View allAll Photos Tagged orchestration
During my co-op I collaborated with my boss to orchestrate and run a side project to determine seed retention and passage times in four species of toucan in a sanctuary outside of San Jose, Costa Rica. Here I am emulating the process of feeding the birds palm fruits, which I would then time from the moment of swallowing to the moment of regurgitation. Photo by Maxime Aliaga.
Employer: Landon Jones
Major: Biology concentration in Ecology
Qualtrics ID: 68.81.205.133
This is an amazing photo that was orchestrated by Chief of Protocol of the United States Capricia Marshall for those who helped on the Diplomatic Reception Rooms at the State Department program called the Patrons of Diplomacy. From an event perspective taking a picture with four Secretaries of State is cool even if you have seen it all. Never seen a shot set up like this before. I took my mom, Sunny Adler, who is next to Colln Powell.
MuCEM Marseille, France - 2013
Architects: Rudy Ricciotti and C+T architecture
Views, sea, sun, a mineral quality, which all must be orchestrated by a program that will become federal and cognitive. First of all a perfect square of 72 m per side, it is a classic plan, Latin, under the control of Pythagoras. Within this square, another of 52 m per side, comprising the exhibition and conference halls identified as the heart of the museum.
Around, above and below are the service areas. But between these areas and the heart, openings entirely bypass the central square and form interconnected spaces. More interested by the views of the fort, the sea or the port, the culturally overwhelmed visitor will choose this route. Along two interlacing ramps, he will then plunge into the imaginary of the tower of Babel or of a ziggurat in order to climb up to the rooftop and on to Fort Saint- Jean. This peripheral loop will be a demuseumifying breathe, enveloped by the smells of the sea from the proximity to the moats, a pause to dispel any lingering doubts about the use of the history of our civilizations. The MuCEM will be a vertical Casbah.
The tectonic choice of an exceptional concrete coming from the latest research by French industry, reducing the dimensions to little more than skin and bones, will affirm a mineral script under the high ramparts of Fort Saint-Jean. This sole material in the colour of dust, matt, crushed by the light, distant from the brilliance and technological consumerism, will commend the dense and the delicate. The MuCEM sees itself evanescent in a landscape of stone and Orientalist through its fanning shadows.
Monday June 25: Shift Happens - The Challenge of Change afternoon insight session by Catherine DeVrye, Former Australian Executive Woman of the Year
Leica MP with 35mm Summicron
Film: Fujifilm RDP 100F Provia
When light orchestrated into a symphony, the world is peaceful in silence.
Pre-production Photos
35mm: A Musical Exhibition
October 26, 2018 to October 28, 2018
Friday, October 26, 2018, 8:00 PM
Saturday, October 27, 2018, 8:00 PM
Sunday, October 28, 2018, 2:00 PM
Corthell Concert Hall, USM Gorham Campus
$15 adult, $10 seniors, USM employees and alumni, $5 students.
Music and Lyrics by Ryan Scott Oliver
Based on Photographs by Matthew Murphy
Vocal Arrangements and Orchestrations by Ryan Scott Oliver
Additional Percussion arrangements by Jeremy Yaddaw
Additional Guitar arrangements by Matt Hinkley
Directed by Edward Reichert
A picture is worth 1,000 words - what about a song? In 35mm: A Musical Exhibition, each photo creates a unique song, moments frozen in time; a glimmer of a life unfolding, a glimpse of something happening. The University of Southern Maine School of Music fall musical theatre production is part concert, part exhibition, part poetry jam, part performance art...an intricately woven collection of stories that re-imagines what the modern American musical can be.
Three performances take place in Corthell Concert Hall on the Gorham campus on Friday, October 26 and Saturday, October 27 at 8 p.m., and Sunday, October 28 at 2 p.m. Tickets are $15 for the general public, $10 for seniors, USM alumni and employees, and $5 for students. They can be purchased online at usm.maine.edu/music/boxoffice, by phone at (207) 780-5555, or at the door.
The show is sponsored by Saco & Biddeford Savings Institution.
Art moves and touches people in different ways. The stories told through song in 35mm are all based on or inspired by the eclectic photography of Matthew Murphy. Composer Ryan Scott Oliver provides us with a collection of stories and photographs about life: gorgeous songs about love and loss, more complex issues like insanity, abuse...and some humor too. Oliver states, “it covers a wide range of experiences and sensations.” This show is recommended for mature audiences.
The show’s director, Ed Reichert says, “The score is fascinating to me because it covers so many genres such as rock, gospel, country, pop, and musical comedy. Ryan Scott Oliver openly talks about some of his creative influences including Lady Gaga, The Scissor Sisters, Schubert, and Rufus Wainwright. He is equally inspired by the likes of Quentin Tarantino, Stephen King, and Stephen Sondheim.” Reichert adds, “With Halloween just around the corner, at least three of the songs are timely: Leave, Luanne (a Southern Gothic Ghost Story), Twisted Teeth (a duet between two vampires), and The Ballad of Sara Berry (think prom queen...).”
