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The Beyond Broadway Experience 2016 presents

BRING IT ON: THE MUSICAL

 

Libretto by Jeff Whitty

Music by Tom Kitt & Lin-Manuel Miranda

Lyrics by Amanda Green & Lin-Manuel Miranda

Inspired by the Motion Picture Bring It On Written by Jessica Bendinger

Arrangements and Orchestrations Alex Lacamoire & Tom Kitt

Presented at the King’s Theatre, Edinburgh on 22nd and 23rd July 2016

www.beyond-broadway.com/productions/

Emerson Stage presents

INTO THE WOODS

Music and Lyrics by Stephen Sondheim

Book by James Lapine

Originally Directed on Broadway by James Lapine

Orchestrations by Jonathan Tunick

Directed by Scott LaFeber

Music Direction by Jonathan Goldberg

Original Broadway Production by Heidi Landesman, Rocco Landesman, Rick Steiner, M. Anthony Fisher, Frederic H. Mayerson, and Jujamcyn Theaters

Originally produced by the Old Globe Theater, San Diego, CA.

April 14 & 16, 2022

Cutler Majestic Theatre

Emerson College

Boston, MA

Scenic Design by LUCIANA STECCONI and JORDAN BARNETT

Projects Design by ALEX BASCO KOCH and PIPER PHILLIPS

Props Lead: LAUREN CORCUERA

Costume Design by MOLLY SHAUGHNESSY

Lighting Design by TALIA ELISE & GRACE TUCHMAN

Sound Design by MEGAN CULLEY

Stage Manager: SOPHIE KLOKINIS

Dramaturg: CIARA BERARDI

Cast: ROBERTA ALAMAN, LUCAS BABCOCK, JONAH BARRICKLO, OLIVIA BODLEY, NAJA NICOLE BROWN, JAKE COLLINS, DENNIS DIZON, CEDRICK EKRA, MARCO GIACONA, ISABEL GINSBERG, EMERSON HART, HAWA KAMARA, ELLIANA KARRIS, EMILY KILBOURNE, KARLEY KRICKMIER, ANTHONY LAFORNARA, BRENDAN MASSAR, MORGAN MCMILLIN, ZOEY SCHORSCH, ELLA SHAW, BEATRICE STEUER, AMANDA VAZQUEZ, ANANIA WILLIAMS, ISABELLE WISDOM, ZEHAVA YOUNGER

Orchestra: MICHAEL BELLOFATTO, LISA BROOKE, DAVID BURDETT, MAXWELL CONNOR, JACQUELINE DEVOE, KATE FOSS, JONATHAN GOLDBERG, CLARA KEBABIAN, DOUGLAS LIPPINCOTT, SALLY MERRIMAN, CAMERON SAWZIN, JENNIFER SHALLENBERGER, EMMA STAUDACHER, LOUIS TOTH, NORALEE WALKER

All photos by Craig Bailey/Perspective Photo

More information: www.emersonstage.org/into-the-woods

When we first saw the stunning motif in design on such a grand scale of elegance, our jaws dropped in awe. What a fantastic display orchestrated by the supreme landscape architects and artists of Longwood Gardens . . . truly second to none in passion and talent. It the 7-Part close-up series of the remarkable pair of swans, notice that every bit of material employed is from nature. In retrospect, perhaps some extreme close-up of various sections of these works of art should have been photographed. The problem was that there was a fairly decent crowd around this particular spot, with many of the individuals also taking photos—thus, there was limited time to do the shooting. Luckily, for a very brief moment, each for my wife and I, these pictures turned out successful in the sense that no people are in them to take away from the main subjects. The 3-Part series of shots that follows the 7 here will show the views from the other end looking back toward the swans and the Orangery beyond—where all the seas of poinsettias and other flowers and plants were depicted in earlier photos in our album on Longwood.

We wanted to share our experience of the visit to Longwood Gardens’ 2014 Christmas Spectacular (the main theme this year is BIRDS). The festivities begin on Thanksgiving Day and continues through the end of the first week of 2015. In recent years, we have found that it works perfectly for us to go on Thanksgiving Day, for we would celebrate TG early and afterward. This allows an opening day attendance at Longwood, where the crowd is significantly less than during the peak weekend days. There will be a good number of photos to view, and for the most part, presented in correct sequence. Please check out our ALBUMS titled “LONGWOOD GARDENS of Kennett Square, PA” and/or “CHRISTMAS SCENES” for a better flow in exploring the photos, since the continuity is lost when uploading into FLICKR while many others are doing the same, thus, having a variety of shots mixed in between the ones representing our visit on this day.

The wide variety of flowers and plants at Longwood Gardens are absolutely stunning in all stages and species . . . truly a Garden of Eden for anyone with a deep passion for these gifts of nature. The annual Longwood Gardens Christmas never fails to awe the visitors with one spectacular display after another. Whether these are in the magnificently elegant grand Conservatory, or outdoors within the over 1,000 acres of fabulous grounds, each and every thing is meticulously planned and designed, always arriving at some fresh ideas and/or concepts, while also maintaining the traditionally classic holiday floral and lighting appointments throughout. Given that the main theme for the 2014 holiday season is BIRDS, this can be seen in such spectacularly tasteful fashion throughout the displays of the vast indoor landscape. From the moment one enters the architectural marvel of the Conservatory, whether through the main Orangery or the East Conservatory, an awe inspiring view awaits.

 

Ballets Russes produced this version of “Sleeping Beauty” and renamed it “The Sleeping Princess.” Leon Bakst designed the costumes and scenery and Marius Petipa and Bronislava Nijinska were responsible for the choreography. The music by Tchaikovsky was partly re-orchestrated by Igor Stravinsky for Ballets Russes. It was a lavish and costly production which premiered at London’s Alhambra Theatre on November 2, 1921, and it nearly bankrupted Diaghilev’s company. The National Gallery of Australia describes the ballet and the reasons for the ensuing financial disaster as follows:

 

“…At the birth of his daughter, King Florestan XXIV and his queen invite all the fairies of the land to be godmothers to the baby Princess Aurora at her christening at the palace. All the fairies arrive and bestow a magic wish on the young princess. However, the ceremony is interrupted by the wicked fairy Carabosse who, angry that she has been left off the invitation list, curses Aurora, promising that one day she will prick her finger and die. Although she cannot break the curse, the Lilac Fairy frustrates Carabosse by exchanging Aurora’s imminent death with a long slumber, from which Aurora can only be woken by the kiss of a prince. Aurora’s awakening by Florimund a hundred years later is followed by their spectacular marriage.

 

“This ballet had its genesis as Sleeping Beauty, presented in 1890 by Marius Petipa for the Mariinsky Theatre and celebrated for its lavish production quality and for the commissioning of Tchaikovsky for its musical score. The young Bakst, Benois and Diaghilev saw this production, and were enthralled by its fusion of historical art, design and contemporary music. The ballet was given a number of times outside Russia, including a version for Anna Pavlova’s company in New York in 1916, with costume designs by Bakst. While the Ballets Russes had reached the end of the decade as the acknowledged leader in modern ballet, Diaghilev’s decision to stage this ballet in 1921 was driven by the company’s weak financial position and the hope that such a classic might secure for the Ballets Russes a long-running season in the conservative, but lucrative, London theatre world. He reconciled with Bakst, offering him the design work, secure in the knowledge of Bakst’s previous experience with this production and his sketches prepared for the earlier Pavlova commission. Diaghilev secured the backing of Sir Oswald Stoll, the director of the Alhambra Theatre, to fund the production, renamed in English The Sleeping Princess, but soon ran over budget. The costs of Bakst’s costumes for a huge cast spiralled due to their lavish use of expensive materials and couture-like construction and detailing, with the final detail of every costume personally overseen and approved by Diaghilev. The National Gallery’s costume for a lady-in-waiting is an indication of the extravagance, as a costume provided for a relatively minor character. Bakst’s six elaborate sets, inspired by the Baroque work of the seventeenth-century theatre designer Ferdinando Galli Bibiena (1656–1743) and the eighteenth-century work of Bérain and Boquet (for the later period of Aurora’s awakening), also drained the budget.

