaking” of man. God has come to this filthy land, and quietly accepts the ravages of man, accepts oppression of man.
from “Work and Entry (9)” in The Word Appears in the Flesh
www.holyspiritspeaks.org/videos/chinese-choir-episode-9/
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Chris Lawless became the first Briton to win the Tour de Yorkshire after a superb ride on the last stage to Leeds.
Lawless, racing in the blue jersey as the overnight leader, finished right behind stage winner Greg van Avermaet to secure a debut win for Team Ineos.
Wigan's Lawless, 23, was immediately congratulated by team-mate Chris Froome, who orchestrated the decisive final break on Cote de Otley Chevin.
Team Ineos was only officially launched last week, replacing Team Sky.
"I can't believe it," Lawless told ITV 4. "If someone had told me I'd win this race before it started I'd have called them a liar.
"I started losing touch halfway up the Otley Chevin but I knew if I could get back on there was a climb around 5km from the finish that I could get over.
"I knew I could follow Greg van Avermaet when he went. Greg was someone I looked up to when I first started riding so to beat him is special.
"I've got to thank the team for backing me because I don't have a good history on stages like this but they said they'd give me a chance."
When asked how big a win it is for him personally, he replied: "The biggest."
Froome's tactics pay off
After 150km of racing, much of it through the picturesque Yorkshire Dales, the final stage exploded on the final categorised climb of the race - the Cote de Otley Chevin - with around 20km remaining.
With Lawless appearing to struggle, four-time Tour de France champion Froome - who was Ineos' road captain and said "decisions were made out on the road" - went on the attack and his effort forced other teams pursuing the overall victory to try to chase him down.
Froome's team-mate Eddie Dunbar had also followed the attack. He then launched his own surprise move as the riders crested the hill and quickly broke clear, chasing down and passing three French riders who were part of the day's original break.
Realising that Dunbar could go on and win the overall title, Froome disrupted the pace of the chasing pack and that, in turn, gave Lawless the chance to catch up.
Eventually, defending champion Van Avermaet, who started the day six seconds behind Lawless, had to attack and while he quickly caught Dunbar, Lawless went with him. That left the Belgian CCC rider with two Ineos riders for company and with an almost impossible task of shaking them both off.
Knowing his fate was sealed, Van Avermaet took the stage win, with Lawless happy to follow him over the line and claim the title by two seconds.
Alexander Kamp, who started the final stage on the same time as Lawless claimed that he was "the strongest rider" over the hills but the Dane failed to live up to his bold statement and was distanced on the final climb out of Otley.
France's Arnaud Courteille, who was in the day's nine-man break, was first to the top of three of the day's five categorised climbs to take the King of the Mountains title.
Stage four result:
1. Greg van Avermaet (Bel/CCC Team) 4hrs 40mins 03secs
2. Christopher Lawless (GB/Team Ineos) same time
3. Edward Dunbar (Ire/Team Ineos) +02secs
4. Tom-Jelte Slagter (Ned/Dimension Data) +09secs
5. James Shaw (GB/Swiftcarbon Pro Cycling) Same time
6. Matthew Holmes (GB/Madison Genesis)
7. Alexander Kamp (Den/Riwal Readynez)
8. Gabriel Cullaigh (GB/Team Wiggins Le Col) +12secs
9. Jenthe Biermans (Bel/Katusha Alpecin)
10. Scott Thwaites (GB/Vitus Pro Cycling)
Final classification:
1. Christopher Lawless (GB/Team Ineos) 15hrs 18mins 12secs
2. Greg Van Avermaet (Bel/CCC Team) +02secs
3. Edward Dunbar (Ire/Team Ineos) +11secs
4. Alexander Kamp (Ned/Riwal Readynez) +15secs
5. James Shaw (GB/Swiftcarbon Pro Cycling) +25secs
6. Matthew Holmes (GB/Madison Genesis) Same time
7. Tom-Jelte Slagter (Ned/Dimension Data)
8. Scott Thwaites (GB/Vitus Pro Cycling) +28secs
9. Connor Swift (GB/Madison Genesis) same time
10. Nick van der Lijke (Ned/Roompot-Charles)
Chris Lawless became the first Briton to win the Tour de Yorkshire after a superb ride on the last stage to Leeds.
Lawless, racing in the blue jersey as the overnight leader, finished right behind stage winner Greg van Avermaet to secure a debut win for Team Ineos.
Wigan's Lawless, 23, was immediately congratulated by team-mate Chris Froome, who orchestrated the decisive final break on Cote de Otley Chevin.
Team Ineos was only officially launched last week, replacing Team Sky.
"I can't believe it," Lawless told ITV 4. "If someone had told me I'd win this race before it started I'd have called them a liar.
"I started losing touch halfway up the Otley Chevin but I knew if I could get back on there was a climb around 5km from the finish that I could get over.
"I knew I could follow Greg van Avermaet when he went. Greg was someone I looked up to when I first started riding so to beat him is special.
"I've got to thank the team for backing me because I don't have a good history on stages like this but they said they'd give me a chance."
When asked how big a win it is for him personally, he replied: "The biggest."
Froome's tactics pay off
After 150km of racing, much of it through the picturesque Yorkshire Dales, the final stage exploded on the final categorised climb of the race - the Cote de Otley Chevin - with around 20km remaining.
With Lawless appearing to struggle, four-time Tour de France champion Froome - who was Ineos' road captain and said "decisions were made out on the road" - went on the attack and his effort forced other teams pursuing the overall victory to try to chase him down.
Froome's team-mate Eddie Dunbar had also followed the attack. He then launched his own surprise move as the riders crested the hill and quickly broke clear, chasing down and passing three French riders who were part of the day's original break.