The cast includes: Samuel Allen (Harpswell), Matthew Boyd (Medford, NJ), Andrew Carney (Millinocket), Mikayla Clifford (Yarmouth), Noli French (New Gloucester), Aaron Kircheis (Bucksport), Katie Lind (Standish), Ayann Main (Wiscasset), Megan Mayfield (Marlborough, MA), Miles Obrey (Gorham), Alyssa Pearl-Ross (Sangerville), Victoria Stackpole (Biddeford), March Steiger (Buxton), Ben Walker-Dubay (Kennebunk), Megan Walz (Portland), Meg Ward (Bangor), Abby White (Dalton, Mass.).
The band includes Lynnea Harding, associate music director, violin and viola; Catherine Begin, cello; Jake Cooper, guitar; Shannon Allen, bass; Sam Smith, drums, and Ed Reichert on piano.
Those needing special accommodations to participate fully in this program, contact Lori Arsenault, (207) 780-5142, loria@maine.edu. Hearing impaired: call USM's telex / TDD number (207) 780-5646.
35mm: A Musical Exhibition is presented by special arrangement with SAMUEL FRENCH, INC.
Or there's the completely orchestrated political theater of mass distraction that's polarizing, dividing, and all of this completely serves the power structure, again now more than ever. Consider this quote from William Casey, CIA director 1981-1987. He said, "We'll know our disinformation program is complete when everything the American public believes is false."
Rachel Ritfeld hosting the Fashion Fusion Awards 2008, orchestrated by
Maria Sururr and Zeleka Sutherland.
Maria Sururr: 07872 144 808
Zeleka Sutherland: 07982 260 465
Email: fashionfusionawards@googlemail.com
Web: www.myspace.com/fashionfusionawards
See the full article on the Birmingham City University website.
Way back in the 80s I became very actively involved for several years in a major UK based campaign orchestrated by Friends Of The Earth together with the World Wildlife Fund. The goal of the campaign was to raise public awareness about the destruction of tropical forests and about the very serious issues surrounding that ongoing destruction. As far as that went the campaign was a huge success i.e. in terms of public awareness. And there has been some if maybe not yet enough progress in slowing down the destruction and ensuring developed countries such as the UK import foreign timbers only from guaranteed sustainable sources.
So I learnt a lot about those issues and about tropical forest ecology and for a long time it has been one of my dreams to actually visit and experience a tropical forest. This Yucatan forest is part of the Punta Laguna Mexican Government protected reserve and my one day trek with a guide just me and him was actually quite wonderful. More about that in previous and following pics.
Regarding this particular photo can you spot the epiphyte bromiliad growing high on the side of the tree? Epiphytes being a class of plants that grow upon other plants (such as trees as here) non-parasitically, deriving moisture and nutrients from the air and rain and sometimes from debris accumulating around them.
Still Life, orchestrated by old bottles I found in the woods, bird skull found on shore and a seashell.
In a well orchestrated move, one bluebird arrives with food while the other carries away waste. In the past two weeks, I have only witnessed one collision.
Not everyone can orchestrate the fire of a Conga band into something great. Most won’t dare to try. But in a city of sound, 71 year old Tata is known as one of the best at sculpting rhythms into wonder. Young and old come from all around the different Barrios of Santiago bearing gifts to try and persuade El Hombre Carnival to lead their Conga in hopes of being able to bask in his wisdom and rhythmic light. The people love him and the beat force he brings to the neighborhood. Win with grace, create your own opportunity and prosper, through sound travel and see the world, turn dust into gold, glory through honor of the old sounds and traditions spun anew - over the last 30 years Tata has been preaching these values all over Santiago de Cuba as the leader of each of the 6 traditional congas save the perennial Conga Los Hoyos, of whom he takes particular pleasure in telling the story of why he had to tell them, ‘ no, he would not lead them not for nothing,’ – for El Hombre Carnival is a David among Goliaths and likes to grind the better endowed Congas into the ground in the streets. Is he loco, a sound guru, a liar, a hero, a charlatan, a UNESCO pillar of sound, a Lothario, a dirty old man, a hustler, a genius and or a sage? All of this? Something more? something else? Grace in process, discipline despite poverty, dedication to craft; in birthing an idea out of his head to shine out of 500 hundred smiling, people moving to ancient rhythms he channels out of the collective conscious of Black Cuba – rhythms which eventually slip out and shake the world.