 

“The demanding, lengthy performance of a single ballet did not appeal to audiences used to a more varied repertoire, and crucial audience numbers did not eventuate, forcing the production to close after 114 performances and leaving Diaghilev with crippling debt. As security, Stoll impounded the valuable costumes and properties at his Coliseum Theatre until Diaghilev was able to repay the debt, something he did not achieve until 1926. Having fled London before the production finished, without his properties and unable to return to Britain due to the risk of legal action and penalty, Diaghilev was again forced to change direction and focus. An unplanned future benefit of this episode was that the sturdily crafted costumes remained in relatively good condition, having been worn lightly and stored for a long period. By the time they were released, Diaghilev had moved on from such historical spectacles and the costumes, like Aurora, entered another long period of slumber and obscurity.” [National Gallery of Australia at www.nga.gov.au]

 

Las Ventanas al Paraiso "The windows to Paradise"

Km 19.5 Carretera Transpeninsular

Cabo San Lucas, San Jose del Cabo - MEXICO

 

In the 1970's the Mexican government designated "hot spots" for tourism development including Cancun, Ixtapa and Los Cabos. Los Cabos, which means the Capes has twin towns of Cabo San Lucas and San Jose del Cabo which are separated by 20 miles of beach coast line. Mexican developer Javier Burillo Azcarraga acquired eighteen undeveloped acres at Cabo San Lucas in the early 90's. He envisioned for the site a unique, super-luxury, boutique hotel that would stand out from the crowd and reflect Baja's indigenous culture and landscape. He brought in Atlanta-based architect and developer Hal Thannisch, Jr. to create the master plan and orchestrate the design, construction, financing, and ultimate operation of the completed resort. Thannisch hired HKS Architects of Dallas to provide architectural services, and they in turn, retained The SWA Group of Dallas to create the site plan and landscape architecture. The SWA Group developed the Las Ventanas landscape which blends the natural desert environment with the sensuality of the Mexican-style architecture to enhance the resort’s sense of authenticity. Construction began in December 1995, and the five-star Las Ventanas al Paraiso, or "Windows to Paradise," welcomed its first guests in July 1997. When guests enter Las Ventanas, they don't see all the buildings at once. Rather, the resort gradually reveals itself as guests walk down to the sea. The site plan radiates out from the open-air lobby, and every guest suite has a view of the blue Sea of Cortez. The resort resembles a small, sand and earth-colored Mexican village. The hotels opening rate was $325 a night. The 61-room Las Ventanas al Paraiso claims to have the longest celebrity client list of any hotel in the world. The discreet resort does not have a sign outside on Highway 1. Zen-inspired raked-sand entrance opens to beach views from the restaurant, private rooftop patios, and infinity-edge pools, where super-attentive pool butlers clean your smudged sunglasses and provide unlimited towel service. All over-sized guestrooms have pebble-inlaid headboards, hand-carved cedar doors, wood-burning fireplaces, and telescopes for stargazing.

 

Javier Burillo belongs to the Azcárraga family, owner of Televisa. He is the son of Carmela Azcárraga Milmo, sister of the late Emilio Azcárraga Milmo and daughter of Emilio Azcárraga Vidaurreta, founder of Televicentro, now Televisa. Grupo Televisa, S.A.B. is a Mexican multimedia company and the largest in Latin America and the Spanish-speaking world (Univision in the United States). The company has been led and owned by three generations of Azcárraga. Javier Burillo inherited the Ritz Acapulco Hotel from his grandfather. In 1999 he and Rosewood's Hal Thannisch proposed a $62 million, 105-room Rosewood Resort in Sonoma, CA which failed to get city's approval.

 

Thannisch Development Services, Inc. (TDS) specializes in complex issues of development planning, financing, interdisciplinary management, design management and implementation. Thannisch was directly responsible for the renovation of the historic Cogswell College building now the Ritz Carlton San Francisco and the redevelopment of the Mahogany Run Resort, St. Thomas, USVI. In 1985, Thannisch joined Caroline Hunt's Rosewood Hotel Group as vice president, development. Based in Dallas, he was immersed in the development of the Hotel Hana-Maui at Hana Ranch and The Hotel on the Old Course, St. Andrews, Scotland. In 1989, the Ritz-Carlton Hotel Company called on his experience to manage the feasibility, pre-development, development and construction of the Ritz-Carlton Aspen, Hotel Arts Barcelona, Spain. Thannisch brought to Rosewood its first Mexico project, Las Ventanas which has emerged as a premier five-star resort in all of Mexico.

 

Las Ventanas al Paraíso became the first world-class resort in Los Cabos under hotelier Edward Steiner who served the hotel from opening to 2008. The resort achieved AAA Five Diamond status under his leadership.

 

In December 2003 Paraiso Los Cabos, S.A. de C.V. sold Las Ventana al Paraiso to Dallas based JTL Capital in partnership with Farallon Capital Management L.L.C.for an undisclosed price. Rosewood Hotels & Resorts agreed to a long-term contract to continue management of the resort. The purchase also included land entitled for up to 30 additional villa residences as well as an unfinished Phase IV building containing 8 premier villas that JTL Capital will finish constructing in September of 2004. The transaction was a first for JTL in Mexico. Morgan Stanley Mortgage Capital provided the financing. JTL Capital, L.L.C. is a closely held, real estate investment and development concern founded in 1999 by David A. Lane and Mark J. Sullivan. JTL Capital employs a "buy and enhance" strategy that produces attractive risk-adjusted returns.

 

In September 2004 Ty Warner Hotels & Resorts, LLC purchased the 61-room Las Ventanas al Paraíso Resort from Dallas-based JTL Capital, LLC. According to Ty Warner, the goal is to extend and enhance the beauty and amenities at the resort. Warner believed the essential component to achieving that goal is in Rosewood Hotels & Resorts' continued operation of the resort. Ty Warner is an American billionaire who created the 1990s stuffed toy fad - Beanie Babies. At the peak of the Beanie craze in 1999, the privately owned Ty Inc. is believed to have earned over $700 million in profits in a year. The Beanie Babies phenomenon, coupled with the rise of the Internet, is cited as elevating Warner to billionaire status. Ty Warner Hotel and Resort Properties include: Four Seasons Resort The Biltmore Santa Barbara, CA, Four Seasons Hotel New York, NY and San Ysidro Ranch, Montecito, CA.

 

Managing Directors since Edward Steiner include: Lionel Alvarez appointed Managing Director in 2008. He previously was General Manager at at Aquapura Vale Do Douro Hotel, Portugal. Martein van Wagenberg was appointed managing director of Las Ventanas in 2011. He previously was at Rosewood Little Dix Bay in Virgin Gorda. In 2014 Rosewood named Mário Candeias the managing director of Las Ventanas. He was the Director of Operations at Pestana Hotels & Resorts in Portugal. Rosewood appointed Frederic Vidal the Managing Director of Las Ventanas al Paraíso in 2014. Previously he was Managing Director for YOSH Hospitality, a company managing palaces and villas in the United Arab Emirates.

 

Compiled by Dick Johnson, November 2019

Las Ventanas al Paraiso "The windows to Paradise"

Km 19.5 Carretera Transpeninsular

Cabo San Lucas, San Jose del Cabo - MEXICO

 

In the 1970's the Mexican government designated "hot spots" for tourism development including Cancun, Ixtapa and Los Cabos. Los Cabos, which means the Capes has twin towns of Cabo San Lucas and San Jose del Cabo which are separated by 20 miles of beach coast line. Mexican developer Javier Burillo Azcarraga acquired eighteen undeveloped acres at Cabo San Lucas in the early 90's. He envisioned for the site a unique, super-luxury, boutique hotel that would stand out from the crowd and reflect Baja's indigenous culture and landscape. He brought in Atlanta-based architect and developer Hal Thannisch, Jr. to create the master plan and orchestrate the design, construction, financing, and ultimate operation of the completed resort. Thannisch hired HKS Architects of Dallas to provide architectural services, and they in turn, retained The SWA Group of Dallas to create the site plan and landscape architecture. The SWA Group developed the Las Ventanas landscape which blends the natural desert environment with the sensuality of the Mexican-style architecture to enhance the resort’s sense of authenticity. Construction began in December 1995, and the five-star Las Ventanas al Paraiso, or "Windows to Paradise," welcomed its first guests in July 1997. When guests enter Las Ventanas, they don't see all the buildings at once. Rather, the resort gradually reveals itself as guests walk down to the sea. The site plan radiates out from the open-air lobby, and every guest suite has a view of the blue Sea of Cortez. The resort resembles a small, sand and earth-colored Mexican village. The hotels opening rate was $325 a night. The 61-room Las Ventanas al Paraiso claims to have the longest celebrity client list of any hotel in the world. The discreet resort does not have a sign outside on Highway 1. Zen-inspired raked-sand entrance opens to beach views from the restaurant, private rooftop patios, and infinity-edge pools, where super-attentive pool butlers clean your smudged sunglasses and provide unlimited towel service. All over-sized guestrooms have pebble-inlaid headboards, hand-carved cedar doors, wood-burning fireplaces, and telescopes for stargazing.

 

Javier Burillo belongs to the Azcárraga family, owner of Televisa. He is the son of Carmela Azcárraga Milmo, sister of the late Emilio Azcárraga Milmo and daughter of Emilio Azcárraga Vidaurreta, founder of Televicentro, now Televisa. Grupo Televisa, S.A.B. is a Mexican multimedia company and the largest in Latin America and the Spanish-speaking world (Univision in the United States). The company has been led and owned by three generations of Azcárraga. Javier Burillo inherited the Ritz Acapulco Hotel from his grandfather. In 1999 he and Rosewood's Hal Thannisch proposed a $62 million, 105-room Rosewood Resort in Sonoma, CA which failed to get city's approval.

 

Thannisch Development Services, Inc. (TDS) specializes in complex issues of development planning, financing, interdisciplinary management, design management and implementation. Thannisch was directly responsible for the renovation of the historic Cogswell College building now the Ritz Carlton San Francisco and the redevelopment of the Mahogany Run Resort, St. Thomas, USVI. In 1985, Thannisch joined Caroline Hunt's Rosewood Hotel Group as vice president, development. Based in Dallas, he was immersed in the development of the Hotel Hana-Maui at Hana Ranch and The Hotel on the Old Course, St. Andrews, Scotland. In 1989, the Ritz-Carlton Hotel Company called on his experience to manage the feasibility, pre-development, development and construction of the Ritz-Carlton Aspen, Hotel Arts Barcelona, Spain. Thannisch brought to Rosewood its first Mexico project, Las Ventanas which has emerged as a premier five-star resort in all of Mexico.