Realising that Dunbar could go on and win the overall title, Froome disrupted the pace of the chasing pack and that, in turn, gave Lawless the chance to catch up.
Eventually, defending champion Van Avermaet, who started the day six seconds behind Lawless, had to attack and while he quickly caught Dunbar, Lawless went with him. That left the Belgian CCC rider with two Ineos riders for company and with an almost impossible task of shaking them both off.
Knowing his fate was sealed, Van Avermaet took the stage win, with Lawless happy to follow him over the line and claim the title by two seconds.
Alexander Kamp, who started the final stage on the same time as Lawless claimed that he was "the strongest rider" over the hills but the Dane failed to live up to his bold statement and was distanced on the final climb out of Otley.
France's Arnaud Courteille, who was in the day's nine-man break, was first to the top of three of the day's five categorised climbs to take the King of the Mountains title.
Stage four result:
1. Greg van Avermaet (Bel/CCC Team) 4hrs 40mins 03secs
2. Christopher Lawless (GB/Team Ineos) same time
3. Edward Dunbar (Ire/Team Ineos) +02secs
4. Tom-Jelte Slagter (Ned/Dimension Data) +09secs
5. James Shaw (GB/Swiftcarbon Pro Cycling) Same time
6. Matthew Holmes (GB/Madison Genesis)
7. Alexander Kamp (Den/Riwal Readynez)
8. Gabriel Cullaigh (GB/Team Wiggins Le Col) +12secs
9. Jenthe Biermans (Bel/Katusha Alpecin)
10. Scott Thwaites (GB/Vitus Pro Cycling)
Final classification:
1. Christopher Lawless (GB/Team Ineos) 15hrs 18mins 12secs
2. Greg Van Avermaet (Bel/CCC Team) +02secs
3. Edward Dunbar (Ire/Team Ineos) +11secs
4. Alexander Kamp (Ned/Riwal Readynez) +15secs
5. James Shaw (GB/Swiftcarbon Pro Cycling) +25secs
6. Matthew Holmes (GB/Madison Genesis) Same time
7. Tom-Jelte Slagter (Ned/Dimension Data)
8. Scott Thwaites (GB/Vitus Pro Cycling) +28secs
9. Connor Swift (GB/Madison Genesis) same time
10. Nick van der Lijke (Ned/Roompot-Charles)
Guard Nora Kelly shouts out a play as she comes across half court in Middlebury's 72-44 victory over Norwich. In just 15 minutes of play off the bench, Kelly made a pair of threes, pulled down three rebounds, and dished out three assists.
Ninety-five years after his death and 28 years since the revolution that he orchestrated came crumbling down, Lenin still lies in state at the step-pyramid mausoleum constructed for him on the west side of Red Square, at the base of the Kremlin walls. I’d seen the embalmed bodies of Mao Zedong and Ho Chi Minh before, and even though I studied both of them in school too, neither could compare with coming face-to-face with Vladimir Ilyich.
The presentation and illumination of the body was superbly done, and would have made for great photography if it wasn’t forbidden (and enforced by soldiers). Unlike seeing Mao, in particular, it somehow wasn’t at all crowded inside despite the 1.5 hour line to get in. Among the few people inside with us were two (possibly North Korean) women who repeatedly bowed to the body of Lenin in reverence.
And as some kind of ‘bonus’, once you exit the mausoleum and go back outside, still processing seeing Lenin in the flesh, you’re suddenly standing right in front of the grave of Joseph Stalin.
Throughout history we see that God loves numbers! He’s an architect and engineer; He made the universe! He loves to show off, show His glory, and make us marvel! Many numbers have very significant, God ordained meanings & implications. Note: “3 dots, 3 dashes, 3 dots” is man’s international distress signal, SOS in Morse Code. I’m convinced God orchestrated this, not Mr. Morse! - 333 is surely God’s international distress signal; an urgent end-times SOS message! Think! WHAT IF!! What if GOD is really trying to get your attention! Even if you don't believe in God, WHAT IF!! I would hope, if it were me, I would somehow respond. But, CAUTION! Whatever you do, do not place your trust in the purveyors of ANGEL NUMBERS & such! Although it's essentially true that the 333 may indeed be delivered by an angel, it would be an extreme injustice & mistake to associate it with the various spiritualist and profit oriented sites that pop up when "meaning of 333" is Googled. See "Satan's # Games". Unfortunately, although certainly more accurate, it's a shame one has to add "biblical" to "meaning of 333" for this site to be ranked high on the list by Google. Don't know whether to blame Satan or praise Google! It represents God, the 3-in-1, Father, Son, & Holy Spirit. Jesus prayed 3 times in the Garden of Gethsemane before His arrest. He was placed on the cross at the 3rd hour of the day (9 a.m.) and died at the 9th hour (3 p.m.). There were 3 hours of darkness that covered the land while Jesus was on the cross. Three is also the number of resurrection. Christ arose after 3 days and 3 nights in the tomb.
There are many more illustrations of the #3s biblical significance. Jonah prophetically spent 3 days in the belly of a big fish. After the flood, new life started in 3 persons: Shem, Ham, & Jepheth. Israel was founded in the 3 persons of Abraham, Isaac, & Jacob. Three (3) of the most memorable Biblical edifices, Noah's Ark, Solomon's Temple, and The Millennial Temple, are 3 stories tall; and they all represent God's saving grace. 33 = After 3 years of ministry and raising 3 people from the dead, Jesus died at age 33. His death and resurrection fulfilled all the old testament promises concerning the Messiah. Thus, the number 33 is connected to promise, in particular, to Gods promise of salvation to humanity. “3 dots, 3 dashes, 3 dots”, as noted above, is man’s international distress signal, SOS in Morse Code. I’m convinced God orchestrated this, not Mr. Morse! - 333 is surely God’s international distress signal; an urgent end-times SOS (Save Our Souls) message! On Nov.29,1947, the 333rd day of the year, the United Nations voted for the establishment of a Jewish State. God gave His chosen people the homeland that He had promised to their forefathers!