He has no outside job to lean on save directing the Conga of his choice. This is rare; both conducting a Conga outside of your neighborhood and too, not having another job just in case things go badly and you lose. People admire him all the way to the top of the Communist state which is why in 19XXXXXX he was officially named El Hombre Carnival by XXXXXX. More than anyone around does El Hombre Carnival understand what’s at stake, the fruits( plumbs, trappings) of victory in the Conga Competitions presented during carnival- respect, prestige, power, food, housing, liberty, opportunity, travel, but he won’t cheat to win. This is key. And perhaps what separates him from the other notable directors of the other Congas – what he will do and will not do to win, how he likes to go about winning and what that says about his character and those he chooses to help him on his campaigns for the winners circle. Will he win again this year? Is there another better? Will one of the nefarious elements win?
BROWARD COUNTY PUBLIC LIBRARY / MAIN Branch at 100 S. Andrews Avenue in Fort Lauderdale, FL on Monday morning, 16 June 2014 by Elvert Barnes Photography
COLOR & RHYTHM: A Visual Orchestration by YAACOV AGAM
www.broward.org/ARTS/PUBLICART/PADTOUR/INVENTORY/Pages/Ag...
Follow BROWARD COUNTY PUBLIC LIBRARY at www.facebook.com/browardcountylibrary
PUBLIC ART IN PUBLIC SPACES
This session will further investigate the tools and approaches organizations use to adapt these container-centric solutions for their businesses.
Every wedding reception has its’ own vibe and every party is orchestrated differently. Some wedding receptions have cocktail seating and passed food all night instead of a sit-down dinner. Some have buffet stations and open seating. Some are formal, many-course meals. I know how long it takes to work with your floral designer and event coordinators to create the perfect space, set the perfect tone, and plan the perfect party! I always strive to create images of reception spaces that truly encapsulate what it felt like to be in that room, on that day, at that particular celebration. At this Livingston, New Jersey wedding reception at the gorgeous Crystal Plaza the entire party was set up to emulate a nightclub. In order to truly capture the setting I went into the balcony during the dancing portion of the evening and took an image with a very, very slow shutter speed. This allowed the room to be sharp but the dancing guests to blur. I love this image because it really captures the wild, crazy party vibe of this wedding reception!
Exquise Design | Design for pleasure
From idea to finished product our job is to orchestrate eclectic art professionals to bring you pleasurable experiences out of the ordinary. At the crossing of craftsmanship, new technologies and fresh ideas, our goal is to collectively strive for positive changes in human attitudes.
12, rue du Château Landon
75010 Paris, France
+33 (0) 140 360 718
Practical information :
Vernissage (invitation only)
wednesday october 20, 2010
Exhibition october 22
until november 19, 2010
Opening hours
wednesday to sunday
10am to 7pm
Slott Gallery
12 rue du Château Landon
75010 Paris
Métro : Château Landon
Tel : +33 (0) 140 360 718
Press:
- Slott Gallery | PAILLE & KLEIN GLOW | Exhibition scribd.com/doc/36614688
- slideshare.net/exquisedesign/press-slott-5088187
Paola Bjaringer
paola(@)exquisedesign.com
Love,
Exquise crew
Slott | Exquise design
12 rue du Château Landon 75010 Paris
M° Château Landon-Gare de lʼEst-Louis Blanc
flickr.com/photos/exquisedesign
Slott | Exquise map's @ xm.my/Gs2a
- Qype maps : qype.fr/people/Slott
- Yelp Paris : yelp.fr/biz/galerie-slott-paris
Greenpeace and Yes Lab orchestrate an event on behalf of Shell to raise awareness of the company's destructive Arctic oil drilling campaign. A video from the event gathered half a million views in 24 hours.
www.greenpeace.org/savethearctic
Photo credit: Brooke Jarvis
GOD'S ORCHESTRATED SYMPHONY comes from His majestic beauty of light, color and cloud formation for us to enjoy at the beginning of our day. This gift to us comes no matter how yesterday went. It in those days of suffering, sadness, and stress where smiles and laughter alludes us God gives this gift for our eyes to lift our spirits, restore our joy and bring a smile to our faces. It is then we remember we are not alone we can move through the maze of a new day, and know ALL IS WELL...PEACE AND HARMONY
I shot this from the terrace of my home...
MuCEM Marseille, France - 2013
Architects: Rudy Ricciotti and C+T architecture
Views, sea, sun, a mineral quality, which all must be orchestrated by a program that will become federal and cognitive. First of all a perfect square of 72 m per side, it is a classic plan, Latin, under the control of Pythagoras. Within this square, another of 52 m per side, comprising the exhibition and conference halls identified as the heart of the museum.
Around, above and below are the service areas. But between these areas and the heart, openings entirely bypass the central square and form interconnected spaces. More interested by the views of the fort, the sea or the port, the culturally overwhelmed visitor will choose this route. Along two interlacing ramps, he will then plunge into the imaginary of the tower of Babel or of a ziggurat in order to climb up to the rooftop and on to Fort Saint- Jean. This peripheral loop will be a demuseumifying breathe, enveloped by the smells of the sea from the proximity to the moats, a pause to dispel any lingering doubts about the use of the history of our civilizations. The MuCEM will be a vertical Casbah.