 

Las Ventanas al Paraíso became the first world-class resort in Los Cabos under hotelier Edward Steiner who served the hotel from opening to 2008. The resort achieved AAA Five Diamond status under his leadership.

 

In December 2003 Paraiso Los Cabos, S.A. de C.V. sold Las Ventana al Paraiso to Dallas based JTL Capital in partnership with Farallon Capital Management L.L.C.for an undisclosed price. Rosewood Hotels & Resorts agreed to a long-term contract to continue management of the resort. The purchase also included land entitled for up to 30 additional villa residences as well as an unfinished Phase IV building containing 8 premier villas that JTL Capital will finish constructing in September of 2004. The transaction was a first for JTL in Mexico. Morgan Stanley Mortgage Capital provided the financing. JTL Capital, L.L.C. is a closely held, real estate investment and development concern founded in 1999 by David A. Lane and Mark J. Sullivan. JTL Capital employs a "buy and enhance" strategy that produces attractive risk-adjusted returns.

 

In September 2004 Ty Warner Hotels & Resorts, LLC purchased the 61-room Las Ventanas al Paraíso Resort from Dallas-based JTL Capital, LLC. According to Ty Warner, the goal is to extend and enhance the beauty and amenities at the resort. Warner believed the essential component to achieving that goal is in Rosewood Hotels & Resorts' continued operation of the resort. Ty Warner is an American billionaire who created the 1990s stuffed toy fad - Beanie Babies. At the peak of the Beanie craze in 1999, the privately owned Ty Inc. is believed to have earned over $700 million in profits in a year. The Beanie Babies phenomenon, coupled with the rise of the Internet, is cited as elevating Warner to billionaire status. Ty Warner Hotel and Resort Properties include: Four Seasons Resort The Biltmore Santa Barbara, CA, Four Seasons Hotel New York, NY and San Ysidro Ranch, Montecito, CA.

 

Managing Directors since Edward Steiner include: Lionel Alvarez appointed Managing Director in 2008. He previously was General Manager at at Aquapura Vale Do Douro Hotel, Portugal. Martein van Wagenberg was appointed managing director of Las Ventanas in 2011. He previously was at Rosewood Little Dix Bay in Virgin Gorda. In 2014 Rosewood named Mário Candeias the managing director of Las Ventanas. He was the Director of Operations at Pestana Hotels & Resorts in Portugal. Rosewood appointed Frederic Vidal the Managing Director of Las Ventanas al Paraíso in 2014. Previously he was Managing Director for YOSH Hospitality, a company managing palaces and villas in the United Arab Emirates.

 

Compiled by Dick Johnson, November 2019

Emerson Stage presents

INTO THE WOODS

Music and Lyrics by Stephen Sondheim

Book by James Lapine

Originally Directed on Broadway by James Lapine

Orchestrations by Jonathan Tunick

Directed by Scott LaFeber

Music Direction by Jonathan Goldberg

Original Broadway Production by Heidi Landesman, Rocco Landesman, Rick Steiner, M. Anthony Fisher, Frederic H. Mayerson, and Jujamcyn Theaters

Originally produced by the Old Globe Theater, San Diego, CA.

April 14 & 16, 2022

Cutler Majestic Theatre

Emerson College

Boston, MA

Scenic Design by LUCIANA STECCONI and JORDAN BARNETT

Projects Design by ALEX BASCO KOCH and PIPER PHILLIPS

Props Lead: LAUREN CORCUERA

Costume Design by MOLLY SHAUGHNESSY

Lighting Design by TALIA ELISE & GRACE TUCHMAN

Sound Design by MEGAN CULLEY

Stage Manager: SOPHIE KLOKINIS

Dramaturg: CIARA BERARDI

Cast: ROBERTA ALAMAN, LUCAS BABCOCK, JONAH BARRICKLO, OLIVIA BODLEY, NAJA NICOLE BROWN, JAKE COLLINS, DENNIS DIZON, CEDRICK EKRA, MARCO GIACONA, ISABEL GINSBERG, EMERSON HART, HAWA KAMARA, ELLIANA KARRIS, EMILY KILBOURNE, KARLEY KRICKMIER, ANTHONY LAFORNARA, BRENDAN MASSAR, MORGAN MCMILLIN, ZOEY SCHORSCH, ELLA SHAW, BEATRICE STEUER, AMANDA VAZQUEZ, ANANIA WILLIAMS, ISABELLE WISDOM, ZEHAVA YOUNGER

Orchestra: MICHAEL BELLOFATTO, LISA BROOKE, DAVID BURDETT, MAXWELL CONNOR, JACQUELINE DEVOE, KATE FOSS, JONATHAN GOLDBERG, CLARA KEBABIAN, DOUGLAS LIPPINCOTT, SALLY MERRIMAN, CAMERON SAWZIN, JENNIFER SHALLENBERGER, EMMA STAUDACHER, LOUIS TOTH, NORALEE WALKER

All photos by Craig Bailey/Perspective Photo

More information: www.emersonstage.org/into-the-woods

Pre-production Photos

 

35mm: A Musical Exhibition

October 26, 2018 to October 28, 2018

 

Friday, October 26, 2018, 8:00 PM

Saturday, October 27, 2018, 8:00 PM

Sunday, October 28, 2018, 2:00 PM

 

Corthell Concert Hall, USM Gorham Campus

$15 adult, $10 seniors, USM employees and alumni, $5 students.

  

Music and Lyrics by Ryan Scott Oliver

Based on Photographs by Matthew Murphy

Vocal Arrangements and Orchestrations by Ryan Scott Oliver

Additional Percussion arrangements by Jeremy Yaddaw

Additional Guitar arrangements by Matt Hinkley

Directed by Edward Reichert

 

A picture is worth 1,000 words - what about a song? In 35mm: A Musical Exhibition, each photo creates a unique song, moments frozen in time; a glimmer of a life unfolding, a glimpse of something happening. The University of Southern Maine School of Music fall musical theatre production is part concert, part exhibition, part poetry jam, part performance art...an intricately woven collection of stories that re-imagines what the modern American musical can be.

 

Three performances take place in Corthell Concert Hall on the Gorham campus on Friday, October 26 and Saturday, October 27 at 8 p.m., and Sunday, October 28 at 2 p.m. Tickets are $15 for the general public, $10 for seniors, USM alumni and employees, and $5 for students. They can be purchased online at usm.maine.edu/music/boxoffice, by phone at (207) 780-5555, or at the door.

 

The show is sponsored by Saco & Biddeford Savings Institution.

 

Art moves and touches people in different ways. The stories told through song in 35mm are all based on or inspired by the eclectic photography of Matthew Murphy. Composer Ryan Scott Oliver provides us with a collection of stories and photographs about life: gorgeous songs about love and loss, more complex issues like insanity, abuse...and some humor too. Oliver states, “it covers a wide range of experiences and sensations.” This show is recommended for mature audiences.

 

The show’s director, Ed Reichert says, “The score is fascinating to me because it covers so many genres such as rock, gospel, country, pop, and musical comedy. Ryan Scott Oliver openly talks about some of his creative influences including Lady Gaga, The Scissor Sisters, Schubert, and Rufus Wainwright. He is equally inspired by the likes of Quentin Tarantino, Stephen King, and Stephen Sondheim.” Reichert adds, “With Halloween just around the corner, at least three of the songs are timely: Leave, Luanne (a Southern Gothic Ghost Story), Twisted Teeth (a duet between two vampires), and The Ballad of Sara Berry (think prom queen...).”

 

The cast includes: Samuel Allen (Harpswell), Matthew Boyd (Medford, NJ), Andrew Carney (Millinocket), Mikayla Clifford (Yarmouth), Noli French (New Gloucester), Aaron Kircheis (Bucksport), Katie Lind (Standish), Ayann Main (Wiscasset), Megan Mayfield (Marlborough, MA), Miles Obrey (Gorham), Alyssa Pearl-Ross (Sangerville), Victoria Stackpole (Biddeford), March Steiger (Buxton), Ben Walker-Dubay (Kennebunk), Megan Walz (Portland), Meg Ward (Bangor), Abby White (Dalton, Mass.).

 

The band includes Lynnea Harding, associate music director, violin and viola; Catherine Begin, cello; Jake Cooper, guitar; Shannon Allen, bass; Sam Smith, drums, and Ed Reichert on piano.

 

Those needing special accommodations to participate fully in this program, contact Lori Arsenault, (207) 780-5142, loria@maine.edu. Hearing impaired: call USM's telex / TDD number (207) 780-5646.

 

35mm: A Musical Exhibition is presented by special arrangement with SAMUEL FRENCH, INC.

Twenty years ago today I was born.

Ten years ago today I was ten and still owned all my Pokémon cards.

Seven years ago today I had a tumor removed from my only kidney.

Last year, today, I was sitting in the Orpheum Theater in Minneapolis enjoying the music of Nobuo Uematsu orchestrated live, fulfilling one of my nerdiest dreams.

And today, I am spending time with close friends, enjoying their company and celebrating twenty years of me existing.

