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The Chicago Stompers, Italy’s youngest hot jazz band. Orchestration, costumes, and original instruments straight out of the roaring 20s
Winners of the Audience Award at JazzAscona 2010, the Chicago Stompers are the youngest “hot jazz” band in Italy performing the repertoire of American orchestras from c. 1924-1933. The philological use of vintage musical instruments, instrumentation and inspired period clothes, together with a unique, peppy and sparkling show, is the most distinctive feature of this ensemble, which has already treaded the boards of the most important “classic jazz” events in the world. The orchestra has recently released its fourth record: "Sing...It's Good For You!"
Marcella Malacrida, vocals
Martino Pellegrini, violin, strohviolin, vocal
Corrado Tosetti, trumpet, cornet
Paolo Colombo, alto sax, clarinet
Arturo Garra, tenor sax, clarinet, vocal
Lorenzo Baldasso, clarinet, alto sax
Giorgio Gallina, trombone, violin, ukulele
Mauro L.Porro, piano, reeds, cornet, vocal
Dario Lavizzari, banjo, guitar
Paolo A. Vanzulli, tuba, string bass, drums
Fabrizio Carriero, drums, percussions
In this example, opportunities and experience principles are correlated with each key moment of a retail journey.
Orchestrating Experiences: Collaborative Design for Complexity, Risdon, Quattlebaum, 2018, New York: Rosenfeld Media
Piccadilly Circus, London.................................
I love the way she orchestrates this call.
Led and Orchestrated by poet Bob Holman, the reading of Howl includes a “Greek chorus” of voices... Poets representing The Bowery Poetry Club, The Poetry Project at St. Marks Church in the Bowery, The Nuyorican Poets Cafe, and A Gathering of the Tribes... Including Stephanie Berger, Nina Freeman, David Henderson, Paolo Javier, Vincent Katz, Eliel Lucero, Sheila Maldonado, Ace McNamara, Nancy Mercado, Kristin Prevallet, Joseph D Robbins, Bob Rosenthal, Caroline Rothstein, Judah Rubin, Tahani Salah, Jon Sands, Edwin Torres & Bruce Weber.
Chef Antoine Heerah orchestrates a quality French/Maurician cuisine. In his lovely restaurant, we taste brand new flavors: Seychelles bass filet, sand carrots with green aniseed, Dublin bay prawn tail from Guivinec. Special mention to the Assiette d’Outre-mer made of half cooked yellowfin tuna, Maurician-like squid, Micro Citrus blue gambas. In fact, the Chamarré Montmartre was awarded three hats by Gault and Millau.
52, rue Lamarck – 75018 Paris
Go to Cadran Hôtel, an hotel in Paris near the Eiffel Tower.
Pour découvrir l'hôtel du Cadran sur sa fiche Hoosta Collection
Cadran Hôtel, member of Hoosta Luxury Hotels Collection.
Chris Lawless became the first Briton to win the Tour de Yorkshire after a superb ride on the last stage to Leeds.
Lawless, racing in the blue jersey as the overnight leader, finished right behind stage winner Greg van Avermaet to secure a debut win for Team Ineos.
Wigan's Lawless, 23, was immediately congratulated by team-mate Chris Froome, who orchestrated the decisive final break on Cote de Otley Chevin.
Team Ineos was only officially launched last week, replacing Team Sky.
"I can't believe it," Lawless told ITV 4. "If someone had told me I'd win this race before it started I'd have called them a liar.
"I started losing touch halfway up the Otley Chevin but I knew if I could get back on there was a climb around 5km from the finish that I could get over.
"I knew I could follow Greg van Avermaet when he went. Greg was someone I looked up to when I first started riding so to beat him is special.
"I've got to thank the team for backing me because I don't have a good history on stages like this but they said they'd give me a chance."
When asked how big a win it is for him personally, he replied: "The biggest."
Froome's tactics pay off
After 150km of racing, much of it through the picturesque Yorkshire Dales, the final stage exploded on the final categorised climb of the race - the Cote de Otley Chevin - with around 20km remaining.
With Lawless appearing to struggle, four-time Tour de France champion Froome - who was Ineos' road captain and said "decisions were made out on the road" - went on the attack and his effort forced other teams pursuing the overall victory to try to chase him down.
Froome's team-mate Eddie Dunbar had also followed the attack. He then launched his own surprise move as the riders crested the hill and quickly broke clear, chasing down and passing three French riders who were part of the day's original break.
Realising that Dunbar could go on and win the overall title, Froome disrupted the pace of the chasing pack and that, in turn, gave Lawless the chance to catch up.
Eventually, defending champion Van Avermaet, who started the day six seconds behind Lawless, had to attack and while he quickly caught Dunbar, Lawless went with him. That left the Belgian CCC rider with two Ineos riders for company and with an almost impossible task of shaking them both off.
Knowing his fate was sealed, Van Avermaet took the stage win, with Lawless happy to follow him over the line and claim the title by two seconds.
Alexander Kamp, who started the final stage on the same time as Lawless claimed that he was "the strongest rider" over the hills but the Dane failed to live up to his bold statement and was distanced on the final climb out of Otley.
France's Arnaud Courteille, who was in the day's nine-man break, was first to the top of three of the day's five categorised climbs to take the King of the Mountains title.
Stage four result:
1. Greg van Avermaet (Bel/CCC Team) 4hrs 40mins 03secs
2. Christopher Lawless (GB/Team Ineos) same time
3. Edward Dunbar (Ire/Team Ineos) +02secs
4. Tom-Jelte Slagter (Ned/Dimension Data) +09secs
5. James Shaw (GB/Swiftcarbon Pro Cycling) Same time
6. Matthew Holmes (GB/Madison Genesis)
7. Alexander Kamp (Den/Riwal Readynez)
8. Gabriel Cullaigh (GB/Team Wiggins Le Col) +12secs
9. Jenthe Biermans (Bel/Katusha Alpecin)
10. Scott Thwaites (GB/Vitus Pro Cycling)
Final classification:
1. Christopher Lawless (GB/Team Ineos) 15hrs 18mins 12secs
2. Greg Van Avermaet (Bel/CCC Team) +02secs
3. Edward Dunbar (Ire/Team Ineos) +11secs
4. Alexander Kamp (Ned/Riwal Readynez) +15secs
5. James Shaw (GB/Swiftcarbon Pro Cycling) +25secs
6. Matthew Holmes (GB/Madison Genesis) Same time
7. Tom-Jelte Slagter (Ned/Dimension Data)
8. Scott Thwaites (GB/Vitus Pro Cycling) +28secs
9. Connor Swift (GB/Madison Genesis) same time
10. Nick van der Lijke (Ned/Roompot-Charles)
Chris Lawless became the first Briton to win the Tour de Yorkshire after a superb ride on the last stage to Leeds.
Lawless, racing in the blue jersey as the overnight leader, finished right behind stage winner Greg van Avermaet to secure a debut win for Team Ineos.
Wigan's Lawless, 23, was immediately congratulated by team-mate Chris Froome, who orchestrated the decisive final break on Cote de Otley Chevin.
Team Ineos was only officially launched last week, replacing Team Sky.
"I can't believe it," Lawless told ITV 4. "If someone had told me I'd win this race before it started I'd have called them a liar.
"I started losing touch halfway up the Otley Chevin but I knew if I could get back on there was a climb around 5km from the finish that I could get over.
"I knew I could follow Greg van Avermaet when he went. Greg was someone I looked up to when I first started riding so to beat him is special.
"I've got to thank the team for backing me because I don't have a good history on stages like this but they said they'd give me a chance."
When asked how big a win it is for him personally, he replied: "The biggest."
Froome's tactics pay off
After 150km of racing, much of it through the picturesque Yorkshire Dales, the final stage exploded on the final categorised climb of the race - the Cote de Otley Chevin - with around 20km remaining.
With Lawless appearing to struggle, four-time Tour de France champion Froome - who was Ineos' road captain and said "decisions were made out on the road" - went on the attack and his effort forced other teams pursuing the overall victory to try to chase him down.
Froome's team-mate Eddie Dunbar had also followed the attack. He then launched his own surprise move as the riders crested the hill and quickly broke clear, chasing down and passing three French riders who were part of the day's original break.
Realising that Dunbar could go on and win the overall title, Froome disrupted the pace of the chasing pack and that, in turn, gave Lawless the chance to catch up.
Eventually, defending champion Van Avermaet, who started the day six seconds behind Lawless, had to attack and while he quickly caught Dunbar, Lawless went with him. That left the Belgian CCC rider with two Ineos riders for company and with an almost impossible task of shaking them both off.
Knowing his fate was sealed, Van Avermaet took the stage win, with Lawless happy to follow him over the line and claim the title by two seconds.
Alexander Kamp, who started the final stage on the same time as Lawless claimed that he was "the strongest rider" over the hills but the Dane failed to live up to his bold statement and was distanced on the final climb out of Otley.
France's Arnaud Courteille, who was in the day's nine-man break, was first to the top of three of the day's five categorised climbs to take the King of the Mountains title.