The tectonic choice of an exceptional concrete coming from the latest research by French industry, reducing the dimensions to little more than skin and bones, will affirm a mineral script under the high ramparts of Fort Saint-Jean. This sole material in the colour of dust, matt, crushed by the light, distant from the brilliance and technological consumerism, will commend the dense and the delicate. The MuCEM sees itself evanescent in a landscape of stone and Orientalist through its fanning shadows.
...again
Throughout history we see that God loves numbers! He’s an architect and engineer; He made the universe! He loves to show off, show His glory, and make us marvel! Many numbers have very significant, God ordained meanings & implications. Note: “3 dots, 3 dashes, 3 dots” is man’s international distress signal, SOS in Morse Code. I’m convinced God orchestrated this, not Mr. Morse! - 333 is surely God’s international distress signal; an urgent end-times SOS message! Think! WHAT IF!! What if GOD is really trying to get your attention! Even if you don't believe in God, WHAT IF!! I would hope, if it were me, I would somehow respond. But, CAUTION! Whatever you do, do not place your trust in the purveyors of ANGEL NUMBERS & such! Although it's essentially true that the 333 may indeed be delivered by an angel, it would be an extreme injustice & mistake to associate it with the various spiritualist and profit oriented sites that pop up when "meaning of 333" is Googled. See "Satan's # Games". Unfortunately, although certainly more accurate, it's a shame one has to add "biblical" to "meaning of 333" for this site to be ranked high on the list by Google. Don't know whether to blame Satan or praise Google! It represents God, the 3-in-1, Father, Son, & Holy Spirit. Jesus prayed 3 times in the Garden of Gethsemane before His arrest. He was placed on the cross at the 3rd hour of the day (9 a.m.) and died at the 9th hour (3 p.m.). There were 3 hours of darkness that covered the land while Jesus was on the cross. Three is also the number of resurrection. Christ arose after 3 days and 3 nights in the tomb.
There are many more illustrations of the #3s biblical significance. Jonah prophetically spent 3 days in the belly of a big fish. After the flood, new life started in 3 persons: Shem, Ham, & Jepheth. Israel was founded in the 3 persons of Abraham, Isaac, & Jacob. Three (3) of the most memorable Biblical edifices, Noah's Ark, Solomon's Temple, and The Millennial Temple, are 3 stories tall; and they all represent God's saving grace. 33 = After 3 years of ministry and raising 3 people from the dead, Jesus died at age 33. His death and resurrection fulfilled all the old testament promises concerning the Messiah. Thus, the number 33 is connected to promise, in particular, to Gods promise of salvation to humanity. “3 dots, 3 dashes, 3 dots”, as noted above, is man’s international distress signal, SOS in Morse Code. I’m convinced God orchestrated this, not Mr. Morse! - 333 is surely God’s international distress signal; an urgent end-times SOS (Save Our Souls) message! On Nov.29,1947, the 333rd day of the year, the United Nations voted for the establishment of a Jewish State. God gave His chosen people the homeland that He had promised to their forefathers!
Genesis 15:9, The LORD told Abraham, "Bring me a three-year-old heifer, a three-year-old female goat, a three-year-old ram, a turtledove, and a young pigeon." This has to do with the covenant God made with Abraham, promising the land of Israel to the Jews. Thus 333 just may be considered a COVENANT number!!! As seen above, the numbers 3, 33, or 333 just scream of Jesus &/or the Bible! No other, not Mohammad, Buddha, Satan, or any other religion can proclaim such a connection. And again, 333 is surely God’s International Distress Signal; an urgent end-times SOS message! good link below
TT100 was launched in 1990 and is part of the Da Vinci group of companies. It is sponsored by, and run with official mandate from, the Department of Science and Technology. Eskom is the primary private sponsor while the JSE AltX is a key partner
Two recent acquisitions offer two different perspectives on music and other kinds of visual orchestration. These installations are the work of Jean-Pierre Gauthier, a Montréal-based artist featured in a solo exhibition at the Musée d’art contemporain in 2007, and Ryoji Ikeda, a Japanese composer and visual artist based in Paris, whose film version of C4I was presented at the Musée in 2014. While their working protocols and materials differ, these two artists share a common interest in matters related to distribution, composition and arrangement.
Musée d'art contemporain de Montréal, Quebec.
MuCEM Marseille, France - 2013
Architects: Rudy Ricciotti and C+T architecture
Views, sea, sun, a mineral quality, which all must be orchestrated by a program that will become federal and cognitive. First of all a perfect square of 72 m per side, it is a classic plan, Latin, under the control of Pythagoras. Within this square, another of 52 m per side, comprising the exhibition and conference halls identified as the heart of the museum.