 

But, I do owe this day to a sibling that was lost during pregnancy, one who was never born into this world and who never got a chance to live the beautiful life that I live. My parents tried for another child after my brother was born, but sadly that did not come to be. So with renewed love and faith they tried again, and I was the product of their determination to reach their dreams and share their love with their children. As such, my parents named me Christopher Michael Perez. My mother told me that they named me as such because I was a miracle.

 

My birth didn’t come without its complications though. I had severe asthma and ear infections when I was a young child. During my teenage years, I was diagnosed with scoliosis and the rest followed suit.

 

If it weren’t for me having scoliosis, having to wear that dang back brace, and having to get all those X-Rays, the doctors would not have found that tumor on my kidney.

There wouldn’t have been all those CT scans, the surgery on April 11th, 2003, and having to know that from now on, I would have to take care of the only kidney I have, because before the CT scans and X-Rays we didn’t know I was born that way.

I was oblivious to what wasn’t being noticed, what wasn’t apparent at the surface.

 

The tumor could have gotten worse and I may not be as healthy as I am right now. It could have taken out my kidney and I would have to rely on my brother to give me one of his and use my father’s blood to help me recuperate after the surgery. I might not have been able to do all the things I take for granted right now.

I am proud that I have such great people in my life that I can look up to, share my love with, and learn from. I feel like everything in my life is here for a reason and it’s my job to find out why it’s there, and what it’s trying to teach me.

 

I feel like I have learned as much from experiences as I have from others. I listen, I can’t help but do so, and I just pay attention. I don’t like to make people feel like they’re not heard because I know how much it means to know that there is someone there to hear what you’re saying, understand you and really just listening. I’ve learned from example, I’ve learned from stories, and I’ve learned from trial and error.

Today, I’m finally at a good mix of my life that melds my “indie” interests and my more child-like and nerdy interests into a beautiful balance that is reflected in my lifestyle as well as my art.

I’m glad I am at a point in my life where I am comfortable with myself, comfortable with my surroundings, and comfortable with exploring my art.

I’ve spent all these years learning from lessons that life has taught me, and people have taught me and I’m glad that I’ve been able to see mistakes or failures as something to be learned from.

 

I was born gay. I was born with one kidney.

I developed asthma. I developed scoliosis.

I got a tumor on my kidney and I got it right out.

I worked hard and got into the college of my dreams, MCAD.

I’m glad I’ve been able to get through all the things I’ve gotten through.

I am glad to be who I am today

I continue to grow, but today I close a chapter in my life and begin a new one.

Welcome, adulthood, bring it on.

 

Las Ventanas al Paraiso "The windows to Paradise"

Km 19.5 Carretera Transpeninsular

Cabo San Lucas, San Jose del Cabo - MEXICO

 

In the 1970's the Mexican government designated "hot spots" for tourism development including Cancun, Ixtapa and Los Cabos. Los Cabos, which means the Capes has twin towns of Cabo San Lucas and San Jose del Cabo which are separated by 20 miles of beach coast line. Mexican developer Javier Burillo Azcarraga acquired eighteen undeveloped acres at Cabo San Lucas in the early 90's. He envisioned for the site a unique, super-luxury, boutique hotel that would stand out from the crowd and reflect Baja's indigenous culture and landscape. He brought in Atlanta-based architect and developer Hal Thannisch, Jr. to create the master plan and orchestrate the design, construction, financing, and ultimate operation of the completed resort. Thannisch hired HKS Architects of Dallas to provide architectural services, and they in turn, retained The SWA Group of Dallas to create the site plan and landscape architecture. The SWA Group developed the Las Ventanas landscape which blends the natural desert environment with the sensuality of the Mexican-style architecture to enhance the resort’s sense of authenticity. Construction began in December 1995, and the five-star Las Ventanas al Paraiso, or "Windows to Paradise," welcomed its first guests in July 1997. When guests enter Las Ventanas, they don't see all the buildings at once. Rather, the resort gradually reveals itself as guests walk down to the sea. The site plan radiates out from the open-air lobby, and every guest suite has a view of the blue Sea of Cortez. The resort resembles a small, sand and earth-colored Mexican village. The hotels opening rate was $325 a night. The 61-room Las Ventanas al Paraiso claims to have the longest celebrity client list of any hotel in the world. The discreet resort does not have a sign outside on Highway 1. Zen-inspired raked-sand entrance opens to beach views from the restaurant, private rooftop patios, and infinity-edge pools, where super-attentive pool butlers clean your smudged sunglasses and provide unlimited towel service. All over-sized guestrooms have pebble-inlaid headboards, hand-carved cedar doors, wood-burning fireplaces, and telescopes for stargazing.

 

Javier Burillo belongs to the Azcárraga family, owner of Televisa. He is the son of Carmela Azcárraga Milmo, sister of the late Emilio Azcárraga Milmo and daughter of Emilio Azcárraga Vidaurreta, founder of Televicentro, now Televisa. Grupo Televisa, S.A.B. is a Mexican multimedia company and the largest in Latin America and the Spanish-speaking world (Univision in the United States). The company has been led and owned by three generations of Azcárraga. Javier Burillo inherited the Ritz Acapulco Hotel from his grandfather. In 1999 he and Rosewood's Hal Thannisch proposed a $62 million, 105-room Rosewood Resort in Sonoma, CA which failed to get city's approval.

 

Thannisch Development Services, Inc. (TDS) specializes in complex issues of development planning, financing, interdisciplinary management, design management and implementation. Thannisch was directly responsible for the renovation of the historic Cogswell College building now the Ritz Carlton San Francisco and the redevelopment of the Mahogany Run Resort, St. Thomas, USVI. In 1985, Thannisch joined Caroline Hunt's Rosewood Hotel Group as vice president, development. Based in Dallas, he was immersed in the development of the Hotel Hana-Maui at Hana Ranch and The Hotel on the Old Course, St. Andrews, Scotland. In 1989, the Ritz-Carlton Hotel Company called on his experience to manage the feasibility, pre-development, development and construction of the Ritz-Carlton Aspen, Hotel Arts Barcelona, Spain. Thannisch brought to Rosewood its first Mexico project, Las Ventanas which has emerged as a premier five-star resort in all of Mexico.

 

Las Ventanas al Paraíso became the first world-class resort in Los Cabos under hotelier Edward Steiner who served the hotel from opening to 2008. The resort achieved AAA Five Diamond status under his leadership.

 

In December 2003 Paraiso Los Cabos, S.A. de C.V. sold Las Ventana al Paraiso to Dallas based JTL Capital in partnership with Farallon Capital Management L.L.C.for an undisclosed price. Rosewood Hotels & Resorts agreed to a long-term contract to continue management of the resort. The purchase also included land entitled for up to 30 additional villa residences as well as an unfinished Phase IV building containing 8 premier villas that JTL Capital will finish constructing in September of 2004. The transaction was a first for JTL in Mexico. Morgan Stanley Mortgage Capital provided the financing. JTL Capital, L.L.C. is a closely held, real estate investment and development concern founded in 1999 by David A. Lane and Mark J. Sullivan. JTL Capital employs a "buy and enhance" strategy that produces attractive risk-adjusted returns.

 

In September 2004 Ty Warner Hotels & Resorts, LLC purchased the 61-room Las Ventanas al Paraíso Resort from Dallas-based JTL Capital, LLC. According to Ty Warner, the goal is to extend and enhance the beauty and amenities at the resort. Warner believed the essential component to achieving that goal is in Rosewood Hotels & Resorts' continued operation of the resort. Ty Warner is an American billionaire who created the 1990s stuffed toy fad - Beanie Babies. At the peak of the Beanie craze in 1999, the privately owned Ty Inc. is believed to have earned over $700 million in profits in a year. The Beanie Babies phenomenon, coupled with the rise of the Internet, is cited as elevating Warner to billionaire status. Ty Warner Hotel and Resort Properties include: Four Seasons Resort The Biltmore Santa Barbara, CA, Four Seasons Hotel New York, NY and San Ysidro Ranch, Montecito, CA.

 

Managing Directors since Edward Steiner include: Lionel Alvarez appointed Managing Director in 2008. He previously was General Manager at at Aquapura Vale Do Douro Hotel, Portugal. Martein van Wagenberg was appointed managing director of Las Ventanas in 2011. He previously was at Rosewood Little Dix Bay in Virgin Gorda. In 2014 Rosewood named Mário Candeias the managing director of Las Ventanas. He was the Director of Operations at Pestana Hotels & Resorts in Portugal. Rosewood appointed Frederic Vidal the Managing Director of Las Ventanas al Paraíso in 2014. Previously he was Managing Director for YOSH Hospitality, a company managing palaces and villas in the United Arab Emirates.