Stage four result:
1. Greg van Avermaet (Bel/CCC Team) 4hrs 40mins 03secs
2. Christopher Lawless (GB/Team Ineos) same time
3. Edward Dunbar (Ire/Team Ineos) +02secs
4. Tom-Jelte Slagter (Ned/Dimension Data) +09secs
5. James Shaw (GB/Swiftcarbon Pro Cycling) Same time
6. Matthew Holmes (GB/Madison Genesis)
7. Alexander Kamp (Den/Riwal Readynez)
8. Gabriel Cullaigh (GB/Team Wiggins Le Col) +12secs
9. Jenthe Biermans (Bel/Katusha Alpecin)
10. Scott Thwaites (GB/Vitus Pro Cycling)
Final classification:
1. Christopher Lawless (GB/Team Ineos) 15hrs 18mins 12secs
2. Greg Van Avermaet (Bel/CCC Team) +02secs
3. Edward Dunbar (Ire/Team Ineos) +11secs
4. Alexander Kamp (Ned/Riwal Readynez) +15secs
5. James Shaw (GB/Swiftcarbon Pro Cycling) +25secs
6. Matthew Holmes (GB/Madison Genesis) Same time
7. Tom-Jelte Slagter (Ned/Dimension Data)
8. Scott Thwaites (GB/Vitus Pro Cycling) +28secs
9. Connor Swift (GB/Madison Genesis) same time
10. Nick van der Lijke (Ned/Roompot-Charles)
The transient beauty of the coast is intricately intertwined with the captivating patterns that emerge in the sand, crafted by the relentless forces of wind and wave. These natural sculptors shape the shoreline, leaving behind ephemeral masterpieces.
As the tides ebb and flow, they orchestrate a delicate dance with the sand. With each advancing wave, the water gently caresses the shore, carrying particles of sand along its journey. As the wave recedes, it relinquishes its cargo, depositing the grains in a meticulous arrangement. This cyclical process, repeated countless times, creates intricate patterns that stretch along the coastline.
The patterns left behind by the retreating tide mimic the ebb and flow of life itself. Swirling ripples, reminiscent of a miniature desert landscape, emerge as the water recedes, their graceful curves and undulating lines transforming the beach into a living work of art. The patterns are at once orderly and chaotic, with intricate geometrical formations intermingling with whimsical curves and asymmetrical shapes.
The wind, a silent artist in its own right, adds its touch to the sculpting process. As it sweeps across the coast, it whispers secrets to the sand, coaxing it to dance in its invisible embrace. The wind's gentle touch lifts fine particles from the beach, carrying them aloft in an intricate ballet. It sculpts the sand into delicate ripples, resembling the soft undulations of fabric.
The interplay between the wind and the tide results in an ever-changing landscape. The patterns shift and evolve, shaped by the combined forces of these elemental sculptors. Ripples become miniature mountains, rising and falling in a transient topography that mirrors the larger contours of the surrounding coast. Each gust of wind and every advancing or receding wave leaves its mark, etching new patterns and erasing old ones, in an eternal cycle of creation and destruction.
These ephemeral patterns serve as a reminder of the impermanence of existence and the transient nature of beauty, as each passing moment alters the landscape, erasing what once was and creating something new. The sands become a canvas for the symphony of time, a tangible reflection of the ever-changing nature of our lives.
The beauty of these fleeting patterns lies not only in their visual allure but also in the emotions they evoke. They inspire a sense of wonder and awe, inviting us to pause and appreciate the intricate designs that nature creates with such effortless grace. The patterns speak of the interconnectedness of all things, the harmonious interplay between the elements, and the constant flux that defines our existence.
In these patterns of nature, we find a profound lesson: that life, like the shifting sands, is ever-changing, and that true beauty lies not in permanence but in the appreciation of the fleeting moments that grace our journey.
La Khovantchina (Хованщина)
Modeste Moussorgski
orchestration de Dimitri Chostakovitch
Michail Jurowski Direction musicale
Andrei Serban Mise en scène
Richard Hudson Décors et costumes
Yves Bernard Lumières
Laurence Fanon Chorégraphie
Alessandro Di Stefano Chef de choeur
Gleb Nikolsky Prince Ivan Khovanski
Vladimir Galouzine Prince Andrei Khovanski
Vsevolod Grivnov Prince Vassili Golitsine
Sergey Murzaev Chakloviti
Orlin Anastassov Dosifei
Larissa Diadkova Marfa
Marina Lapina Susanna
Vadim Zaplechnyy Le Clerc
Nataliya Tymchenko Emma
Yuri Kissin Varsonofiev
Vasily Efimov Kouzka
Vladimir Kapshuk Strechniev
Igor Gnidii Premier Strelets
Maxim Mikhailov Deuxième Strelets
Se-Jin Hwang Un confident de Golitsine
Orchestre et choeur de l'Opéra national de Paris
Maîtrise des Hauts-de-Seine / Choeur d’Enfants de l’Opéra national de Paris
Opéra Bastille, Paris - 9 février 2013
Led and Orchestrated by poet Bob Holman, the reading of Howl includes a “Greek chorus” of voices... Poets representing The Bowery Poetry Club, The Poetry Project at St. Marks Church in the Bowery, The Nuyorican Poets Cafe, and A Gathering of the Tribes... Including Stephanie Berger, Nina Freeman, David Henderson, Paolo Javier, Vincent Katz, Eliel Lucero, Sheila Maldonado, Ace McNamara, Nancy Mercado, Kristin Prevallet, Joseph D Robbins, Bob Rosenthal, Caroline Rothstein, Judah Rubin, Tahani Salah, Jon Sands, Edwin Torres & Bruce Weber.
The Chicago Stompers, Italy’s youngest hot jazz band. Orchestration, costumes, and original instruments straight out of the roaring 20s
Winners of the Audience Award at JazzAscona 2010, the Chicago Stompers are the youngest “hot jazz” band in Italy performing the repertoire of American orchestras from c. 1924-1933. The philological use of vintage musical instruments, instrumentation and inspired period clothes, together with a unique, peppy and sparkling show, is the most distinctive feature of this ensemble, which has already treaded the boards of the most important “classic jazz” events in the world. The orchestra has recently released its fourth record: "Sing...It's Good For You!"
Marcella Malacrida, vocals
Martino Pellegrini, violin, strohviolin, vocal
Corrado Tosetti, trumpet, cornet
Paolo Colombo, alto sax, clarinet
Arturo Garra, tenor sax, clarinet, vocal
Lorenzo Baldasso, clarinet, alto sax
Giorgio Gallina, trombone, violin, ukulele
Mauro L.Porro, piano, reeds, cornet, vocal
Dario Lavizzari, banjo, guitar
Paolo A. Vanzulli, tuba, string bass, drums
Fabrizio Carriero, drums, percussions
Example of an evolution map.
Orchestrating Experiences: Collaborative Design for Complexity, Risdon, Quattlebaum, 2018, New York: Rosenfeld Media
Led and Orchestrated by poet Bob Holman, the reading of Howl includes a “Greek chorus” of voices... Poets representing The Bowery Poetry Club, The Poetry Project at St. Marks Church in the Bowery, The Nuyorican Poets Cafe, and A Gathering of the Tribes... Including Stephanie Berger, Nina Freeman, David Henderson, Paolo Javier, Vincent Katz, Eliel Lucero, Sheila Maldonado, Ace McNamara, Nancy Mercado, Kristin Prevallet, Joseph D Robbins, Bob Rosenthal, Caroline Rothstein, Judah Rubin, Tahani Salah, Jon Sands, Edwin Torres & Bruce Weber.
MuCEM Marseille, France - 2013
Architects: Rudy Ricciotti and C+T architecture
Views, sea, sun, a mineral quality, which all must be orchestrated by a program that will become federal and cognitive. First of all a perfect square of 72 m per side, it is a classic plan, Latin, under the control of Pythagoras. Within this square, another of 52 m per side, comprising the exhibition and conference halls identified as the heart of the museum.
Around, above and below are the service areas. But between these areas and the heart, openings entirely bypass the central square and form interconnected spaces. More interested by the views of the fort, the sea or the port, the culturally overwhelmed visitor will choose this route. Along two interlacing ramps, he will then plunge into the imaginary of the tower of Babel or of a ziggurat in order to climb up to the rooftop and on to Fort Saint- Jean. This peripheral loop will be a demuseumifying breathe, enveloped by the smells of the sea from the proximity to the moats, a pause to dispel any lingering doubts about the use of the history of our civilizations. The MuCEM will be a vertical Casbah.