Genesis 15:9, The LORD told Abraham, "Bring me a three-year-old heifer, a three-year-old female goat, a three-year-old ram, a turtledove, and a young pigeon." This has to do with the covenant God made with Abraham, promising the land of Israel to the Jews. Thus 333 just may be considered a COVENANT number!!! As seen above, the numbers 3, 33, or 333 just scream of Jesus &/or the Bible! No other, not Mohammad, Buddha, Satan, or any other religion can proclaim such a connection. And again, 333 is surely God’s International Distress Signal; an urgent end-times SOS message! good link below
1857 massacre of settlers to Utah as orchestrated by Mormom elder John D. Lee and a nearby band of Ute Indians.
MuCEM Marseille, France - 2013
Architects: Rudy Ricciotti and C+T architecture
Views, sea, sun, a mineral quality, which all must be orchestrated by a program that will become federal and cognitive. First of all a perfect square of 72 m per side, it is a classic plan, Latin, under the control of Pythagoras. Within this square, another of 52 m per side, comprising the exhibition and conference halls identified as the heart of the museum.
Around, above and below are the service areas. But between these areas and the heart, openings entirely bypass the central square and form interconnected spaces. More interested by the views of the fort, the sea or the port, the culturally overwhelmed visitor will choose this route. Along two interlacing ramps, he will then plunge into the imaginary of the tower of Babel or of a ziggurat in order to climb up to the rooftop and on to Fort Saint- Jean. This peripheral loop will be a demuseumifying breathe, enveloped by the smells of the sea from the proximity to the moats, a pause to dispel any lingering doubts about the use of the history of our civilizations. The MuCEM will be a vertical Casbah.
The tectonic choice of an exceptional concrete coming from the latest research by French industry, reducing the dimensions to little more than skin and bones, will affirm a mineral script under the high ramparts of Fort Saint-Jean. This sole material in the colour of dust, matt, crushed by the light, distant from the brilliance and technological consumerism, will commend the dense and the delicate. The MuCEM sees itself evanescent in a landscape of stone and Orientalist through its fanning shadows.
MuCEM + Fort Saint-Jean, Marseille, France - 2013 -Architects: Rudy Ricciotti and C+T architecture
Views, sea, sun, a mineral quality, which all must be orchestrated by a program that will become federal and cognitive. First of all a perfect square of 72 m per side, it is a classic plan, Latin, under the control of Pythagoras. Within this square, another of 52 m per side, comprising the exhibition and conference halls identified as the heart of the museum.
Around, above and below are the service areas. But between these areas and the heart, openings entirely bypass the central square and form interconnected spaces. More interested by the views of the fort, the sea or the port, the culturally overwhelmed visitor will choose this route. Along two interlacing ramps, he will then plunge into the imaginary of the tower of Babel or of a ziggurat in order to climb up to the rooftop and on to Fort Saint- Jean. This peripheral loop will be a free breathe, enveloped by the smells of the sea from the proximity to the moats, a pause to dispel any lingering doubts about the use of the history of our civilizations. The MuCEM will be a vertical Casbah.
The tectonic choice of an exceptional concrete coming from the latest research by French industry, reducing the dimensions to little more than skin and bones, will affirm a mineral script under the high ramparts of Fort Saint-Jean. This sole material in the colour of dust, matt, crushed by the light, distant from the brilliance and technological consumerism, will commend the dense and the delicate. The MuCEM sees itself evanescent in a landscape of stone and Orientalist through its fanning shadows.
Good Afternoon Ladies and Gentlemen. Here are some of the winners of this years BAA. Please watch them on Large Screen for the best movie experience. Hope to see you on the red carpet on Sunday.
lawdeda - Best Orchestration in a Movie: www.flickr.com/photos/lawdedas/8311331649/in/faves-488839...
minkidynamite - Best Traveling Blythe Movie: www.flickr.com/photos/mmmunki/8348526277/in/faves-4888397...
suedehead - Best Behind the Scenes Movie: www.flickr.com/photos/suedehead/8394418305/in/faves-48883...
jinjurblythe - Best Automata Movie: www.flickr.com/photos/49547642@N00/8513826565/in/faves-48...
obsessivelystitching - Best Snack Movie (Cat): www.flickr.com/photos/obsessivelystitching/8405791755/in/...
pixiewildflower - Best Athletics Movie (Cat): www.flickr.com/photos/pixiewildflower/8405632077/in/faves...
hejog - Best Thriller: www.flickr.com/photos/81721793@N00/8470868415/in/faves-48...
teacupfaery - Best Cat vs. Blanket Movie: www.flickr.com/photos/teacupfaery/8591617371/in/faves-488...
littlebigone - Best Witch Movie: www.flickr.com/photos/littlebigone/8616784299/in/faves-48...
Transwestern's Houston office orchestrated a series of events benefitting the Texas Children's Hospital this fall. For the first event, volunteers painted two benches to be donated to the hospital. The design options were posted in common areas for voting, and the two winning designs were painted.
MuCEM + Fort Saint-Jean, Marseille, France - 2013 -Architects: Rudy Ricciotti and C+T architecture
Views, sea, sun, a mineral quality, which all must be orchestrated by a program that will become federal and cognitive. First of all a perfect square of 72 m per side, it is a classic plan, Latin, under the control of Pythagoras. Within this square, another of 52 m per side, comprising the exhibition and conference halls identified as the heart of the museum.