 

Compiled by Dick Johnson, November 2019

Las Ventanas al Paraiso "The windows to Paradise"

Km 19.5 Carretera Transpeninsular

Cabo San Lucas, San Jose del Cabo - MEXICO

 

In the 1970's the Mexican government designated "hot spots" for tourism development including Cancun, Ixtapa and Los Cabos. Los Cabos, which means the Capes has twin towns of Cabo San Lucas and San Jose del Cabo which are separated by 20 miles of beach coast line. Mexican developer Javier Burillo Azcarraga acquired eighteen undeveloped acres at Cabo San Lucas in the early 90's. He envisioned for the site a unique, super-luxury, boutique hotel that would stand out from the crowd and reflect Baja's indigenous culture and landscape. He brought in Atlanta-based architect and developer Hal Thannisch, Jr. to create the master plan and orchestrate the design, construction, financing, and ultimate operation of the completed resort. Thannisch hired HKS Architects of Dallas to provide architectural services, and they in turn, retained The SWA Group of Dallas to create the site plan and landscape architecture. The SWA Group developed the Las Ventanas landscape which blends the natural desert environment with the sensuality of the Mexican-style architecture to enhance the resort’s sense of authenticity. Construction began in December 1995, and the five-star Las Ventanas al Paraiso, or "Windows to Paradise," welcomed its first guests in July 1997. When guests enter Las Ventanas, they don't see all the buildings at once. Rather, the resort gradually reveals itself as guests walk down to the sea. The site plan radiates out from the open-air lobby, and every guest suite has a view of the blue Sea of Cortez. The resort resembles a small, sand and earth-colored Mexican village. The hotels opening rate was $325 a night. The 61-room Las Ventanas al Paraiso claims to have the longest celebrity client list of any hotel in the world. The discreet resort does not have a sign outside on Highway 1. Zen-inspired raked-sand entrance opens to beach views from the restaurant, private rooftop patios, and infinity-edge pools, where super-attentive pool butlers clean your smudged sunglasses and provide unlimited towel service. All over-sized guestrooms have pebble-inlaid headboards, hand-carved cedar doors, wood-burning fireplaces, and telescopes for stargazing.

 

Javier Burillo belongs to the Azcárraga family, owner of Televisa. He is the son of Carmela Azcárraga Milmo, sister of the late Emilio Azcárraga Milmo and daughter of Emilio Azcárraga Vidaurreta, founder of Televicentro, now Televisa. Grupo Televisa, S.A.B. is a Mexican multimedia company and the largest in Latin America and the Spanish-speaking world (Univision in the United States). The company has been led and owned by three generations of Azcárraga. Javier Burillo inherited the Ritz Acapulco Hotel from his grandfather. In 1999 he and Rosewood's Hal Thannisch proposed a $62 million, 105-room Rosewood Resort in Sonoma, CA which failed to get city's approval.

 

Thannisch Development Services, Inc. (TDS) specializes in complex issues of development planning, financing, interdisciplinary management, design management and implementation. Thannisch was directly responsible for the renovation of the historic Cogswell College building now the Ritz Carlton San Francisco and the redevelopment of the Mahogany Run Resort, St. Thomas, USVI. In 1985, Thannisch joined Caroline Hunt's Rosewood Hotel Group as vice president, development. Based in Dallas, he was immersed in the development of the Hotel Hana-Maui at Hana Ranch and The Hotel on the Old Course, St. Andrews, Scotland. In 1989, the Ritz-Carlton Hotel Company called on his experience to manage the feasibility, pre-development, development and construction of the Ritz-Carlton Aspen, Hotel Arts Barcelona, Spain. Thannisch brought to Rosewood its first Mexico project, Las Ventanas which has emerged as a premier five-star resort in all of Mexico.

 

Las Ventanas al Paraíso became the first world-class resort in Los Cabos under hotelier Edward Steiner who served the hotel from opening to 2008. The resort achieved AAA Five Diamond status under his leadership.

 

In December 2003 Paraiso Los Cabos, S.A. de C.V. sold Las Ventana al Paraiso to Dallas based JTL Capital in partnership with Farallon Capital Management L.L.C.for an undisclosed price. Rosewood Hotels & Resorts agreed to a long-term contract to continue management of the resort. The purchase also included land entitled for up to 30 additional villa residences as well as an unfinished Phase IV building containing 8 premier villas that JTL Capital will finish constructing in September of 2004. The transaction was a first for JTL in Mexico. Morgan Stanley Mortgage Capital provided the financing. JTL Capital, L.L.C. is a closely held, real estate investment and development concern founded in 1999 by David A. Lane and Mark J. Sullivan. JTL Capital employs a "buy and enhance" strategy that produces attractive risk-adjusted returns.

 

In September 2004 Ty Warner Hotels & Resorts, LLC purchased the 61-room Las Ventanas al Paraíso Resort from Dallas-based JTL Capital, LLC. According to Ty Warner, the goal is to extend and enhance the beauty and amenities at the resort. Warner believed the essential component to achieving that goal is in Rosewood Hotels & Resorts' continued operation of the resort. Ty Warner is an American billionaire who created the 1990s stuffed toy fad - Beanie Babies. At the peak of the Beanie craze in 1999, the privately owned Ty Inc. is believed to have earned over $700 million in profits in a year. The Beanie Babies phenomenon, coupled with the rise of the Internet, is cited as elevating Warner to billionaire status. Ty Warner Hotel and Resort Properties include: Four Seasons Resort The Biltmore Santa Barbara, CA, Four Seasons Hotel New York, NY and San Ysidro Ranch, Montecito, CA.

 

Managing Directors since Edward Steiner include: Lionel Alvarez appointed Managing Director in 2008. He previously was General Manager at at Aquapura Vale Do Douro Hotel, Portugal. Martein van Wagenberg was appointed managing director of Las Ventanas in 2011. He previously was at Rosewood Little Dix Bay in Virgin Gorda. In 2014 Rosewood named Mário Candeias the managing director of Las Ventanas. He was the Director of Operations at Pestana Hotels & Resorts in Portugal. Rosewood appointed Frederic Vidal the Managing Director of Las Ventanas al Paraíso in 2014. Previously he was Managing Director for YOSH Hospitality, a company managing palaces and villas in the United Arab Emirates.

 

Compiled by Dick Johnson, November 2019

Patsy saw my TEDXRVA shots and inquired about me. Right after we met, she asked me to shoot her wedding. Both weddings I've shot have just fallen into my lap. For the engagement shots, they wanted it done in the comfort of their home so I orchestrated several scenarios, and this was the result.

Emerson Stage presents

INTO THE WOODS

Music and Lyrics by Stephen Sondheim

Book by James Lapine

Originally Directed on Broadway by James Lapine

Orchestrations by Jonathan Tunick

Directed by Scott LaFeber

Music Direction by Jonathan Goldberg

Original Broadway Production by Heidi Landesman, Rocco Landesman, Rick Steiner, M. Anthony Fisher, Frederic H. Mayerson, and Jujamcyn Theaters

Originally produced by the Old Globe Theater, San Diego, CA.

April 14 & 16, 2022

Cutler Majestic Theatre

Emerson College

Boston, MA

Scenic Design by LUCIANA STECCONI and JORDAN BARNETT

Projects Design by ALEX BASCO KOCH and PIPER PHILLIPS

Props Lead: LAUREN CORCUERA

Costume Design by MOLLY SHAUGHNESSY

Lighting Design by TALIA ELISE & GRACE TUCHMAN

Sound Design by MEGAN CULLEY

Stage Manager: SOPHIE KLOKINIS

Dramaturg: CIARA BERARDI

Cast: ROBERTA ALAMAN, LUCAS BABCOCK, JONAH BARRICKLO, OLIVIA BODLEY, NAJA NICOLE BROWN, JAKE COLLINS, DENNIS DIZON, CEDRICK EKRA, MARCO GIACONA, ISABEL GINSBERG, EMERSON HART, HAWA KAMARA, ELLIANA KARRIS, EMILY KILBOURNE, KARLEY KRICKMIER, ANTHONY LAFORNARA, BRENDAN MASSAR, MORGAN MCMILLIN, ZOEY SCHORSCH, ELLA SHAW, BEATRICE STEUER, AMANDA VAZQUEZ, ANANIA WILLIAMS, ISABELLE WISDOM, ZEHAVA YOUNGER

Orchestra: MICHAEL BELLOFATTO, LISA BROOKE, DAVID BURDETT, MAXWELL CONNOR, JACQUELINE DEVOE, KATE FOSS, JONATHAN GOLDBERG, CLARA KEBABIAN, DOUGLAS LIPPINCOTT, SALLY MERRIMAN, CAMERON SAWZIN, JENNIFER SHALLENBERGER, EMMA STAUDACHER, LOUIS TOTH, NORALEE WALKER

All photos by Craig Bailey/Perspective Photo

More information: www.emersonstage.org/into-the-woods

Emerson Stage presents

INTO THE WOODS

Music and Lyrics by Stephen Sondheim

Book by James Lapine

Originally Directed on Broadway by James Lapine

Orchestrations by Jonathan Tunick

Directed by Scott LaFeber

Music Direction by Jonathan Goldberg

Original Broadway Production by Heidi Landesman, Rocco Landesman, Rick Steiner, M. Anthony Fisher, Frederic H. Mayerson, and Jujamcyn Theaters

Originally produced by the Old Globe Theater, San Diego, CA.