The tectonic choice of an exceptional concrete coming from the latest research by French industry, reducing the dimensions to little more than skin and bones, will affirm a mineral script under the high ramparts of Fort Saint-Jean. This sole material in the colour of dust, matt, crushed by the light, distant from the brilliance and technological consumerism, will commend the dense and the delicate. The MuCEM sees itself evanescent in a landscape of stone and Orientalist through its fanning shadows.
well i believe that this was a well orchestrated plan... for fathers day i stole my dads 1975 chevy shortbed pickup that he has had since new...and took it out with some help from my mom and snapped some pics of it with out him knowing. easy part is he stores the truck in one of my garages.
he usually lurks my flickr page so im sure he will be like WTF when he see's this and wonder why his truck is somewhere he didnt drive it...anyways i got these pictures printed and he will be them tomorrow
Greenpeace and Yes Lab orchestrate an event on behalf of Shell to raise awareness of the company's destructive Arctic oil drilling campaign. A video from the event gathered half a million views in 24 hours.
www.greenpeace.org/savethearctic
Photo credit: Brooke Jarvis
Chris Lawless became the first Briton to win the Tour de Yorkshire after a superb ride on the last stage to Leeds.
Lawless, racing in the blue jersey as the overnight leader, finished right behind stage winner Greg van Avermaet to secure a debut win for Team Ineos.
Wigan's Lawless, 23, was immediately congratulated by team-mate Chris Froome, who orchestrated the decisive final break on Cote de Otley Chevin.
Team Ineos was only officially launched last week, replacing Team Sky.
"I can't believe it," Lawless told ITV 4. "If someone had told me I'd win this race before it started I'd have called them a liar.
"I started losing touch halfway up the Otley Chevin but I knew if I could get back on there was a climb around 5km from the finish that I could get over.
"I knew I could follow Greg van Avermaet when he went. Greg was someone I looked up to when I first started riding so to beat him is special.
"I've got to thank the team for backing me because I don't have a good history on stages like this but they said they'd give me a chance."
When asked how big a win it is for him personally, he replied: "The biggest."
Froome's tactics pay off
After 150km of racing, much of it through the picturesque Yorkshire Dales, the final stage exploded on the final categorised climb of the race - the Cote de Otley Chevin - with around 20km remaining.
With Lawless appearing to struggle, four-time Tour de France champion Froome - who was Ineos' road captain and said "decisions were made out on the road" - went on the attack and his effort forced other teams pursuing the overall victory to try to chase him down.
Froome's team-mate Eddie Dunbar had also followed the attack. He then launched his own surprise move as the riders crested the hill and quickly broke clear, chasing down and passing three French riders who were part of the day's original break.
Realising that Dunbar could go on and win the overall title, Froome disrupted the pace of the chasing pack and that, in turn, gave Lawless the chance to catch up.
Eventually, defending champion Van Avermaet, who started the day six seconds behind Lawless, had to attack and while he quickly caught Dunbar, Lawless went with him. That left the Belgian CCC rider with two Ineos riders for company and with an almost impossible task of shaking them both off.
Knowing his fate was sealed, Van Avermaet took the stage win, with Lawless happy to follow him over the line and claim the title by two seconds.
Alexander Kamp, who started the final stage on the same time as Lawless claimed that he was "the strongest rider" over the hills but the Dane failed to live up to his bold statement and was distanced on the final climb out of Otley.
France's Arnaud Courteille, who was in the day's nine-man break, was first to the top of three of the day's five categorised climbs to take the King of the Mountains title.
Stage four result:
1. Greg van Avermaet (Bel/CCC Team) 4hrs 40mins 03secs
2. Christopher Lawless (GB/Team Ineos) same time
3. Edward Dunbar (Ire/Team Ineos) +02secs
4. Tom-Jelte Slagter (Ned/Dimension Data) +09secs
5. James Shaw (GB/Swiftcarbon Pro Cycling) Same time
6. Matthew Holmes (GB/Madison Genesis)
7. Alexander Kamp (Den/Riwal Readynez)
8. Gabriel Cullaigh (GB/Team Wiggins Le Col) +12secs
9. Jenthe Biermans (Bel/Katusha Alpecin)
10. Scott Thwaites (GB/Vitus Pro Cycling)
Final classification:
1. Christopher Lawless (GB/Team Ineos) 15hrs 18mins 12secs
2. Greg Van Avermaet (Bel/CCC Team) +02secs
3. Edward Dunbar (Ire/Team Ineos) +11secs
4. Alexander Kamp (Ned/Riwal Readynez) +15secs
5. James Shaw (GB/Swiftcarbon Pro Cycling) +25secs
6. Matthew Holmes (GB/Madison Genesis) Same time
7. Tom-Jelte Slagter (Ned/Dimension Data)
8. Scott Thwaites (GB/Vitus Pro Cycling) +28secs
9. Connor Swift (GB/Madison Genesis) same time
10. Nick van der Lijke (Ned/Roompot-Charles)
Shannon Bell-Peterson orchestrated a Sex and the City soiree at Nordstrom with goodie bags, trivia drawings and cosmos followed by a screening of the movie version of said show at Lakewood 15 with an after party at El Gaucho Friday, Mat 30, 2008.
Greenpeace and Yes Lab orchestrate an event on behalf of Shell to raise awareness of the company's destructive Arctic oil drilling campaign. A video from the event gathered half a million views in 24 hours.
www.greenpeace.org/savethearctic
Photo credit: Sabina Boehm
Creating stories from the future collaboratively builds organizational trust and buy-in for your intent.
Orchestrating Experiences: Collaborative Design for Complexity, Risdon, Quattlebaum, 2018, New York: Rosenfeld Media
Part of an example-detailed touchpoint inventory. It maps each touchpoint (same intent, different design per channel) to channels and moments within journey stages.
Orchestrating Experiences: Collaborative Design for Complexity, Risdon, Quattlebaum, 2018, New York: Rosenfeld Media
Chris Lawless became the first Briton to win the Tour de Yorkshire after a superb ride on the last stage to Leeds.
Lawless, racing in the blue jersey as the overnight leader, finished right behind stage winner Greg van Avermaet to secure a debut win for Team Ineos.
Wigan's Lawless, 23, was immediately congratulated by team-mate Chris Froome, who orchestrated the decisive final break on Cote de Otley Chevin.
Team Ineos was only officially launched last week, replacing Team Sky.
"I can't believe it," Lawless told ITV 4. "If someone had told me I'd win this race before it started I'd have called them a liar.
"I started losing touch halfway up the Otley Chevin but I knew if I could get back on there was a climb around 5km from the finish that I could get over.
"I knew I could follow Greg van Avermaet when he went. Greg was someone I looked up to when I first started riding so to beat him is special.
"I've got to thank the team for backing me because I don't have a good history on stages like this but they said they'd give me a chance."
When asked how big a win it is for him personally, he replied: "The biggest."
Froome's tactics pay off
After 150km of racing, much of it through the picturesque Yorkshire Dales, the final stage exploded on the final categorised climb of the race - the Cote de Otley Chevin - with around 20km remaining.
With Lawless appearing to struggle, four-time Tour de France champion Froome - who was Ineos' road captain and said "decisions were made out on the road" - went on the attack and his effort forced other teams pursuing the overall victory to try to chase him down.
Froome's team-mate Eddie Dunbar had also followed the attack. He then launched his own surprise move as the riders crested the hill and quickly broke clear, chasing down and passing three French riders who were part of the day's original break.
Realising that Dunbar could go on and win the overall title, Froome disrupted the pace of the chasing pack and that, in turn, gave Lawless the chance to catch up.
Eventually, defending champion Van Avermaet, who started the day six seconds behind Lawless, had to attack and while he quickly caught Dunbar, Lawless went with him. That left the Belgian CCC rider with two Ineos riders for company and with an almost impossible task of shaking them both off.
Knowing his fate was sealed, Van Avermaet took the stage win, with Lawless happy to follow him over the line and claim the title by two seconds.
Alexander Kamp, who started the final stage on the same time as Lawless claimed that he was "the strongest rider" over the hills but the Dane failed to live up to his bold statement and was distanced on the final climb out of Otley.
France's Arnaud Courteille, who was in the day's nine-man break, was first to the top of three of the day's five categorised climbs to take the King of the Mountains title.
Stage four result:
1. Greg van Avermaet (Bel/CCC Team) 4hrs 40mins 03secs
2. Christopher Lawless (GB/Team Ineos) same time
3. Edward Dunbar (Ire/Team Ineos) +02secs
4. Tom-Jelte Slagter (Ned/Dimension Data) +09secs
5. James Shaw (GB/Swiftcarbon Pro Cycling) Same time
6. Matthew Holmes (GB/Madison Genesis)
7. Alexander Kamp (Den/Riwal Readynez)
8. Gabriel Cullaigh (GB/Team Wiggins Le Col) +12secs
9. Jenthe Biermans (Bel/Katusha Alpecin)
10. Scott Thwaites (GB/Vitus Pro Cycling)
Final classification:
1. Christopher Lawless (GB/Team Ineos) 15hrs 18mins 12secs
2. Greg Van Avermaet (Bel/CCC Team) +02secs
3. Edward Dunbar (Ire/Team Ineos) +11secs
4. Alexander Kamp (Ned/Riwal Readynez) +15secs
5. James Shaw (GB/Swiftcarbon Pro Cycling) +25secs
6. Matthew Holmes (GB/Madison Genesis) Same time
7. Tom-Jelte Slagter (Ned/Dimension Data)
8. Scott Thwaites (GB/Vitus Pro Cycling) +28secs
9. Connor Swift (GB/Madison Genesis) same time
10. Nick van der Lijke (Ned/Roompot-Charles)
Chris Lawless became the first Briton to win the Tour de Yorkshire after a superb ride on the last stage to Leeds.