Around, above and below are the service areas. But between these areas and the heart, openings entirely bypass the central square and form interconnected spaces. More interested by the views of the fort, the sea or the port, the culturally overwhelmed visitor will choose this route. Along two interlacing ramps, he will then plunge into the imaginary of the tower of Babel or of a ziggurat in order to climb up to the rooftop and on to Fort Saint- Jean. This peripheral loop will be a demuseumifying breathe, enveloped by the smells of the sea from the proximity to the moats, a pause to dispel any lingering doubts about the use of the history of our civilizations. The MuCEM will be a vertical Casbah.
The tectonic choice of an exceptional concrete coming from the latest research by French industry, reducing the dimensions to little more than skin and bones, will affirm a mineral script under the high ramparts of Fort Saint-Jean. This sole material in the colour of dust, matt, crushed by the light, distant from the brilliance and technological consumerism, will commend the dense and the delicate. The MuCEM sees itself evanescent in a landscape of stone and Orientalist through its fanning shadows.
Pre-production Photos
35mm: A Musical Exhibition
October 26, 2018 to October 28, 2018
Friday, October 26, 2018, 8:00 PM
Saturday, October 27, 2018, 8:00 PM
Sunday, October 28, 2018, 2:00 PM
Corthell Concert Hall, USM Gorham Campus
$15 adult, $10 seniors, USM employees and alumni, $5 students.
Music and Lyrics by Ryan Scott Oliver
Based on Photographs by Matthew Murphy
Vocal Arrangements and Orchestrations by Ryan Scott Oliver
Additional Percussion arrangements by Jeremy Yaddaw
Additional Guitar arrangements by Matt Hinkley
Directed by Edward Reichert
A picture is worth 1,000 words - what about a song? In 35mm: A Musical Exhibition, each photo creates a unique song, moments frozen in time; a glimmer of a life unfolding, a glimpse of something happening. The University of Southern Maine School of Music fall musical theatre production is part concert, part exhibition, part poetry jam, part performance art...an intricately woven collection of stories that re-imagines what the modern American musical can be.
Three performances take place in Corthell Concert Hall on the Gorham campus on Friday, October 26 and Saturday, October 27 at 8 p.m., and Sunday, October 28 at 2 p.m. Tickets are $15 for the general public, $10 for seniors, USM alumni and employees, and $5 for students. They can be purchased online at usm.maine.edu/music/boxoffice, by phone at (207) 780-5555, or at the door.
The show is sponsored by Saco & Biddeford Savings Institution.
Art moves and touches people in different ways. The stories told through song in 35mm are all based on or inspired by the eclectic photography of Matthew Murphy. Composer Ryan Scott Oliver provides us with a collection of stories and photographs about life: gorgeous songs about love and loss, more complex issues like insanity, abuse...and some humor too. Oliver states, “it covers a wide range of experiences and sensations.” This show is recommended for mature audiences.
The show’s director, Ed Reichert says, “The score is fascinating to me because it covers so many genres such as rock, gospel, country, pop, and musical comedy. Ryan Scott Oliver openly talks about some of his creative influences including Lady Gaga, The Scissor Sisters, Schubert, and Rufus Wainwright. He is equally inspired by the likes of Quentin Tarantino, Stephen King, and Stephen Sondheim.” Reichert adds, “With Halloween just around the corner, at least three of the songs are timely: Leave, Luanne (a Southern Gothic Ghost Story), Twisted Teeth (a duet between two vampires), and The Ballad of Sara Berry (think prom queen...).”
The cast includes: Samuel Allen (Harpswell), Matthew Boyd (Medford, NJ), Andrew Carney (Millinocket), Mikayla Clifford (Yarmouth), Noli French (New Gloucester), Aaron Kircheis (Bucksport), Katie Lind (Standish), Ayann Main (Wiscasset), Megan Mayfield (Marlborough, MA), Miles Obrey (Gorham), Alyssa Pearl-Ross (Sangerville), Victoria Stackpole (Biddeford), March Steiger (Buxton), Ben Walker-Dubay (Kennebunk), Megan Walz (Portland), Meg Ward (Bangor), Abby White (Dalton, Mass.).
The band includes Lynnea Harding, associate music director, violin and viola; Catherine Begin, cello; Jake Cooper, guitar; Shannon Allen, bass; Sam Smith, drums, and Ed Reichert on piano.
Those needing special accommodations to participate fully in this program, contact Lori Arsenault, (207) 780-5142, loria@maine.edu. Hearing impaired: call USM's telex / TDD number (207) 780-5646.
35mm: A Musical Exhibition is presented by special arrangement with SAMUEL FRENCH, INC.