April 14 & 16, 2022

Cutler Majestic Theatre

Emerson College

Boston, MA

Scenic Design by LUCIANA STECCONI and JORDAN BARNETT

Projects Design by ALEX BASCO KOCH and PIPER PHILLIPS

Props Lead: LAUREN CORCUERA

Costume Design by MOLLY SHAUGHNESSY

Lighting Design by TALIA ELISE & GRACE TUCHMAN

Sound Design by MEGAN CULLEY

Stage Manager: SOPHIE KLOKINIS

Dramaturg: CIARA BERARDI

Cast: ROBERTA ALAMAN, LUCAS BABCOCK, JONAH BARRICKLO, OLIVIA BODLEY, NAJA NICOLE BROWN, JAKE COLLINS, DENNIS DIZON, CEDRICK EKRA, MARCO GIACONA, ISABEL GINSBERG, EMERSON HART, HAWA KAMARA, ELLIANA KARRIS, EMILY KILBOURNE, KARLEY KRICKMIER, ANTHONY LAFORNARA, BRENDAN MASSAR, MORGAN MCMILLIN, ZOEY SCHORSCH, ELLA SHAW, BEATRICE STEUER, AMANDA VAZQUEZ, ANANIA WILLIAMS, ISABELLE WISDOM, ZEHAVA YOUNGER

Orchestra: MICHAEL BELLOFATTO, LISA BROOKE, DAVID BURDETT, MAXWELL CONNOR, JACQUELINE DEVOE, KATE FOSS, JONATHAN GOLDBERG, CLARA KEBABIAN, DOUGLAS LIPPINCOTT, SALLY MERRIMAN, CAMERON SAWZIN, JENNIFER SHALLENBERGER, EMMA STAUDACHER, LOUIS TOTH, NORALEE WALKER

All photos by Craig Bailey/Perspective Photo

More information: www.emersonstage.org/into-the-woods

Las Ventanas al Paraiso "The windows to Paradise"

Km 19.5 Carretera Transpeninsular

Cabo San Lucas, San Jose del Cabo - MEXICO

 

In the 1970's the Mexican government designated "hot spots" for tourism development including Cancun, Ixtapa and Los Cabos. Los Cabos, which means the Capes has twin towns of Cabo San Lucas and San Jose del Cabo which are separated by 20 miles of beach coast line. Mexican developer Javier Burillo Azcarraga acquired eighteen undeveloped acres at Cabo San Lucas in the early 90's. He envisioned for the site a unique, super-luxury, boutique hotel that would stand out from the crowd and reflect Baja's indigenous culture and landscape. He brought in Atlanta-based architect and developer Hal Thannisch, Jr. to create the master plan and orchestrate the design, construction, financing, and ultimate operation of the completed resort. Thannisch hired HKS Architects of Dallas to provide architectural services, and they in turn, retained The SWA Group of Dallas to create the site plan and landscape architecture. The SWA Group developed the Las Ventanas landscape which blends the natural desert environment with the sensuality of the Mexican-style architecture to enhance the resort’s sense of authenticity. Construction began in December 1995, and the five-star Las Ventanas al Paraiso, or "Windows to Paradise," welcomed its first guests in July 1997. When guests enter Las Ventanas, they don't see all the buildings at once. Rather, the resort gradually reveals itself as guests walk down to the sea. The site plan radiates out from the open-air lobby, and every guest suite has a view of the blue Sea of Cortez. The resort resembles a small, sand and earth-colored Mexican village. The hotels opening rate was $325 a night. The 61-room Las Ventanas al Paraiso claims to have the longest celebrity client list of any hotel in the world. The discreet resort does not have a sign outside on Highway 1. Zen-inspired raked-sand entrance opens to beach views from the restaurant, private rooftop patios, and infinity-edge pools, where super-attentive pool butlers clean your smudged sunglasses and provide unlimited towel service. All over-sized guestrooms have pebble-inlaid headboards, hand-carved cedar doors, wood-burning fireplaces, and telescopes for stargazing.

 

Javier Burillo belongs to the Azcárraga family, owner of Televisa. He is the son of Carmela Azcárraga Milmo, sister of the late Emilio Azcárraga Milmo and daughter of Emilio Azcárraga Vidaurreta, founder of Televicentro, now Televisa. Grupo Televisa, S.A.B. is a Mexican multimedia company and the largest in Latin America and the Spanish-speaking world (Univision in the United States). The company has been led and owned by three generations of Azcárraga. Javier Burillo inherited the Ritz Acapulco Hotel from his grandfather. In 1999 he and Rosewood's Hal Thannisch proposed a $62 million, 105-room Rosewood Resort in Sonoma, CA which failed to get city's approval.

 

Thannisch Development Services, Inc. (TDS) specializes in complex issues of development planning, financing, interdisciplinary management, design management and implementation. Thannisch was directly responsible for the renovation of the historic Cogswell College building now the Ritz Carlton San Francisco and the redevelopment of the Mahogany Run Resort, St. Thomas, USVI. In 1985, Thannisch joined Caroline Hunt's Rosewood Hotel Group as vice president, development. Based in Dallas, he was immersed in the development of the Hotel Hana-Maui at Hana Ranch and The Hotel on the Old Course, St. Andrews, Scotland. In 1989, the Ritz-Carlton Hotel Company called on his experience to manage the feasibility, pre-development, development and construction of the Ritz-Carlton Aspen, Hotel Arts Barcelona, Spain. Thannisch brought to Rosewood its first Mexico project, Las Ventanas which has emerged as a premier five-star resort in all of Mexico.

 

Las Ventanas al Paraíso became the first world-class resort in Los Cabos under hotelier Edward Steiner who served the hotel from opening to 2008. The resort achieved AAA Five Diamond status under his leadership.

 

In December 2003 Paraiso Los Cabos, S.A. de C.V. sold Las Ventana al Paraiso to Dallas based JTL Capital in partnership with Farallon Capital Management L.L.C.for an undisclosed price. Rosewood Hotels & Resorts agreed to a long-term contract to continue management of the resort. The purchase also included land entitled for up to 30 additional villa residences as well as an unfinished Phase IV building containing 8 premier villas that JTL Capital will finish constructing in September of 2004. The transaction was a first for JTL in Mexico. Morgan Stanley Mortgage Capital provided the financing. JTL Capital, L.L.C. is a closely held, real estate investment and development concern founded in 1999 by David A. Lane and Mark J. Sullivan. JTL Capital employs a "buy and enhance" strategy that produces attractive risk-adjusted returns.

 

In September 2004 Ty Warner Hotels & Resorts, LLC purchased the 61-room Las Ventanas al Paraíso Resort from Dallas-based JTL Capital, LLC. According to Ty Warner, the goal is to extend and enhance the beauty and amenities at the resort. Warner believed the essential component to achieving that goal is in Rosewood Hotels & Resorts' continued operation of the resort. Ty Warner is an American billionaire who created the 1990s stuffed toy fad - Beanie Babies. At the peak of the Beanie craze in 1999, the privately owned Ty Inc. is believed to have earned over $700 million in profits in a year. The Beanie Babies phenomenon, coupled with the rise of the Internet, is cited as elevating Warner to billionaire status. Ty Warner Hotel and Resort Properties include: Four Seasons Resort The Biltmore Santa Barbara, CA, Four Seasons Hotel New York, NY and San Ysidro Ranch, Montecito, CA.

 

Managing Directors since Edward Steiner include: Lionel Alvarez appointed Managing Director in 2008. He previously was General Manager at at Aquapura Vale Do Douro Hotel, Portugal. Martein van Wagenberg was appointed managing director of Las Ventanas in 2011. He previously was at Rosewood Little Dix Bay in Virgin Gorda. In 2014 Rosewood named Mário Candeias the managing director of Las Ventanas. He was the Director of Operations at Pestana Hotels & Resorts in Portugal. Rosewood appointed Frederic Vidal the Managing Director of Las Ventanas al Paraíso in 2014. Previously he was Managing Director for YOSH Hospitality, a company managing palaces and villas in the United Arab Emirates.

 

Compiled by Dick Johnson, November 2019

Alex, Daniel, and Joe.

 

On our way back from the ”Outback” I decided we need a photo. Mostly orchestrated by Alex, this is what turns out. A fictional band-photo.

Pre-production Photos

 

35mm: A Musical Exhibition

October 26, 2018 to October 28, 2018

 

Friday, October 26, 2018, 8:00 PM

Saturday, October 27, 2018, 8:00 PM

Sunday, October 28, 2018, 2:00 PM

 

Corthell Concert Hall, USM Gorham Campus

$15 adult, $10 seniors, USM employees and alumni, $5 students.

  

Music and Lyrics by Ryan Scott Oliver

Based on Photographs by Matthew Murphy

Vocal Arrangements and Orchestrations by Ryan Scott Oliver

Additional Percussion arrangements by Jeremy Yaddaw

Additional Guitar arrangements by Matt Hinkley

Directed by Edward Reichert

 

A picture is worth 1,000 words - what about a song? In 35mm: A Musical Exhibition, each photo creates a unique song, moments frozen in time; a glimmer of a life unfolding, a glimpse of something happening. The University of Southern Maine School of Music fall musical theatre production is part concert, part exhibition, part poetry jam, part performance art...an intricately woven collection of stories that re-imagines what the modern American musical can be.

 

Three performances take place in Corthell Concert Hall on the Gorham campus on Friday, October 26 and Saturday, October 27 at 8 p.m., and Sunday, October 28 at 2 p.m. Tickets are $15 for the general public, $10 for seniors, USM alumni and employees, and $5 for students. They can be purchased online at usm.maine.edu/music/boxoffice, by phone at (207) 780-5555, or at the door.

 

The show is sponsored by Saco & Biddeford Savings Institution.