Lawless, racing in the blue jersey as the overnight leader, finished right behind stage winner Greg van Avermaet to secure a debut win for Team Ineos.
Wigan's Lawless, 23, was immediately congratulated by team-mate Chris Froome, who orchestrated the decisive final break on Cote de Otley Chevin.
Team Ineos was only officially launched last week, replacing Team Sky.
"I can't believe it," Lawless told ITV 4. "If someone had told me I'd win this race before it started I'd have called them a liar.
"I started losing touch halfway up the Otley Chevin but I knew if I could get back on there was a climb around 5km from the finish that I could get over.
"I knew I could follow Greg van Avermaet when he went. Greg was someone I looked up to when I first started riding so to beat him is special.
"I've got to thank the team for backing me because I don't have a good history on stages like this but they said they'd give me a chance."
When asked how big a win it is for him personally, he replied: "The biggest."
Froome's tactics pay off
After 150km of racing, much of it through the picturesque Yorkshire Dales, the final stage exploded on the final categorised climb of the race - the Cote de Otley Chevin - with around 20km remaining.
With Lawless appearing to struggle, four-time Tour de France champion Froome - who was Ineos' road captain and said "decisions were made out on the road" - went on the attack and his effort forced other teams pursuing the overall victory to try to chase him down.
Froome's team-mate Eddie Dunbar had also followed the attack. He then launched his own surprise move as the riders crested the hill and quickly broke clear, chasing down and passing three French riders who were part of the day's original break.
Realising that Dunbar could go on and win the overall title, Froome disrupted the pace of the chasing pack and that, in turn, gave Lawless the chance to catch up.
Eventually, defending champion Van Avermaet, who started the day six seconds behind Lawless, had to attack and while he quickly caught Dunbar, Lawless went with him. That left the Belgian CCC rider with two Ineos riders for company and with an almost impossible task of shaking them both off.
Knowing his fate was sealed, Van Avermaet took the stage win, with Lawless happy to follow him over the line and claim the title by two seconds.
Alexander Kamp, who started the final stage on the same time as Lawless claimed that he was "the strongest rider" over the hills but the Dane failed to live up to his bold statement and was distanced on the final climb out of Otley.
France's Arnaud Courteille, who was in the day's nine-man break, was first to the top of three of the day's five categorised climbs to take the King of the Mountains title.
Stage four result:
1. Greg van Avermaet (Bel/CCC Team) 4hrs 40mins 03secs
2. Christopher Lawless (GB/Team Ineos) same time
3. Edward Dunbar (Ire/Team Ineos) +02secs
4. Tom-Jelte Slagter (Ned/Dimension Data) +09secs
5. James Shaw (GB/Swiftcarbon Pro Cycling) Same time
6. Matthew Holmes (GB/Madison Genesis)
7. Alexander Kamp (Den/Riwal Readynez)
8. Gabriel Cullaigh (GB/Team Wiggins Le Col) +12secs
9. Jenthe Biermans (Bel/Katusha Alpecin)
10. Scott Thwaites (GB/Vitus Pro Cycling)
Final classification:
1. Christopher Lawless (GB/Team Ineos) 15hrs 18mins 12secs
2. Greg Van Avermaet (Bel/CCC Team) +02secs
3. Edward Dunbar (Ire/Team Ineos) +11secs
4. Alexander Kamp (Ned/Riwal Readynez) +15secs
5. James Shaw (GB/Swiftcarbon Pro Cycling) +25secs
6. Matthew Holmes (GB/Madison Genesis) Same time
7. Tom-Jelte Slagter (Ned/Dimension Data)
8. Scott Thwaites (GB/Vitus Pro Cycling) +28secs
9. Connor Swift (GB/Madison Genesis) same time
10. Nick van der Lijke (Ned/Roompot-Charles)
La Khovantchina (Хованщина)
Modeste Moussorgski
orchestration de Dimitri Chostakovitch
Michail Jurowski Direction musicale
Andrei Serban Mise en scène
Richard Hudson Décors et costumes
Yves Bernard Lumières
Laurence Fanon Chorégraphie
Alessandro Di Stefano Chef de choeur
Gleb Nikolsky Prince Ivan Khovanski
Vladimir Galouzine Prince Andrei Khovanski
Vsevolod Grivnov Prince Vassili Golitsine
Sergey Murzaev Chakloviti
Orlin Anastassov Dosifei
Larissa Diadkova Marfa
Marina Lapina Susanna
Vadim Zaplechnyy Le Clerc
Nataliya Tymchenko Emma
Yuri Kissin Varsonofiev
Vasily Efimov Kouzka
Vladimir Kapshuk Strechniev
Igor Gnidii Premier Strelets
Maxim Mikhailov Deuxième Strelets
Se-Jin Hwang Un confident de Golitsine
Orchestre et choeur de l'Opéra national de Paris
Maîtrise des Hauts-de-Seine / Choeur d’Enfants de l’Opéra national de Paris
Opéra Bastille, Paris - 9 février 2013
The relationship between intent and execution from the
U.S. Army’s The Operations Process (ADRP 5-0) field guide.
Orchestrating Experiences: Collaborative Design for Complexity, Risdon, Quattlebaum, 2018, New York: Rosenfeld Media
PAILLE by ANDREA KNECHT on YouTube (SlottGallery)
- Teaser Video @ www.youtube.com/SlottGallery
Exquise Design | Design for pleasure
From idea to finished product our job is to orchestrate eclectic art professionals to bring you pleasurable experiences out of the ordinary. At the crossing of craftsmanship, new technologies and fresh ideas, our goal is to collectively strive for positive changes in human attitudes.
12, rue du Château Landon
75010 Paris, France
+33 (0) 140 360 718
Practical information :
Vernissage (invitation only)
wednesday october 20, 2010
Exhibition october 22
until november 19, 2010
Opening hours
wednesday to sunday
10am to 7pm
Slott Gallery
12 rue du Château Landon
75010 Paris
Métro : Château Landon
Tel : +33 (0) 140 360 718
Press:
- Slott Gallery | PAILLE & KLEIN GLOW | Exhibition scribd.com/doc/36614688
- slideshare.net/exquisedesign/press-slott-5088187
Paola Bjaringer
paola(@)exquisedesign.com
Love,
Exquise crew
Slott | Exquise design
12 rue du Château Landon 75010 Paris
M° Château Landon-Gare de lʼEst-Louis Blanc
flickr.com/photos/exquisedesign
Slott | Exquise map's @ xm.my/Gs2a
- Qype maps : qype.fr/people/Slott
- Yelp Paris : yelp.fr/biz/galerie-slott-paris
Chris Lawless became the first Briton to win the Tour de Yorkshire after a superb ride on the last stage to Leeds.
Lawless, racing in the blue jersey as the overnight leader, finished right behind stage winner Greg van Avermaet to secure a debut win for Team Ineos.
Wigan's Lawless, 23, was immediately congratulated by team-mate Chris Froome, who orchestrated the decisive final break on Cote de Otley Chevin.
Team Ineos was only officially launched last week, replacing Team Sky.
"I can't believe it," Lawless told ITV 4. "If someone had told me I'd win this race before it started I'd have called them a liar.
"I started losing touch halfway up the Otley Chevin but I knew if I could get back on there was a climb around 5km from the finish that I could get over.
"I knew I could follow Greg van Avermaet when he went. Greg was someone I looked up to when I first started riding so to beat him is special.
"I've got to thank the team for backing me because I don't have a good history on stages like this but they said they'd give me a chance."
When asked how big a win it is for him personally, he replied: "The biggest."
Froome's tactics pay off
After 150km of racing, much of it through the picturesque Yorkshire Dales, the final stage exploded on the final categorised climb of the race - the Cote de Otley Chevin - with around 20km remaining.
With Lawless appearing to struggle, four-time Tour de France champion Froome - who was Ineos' road captain and said "decisions were made out on the road" - went on the attack and his effort forced other teams pursuing the overall victory to try to chase him down.
Froome's team-mate Eddie Dunbar had also followed the attack. He then launched his own surprise move as the riders crested the hill and quickly broke clear, chasing down and passing three French riders who were part of the day's original break.
Realising that Dunbar could go on and win the overall title, Froome disrupted the pace of the chasing pack and that, in turn, gave Lawless the chance to catch up.
Eventually, defending champion Van Avermaet, who started the day six seconds behind Lawless, had to attack and while he quickly caught Dunbar, Lawless went with him. That left the Belgian CCC rider with two Ineos riders for company and with an almost impossible task of shaking them both off.
Knowing his fate was sealed, Van Avermaet took the stage win, with Lawless happy to follow him over the line and claim the title by two seconds.
Alexander Kamp, who started the final stage on the same time as Lawless claimed that he was "the strongest rider" over the hills but the Dane failed to live up to his bold statement and was distanced on the final climb out of Otley.