Around, above and below are the service areas. But between these areas and the heart, openings entirely bypass the central square and form interconnected spaces. More interested by the views of the fort, the sea or the port, the culturally overwhelmed visitor will choose this route. Along two interlacing ramps, he will then plunge into the imaginary of the tower of Babel or of a ziggurat in order to climb up to the rooftop and on to Fort Saint- Jean. This peripheral loop will be a free breathe, enveloped by the smells of the sea from the proximity to the moats, a pause to dispel any lingering doubts about the use of the history of our civilizations. The MuCEM will be a vertical Casbah.
The tectonic choice of an exceptional concrete coming from the latest research by French industry, reducing the dimensions to little more than skin and bones, will affirm a mineral script under the high ramparts of Fort Saint-Jean. This sole material in the colour of dust, matt, crushed by the light, distant from the brilliance and technological consumerism, will commend the dense and the delicate. The MuCEM sees itself evanescent in a landscape of stone and Orientalist through its fanning shadows.
UK Harvest Pressing. Last hurrah from Jeff Lynne and Roy Wood before they went too electric orchestrated.
Wonderful concert of the University of Chicago Symphony Orchestra at Mandel Hall on Saturday January 28, 2012. The Concert featured Romeo and Juliet orchestrations by David Diamond, Peter Ilyich Tchaikovsky and Sergi Prokofiev. The Music Director and Conductor for the University of Chicago Symphony Orchestra is Barbara Schubert.
DARRYL MAXIMILIAN ROBINSON appeared on a Windy City Theatre stage for the first time in 17 years when he assumed the marvelous dual roles of MR. WILLIAM CARTWRIGHT, THE CHAIRMAN OF THE MUSIC HALL ROYALE and The Honorable MAYOR THOMAS SAPSEA in skilled Director ROBERT-ERIC WEST'S exciting new 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO revival of amazing Composer / Lyricist, Book Author / Orchestrator RUPERT HOLMES' multiple TONY AWARD-WINNING SOLVE-IT-YOURSELF MUSICAL WHODUNIT "THE MYSTERY OF EDWIN DROOD" ( based on the final and unfinished novel by 19th-century English literary master CHARLES DICKENS ) which was presented Oct. 26th through Nov. 18th of 2018 in the lovely and intimate Black Box Theatre of ST. BONAVENTURE CHURCH, 1625 West Diversey, Chicago, IL. 60614. Of his work in the show, the theatre critic of the Nov. 10, 2018 review of ART GETS OUT wrote: "But the real ringer is Darryl Maximilian Robinson, as the Chairman of The Music Hall Royale. It's a huge part that demands not just talent, but also charm during his frequent interactions with the audience in a show that looks for a joke at every turn and has no respect for the fourth wall". In addition to being critically-praised, Darryl Maximilian Robinson's performance in the dual roles of Mr. William Cartwright, Your Chairman of The Music Hall Royale, and The Mayor Thomas Sapsea of Cloisterham, England has been documented by Wikipedia, and in November of 2019: The Year of Chicago Theatre, he has captured a 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATION for BEST PERFORMER IN A MUSICAL OR REVUE ( RESIDENT NON-EQUITY ) for his work in Rupert Holmes' musical masterpiece! In addition, THE 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO REVIVAL OF RUPERT HOLMES' "THE MYSTERY OF EDWIN DROOD" HAS RECEIVED A GRAND TOTAL OF SEVEN 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATIONS Including Best Performer In A Musical or Revue ( Resident Non-Equity ) for SARAH MYERS for her fine portrayal of the dual roles of Edwin Drood and Miss Alice Nutting; Best Direction of A Musical or Revue ( Resident Non-Equity ) for ROBERT-ERIC WEST for his sterling staging; Best Choreography ( Resident Non-Equity ) for TAMARA DREW for her highly effective dances; Best Costume Design ( Resident Non-Equity ) for SANDRA LEANDER for her grand stage attire; Best Set Design ( Resident Non-Equity ) for EMIL ZBELLA for his handsome period decor; and BEST ENSEMBLE OF A MUSICAL ( RESIDENT NON-EQUITY ) FOR THE ENTIRE CAST! Those in The Theatre who love musical theatre performance in The Windy City that would like to honor and support Mr. Robinson and his fellow nominees for their work in Rupert Holmes' brilliant but seldom performed musical classic may CAST THEIR VOTES FOR "DROOD" BY VISITING: www.broadwayworld.com/chicago/liveupdateregion.cfm?btype=... or www.broadwayworld.com/chicago/voteregion.cfm . Your Support of The Tradition of Non-Equity Professional Theatre In Chicago Would Be Greatly Appreciated!
patch.com/illinois/chicago/calendar/event/20191231/713099...
artgetsout.com/tag/the-mystery-of-edwin-drood/
www.picturethispost.com/saint-sebatian-players-the-myster...
news.wttw.com/2018/11/07/10-things-do-weekend-nov-8-11
www.goldstar.com/purchases/11665042/attendance#attendance...
theatre.wikia.com/wiki/Darryl_Maximilian_Robinson_as_The_...
chicagocrusader.com/category/events/
Photo by Eryn Walanka.
Transwestern's Houston office orchestrated a series of events benefitting the Texas Children's Hospital this fall. For the first event, volunteers painted two benches to be donated to the hospital. The design options were posted in common areas for voting, and the two winning designs were painted.