 

Art moves and touches people in different ways. The stories told through song in 35mm are all based on or inspired by the eclectic photography of Matthew Murphy. Composer Ryan Scott Oliver provides us with a collection of stories and photographs about life: gorgeous songs about love and loss, more complex issues like insanity, abuse...and some humor too. Oliver states, “it covers a wide range of experiences and sensations.” This show is recommended for mature audiences.

 

The show’s director, Ed Reichert says, “The score is fascinating to me because it covers so many genres such as rock, gospel, country, pop, and musical comedy. Ryan Scott Oliver openly talks about some of his creative influences including Lady Gaga, The Scissor Sisters, Schubert, and Rufus Wainwright. He is equally inspired by the likes of Quentin Tarantino, Stephen King, and Stephen Sondheim.” Reichert adds, “With Halloween just around the corner, at least three of the songs are timely: Leave, Luanne (a Southern Gothic Ghost Story), Twisted Teeth (a duet between two vampires), and The Ballad of Sara Berry (think prom queen...).”

 

The cast includes: Samuel Allen (Harpswell), Matthew Boyd (Medford, NJ), Andrew Carney (Millinocket), Mikayla Clifford (Yarmouth), Noli French (New Gloucester), Aaron Kircheis (Bucksport), Katie Lind (Standish), Ayann Main (Wiscasset), Megan Mayfield (Marlborough, MA), Miles Obrey (Gorham), Alyssa Pearl-Ross (Sangerville), Victoria Stackpole (Biddeford), March Steiger (Buxton), Ben Walker-Dubay (Kennebunk), Megan Walz (Portland), Meg Ward (Bangor), Abby White (Dalton, Mass.).

 

The band includes Lynnea Harding, associate music director, violin and viola; Catherine Begin, cello; Jake Cooper, guitar; Shannon Allen, bass; Sam Smith, drums, and Ed Reichert on piano.

 

Those needing special accommodations to participate fully in this program, contact Lori Arsenault, (207) 780-5142, loria@maine.edu. Hearing impaired: call USM's telex / TDD number (207) 780-5646.

 

35mm: A Musical Exhibition is presented by special arrangement with SAMUEL FRENCH, INC.

Las Ventanas al Paraiso "The windows to Paradise"

Km 19.5 Carretera Transpeninsular

Cabo San Lucas, San Jose del Cabo - MEXICO

 

In the 1970's the Mexican government designated "hot spots" for tourism development including Cancun, Ixtapa and Los Cabos. Los Cabos, which means the Capes has twin towns of Cabo San Lucas and San Jose del Cabo which are separated by 20 miles of beach coast line. Mexican developer Javier Burillo Azcarraga acquired eighteen undeveloped acres at Cabo San Lucas in the early 90's. He envisioned for the site a unique, super-luxury, boutique hotel that would stand out from the crowd and reflect Baja's indigenous culture and landscape. He brought in Atlanta-based architect and developer Hal Thannisch, Jr. to create the master plan and orchestrate the design, construction, financing, and ultimate operation of the completed resort. Thannisch hired HKS Architects of Dallas to provide architectural services, and they in turn, retained The SWA Group of Dallas to create the site plan and landscape architecture. The SWA Group developed the Las Ventanas landscape which blends the natural desert environment with the sensuality of the Mexican-style architecture to enhance the resort’s sense of authenticity. Construction began in December 1995, and the five-star Las Ventanas al Paraiso, or "Windows to Paradise," welcomed its first guests in July 1997. When guests enter Las Ventanas, they don't see all the buildings at once. Rather, the resort gradually reveals itself as guests walk down to the sea. The site plan radiates out from the open-air lobby, and every guest suite has a view of the blue Sea of Cortez. The resort resembles a small, sand and earth-colored Mexican village. The hotels opening rate was $325 a night. The 61-room Las Ventanas al Paraiso claims to have the longest celebrity client list of any hotel in the world. The discreet resort does not have a sign outside on Highway 1. Zen-inspired raked-sand entrance opens to beach views from the restaurant, private rooftop patios, and infinity-edge pools, where super-attentive pool butlers clean your smudged sunglasses and provide unlimited towel service. All over-sized guestrooms have pebble-inlaid headboards, hand-carved cedar doors, wood-burning fireplaces, and telescopes for stargazing.

 

Javier Burillo belongs to the Azcárraga family, owner of Televisa. He is the son of Carmela Azcárraga Milmo, sister of the late Emilio Azcárraga Milmo and daughter of Emilio Azcárraga Vidaurreta, founder of Televicentro, now Televisa. Grupo Televisa, S.A.B. is a Mexican multimedia company and the largest in Latin America and the Spanish-speaking world (Univision in the United States). The company has been led and owned by three generations of Azcárraga. Javier Burillo inherited the Ritz Acapulco Hotel from his grandfather. In 1999 he and Rosewood's Hal Thannisch proposed a $62 million, 105-room Rosewood Resort in Sonoma, CA which failed to get city's approval.

 

Thannisch Development Services, Inc. (TDS) specializes in complex issues of development planning, financing, interdisciplinary management, design management and implementation. Thannisch was directly responsible for the renovation of the historic Cogswell College building now the Ritz Carlton San Francisco and the redevelopment of the Mahogany Run Resort, St. Thomas, USVI. In 1985, Thannisch joined Caroline Hunt's Rosewood Hotel Group as vice president, development. Based in Dallas, he was immersed in the development of the Hotel Hana-Maui at Hana Ranch and The Hotel on the Old Course, St. Andrews, Scotland. In 1989, the Ritz-Carlton Hotel Company called on his experience to manage the feasibility, pre-development, development and construction of the Ritz-Carlton Aspen, Hotel Arts Barcelona, Spain. Thannisch brought to Rosewood its first Mexico project, Las Ventanas which has emerged as a premier five-star resort in all of Mexico.

 

Las Ventanas al Paraíso became the first world-class resort in Los Cabos under hotelier Edward Steiner who served the hotel from opening to 2008. The resort achieved AAA Five Diamond status under his leadership.

 

In December 2003 Paraiso Los Cabos, S.A. de C.V. sold Las Ventana al Paraiso to Dallas based JTL Capital in partnership with Farallon Capital Management L.L.C.for an undisclosed price. Rosewood Hotels & Resorts agreed to a long-term contract to continue management of the resort. The purchase also included land entitled for up to 30 additional villa residences as well as an unfinished Phase IV building containing 8 premier villas that JTL Capital will finish constructing in September of 2004. The transaction was a first for JTL in Mexico. Morgan Stanley Mortgage Capital provided the financing. JTL Capital, L.L.C. is a closely held, real estate investment and development concern founded in 1999 by David A. Lane and Mark J. Sullivan. JTL Capital employs a "buy and enhance" strategy that produces attractive risk-adjusted returns.

 

In September 2004 Ty Warner Hotels & Resorts, LLC purchased the 61-room Las Ventanas al Paraíso Resort from Dallas-based JTL Capital, LLC. According to Ty Warner, the goal is to extend and enhance the beauty and amenities at the resort. Warner believed the essential component to achieving that goal is in Rosewood Hotels & Resorts' continued operation of the resort. Ty Warner is an American billionaire who created the 1990s stuffed toy fad - Beanie Babies. At the peak of the Beanie craze in 1999, the privately owned Ty Inc. is believed to have earned over $700 million in profits in a year. The Beanie Babies phenomenon, coupled with the rise of the Internet, is cited as elevating Warner to billionaire status. Ty Warner Hotel and Resort Properties include: Four Seasons Resort The Biltmore Santa Barbara, CA, Four Seasons Hotel New York, NY and San Ysidro Ranch, Montecito, CA.

 

Managing Directors since Edward Steiner include: Lionel Alvarez appointed Managing Director in 2008. He previously was General Manager at at Aquapura Vale Do Douro Hotel, Portugal. Martein van Wagenberg was appointed managing director of Las Ventanas in 2011. He previously was at Rosewood Little Dix Bay in Virgin Gorda. In 2014 Rosewood named Mário Candeias the managing director of Las Ventanas. He was the Director of Operations at Pestana Hotels & Resorts in Portugal. Rosewood appointed Frederic Vidal the Managing Director of Las Ventanas al Paraíso in 2014. Previously he was Managing Director for YOSH Hospitality, a company managing palaces and villas in the United Arab Emirates.

 

Compiled by Dick Johnson, November 2019

Las Ventanas al Paraiso "The windows to Paradise"

Km 19.5 Carretera Transpeninsular

Cabo San Lucas, San Jose del Cabo - MEXICO

 

In the 1970's the Mexican government designated "hot spots" for tourism development including Cancun, Ixtapa and Los Cabos. Los Cabos, which means the Capes has twin towns of Cabo San Lucas and San Jose del Cabo which are separated by 20 miles of beach coast line. Mexican developer Javier Burillo Azcarraga acquired eighteen undeveloped acres at Cabo San Lucas in the early 90's. He envisioned for the site a unique, super-luxury, boutique hotel that would stand out from the crowd and reflect Baja's indigenous culture and landscape. He brought in Atlanta-based architect and developer Hal Thannisch, Jr. to create the master plan and orchestrate the design, construction, financing, and ultimate operation of the completed resort. Thannisch hired HKS Architects of Dallas to provide architectural services, and they in turn, retained The SWA Group of Dallas to create the site plan and landscape architecture. The SWA Group developed the Las Ventanas landscape which blends the natural desert environment with the sensuality of the Mexican-style architecture to enhance the resort’s sense of authenticity. Construction began in December 1995, and the five-star Las Ventanas al Paraiso, or "Windows to Paradise," welcomed its first guests in July 1997. When guests enter Las Ventanas, they don't see all the buildings at once. Rather, the resort gradually reveals itself as guests walk down to the sea. The site plan radiates out from the open-air lobby, and every guest suite has a view of the blue Sea of Cortez. The resort resembles a small, sand and earth-colored Mexican village. The hotels opening rate was $325 a night. The 61-room Las Ventanas al Paraiso claims to have the longest celebrity client list of any hotel in the world. The discreet resort does not have a sign outside on Highway 1. Zen-inspired raked-sand entrance opens to beach views from the restaurant, private rooftop patios, and infinity-edge pools, where super-attentive pool butlers clean your smudged sunglasses and provide unlimited towel service. All over-sized guestrooms have pebble-inlaid headboards, hand-carved cedar doors, wood-burning fireplaces, and telescopes for stargazing.