France's Arnaud Courteille, who was in the day's nine-man break, was first to the top of three of the day's five categorised climbs to take the King of the Mountains title.
Stage four result:
1. Greg van Avermaet (Bel/CCC Team) 4hrs 40mins 03secs
2. Christopher Lawless (GB/Team Ineos) same time
3. Edward Dunbar (Ire/Team Ineos) +02secs
4. Tom-Jelte Slagter (Ned/Dimension Data) +09secs
5. James Shaw (GB/Swiftcarbon Pro Cycling) Same time
6. Matthew Holmes (GB/Madison Genesis)
7. Alexander Kamp (Den/Riwal Readynez)
8. Gabriel Cullaigh (GB/Team Wiggins Le Col) +12secs
9. Jenthe Biermans (Bel/Katusha Alpecin)
10. Scott Thwaites (GB/Vitus Pro Cycling)
Final classification:
1. Christopher Lawless (GB/Team Ineos) 15hrs 18mins 12secs
2. Greg Van Avermaet (Bel/CCC Team) +02secs
3. Edward Dunbar (Ire/Team Ineos) +11secs
4. Alexander Kamp (Ned/Riwal Readynez) +15secs
5. James Shaw (GB/Swiftcarbon Pro Cycling) +25secs
6. Matthew Holmes (GB/Madison Genesis) Same time
7. Tom-Jelte Slagter (Ned/Dimension Data)
8. Scott Thwaites (GB/Vitus Pro Cycling) +28secs
9. Connor Swift (GB/Madison Genesis) same time
10. Nick van der Lijke (Ned/Roompot-Charles)
metaphors for a mediated world; dialogue with Craig Ross...
www.flickr.com/photos/purpleye2/sets/72157631144616152/wi...
BOBBY MARTIN BIOGRAPHY
Some say that Bobby Martin is The Sound of Philadelphia. One thing for sure, he was definitely a major part of TSOP (The Sound of Philadelphia). Although some may consider Bobby Martin as being the Grandaddy of R&B and Soul, Bobby Martin himself has stated that he did not do it all alone. Bobby Martin has made one of the biggest contributions to soul and R&B music ever. Most people remember Bobby Martin for his productions or his Philadelphia Sound Arrangements on artists like The Jacksons, Lou Rawls or The O' Jays. There is a list of Bobby Martin Music that goes on and on. However, the sounds of not only jazz but country & western were in the bag of textures that producer/arranger Bobby Martin utilized in developing the popular Philly soul sound. When it comes to producing and arranging Soul Music, R&B and Disco Bobby Martin Ranks real high, somewhere close to Gamble & Huff. Both Arrangers Thom Bell and Bobby Martin in the '70s became even more in demand among a roster of artists that included Fred Taveres, Harold Melvin & the Blue Notes, the O'Jays and Patti LaBelle & the Bluebells who Bobby Martin discovered in 1960. Various critics have weighed in on Bobby Martin's innovations and have compared him to Quincy Jones, while the man himself has eloquently expressed his own point of view through his spectacular music Quincy Jones himself commended Bobby Martin personally while working side by side with him at A&M Records. Bobby Martin has admired the works of Quincy Jones and Michael Jackson, yet Bobby Martin looks forward to producing and composing Jazz with Quincy Jones in the near future.
Bobby Martins jazz background was of utmost importance, no great shock considering to what extent swinging music has influenced so many performers to come out of the Liberty Bell state. Bobby Martin met Quincy Jones back when Quincy used to play on the road back in 1955 in Philadelphia. Bobby Martin was producing and recording R&B and Soul, back then "Q" (Quincy Jones) didn't recognize Bobby Martin as a Jazz musician, composer and arranger. Jazz can be heard from the top to the bottom in Martin's gorgeous concoctions. Quincy Jones mentioned this in one of his compilation CDs. Bobby Martins jazz chops went into his writing for horn sections and in addition, the choice of musicians in an extremely effective house band named "MFSB" also played a big part. On the subject of these session musicians it is worth noting that the Bobby Martin who played French horn on a few MFSB studio sessions is not the same person as the famous producer and arranger named Bobby Martin. The famous producer and arranger named Bobby Martin is African American and the other is not. This Grammy and platinum award winning R&B and Soul producer that’s mentioned in this biography is much older than the French horn man that changed his first name to Robert. Another one of the players held most responsible for the genre's stylistic integrity was drummer Earl Young.
It has been said that this percussionist's style was more influenced by the giants of bebop such as Max Roach and Art Blakey than either the typical Motown sound or the hard backbeat associated with drummer Al Jackson, among others. Bobby Martin is not just stuck on Jazz or country, or in one genre. And he’s also said to be one of the founders of disco music due to his powerful string and horn arrangements, along with that funky MFSB danceable rhythm section. The Sound of Philadelphia sound was complimented with Bobby Martins arrangements, which were actual compositions and orchestrations that he created on his own. The songwriter has a different job to do, as well as the producer and musicians. Bobby Martin usually arranged his own productions and he always did the arrangements on the hit songs that he wrote.
Martin was a triple threat, active as a producer and songwriter as well as arranger. He also tended to give additional input to some of the performers he worked with, above and beyond giving advice of a purely musical nature. One of the best examples of this is his involvement with a singer originally named Patti Holt. First Bobby Martin came up with the idea of naming her quartet after the Philadelphia record label Bluebell Records. Next, Bobby Martin suggested that (Patricia) Patti Holt change her own surname to Patti LaBelle, and so the group was named Patti LaBelle & the Bluebelles. That was the start of Patti LaBelle and her success, it started way back in the 1960s with producer Bobby Martin.
To mention all of Bobby Martins productions and arrangements in one discussion would be impossible, we are talking hundreds of records. Some accounts trace Martin's career back to a recording studio that was located in the basement of a car dealership owned by Harold B. Robinson. And a few of Bobby Martins productions date back into the 1950s along with his success he had as a member and arranger for the Lynn Hope Orchestra. Bobby Martin was taught by Jazz legends such as Frank Foster and Lionel Hampton. When the Dreamlovers cut the song entitled "When We Get Married" in the early '60s, all the participants in the session had to first clamber around rows of DeSotos and Plymouths and dodge lurking salesmen in order to access the basement door and the two-track recording kingdom that lay beneath. By the end of the decade the action had switched to the larger Sigma Sound Studios. This was where the house band operating under the co-operative name of MFSB convened; the acronym stood for "Mother Father Sister Brother."
Next they made history by influencing and changing American music, they had a new sound that would change the music of the 1960s and 1970s. Rather than Berry Gordy and Motown being the only successful African American Owned Record label, now you had people like Bobby Martin working as producers and executives in the music industry. Philadelphia International Records and Bobby Martin had just as big as an impact on American Music, pop and disco but mainly Soul Music. Bobby Martin was producing, arranging and composing gold and gold platinum hits left and right along with producers Kenny Gamble and Leon Huff at Philadelphia International Records. In late 1973, television host Don Cornelius contacted Kenny Gamble, Leon Huff and Bobby Martin with the idea of coming up with a theme song for a new national dance show, the immortal "Soul Train". Bobby Martin did the compositions and arrangements for these sessions which also involved a vocal group, "The Three Degrees." A year later, the theme song had become so popular that it was released on its own as a single record. "T.S.O.P. (The Sound of Philadelphia)," soon after hit the top of both pop and R&B charts and Bobby Martin won another Grammy for that song. While working at Philadelphia International Records Bobby Martin's career continued at other record labels such as Columbia Records. Bobby Martin produced the Manhattans for Clive Davis. "Blue Lovett" (The vocalist) has mentioned in interviews that he felt the hit power of sides such as "Kiss and Say Goodbye" originated partially from the modern country influences Bobby Martin brought into the R&B music before solo artist Lionel Richie had become known in this way. Some critics argue that Bobby Martin was the first producer to introduce strings to soul and R&B music, his string compositions date back to Patti LaBelle And The Bluebells hit song "I Sold My Heart To The Junkman." After forming his own production company named Bobby Martin Productions, the legendary producer then returned directly back to his jazz roots, producing the Killer Joe, a 1977 hit album featuring saxophonist and composer Benny Golson and Quincy Jones. After Philadelphia International Records slowed down in the late 1970s early 1980s Bobby Martin moved out to sunny california only to win another Grammy Award for a production he did on The Bee Gees album Saturday Night Fever. There's a whole lot more to this discussion including facts, pictures, records, discographies and biographies about the legendary Bobby Martin. There is such a rich history to this individual. In the 1990s Bobby Martin mostly worked behind the scenes. In the year 1998 Bobby Martin began composing heavily again and he remains active in the music industry. Bobby Martin says that aside from composing, his main focus or goal is to keep good music alive!