...again
Throughout history we see that God loves numbers! He’s an architect and engineer; He made the universe! He loves to show off, show His glory, and make us marvel! Many numbers have very significant, God ordained meanings & implications. Note: “3 dots, 3 dashes, 3 dots” is man’s international distress signal, SOS in Morse Code. I’m convinced God orchestrated this, not Mr. Morse! - 333 is surely God’s international distress signal; an urgent end-times SOS message! Think! WHAT IF!! What if GOD is really trying to get your attention! Even if you don't believe in God, WHAT IF!! I would hope, if it were me, I would somehow respond. But, CAUTION! Whatever you do, do not place your trust in the purveyors of ANGEL NUMBERS & such! Although it's essentially true that the 333 may indeed be delivered by an angel, it would be an extreme injustice & mistake to associate it with the various spiritualist and profit oriented sites that pop up when "meaning of 333" is Googled. See "Satan's # Games". Unfortunately, although certainly more accurate, it's a shame one has to add "biblical" to "meaning of 333" for this site to be ranked high on the list by Google. Don't know whether to blame Satan or praise Google! It represents God, the 3-in-1, Father, Son, & Holy Spirit. Jesus prayed 3 times in the Garden of Gethsemane before His arrest. He was placed on the cross at the 3rd hour of the day (9 a.m.) and died at the 9th hour (3 p.m.). There were 3 hours of darkness that covered the land while Jesus was on the cross. Three is also the number of resurrection. Christ arose after 3 days and 3 nights in the tomb.
There are many more illustrations of the #3s biblical significance. Jonah prophetically spent 3 days in the belly of a big fish. After the flood, new life started in 3 persons: Shem, Ham, & Jepheth. Israel was founded in the 3 persons of Abraham, Isaac, & Jacob. Three (3) of the most memorable Biblical edifices, Noah's Ark, Solomon's Temple, and The Millennial Temple, are 3 stories tall; and they all represent God's saving grace. 33 = After 3 years of ministry and raising 3 people from the dead, Jesus died at age 33. His death and resurrection fulfilled all the old testament promises concerning the Messiah. Thus, the number 33 is connected to promise, in particular, to Gods promise of salvation to humanity. “3 dots, 3 dashes, 3 dots”, as noted above, is man’s international distress signal, SOS in Morse Code. I’m convinced God orchestrated this, not Mr. Morse! - 333 is surely God’s international distress signal; an urgent end-times SOS (Save Our Souls) message! On Nov.29,1947, the 333rd day of the year, the United Nations voted for the establishment of a Jewish State. God gave His chosen people the homeland that He had promised to their forefathers!
Genesis 15:9, The LORD told Abraham, "Bring me a three-year-old heifer, a three-year-old female goat, a three-year-old ram, a turtledove, and a young pigeon." This has to do with the covenant God made with Abraham, promising the land of Israel to the Jews. Thus 333 just may be considered a COVENANT number!!! As seen above, the numbers 3, 33, or 333 just scream of Jesus &/or the Bible! No other, not Mohammad, Buddha, Satan, or any other religion can proclaim such a connection. And again, 333 is surely God’s International Distress Signal; an urgent end-times SOS message! good link below
And yes I sort of orchestrated this at a talk we delivered at Cisco Systems for UTD Alumni. It's blurry but the best shot I could get from where I was sitting.
Pat Metheny - The Orchestration Tour @ Saschall, Firenze 16 Marzo 2010
© Sottopalco. Gabriele Spadini. All rights reserved.
New Order + Liam Gillick: So it goes..
Orchestrated & conducted by Joe Duddell
Stage one
Old Granada Studios
Manchester International Festival
Thurs July 13th 2017
New Order take over Stage 1 of Manchester’s iconic Old Granada Studios for this special series of intimate shows, created in collaboration with two close associates: visual artist Liam Gillick; and composer-arranger Joe Duddell, a fellow son of Manchester and a frequent collaborator with the band.
For New Order + Liam Gillick: So it goes.., the group will be deconstructing, rethinking and rebuilding a wealth of material from throughout their career: familiar and obscure, old and new. To perform it live, they’ll be joined by a 12-strong synthesiser ensemble from the Royal Northern College of Music, with Joe Duddell providing the orchestrations.
Inspired by this reinvention of the band’s catalogue, Liam Gillick will be transforming the historic Stage 1 into an immersive environment, creating a stage set that reacts dynamically to the music. MIF17 – so it goes…
Setlist
Times Change
Who's Joe?
Dream Attack
Disorder
Ultraviolence
In a Lonely Place
All Day Long
Shellshock
Guilt Is a Useless Emotion
Subculture
Bizarre Love Triangle
Vanishing Point
Plastic
Encore:
Your Silent Face
Decades
More than 120 participants from 76 countries and 30 nationalities mix at IMD's executive program Orchestrating Winning Performance in Singapore.
Security Orchestration is a complete process to improve your SOC’s performance and better manage incidents within your business. But, Automation is just a single part of this process. Visit: Demisto.com for more information.
Found this spot per the advice of Yelp friend Lynsay
Will be great for sunset and sunrise photos
The German composer orchestrated the Latin Night concert at Goethe Haus in late September, coinciding with Salamander Big Band’s 7th anniversary. Dieter has for decades cemented his love for Indonesian music, particularly Balinese music and local instruments such as Gamelan in particular. His exuberance stole audience attention in the whole show that night. His dedication, on the other hand, has gained him unparalleled recognition in the country, making him a household name in the country’s indigenous music learning and development.
MuCEM Marseille, France - 2013
Architects: Rudy Ricciotti and C+T architecture
Views, sea, sun, a mineral quality, which all must be orchestrated by a program that will become federal and cognitive. First of all a perfect square of 72 m per side, it is a classic plan, Latin, under the control of Pythagoras. Within this square, another of 52 m per side, comprising the exhibition and conference halls identified as the heart of the museum.