Songs of Choir:
1.The Sorrow of Corrupt Mankind
2.Man’s True Condition of Being Corrupted by Satan
3.The Practical God Saves Men in Obscurity
1.The Sorrow of Corrupt Mankind
Man walked through the ages with God, yet man knows not that God rules the fate of all things and living beings or how God orchestrates and directs all things. This is something that has eluded man since time immemorial to the present day. As for the reason why, it is not because the ways of God are too elusive, or because the plan of God has yet to be realized, but because the heart and spirit of man are too distant from God. Therefore, even as man follows God, he unknowingly remains in the service of Satan.
...
None actively seek out the footsteps or appearance of God, and none wish to exist in the care and keeping of God. Rather, they are willing to rely on the corrosion of Satan and the evil one in order to adapt to this world and to the rules of life the wicked mankind follows. At this point, the heart and spirit of man are sacrificed to Satan and become its sustenance, and moreover, become a place in which Satan can reside and a playground for it. In this way, man unknowingly loses his understanding of the principles of being human, and of the worth and purpose of human existence. The laws from God and the covenant between God and man gradually fade away in man’s heart until man no longer seeks or pays heed to God, no longer seeks or pays heed to God. As time passes, man no longer understands why God created man, nor does he understand the words that come from the mouth of God or realize all that is from God. Man begins to resist the laws and decrees from God; the heart and spirit of man become deadened. …God loses the man of His original creation, and man loses the root of his beginning. This is the sorrow of this mankind, this is the sorrow of this mankind. Woo … woo … woo … woo….
...
from “God is the Source of Man’s Life” in The Word Appears in the Flesh
2. Man’s True Condition of Being Corrupted by Satan
For so many years, the thought man lives by has corrupted man’s heart, man’s heart. So man becomes crafty, cowardly, and base. Man has no perseverance or resolution, and is greedy and frail and willful. He does not have the will to transcend himself at all, much less have any courage to break away from the bondage of the influence of darkness. Man has a depraved mind and leads a depraved life. Man’s viewpoint of believing in God is still awful, and it is even intolerable to the ear, intolerable to the ear once it is spoken of. All men are cowardly, powerless, base, and fragile. They do not feel loathing for the force of darkness, and do not love the light and the truth, but they do their possible to drive them out. All men are cowardly, powerless, base, and fragile. They do not feel loathing for the force of darkness, and do not love the light and the truth, but they do their possible to drive them out.
from “Why Are You Not Willing to Be a Setoff?” in The Word Appears in the Flesh
3. The Practical God Saves Men in Obscurity
God has become flesh this time to do the work that He has yet to complete, to judge this age and bring it to a close, to save man from the sea of affliction, to utterly conquer man and transform their life disposition, and to free man from the suffering and oppression of dark forces that are black as night. Many are the sleepless nights that God has endured for the sake of the work of mankind. He comes from up high to the lowest depths and lives in the living hell. Ah! He passes His days with man, and has never complained of the shabbiness among man. He never asks too much of man, but endures the greatest humiliation as He personally carries out His work. For the whole of mankind to find rest sooner, He has endured humiliation and suffered injustice to come to earth, and personally entered into the tiger’s den to save man. How many times has He faced the stars, how many times has He departed at dawn and returned at dusk, enduring great agony, enduring the attacks and “breaking” of man. God has come to this filthy land, and quietly accepts the ravages of man, accepts oppression of man.
from “Work and Entry (9)” in The Word Appears in the Flesh
www.holyspiritspeaks.org/videos/chinese-choir-episode-9/
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Twitter: twitter.com/churchAlmighty
Blog: en.blog.hidden-advent.org/
Instagram: instagram.com/thechurchofalmi...
Email: info@almightygod.church
Songs of Choir:
1.The Sorrow of Corrupt Mankind
2.Man’s True Condition of Being Corrupted by Satan
3.The Practical God Saves Men in Obscurity
1.The Sorrow of Corrupt Mankind
Man walked through the ages with God, yet man knows not that God rules the fate of all things and living beings or how God orchestrates and directs all things. This is something that has eluded man since time immemorial to the present day. As for the reason why, it is not because the ways of God are too elusive, or because the plan of God has yet to be realized, but because the heart and spirit of man are too distant from God. Therefore, even as man follows God, he unknowingly remains in the service of Satan.
...
None actively seek out the footsteps or appearance of God, and none wish to exist in the care and keeping of God. Rather, they are willing to rely on the corrosion of Satan and the evil one in order to adapt to this world and to the rules of life the wicked mankind follows. At this point, the heart and spirit of man are sacrificed to Satan and become its sustenance, and moreover, become a place in which Satan can reside and a playground for it. In this way, man unknowingly loses his understanding of the principles of being human, and of the worth and purpose of human existence. The laws from God and the covenant between God and man gradually fade away in man’s heart until man no longer seeks or pays heed to God, no longer seeks or pays heed to God. As time passes, man no longer understands why God created man, nor does he understand the words that come from the mouth of God or realize all that is from God. Man begins to resist the laws and decrees from God; the heart and spirit of man become deadened. …God loses the man of His original creation, and man loses the root of his beginning. This is the sorrow of this mankind, this is the sorrow of this mankind. Woo … woo … woo … woo….