The Beyond Broadway Experience 2016 presents
BRING IT ON: THE MUSICAL
Libretto by Jeff Whitty
Music by Tom Kitt & Lin-Manuel Miranda
Lyrics by Amanda Green & Lin-Manuel Miranda
Inspired by the Motion Picture Bring It On Written by Jessica Bendinger
Arrangements and Orchestrations Alex Lacamoire & Tom Kitt
Presented at the King’s Theatre, Edinburgh on 22nd and 23rd July 2016
MuCEM + Fort Saint-Jean, Marseille, France - 2013 -Architects: Rudy Ricciotti and C+T architecture
Views, sea, sun, a mineral quality, which all must be orchestrated by a program that will become federal and cognitive. First of all a perfect square of 72 m per side, it is a classic plan, Latin, under the control of Pythagoras. Within this square, another of 52 m per side, comprising the exhibition and conference halls identified as the heart of the museum.
Around, above and below are the service areas. But between these areas and the heart, openings entirely bypass the central square and form interconnected spaces. More interested by the views of the fort, the sea or the port, the culturally overwhelmed visitor will choose this route. Along two interlacing ramps, he will then plunge into the imaginary of the tower of Babel or of a ziggurat in order to climb up to the rooftop and on to Fort Saint- Jean. This peripheral loop will be a free breathe, enveloped by the smells of the sea from the proximity to the moats, a pause to dispel any lingering doubts about the use of the history of our civilizations. The MuCEM will be a vertical Casbah.
The tectonic choice of an exceptional concrete coming from the latest research by French industry, reducing the dimensions to little more than skin and bones, will affirm a mineral script under the high ramparts of Fort Saint-Jean. This sole material in the colour of dust, matt, crushed by the light, distant from the brilliance and technological consumerism, will commend the dense and the delicate. The MuCEM sees itself evanescent in a landscape of stone and Orientalist through its fanning shadows.
Chris Lawless became the first Briton to win the Tour de Yorkshire after a superb ride on the last stage to Leeds.
Lawless, racing in the blue jersey as the overnight leader, finished right behind stage winner Greg van Avermaet to secure a debut win for Team Ineos.
Wigan's Lawless, 23, was immediately congratulated by team-mate Chris Froome, who orchestrated the decisive final break on Cote de Otley Chevin.
Team Ineos was only officially launched last week, replacing Team Sky.
"I can't believe it," Lawless told ITV 4. "If someone had told me I'd win this race before it started I'd have called them a liar.
"I started losing touch halfway up the Otley Chevin but I knew if I could get back on there was a climb around 5km from the finish that I could get over.
"I knew I could follow Greg van Avermaet when he went. Greg was someone I looked up to when I first started riding so to beat him is special.
"I've got to thank the team for backing me because I don't have a good history on stages like this but they said they'd give me a chance."
When asked how big a win it is for him personally, he replied: "The biggest."
Froome's tactics pay off
After 150km of racing, much of it through the picturesque Yorkshire Dales, the final stage exploded on the final categorised climb of the race - the Cote de Otley Chevin - with around 20km remaining.
With Lawless appearing to struggle, four-time Tour de France champion Froome - who was Ineos' road captain and said "decisions were made out on the road" - went on the attack and his effort forced other teams pursuing the overall victory to try to chase him down.
Froome's team-mate Eddie Dunbar had also followed the attack. He then launched his own surprise move as the riders crested the hill and quickly broke clear, chasing down and passing three French riders who were part of the day's original break.
Realising that Dunbar could go on and win the overall title, Froome disrupted the pace of the chasing pack and that, in turn, gave Lawless the chance to catch up.
Eventually, defending champion Van Avermaet, who started the day six seconds behind Lawless, had to attack and while he quickly caught Dunbar, Lawless went with him. That left the Belgian CCC rider with two Ineos riders for company and with an almost impossible task of shaking them both off.
Knowing his fate was sealed, Van Avermaet took the stage win, with Lawless happy to follow him over the line and claim the title by two seconds.
Alexander Kamp, who started the final stage on the same time as Lawless claimed that he was "the strongest rider" over the hills but the Dane failed to live up to his bold statement and was distanced on the final climb out of Otley.
France's Arnaud Courteille, who was in the day's nine-man break, was first to the top of three of the day's five categorised climbs to take the King of the Mountains title.
Stage four result:
1. Greg van Avermaet (Bel/CCC Team) 4hrs 40mins 03secs
2. Christopher Lawless (GB/Team Ineos) same time
3. Edward Dunbar (Ire/Team Ineos) +02secs
4. Tom-Jelte Slagter (Ned/Dimension Data) +09secs
5. James Shaw (GB/Swiftcarbon Pro Cycling) Same time
6. Matthew Holmes (GB/Madison Genesis)
7. Alexander Kamp (Den/Riwal Readynez)
8. Gabriel Cullaigh (GB/Team Wiggins Le Col) +12secs
9. Jenthe Biermans (Bel/Katusha Alpecin)
10. Scott Thwaites (GB/Vitus Pro Cycling)
Final classification:
1. Christopher Lawless (GB/Team Ineos) 15hrs 18mins 12secs
2. Greg Van Avermaet (Bel/CCC Team) +02secs
3. Edward Dunbar (Ire/Team Ineos) +11secs
4. Alexander Kamp (Ned/Riwal Readynez) +15secs
5. James Shaw (GB/Swiftcarbon Pro Cycling) +25secs
6. Matthew Holmes (GB/Madison Genesis) Same time
7. Tom-Jelte Slagter (Ned/Dimension Data)
8. Scott Thwaites (GB/Vitus Pro Cycling) +28secs
9. Connor Swift (GB/Madison Genesis) same time
10. Nick van der Lijke (Ned/Roompot-Charles)
Chris Lawless became the first Briton to win the Tour de Yorkshire after a superb ride on the last stage to Leeds.
Lawless, racing in the blue jersey as the overnight leader, finished right behind stage winner Greg van Avermaet to secure a debut win for Team Ineos.
Wigan's Lawless, 23, was immediately congratulated by team-mate Chris Froome, who orchestrated the decisive final break on Cote de Otley Chevin.
Team Ineos was only officially launched last week, replacing Team Sky.
"I can't believe it," Lawless told ITV 4. "If someone had told me I'd win this race before it started I'd have called them a liar.
"I started losing touch halfway up the Otley Chevin but I knew if I could get back on there was a climb around 5km from the finish that I could get over.
"I knew I could follow Greg van Avermaet when he went. Greg was someone I looked up to when I first started riding so to beat him is special.
"I've got to thank the team for backing me because I don't have a good history on stages like this but they said they'd give me a chance."
When asked how big a win it is for him personally, he replied: "The biggest."
Froome's tactics pay off
After 150km of racing, much of it through the picturesque Yorkshire Dales, the final stage exploded on the final categorised climb of the race - the Cote de Otley Chevin - with around 20km remaining.
With Lawless appearing to struggle, four-time Tour de France champion Froome - who was Ineos' road captain and said "decisions were made out on the road" - went on the attack and his effort forced other teams pursuing the overall victory to try to chase him down.
Froome's team-mate Eddie Dunbar had also followed the attack. He then launched his own surprise move as the riders crested the hill and quickly broke clear, chasing down and passing three French riders who were part of the day's original break.
Realising that Dunbar could go on and win the overall title, Froome disrupted the pace of the chasing pack and that, in turn, gave Lawless the chance to catch up.
Eventually, defending champion Van Avermaet, who started the day six seconds behind Lawless, had to attack and while he quickly caught Dunbar, Lawless went with him. That left the Belgian CCC rider with two Ineos riders for company and with an almost impossible task of shaking them both off.
Knowing his fate was sealed, Van Avermaet took the stage win, with Lawless happy to follow him over the line and claim the title by two seconds.
Alexander Kamp, who started the final stage on the same time as Lawless claimed that he was "the strongest rider" over the hills but the Dane failed to live up to his bold statement and was distanced on the final climb out of Otley.
France's Arnaud Courteille, who was in the day's nine-man break, was first to the top of three of the day's five categorised climbs to take the King of the Mountains title.
Stage four result:
1. Greg van Avermaet (Bel/CCC Team) 4hrs 40mins 03secs
2. Christopher Lawless (GB/Team Ineos) same time
3. Edward Dunbar (Ire/Team Ineos) +02secs
4. Tom-Jelte Slagter (Ned/Dimension Data) +09secs
5. James Shaw (GB/Swiftcarbon Pro Cycling) Same time
6. Matthew Holmes (GB/Madison Genesis)
7. Alexander Kamp (Den/Riwal Readynez)
8. Gabriel Cullaigh (GB/Team Wiggins Le Col) +12secs
9. Jenthe Biermans (Bel/Katusha Alpecin)
10. Scott Thwaites (GB/Vitus Pro Cycling)
Final classification:
1. Christopher Lawless (GB/Team Ineos) 15hrs 18mins 12secs
2. Greg Van Avermaet (Bel/CCC Team) +02secs
3. Edward Dunbar (Ire/Team Ineos) +11secs
4. Alexander Kamp (Ned/Riwal Readynez) +15secs
5. James Shaw (GB/Swiftcarbon Pro Cycling) +25secs
6. Matthew Holmes (GB/Madison Genesis) Same time
7. Tom-Jelte Slagter (Ned/Dimension Data)
8. Scott Thwaites (GB/Vitus Pro Cycling) +28secs
9. Connor Swift (GB/Madison Genesis) same time
10. Nick van der Lijke (Ned/Roompot-Charles)
Greenpeace and Yes Lab orchestrate an event on behalf of Shell to raise awareness of the company's destructive Arctic oil drilling campaign. A video from the event gathered half a million views in 24 hours.
www.greenpeace.org/savethearctic
Photo credit: Sabina Boehm
Exquise Design | Design for pleasure
From idea to finished product our job is to orchestrate eclectic art professionals to bring you pleasurable experiences out of the ordinary. At the crossing of craftsmanship, new technologies and fresh ideas, our goal is to collectively strive for positive changes in human attitudes.