Around, above and below are the service areas. But between these areas and the heart, openings entirely bypass the central square and form interconnected spaces. More interested by the views of the fort, the sea or the port, the culturally overwhelmed visitor will choose this route. Along two interlacing ramps, he will then plunge into the imaginary of the tower of Babel or of a ziggurat in order to climb up to the rooftop and on to Fort Saint- Jean. This peripheral loop will be a demuseumifying breathe, enveloped by the smells of the sea from the proximity to the moats, a pause to dispel any lingering doubts about the use of the history of our civilizations. The MuCEM will be a vertical Casbah.
The tectonic choice of an exceptional concrete coming from the latest research by French industry, reducing the dimensions to little more than skin and bones, will affirm a mineral script under the high ramparts of Fort Saint-Jean. This sole material in the colour of dust, matt, crushed by the light, distant from the brilliance and technological consumerism, will commend the dense and the delicate. The MuCEM sees itself evanescent in a landscape of stone and Orientalist through its fanning shadows.
Amid the raging row over National Herald case, Congress on Sunday asserted that the allegations and “insinuations” against party leaders Sonia Gandhi and Rahul Gandhi were “deliberately orchestrated”, “patently false” and “defamatory” as they had “not received a rupee”.
Senior party leaders and legal luminaries P. Chidambaram and Ashwani Kumar insisted that all transactions in question were legal, and expressed the confidence that both Sonia Gandhi and Rahul Gandhi would be “fully vindicated” through the judicial process.
“[There is] nothing wrong in this transaction. In fact, by putting a non-profit company as the dominant shareholder, we have ensured that not one rupee from the assets can go to any private beneficiary,” said Mr. Chidambaram said defending the move to transfer the shares of Associate Journalst Limited (AJL) to Young India, a company of which Ms. Gandhi and Mr. Gandhi are major shareholders.
Both the leaders have nothing to worry because “they have not received a rupee benefit”, the former Finance Minister said, while raising questions over the Modi government’s role, saying it had acted hastily on a “private complaint” to reopen a shut case.
He claimed that the assets of AJL were now “doubly secure” as a non-profit company is the dominant shareholder.
Mr. Kumar, in a statement here, said there were “incontrovertible facts” which make it obvious that “allegations and insinuations against the Congress leadership and others are deliberately orchestrated, are patently false and defamatory. All transactions in question are entirely legal.”
In this context, he listed some details of the case as well as Delhi High Court’s judgment of December 7 which, according to him, “held that no question of criminality, even upon a prima facie basis arises at this stage“.
He reproduced Para 36 of the judgment as saying: ‘......It needs no reiteration that this is not the stage to even prima facie opine that the ingredients of any of the alleged offences exist to justify putting petitioners on trial or not. Any observation made in this regard by the trial court or this court shall have no bearing when the case of the petitioners is considered at the charge state.’
The Congress president and vice-president have been summoned by a Delhi court in connection with the case on December 19 after the High Court refused to agree to their plea for personal exemption.
This issue led to the stalling of Parliament for most of last week, with the Congress creating uproar, alleging “political vendetta”.
“Congress respects the integrity of the judicial process and is confident that its leaders will be fully vindicated through the judicial process,” Mr. Kumar said.
Mr. Chidambaram said that Young India (YI) was a non-profit company, which meant not one rupee from AJL could be given to any one or could be received by the non-profit company.
“In fact the AJL’s assets have been doubly secured today,” he said, adding there was “no illegality” as there was need to secure the properties of AJL.
When it was pointed out to him that in the Young India company majority of the shares are held by Ms. Gandhi and Mr. Gandhi, he said “it is again reflection of Congress party structure.... Congress party was lender, now it is a Congress party organisation is a lender. It is the same. The lender is a non-profit company. Much better.”
Mr. Kumar said the transaction in question dated back to November 2010 and was declared by the management of AJL and YI itself in the requisite filings before the competent authorities.
“The fact of full public disclosure of the transaction itself demolishes any suggestion of criminality against Directors and shareholders of AGL and YI,” he insisted.
The Congress leader said “in the current holding structure YI — a non profit Section 25 company is a major shareholder of AJL which further enhances the safeguards with regard to the use etc. of the properties of AJL. The Directors and shareholders of a non-profit Section 25 company are legally prohibited from deriving any financial benefit in any form whatsoever for themselves. Not a single paisa has been received by YI, its Directors or its shareholders.”
He said the properties that belonged to AJL continue to remain with AJL.
“YI does not own a single real estate asset or immovable property. The majority of AJL properties are in the nature of government leases and according to the terms of the lease(s) the sale of the land under lease is prohibited. For this reason properties of AJL could not be liquidated or sold to clear its outstanding loans,” Mr. Kumar said.
Insisting that “There is no restriction in law on political parties against advancing loans,” he said, “This was confirmed even by the Election Commission” in its order of November 2012 on a petition for de-recognition of the Congress moved by Subramanian Swamy.
“It is a fundamental legal principle that acts lawfully done, as in the present case, cannot give rise to any criminality whatsoever,” the former Law Minister said.
He said AJL was closely associated with the Congress since 1937 and had espoused its ideology throughout. “It was only natural for the Congress to financially support AJL over the last several decades. The loans advanced by the party to AJL were used to pay unpaid salaries, VRS, taxes, dues to civic agencies and to discharge statutory and other liabilities of AJL.” Courtesy: PTI www.sarkarimirror.com/congress-asserts-allegations-agains...
More than 120 participants from 76 countries and 30 nationalities mix at IMD's executive program Orchestrating Winning Performance in Singapore.