...
from “God is the Source of Man’s Life” in The Word Appears in the Flesh
2. Man’s True Condition of Being Corrupted by Satan
For so many years, the thought man lives by has corrupted man’s heart, man’s heart. So man becomes crafty, cowardly, and base. Man has no perseverance or resolution, and is greedy and frail and willful. He does not have the will to transcend himself at all, much less have any courage to break away from the bondage of the influence of darkness. Man has a depraved mind and leads a depraved life. Man’s viewpoint of believing in God is still awful, and it is even intolerable to the ear, intolerable to the ear once it is spoken of. All men are cowardly, powerless, base, and fragile. They do not feel loathing for the force of darkness, and do not love the light and the truth, but they do their possible to drive them out. All men are cowardly, powerless, base, and fragile. They do not feel loathing for the force of darkness, and do not love the light and the truth, but they do their possible to drive them out.
from “Why Are You Not Willing to Be a Setoff?” in The Word Appears in the Flesh
3. The Practical God Saves Men in Obscurity
God has become flesh this time to do the work that He has yet to complete, to judge this age and bring it to a close, to save man from the sea of affliction, to utterly conquer man and transform their life disposition, and to free man from the suffering and oppression of dark forces that are black as night. Many are the sleepless nights that God has endured for the sake of the work of mankind. He comes from up high to the lowest depths and lives in the living hell. Ah! He passes His days with man, and has never complained of the shabbiness among man. He never asks too much of man, but endures the greatest humiliation as He personally carries out His work. For the whole of mankind to find rest sooner, He has endured humiliation and suffered injustice to come to earth, and personally entered into the tiger’s den to save man. How many times has He faced the stars, how many times has He departed at dawn and returned at dusk, enduring great agony, enduring the attacks and “breaking” of man. God has come to this filthy land, and quietly accepts the ravages of man, accepts oppression of man.
from “Work and Entry (9)” in The Word Appears in the Flesh
www.holyspiritspeaks.org/videos/chinese-choir-episode-9/
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In the heart of Jasmine's Hollow's 5th annual Hollow Days, treat yourself and loved ones to 100% live music, beautiful original art, and a full sim of winter fun at "...one of the friendliest communities around," according to Linden Lab.
We invite you, your family and friends to join The Dirty Grind Independent Artist Community family to celebrate this beautiful season of love, peace, joy, and friendship with many of best recording artists in Second Life. If you have not yet expirienced our active community, sample our artists' live shows as Phemie Alcott, David Csiszer, Lyndon Heart, Gypsy Dhrua, Shannon Oherlihy and Senjata Witt orchestrate a day of Christmas favourites and charished originals.
Make sure to shop or browse the original music of The Dirty Grind family at Radio Grind presents..., the original work of Solana Python, Toy Soldier Thor, Gweeb's Guitars and Corsets and PJ Babu Gallery Portraits, as well as the office and shop of KG Shine Productions.
Monday June 25: Shift Happens - The Challenge of Change afternoon insight session by Catherine DeVrye, Former Australian Executive Woman of the Year
While working on this image in Photoshop, I had, for just the second time in my life, a 'migrane aura'. For me both times manifested as visual distortions, starting at the center of my visual field...almost like some kind of small lens is in front of my eyes distorting everything at the center. It then spreads out and turns into a shimmering pattern of high-contrast zig-zags. It reminds me of looking through a car window at night in driving rain, that kind of shimmering distortion.
The only other time I had this was in Nov. of 2004. I was freaked out then, because I had no idea what it was. I've read enough neuroscience to suspect it was some kind of electrical storm in a visual area...but was clueless about migraines and their auras. I was genuinely scared that first time.
This time I just tried to enjoy it, paying attention to what it was doing, how it looked, how it moved, and even trying to look up information about them on the net...which is hard to do when 60% of your vision is shimmering about :-)
It has been followed by a headache, which goes from mild to not-so-fun and then back again.
I have to say, that as someone very interested in neuroscience, it's kind of exciting to experience a (minor) malfunction first-hand, and especially a visual one. Of course, it's only fun because it has no lasting effects!
[VIDEO] Watch video here: aclarapromotions.com/aclarapress/2010/10/press-release-ac...