12, rue du Château Landon
75010 Paris, France
+33 (0) 140 360 718
Practical information :
Vernissage (invitation only)
wednesday october 20, 2010
Exhibition october 22
until november 19, 2010
Opening hours
wednesday to sunday
10am to 7pm
Slott Gallery
12 rue du Château Landon
75010 Paris
Métro : Château Landon
Tel : +33 (0) 140 360 718
Press:
- Slott Gallery | PAILLE & KLEIN GLOW | Exhibition scribd.com/doc/36614688
- slideshare.net/exquisedesign/press-slott-5088187
Paola Bjaringer
paola(@)exquisedesign.com
Love,
Exquise crew
Slott | Exquise design
12 rue du Château Landon 75010 Paris
M° Château Landon-Gare de lʼEst-Louis Blanc
flickr.com/photos/exquisedesign
Slott | Exquise map's @ xm.my/Gs2a
- Qype maps : qype.fr/people/Slott
- Yelp Paris : yelp.fr/biz/galerie-slott-paris
Capability cards.
Orchestrating Experiences: Collaborative Design for Complexity, Risdon, Quattlebaum, 2018, New York: Rosenfeld Media
MuCEM + Fort Saint-Jean, Marseille, France - 2013 -Architects: Rudy Ricciotti and C+T architecture
Views, sea, sun, a mineral quality, which all must be orchestrated by a program that will become federal and cognitive. First of all a perfect square of 72 m per side, it is a classic plan, Latin, under the control of Pythagoras. Within this square, another of 52 m per side, comprising the exhibition and conference halls identified as the heart of the museum.
Around, above and below are the service areas. But between these areas and the heart, openings entirely bypass the central square and form interconnected spaces. More interested by the views of the fort, the sea or the port, the culturally overwhelmed visitor will choose this route. Along two interlacing ramps, he will then plunge into the imaginary of the tower of Babel or of a ziggurat in order to climb up to the rooftop and on to Fort Saint- Jean. This peripheral loop will be a free breathe, enveloped by the smells of the sea from the proximity to the moats, a pause to dispel any lingering doubts about the use of the history of our civilizations. The MuCEM will be a vertical Casbah.
The tectonic choice of an exceptional concrete coming from the latest research by French industry, reducing the dimensions to little more than skin and bones, will affirm a mineral script under the high ramparts of Fort Saint-Jean. This sole material in the colour of dust, matt, crushed by the light, distant from the brilliance and technological consumerism, will commend the dense and the delicate. The MuCEM sees itself evanescent in a landscape of stone and Orientalist through its fanning shadows.
Monument in the north transept to Colonel John Lane (d.1667), who apparently orchestrated Charles II escape from the Midlands in 1651 after the Battle of Worcester. The carved panel at the base includes emblems of Lane's experiences in the Civil War. The monument is believed to be the work of Jasper Latham.
St Peter's Collegiate church is Wolverhampton's most important and historic place of worship, a grand crucifiorm edifice in the heart of the city dominated by it's slender central tower. Most of the present building (with the exception of the Victorian chancel) is late medieval in the Perpendicular style, though a church has stood here for far longer, as witnessed by the Saxon cross-shaft standing in the churchyard.
The interior is impressive, the spaces tall and narrow and crowned by fine wooden ceilings studded with bosses, that over the nave being particularly fine. The outstanding furnishing is the rare medieval stone pulpit, it's staircase guarded by an amusing carved lion. There are several noteworthy monuments and some fine stained glass throughout the building.
www.youtube.com/watch?v=SQNymNaTr-Y
Nikolai Andreyevich Rimsky-Korsakov (Russian: Николай Андреевич Римский-Корсаков, 18 March,1844–21 June,1908) was a Russian composer, a master of orchestration. His best-known orchestral compositions—Capriccio Espagnol, the Russian Easter Festival Overture, and the symphonic suite Scheherazade—are staples of the classical music repertoire. Scheherazade is an example of his frequent use of fairy tale and folk subjects.His style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism.
For much of his life, Rimsky-Korsakov combined his composition and teaching with a career in the Russian military—at first as an officer in the Imperial Russian Navy, then as the civilian Inspector of Naval Bands. He wrote that he developed a passion for the ocean in childhood from reading books and hearing of his older brother's exploits in the navy. This love of the sea might have influenced him to write two of his best-known orchestral works, the musical tableau Sadko, and Scheherazade. Through his service as Inspector of Naval Bands, Rimsky-Korsakov expanded his knowledge of woodwind and brass playing, which enhanced his abilities in orchestration.
Rimsky-Korsakov left a considerable body of original Russian nationalist compositions. He prepared works by The Five, (a circle of composers who met in Saint Petersburg, Russia, in the years 1856–1870: Mily Balakirev (the leader), César Cui, Modest Mussorgsky, Nikolai Rimsky-Korsakov and Alexander Borodin), for performance, which brought them into the active classical repertoire (although there is controversy over his editing of the works of Modest Mussorgsky), and shaped a generation of younger composers and musicians during his decades as an educator. Rimsky-Korsakov is therefore considered "the main architect" of what the classical music public considers the Russian style of composition. His influence on younger composers was especially important, as he served as a transitional figure between the autodidactism which exemplified Glinka and The Five and professionally trained composers which would become the norm in Russia by the closing years of the 19th century. While Rimsky-Korsakov's style was influenced by Glinka, Balakirev, Hector Berlioz, and Franz Liszt, he "transmitted this style directly to two generations of Russian composers" and influenced non-Russian composers including Maurice Ravel, Claude Debussy, Paul Dukas and Ottorino Respighi.
Chris Lawless became the first Briton to win the Tour de Yorkshire after a superb ride on the last stage to Leeds.
Lawless, racing in the blue jersey as the overnight leader, finished right behind stage winner Greg van Avermaet to secure a debut win for Team Ineos.
Wigan's Lawless, 23, was immediately congratulated by team-mate Chris Froome, who orchestrated the decisive final break on Cote de Otley Chevin.
Team Ineos was only officially launched last week, replacing Team Sky.
"I can't believe it," Lawless told ITV 4. "If someone had told me I'd win this race before it started I'd have called them a liar.
"I started losing touch halfway up the Otley Chevin but I knew if I could get back on there was a climb around 5km from the finish that I could get over.
"I knew I could follow Greg van Avermaet when he went. Greg was someone I looked up to when I first started riding so to beat him is special.
"I've got to thank the team for backing me because I don't have a good history on stages like this but they said they'd give me a chance."
When asked how big a win it is for him personally, he replied: "The biggest."
Froome's tactics pay off
After 150km of racing, much of it through the picturesque Yorkshire Dales, the final stage exploded on the final categorised climb of the race - the Cote de Otley Chevin - with around 20km remaining.
With Lawless appearing to struggle, four-time Tour de France champion Froome - who was Ineos' road captain and said "decisions were made out on the road" - went on the attack and his effort forced other teams pursuing the overall victory to try to chase him down.
Froome's team-mate Eddie Dunbar had also followed the attack. He then launched his own surprise move as the riders crested the hill and quickly broke clear, chasing down and passing three French riders who were part of the day's original break.
Realising that Dunbar could go on and win the overall title, Froome disrupted the pace of the chasing pack and that, in turn, gave Lawless the chance to catch up.
Eventually, defending champion Van Avermaet, who started the day six seconds behind Lawless, had to attack and while he quickly caught Dunbar, Lawless went with him. That left the Belgian CCC rider with two Ineos riders for company and with an almost impossible task of shaking them both off.
Knowing his fate was sealed, Van Avermaet took the stage win, with Lawless happy to follow him over the line and claim the title by two seconds.
Alexander Kamp, who started the final stage on the same time as Lawless claimed that he was "the strongest rider" over the hills but the Dane failed to live up to his bold statement and was distanced on the final climb out of Otley.
France's Arnaud Courteille, who was in the day's nine-man break, was first to the top of three of the day's five categorised climbs to take the King of the Mountains title.