Jellyfish are marine invertebrates belonging to the Scyphozoan class. The body of an adult jellyfish is composed of a bell-shaped, jelly producing substance enclosing its internal structure, from which the creature's tentacles are suspended. Each tentacle is covered with stinging cells (cnidocytes) that can sting or kill other animals: most jellyfish use them to secure prey or as a defense mechanism. Others, such as Rhizostomae, do not have tentacles at all. To compensate for its lack of basic sensory organs and a brain, the jellyfish exploits its nervous system and rhopalia to perceive stimuli, such as light or odor, and orchestrate expedient responses. In its adult form, it is composed of 94–98% water and can be found in every ocean in the world. Most jellyfish are passive drifters that feed on small fish and zooplankton that become caught in their tentacles. Jellyfish have an incomplete digestive system, meaning that the same orifice is used for both food intake and waste expulsion. They are made up of a layer of epidermis, gastrodermis, and a thick layer called mesoglea that produces most of the jelly and separates the epidermis from the gastrodermis.
Their shape is not hydrodynamic, which makes them slow swimmers but this is little hindrance as they feed on plankton, needing only to drift slowly through the water. It is more important for them that their movements create a current where the water (which contains their food) is being forced within reach of their tentacles. They accomplish this by rhythmically opening and closing their bell-like body.
Since jellyfish do not biologically qualify as actual "fish", the term "jellyfish" is considered a misnomer by some, who instead employ the names "jellies" or "sea jellies". The name "jellyfish" is also often used to denote either Hydrozoa or the box jellyfish, Cubozoa. The class name Scyphozoa comes from the Greek word skyphos, denoting a kind of drinking cup and alluding to the cup shape of the animal.
From Wikipedia
...again
Throughout history we see that God loves numbers! He’s an architect and engineer; He made the universe! He loves to show off, show His glory, and make us marvel! Many numbers have very significant, God ordained meanings & implications. Note: “3 dots, 3 dashes, 3 dots” is man’s international distress signal, SOS in Morse Code. I’m convinced God orchestrated this, not Mr. Morse! - 333 is surely God’s international distress signal; an urgent end-times SOS message! Think! WHAT IF!! What if GOD is really trying to get your attention! Even if you don't believe in God, WHAT IF!! I would hope, if it were me, I would somehow respond. But, CAUTION! Whatever you do, do not place your trust in the purveyors of ANGEL NUMBERS & such! Although it's essentially true that the 333 may indeed be delivered by an angel, it would be an extreme injustice & mistake to associate it with the various spiritualist and profit oriented sites that pop up when "meaning of 333" is Googled. See "Satan's # Games". Unfortunately, although certainly more accurate, it's a shame one has to add "biblical" to "meaning of 333" for this site to be ranked high on the list by Google. Don't know whether to blame Satan or praise Google! It represents God, the 3-in-1, Father, Son, & Holy Spirit. Jesus prayed 3 times in the Garden of Gethsemane before His arrest. He was placed on the cross at the 3rd hour of the day (9 a.m.) and died at the 9th hour (3 p.m.). There were 3 hours of darkness that covered the land while Jesus was on the cross. Three is also the number of resurrection. Christ arose after 3 days and 3 nights in the tomb.
There are many more illustrations of the #3s biblical significance. Jonah prophetically spent 3 days in the belly of a big fish. After the flood, new life started in 3 persons: Shem, Ham, & Jepheth. Israel was founded in the 3 persons of Abraham, Isaac, & Jacob. Three (3) of the most memorable Biblical edifices, Noah's Ark, Solomon's Temple, and The Millennial Temple, are 3 stories tall; and they all represent God's saving grace. 33 = After 3 years of ministry and raising 3 people from the dead, Jesus died at age 33. His death and resurrection fulfilled all the old testament promises concerning the Messiah. Thus, the number 33 is connected to promise, in particular, to Gods promise of salvation to humanity. “3 dots, 3 dashes, 3 dots”, as noted above, is man’s international distress signal, SOS in Morse Code. I’m convinced God orchestrated this, not Mr. Morse! - 333 is surely God’s international distress signal; an urgent end-times SOS (Save Our Souls) message! On Nov.29,1947, the 333rd day of the year, the United Nations voted for the establishment of a Jewish State. God gave His chosen people the homeland that He had promised to their forefathers!
Genesis 15:9, The LORD told Abraham, "Bring me a three-year-old heifer, a three-year-old female goat, a three-year-old ram, a turtledove, and a young pigeon." This has to do with the covenant God made with Abraham, promising the land of Israel to the Jews. Thus 333 just may be considered a COVENANT number!!! As seen above, the numbers 3, 33, or 333 just scream of Jesus &/or the Bible! No other, not Mohammad, Buddha, Satan, or any other religion can proclaim such a connection. And again, 333 is surely God’s International Distress Signal; an urgent end-times SOS message! good link below
Robert E. Harlan Plaza
Robert E. (Bob) Harlan, the ninth president in Packers history, played a central role in orchestrating the $295 million Lambeau Field redevelopment, first unveiled in 2000 and completed at the start of the 2003 season. Harlan’s unwavering leadership and vision for the project helped ensure the club’s long term financial viability while preserving the hallowed history and tradition of the Packers’ storied venue. The transformation of Lambeau Field into a year-round destination venue also was in line with the fan-friendly approach characteristic of the genial Harlan. Earlier, he had been the catalyst in restoring the Packers to competitive heights with the inspired 1991 hiring of Ron Wolf to oversee the team’s football operations, a move crowned by back-to-back appearances in Super Bowls XXXI and XXXII, including Green Bay’s first league championship in 29 years during the 1996 season. Harlan also spurred other club building efforts, including the 1994 construction of the Don Hutson Center indoor practice facility. A native of Des Moines, Iowa, and a Marquette graduate, Harlan initially joined the Packers in 1971 as assistant general manager, and later became the organization’s first-ever CEO to “come up through the ranks” when he was elected president in 1989.