The UVic Lipdub video is presented as a long shot weaving through various buildings on the university’s campus. Students were placed throughout the buildings and danced past the camera to the tune of Michael Bublé’s ‘Haven’t Met You Yet.’ The video finishes with a grand shot from the roof of the McPhersen library looking down over nearly 1000 choreographed extras performing a routine orchestrated by Koh McRadu.“My whole purpose in doing this project is to have fun and bring students together on campus. …I want this to be talked about for the next year” said Shawn Slavin. “This is what bringing community together is all about,” continued Christopher Ruffell, “we are proud to be a part of this event in Victoria’s – and Internet – history.”
UVic Lipdub (Canada) is an answer to a lipdub video shot for a different ‘UVic’, this one in Spain. Receiving over 800,000 hits on YouTube, the Spain video caused many around the world to question which university it came from. “This is a chance for us in Victoria to really show what we can do,” said Shawn Slavin, a student at UVic and the brains behind the project, “After seeing the other UVic lipdub video, I decided that we would have to make one.”
Website:
Video Produced By Aclara Promotions
Pre-production Photos
35mm: A Musical Exhibition
October 26, 2018 to October 28, 2018
Friday, October 26, 2018, 8:00 PM
Saturday, October 27, 2018, 8:00 PM
Sunday, October 28, 2018, 2:00 PM
Corthell Concert Hall, USM Gorham Campus
$15 adult, $10 seniors, USM employees and alumni, $5 students.
Music and Lyrics by Ryan Scott Oliver
Based on Photographs by Matthew Murphy
Vocal Arrangements and Orchestrations by Ryan Scott Oliver
Additional Percussion arrangements by Jeremy Yaddaw
Additional Guitar arrangements by Matt Hinkley
Directed by Edward Reichert
A picture is worth 1,000 words - what about a song? In 35mm: A Musical Exhibition, each photo creates a unique song, moments frozen in time; a glimmer of a life unfolding, a glimpse of something happening. The University of Southern Maine School of Music fall musical theatre production is part concert, part exhibition, part poetry jam, part performance art...an intricately woven collection of stories that re-imagines what the modern American musical can be.
Three performances take place in Corthell Concert Hall on the Gorham campus on Friday, October 26 and Saturday, October 27 at 8 p.m., and Sunday, October 28 at 2 p.m. Tickets are $15 for the general public, $10 for seniors, USM alumni and employees, and $5 for students. They can be purchased online at usm.maine.edu/music/boxoffice, by phone at (207) 780-5555, or at the door.
The show is sponsored by Saco & Biddeford Savings Institution.
Art moves and touches people in different ways. The stories told through song in 35mm are all based on or inspired by the eclectic photography of Matthew Murphy. Composer Ryan Scott Oliver provides us with a collection of stories and photographs about life: gorgeous songs about love and loss, more complex issues like insanity, abuse...and some humor too. Oliver states, “it covers a wide range of experiences and sensations.” This show is recommended for mature audiences.
The show’s director, Ed Reichert says, “The score is fascinating to me because it covers so many genres such as rock, gospel, country, pop, and musical comedy. Ryan Scott Oliver openly talks about some of his creative influences including Lady Gaga, The Scissor Sisters, Schubert, and Rufus Wainwright. He is equally inspired by the likes of Quentin Tarantino, Stephen King, and Stephen Sondheim.” Reichert adds, “With Halloween just around the corner, at least three of the songs are timely: Leave, Luanne (a Southern Gothic Ghost Story), Twisted Teeth (a duet between two vampires), and The Ballad of Sara Berry (think prom queen...).”
The cast includes: Samuel Allen (Harpswell), Matthew Boyd (Medford, NJ), Andrew Carney (Millinocket), Mikayla Clifford (Yarmouth), Noli French (New Gloucester), Aaron Kircheis (Bucksport), Katie Lind (Standish), Ayann Main (Wiscasset), Megan Mayfield (Marlborough, MA), Miles Obrey (Gorham), Alyssa Pearl-Ross (Sangerville), Victoria Stackpole (Biddeford), March Steiger (Buxton), Ben Walker-Dubay (Kennebunk), Megan Walz (Portland), Meg Ward (Bangor), Abby White (Dalton, Mass.).
The band includes Lynnea Harding, associate music director, violin and viola; Catherine Begin, cello; Jake Cooper, guitar; Shannon Allen, bass; Sam Smith, drums, and Ed Reichert on piano.
Those needing special accommodations to participate fully in this program, contact Lori Arsenault, (207) 780-5142, loria@maine.edu. Hearing impaired: call USM's telex / TDD number (207) 780-5646.
35mm: A Musical Exhibition is presented by special arrangement with SAMUEL FRENCH, INC.
Machine : DispeL 9 the mechanical orchestrator
Type : old skool revamped
Function : play em close
Year : 2022
Industry : JFO
Other stuff : stylewars not background wars non generic device disturbing physical features other industries recoil in extreme disgust and delusional disdain.
90s in the flesh
SCR
LSF
Mecha bound