Stage four result:
1. Greg van Avermaet (Bel/CCC Team) 4hrs 40mins 03secs
2. Christopher Lawless (GB/Team Ineos) same time
3. Edward Dunbar (Ire/Team Ineos) +02secs
4. Tom-Jelte Slagter (Ned/Dimension Data) +09secs
5. James Shaw (GB/Swiftcarbon Pro Cycling) Same time
6. Matthew Holmes (GB/Madison Genesis)
7. Alexander Kamp (Den/Riwal Readynez)
8. Gabriel Cullaigh (GB/Team Wiggins Le Col) +12secs
9. Jenthe Biermans (Bel/Katusha Alpecin)
10. Scott Thwaites (GB/Vitus Pro Cycling)
Final classification:
1. Christopher Lawless (GB/Team Ineos) 15hrs 18mins 12secs
2. Greg Van Avermaet (Bel/CCC Team) +02secs
3. Edward Dunbar (Ire/Team Ineos) +11secs
4. Alexander Kamp (Ned/Riwal Readynez) +15secs
5. James Shaw (GB/Swiftcarbon Pro Cycling) +25secs
6. Matthew Holmes (GB/Madison Genesis) Same time
7. Tom-Jelte Slagter (Ned/Dimension Data)
8. Scott Thwaites (GB/Vitus Pro Cycling) +28secs
9. Connor Swift (GB/Madison Genesis) same time
10. Nick van der Lijke (Ned/Roompot-Charles)
DARRYL MAXIMILIAN ROBINSON appeared on a Windy City Theatre stage for the first time in 17 years when he assumed the marvelous dual roles of MR. WILLIAM CARTWRIGHT, THE CHAIRMAN OF THE MUSIC HALL ROYALE and The Honorable MAYOR THOMAS SAPSEA in skilled Director ROBERT-ERIC WEST'S exciting new 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO revival of amazing Composer / Lyricist, Book Author / Orchestrator RUPERT HOLMES' multiple TONY AWARD-WINNING SOLVE-IT-YOURSELF MUSICAL WHODUNIT "THE MYSTERY OF EDWIN DROOD" ( based on the final and unfinished novel by 19th-century English literary master CHARLES DICKENS ) which was presented Oct. 26th through Nov. 18th of 2018 in the lovely and intimate Black Box Theatre of ST. BONAVENTURE CHURCH, 1625 West Diversey, Chicago, IL. 60614. Of his work in the show, the theatre critic of the Nov. 10, 2018 review of ART GETS OUT wrote: "But the real ringer is Darryl Maximilian Robinson, as the Chairman of The Music Hall Royale. It's a huge part that demands not just talent, but also charm during his frequent interactions with the audience in a show that looks for a joke at every turn and has no respect for the fourth wall". In addition to being critically-praised, Darryl Maximilian Robinson's performance in the dual roles of Mr. William Cartwright, Your Chairman of The Music Hall Royale, and The Mayor Thomas Sapsea of Cloisterham, England has been documented by Wikipedia, and in November of 2019: The Year of Chicago Theatre, he has captured a 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATION for BEST PERFORMER IN A MUSICAL OR REVUE ( RESIDENT NON-EQUITY ) for his work in Rupert Holmes' musical masterpiece! In addition, THE 2018 SAINT SEBASTIAN PLAYERS OF CHICAGO REVIVAL OF RUPERT HOLMES' "THE MYSTERY OF EDWIN DROOD" HAS RECEIVED A GRAND TOTAL OF SEVEN 2019 CHICAGO BROADWAYWORLD.COM REGIONAL THEATRE AWARD NOMINATIONS Including Best Performer In A Musical or Revue ( Resident Non-Equity ) for SARAH MYERS for her fine portrayal of the dual roles of Edwin Drood and Miss Alice Nutting; Best Direction of A Musical or Revue ( Resident Non-Equity ) for ROBERT-ERIC WEST for his sterling staging; Best Choreography ( Resident Non-Equity ) for TAMARA DREW for her highly effective dances; Best Costume Design ( Resident Non-Equity ) for SANDRA LEANDER for her grand stage attire; Best Set Design ( Resident Non-Equity ) for EMIL ZBELLA for his handsome period decor; and BEST ENSEMBLE OF A MUSICAL ( RESIDENT NON-EQUITY ) FOR THE ENTIRE CAST! Those in The Theatre who love musical theatre performance in The Windy City that would like to honor and support Mr. Robinson and his fellow nominees for their work in Rupert Holmes' brilliant but seldom performed musical classic may CAST THEIR VOTES FOR "DROOD" BY VISITING: www.broadwayworld.com/chicago/liveupdateregion.cfm?btype=... or www.broadwayworld.com/chicago/voteregion.cfm . Your Support of The Tradition of Non-Equity Professional Theatre In Chicago Would Be Greatly Appreciated!
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www.chicagolandmusicaltheatre.com/darryl-maximilian-robin...
www.broadwayworld.com/chicago/article/MYSTERY-OF-EDWIN-DR...
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Songs of Choir:
1.The Sorrow of Corrupt Mankind
2.Man’s True Condition of Being Corrupted by Satan
3.The Practical God Saves Men in Obscurity
1.The Sorrow of Corrupt Mankind
Man walked through the ages with God, yet man knows not that God rules the fate of all things and living beings or how God orchestrates and directs all things. This is something that has eluded man since time immemorial to the present day. As for the reason why, it is not because the ways of God are too elusive, or because the plan of God has yet to be realized, but because the heart and spirit of man are too distant from God. Therefore, even as man follows God, he unknowingly remains in the service of Satan.
...
None actively seek out the footsteps or appearance of God, and none wish to exist in the care and keeping of God. Rather, they are willing to rely on the corrosion of Satan and the evil one in order to adapt to this world and to the rules of life the wicked mankind follows. At this point, the heart and spirit of man are sacrificed to Satan and become its sustenance, and moreover, become a place in which Satan can reside and a playground for it. In this way, man unknowingly loses his understanding of the principles of being human, and of the worth and purpose of human existence. The laws from God and the covenant between God and man gradually fade away in man’s heart until man no longer seeks or pays heed to God, no longer seeks or pays heed to God. As time passes, man no longer understands why God created man, nor does he understand the words that come from the mouth of God or realize all that is from God. Man begins to resist the laws and decrees from God; the heart and spirit of man become deadened. …God loses the man of His original creation, and man loses the root of his beginning. This is the sorrow of this mankind, this is the sorrow of this mankind. Woo … woo … woo … woo….
...
from “God is the Source of Man’s Life” in The Word Appears in the Flesh
2. Man’s True Condition of Being Corrupted by Satan
For so many years, the thought man lives by has corrupted man’s heart, man’s heart. So man becomes crafty, cowardly, and base. Man has no perseverance or resolution, and is greedy and frail and willful. He does not have the will to transcend himself at all, much less have any courage to break away from the bondage of the influence of darkness. Man has a depraved mind and leads a depraved life. Man’s viewpoint of believing in God is still awful, and it is even intolerable to the ear, intolerable to the ear once it is spoken of. All men are cowardly, powerless, base, and fragile. They do not feel loathing for the force of darkness, and do not love the light and the truth, but they do their possible to drive them out. All men are cowardly, powerless, base, and fragile. They do not feel loathing for the force of darkness, and do not love the light and the truth, but they do their possible to drive them out.
from “Why Are You Not Willing to Be a Setoff?” in The Word Appears in the Flesh
3. The Practical God Saves Men in Obscurity
God has become flesh this time to do the work that He has yet to complete, to judge this age and bring it to a close, to save man from the sea of affliction, to utterly conquer man and transform their life disposition, and to free man from the suffering and oppression of dark forces that are black as night. Many are the sleepless nights that God has endured for the sake of the work of mankind. He comes from up high to the lowest depths and lives in the living hell. Ah! He passes His days with man, and has never complained of the shabbiness among man. He never asks too much of man, but endures the greatest humiliation as He personally carries out His work. For the whole of mankind to find rest sooner, He has endured humiliation and suffered injustice to come to earth, and personally entered into the tiger’s den to save man. How many times has He faced the stars, how many times has He departed at dawn and returned at dusk, enduring great agony, enduring the attacks and “breaking” of man. God has come to this filthy land, and quietly accepts the ravages of man, accepts oppression of man.
from “Work and Entry (9)” in The Word Appears in the Flesh
www.holyspiritspeaks.org/videos/chinese-choir-episode-9/
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Show, don’t tell.
Orchestrating Experiences: Collaborative Design for Complexity, Risdon, Quattlebaum, 2018, New York: Rosenfeld Media
Organised by:
Melissa Love Design. www.melissalove.co.uk
Orchestrated Stylised Shoots. www.orchestratedshoots.com
Venue. Wiston House. www.wistonhouse.co.uk
Styling, food & flowers. The Tea Set. www.the-tea-set.co.uk.
Dresses. White Mischief. www.whitemischiefbridal.co.uk
Tailoring. Gresham Blake. www.greshamblake.com
Makeup. Natalie Clark of NC Bridal Beauty. www.ncbridalbeauty.com
Hair Accessories. Cherished Vintage Bridal Accessories. www.cherishedvintage.co.uk
Hair styling. Caroline Kearney. www.mobilehairandbeauty.co.uk
Stationery. The Girl Tyler. www.thegirltyler.com
Children's vintage clothing. Dinky Vintage. www.dinkyvintage.com
Children's clothing. Bonnie Baby. www.bonniebaby.co.uk
Though Bitter:Sweet seems to be a duo, at least 5 people were on stage to provide fairly complex orchestrations.