With Eddy orchestrating the action, the children of this village treated us to a traditional Indonsian song (some of us new the words.....I'm afraid I wasn't one)
This is an Englehardt coin operated Orchestration, Model F built by the Engelhardt Piano Company in 1915. This orchestration consists of a piano, two ranks of flute pipes, tambourine, wood block, triangle, snare drum, base drum, and cymbal.
MuCEM Marseille, France - 2013
Architects: Rudy Ricciotti and C+T architecture
Views, sea, sun, a mineral quality, which all must be orchestrated by a program that will become federal and cognitive. First of all a perfect square of 72 m per side, it is a classic plan, Latin, under the control of Pythagoras. Within this square, another of 52 m per side, comprising the exhibition and conference halls identified as the heart of the museum.
Around, above and below are the service areas. But between these areas and the heart, openings entirely bypass the central square and form interconnected spaces. More interested by the views of the fort, the sea or the port, the culturally overwhelmed visitor will choose this route. Along two interlacing ramps, he will then plunge into the imaginary of the tower of Babel or of a ziggurat in order to climb up to the rooftop and on to Fort Saint- Jean. This peripheral loop will be a demuseumifying breathe, enveloped by the smells of the sea from the proximity to the moats, a pause to dispel any lingering doubts about the use of the history of our civilizations. The MuCEM will be a vertical Casbah.
The tectonic choice of an exceptional concrete coming from the latest research by French industry, reducing the dimensions to little more than skin and bones, will affirm a mineral script under the high ramparts of Fort Saint-Jean. This sole material in the colour of dust, matt, crushed by the light, distant from the brilliance and technological consumerism, will commend the dense and the delicate. The MuCEM sees itself evanescent in a landscape of stone and Orientalist through its fanning shadows.
Pre-production Photos
35mm: A Musical Exhibition
October 26, 2018 to October 28, 2018
Friday, October 26, 2018, 8:00 PM
Saturday, October 27, 2018, 8:00 PM
Sunday, October 28, 2018, 2:00 PM
Corthell Concert Hall, USM Gorham Campus
$15 adult, $10 seniors, USM employees and alumni, $5 students.
Music and Lyrics by Ryan Scott Oliver
Based on Photographs by Matthew Murphy
Vocal Arrangements and Orchestrations by Ryan Scott Oliver
Additional Percussion arrangements by Jeremy Yaddaw
Additional Guitar arrangements by Matt Hinkley
Directed by Edward Reichert
A picture is worth 1,000 words - what about a song? In 35mm: A Musical Exhibition, each photo creates a unique song, moments frozen in time; a glimmer of a life unfolding, a glimpse of something happening. The University of Southern Maine School of Music fall musical theatre production is part concert, part exhibition, part poetry jam, part performance art...an intricately woven collection of stories that re-imagines what the modern American musical can be.
Three performances take place in Corthell Concert Hall on the Gorham campus on Friday, October 26 and Saturday, October 27 at 8 p.m., and Sunday, October 28 at 2 p.m. Tickets are $15 for the general public, $10 for seniors, USM alumni and employees, and $5 for students. They can be purchased online at usm.maine.edu/music/boxoffice, by phone at (207) 780-5555, or at the door.
The show is sponsored by Saco & Biddeford Savings Institution.
Art moves and touches people in different ways. The stories told through song in 35mm are all based on or inspired by the eclectic photography of Matthew Murphy. Composer Ryan Scott Oliver provides us with a collection of stories and photographs about life: gorgeous songs about love and loss, more complex issues like insanity, abuse...and some humor too. Oliver states, “it covers a wide range of experiences and sensations.” This show is recommended for mature audiences.
The show’s director, Ed Reichert says, “The score is fascinating to me because it covers so many genres such as rock, gospel, country, pop, and musical comedy. Ryan Scott Oliver openly talks about some of his creative influences including Lady Gaga, The Scissor Sisters, Schubert, and Rufus Wainwright. He is equally inspired by the likes of Quentin Tarantino, Stephen King, and Stephen Sondheim.” Reichert adds, “With Halloween just around the corner, at least three of the songs are timely: Leave, Luanne (a Southern Gothic Ghost Story), Twisted Teeth (a duet between two vampires), and The Ballad of Sara Berry (think prom queen...).”
The cast includes: Samuel Allen (Harpswell), Matthew Boyd (Medford, NJ), Andrew Carney (Millinocket), Mikayla Clifford (Yarmouth), Noli French (New Gloucester), Aaron Kircheis (Bucksport), Katie Lind (Standish), Ayann Main (Wiscasset), Megan Mayfield (Marlborough, MA), Miles Obrey (Gorham), Alyssa Pearl-Ross (Sangerville), Victoria Stackpole (Biddeford), March Steiger (Buxton), Ben Walker-Dubay (Kennebunk), Megan Walz (Portland), Meg Ward (Bangor), Abby White (Dalton, Mass.).
The band includes Lynnea Harding, associate music director, violin and viola; Catherine Begin, cello; Jake Cooper, guitar; Shannon Allen, bass; Sam Smith, drums, and Ed Reichert on piano.
Those needing special accommodations to participate fully in this program, contact Lori Arsenault, (207) 780-5142, loria@maine.edu. Hearing impaired: call USM's telex / TDD number (207) 780-5646.
35mm: A Musical Exhibition is presented by special arrangement with SAMUEL FRENCH, INC.