 

Javier Burillo belongs to the Azcárraga family, owner of Televisa. He is the son of Carmela Azcárraga Milmo, sister of the late Emilio Azcárraga Milmo and daughter of Emilio Azcárraga Vidaurreta, founder of Televicentro, now Televisa. Grupo Televisa, S.A.B. is a Mexican multimedia company and the largest in Latin America and the Spanish-speaking world (Univision in the United States). The company has been led and owned by three generations of Azcárraga. Javier Burillo inherited the Ritz Acapulco Hotel from his grandfather. In 1999 he and Rosewood's Hal Thannisch proposed a $62 million, 105-room Rosewood Resort in Sonoma, CA which failed to get city's approval.

 

Thannisch Development Services, Inc. (TDS) specializes in complex issues of development planning, financing, interdisciplinary management, design management and implementation. Thannisch was directly responsible for the renovation of the historic Cogswell College building now the Ritz Carlton San Francisco and the redevelopment of the Mahogany Run Resort, St. Thomas, USVI. In 1985, Thannisch joined Caroline Hunt's Rosewood Hotel Group as vice president, development. Based in Dallas, he was immersed in the development of the Hotel Hana-Maui at Hana Ranch and The Hotel on the Old Course, St. Andrews, Scotland. In 1989, the Ritz-Carlton Hotel Company called on his experience to manage the feasibility, pre-development, development and construction of the Ritz-Carlton Aspen, Hotel Arts Barcelona, Spain. Thannisch brought to Rosewood its first Mexico project, Las Ventanas which has emerged as a premier five-star resort in all of Mexico.

 

Las Ventanas al Paraíso became the first world-class resort in Los Cabos under hotelier Edward Steiner who served the hotel from opening to 2008. The resort achieved AAA Five Diamond status under his leadership.

 

In December 2003 Paraiso Los Cabos, S.A. de C.V. sold Las Ventana al Paraiso to Dallas based JTL Capital in partnership with Farallon Capital Management L.L.C.for an undisclosed price. Rosewood Hotels & Resorts agreed to a long-term contract to continue management of the resort. The purchase also included land entitled for up to 30 additional villa residences as well as an unfinished Phase IV building containing 8 premier villas that JTL Capital will finish constructing in September of 2004. The transaction was a first for JTL in Mexico. Morgan Stanley Mortgage Capital provided the financing. JTL Capital, L.L.C. is a closely held, real estate investment and development concern founded in 1999 by David A. Lane and Mark J. Sullivan. JTL Capital employs a "buy and enhance" strategy that produces attractive risk-adjusted returns.

 

In September 2004 Ty Warner Hotels & Resorts, LLC purchased the 61-room Las Ventanas al Paraíso Resort from Dallas-based JTL Capital, LLC. According to Ty Warner, the goal is to extend and enhance the beauty and amenities at the resort. Warner believed the essential component to achieving that goal is in Rosewood Hotels & Resorts' continued operation of the resort. Ty Warner is an American billionaire who created the 1990s stuffed toy fad - Beanie Babies. At the peak of the Beanie craze in 1999, the privately owned Ty Inc. is believed to have earned over $700 million in profits in a year. The Beanie Babies phenomenon, coupled with the rise of the Internet, is cited as elevating Warner to billionaire status. Ty Warner Hotel and Resort Properties include: Four Seasons Resort The Biltmore Santa Barbara, CA, Four Seasons Hotel New York, NY and San Ysidro Ranch, Montecito, CA.

 

Managing Directors since Edward Steiner include: Lionel Alvarez appointed Managing Director in 2008. He previously was General Manager at at Aquapura Vale Do Douro Hotel, Portugal. Martein van Wagenberg was appointed managing director of Las Ventanas in 2011. He previously was at Rosewood Little Dix Bay in Virgin Gorda. In 2014 Rosewood named Mário Candeias the managing director of Las Ventanas. He was the Director of Operations at Pestana Hotels & Resorts in Portugal. Rosewood appointed Frederic Vidal the Managing Director of Las Ventanas al Paraíso in 2014. Previously he was Managing Director for YOSH Hospitality, a company managing palaces and villas in the United Arab Emirates.

 

Compiled by Dick Johnson, November 2019

The ground crew helps direct excavation equipment to fill the large trench spanning all lanes of SR 520.

MuCEM + Fort Saint-Jean, Marseille, France - 2013 -Architects: Rudy Ricciotti and C+T architecture

Views, sea, sun, a mineral quality, which all must be orchestrated by a program that will become federal and cognitive. First of all a perfect square of 72 m per side, it is a classic plan, Latin, under the control of Pythagoras. Within this square, another of 52 m per side, comprising the exhibition and conference halls identified as the heart of the museum.

Around, above and below are the service areas. But between these areas and the heart, openings entirely bypass the central square and form interconnected spaces. More interested by the views of the fort, the sea or the port, the culturally overwhelmed visitor will choose this route. Along two interlacing ramps, he will then plunge into the imaginary of the tower of Babel or of a ziggurat in order to climb up to the rooftop and on to Fort Saint- Jean. This peripheral loop will be a free breathe, enveloped by the smells of the sea from the proximity to the moats, a pause to dispel any lingering doubts about the use of the history of our civilizations. The MuCEM will be a vertical Casbah.

The tectonic choice of an exceptional concrete coming from the latest research by French industry, reducing the dimensions to little more than skin and bones, will affirm a mineral script under the high ramparts of Fort Saint-Jean. This sole material in the colour of dust, matt, crushed by the light, distant from the brilliance and technological consumerism, will commend the dense and the delicate. The MuCEM sees itself evanescent in a landscape of stone and Orientalist through its fanning shadows.

 

Las Ventanas al Paraiso "The windows to Paradise"

Km 19.5 Carretera Transpeninsular

Cabo San Lucas, San Jose del Cabo - MEXICO

 

In the 1970's the Mexican government designated "hot spots" for tourism development including Cancun, Ixtapa and Los Cabos. Los Cabos, which means the Capes has twin towns of Cabo San Lucas and San Jose del Cabo which are separated by 20 miles of beach coast line. Mexican developer Javier Burillo Azcarraga acquired eighteen undeveloped acres at Cabo San Lucas in the early 90's. He envisioned for the site a unique, super-luxury, boutique hotel that would stand out from the crowd and reflect Baja's indigenous culture and landscape. He brought in Atlanta-based architect and developer Hal Thannisch, Jr. to create the master plan and orchestrate the design, construction, financing, and ultimate operation of the completed resort. Thannisch hired HKS Architects of Dallas to provide architectural services, and they in turn, retained The SWA Group of Dallas to create the site plan and landscape architecture. The SWA Group developed the Las Ventanas landscape which blends the natural desert environment with the sensuality of the Mexican-style architecture to enhance the resort’s sense of authenticity. Construction began in December 1995, and the five-star Las Ventanas al Paraiso, or "Windows to Paradise," welcomed its first guests in July 1997. When guests enter Las Ventanas, they don't see all the buildings at once. Rather, the resort gradually reveals itself as guests walk down to the sea. The site plan radiates out from the open-air lobby, and every guest suite has a view of the blue Sea of Cortez. The resort resembles a small, sand and earth-colored Mexican village. The hotels opening rate was $325 a night. The 61-room Las Ventanas al Paraiso claims to have the longest celebrity client list of any hotel in the world. The discreet resort does not have a sign outside on Highway 1. Zen-inspired raked-sand entrance opens to beach views from the restaurant, private rooftop patios, and infinity-edge pools, where super-attentive pool butlers clean your smudged sunglasses and provide unlimited towel service. All over-sized guestrooms have pebble-inlaid headboards, hand-carved cedar doors, wood-burning fireplaces, and telescopes for stargazing.

 

Javier Burillo belongs to the Azcárraga family, owner of Televisa. He is the son of Carmela Azcárraga Milmo, sister of the late Emilio Azcárraga Milmo and daughter of Emilio Azcárraga Vidaurreta, founder of Televicentro, now Televisa. Grupo Televisa, S.A.B. is a Mexican multimedia company and the largest in Latin America and the Spanish-speaking world (Univision in the United States). The company has been led and owned by three generations of Azcárraga. Javier Burillo inherited the Ritz Acapulco Hotel from his grandfather. In 1999 he and Rosewood's Hal Thannisch proposed a $62 million, 105-room Rosewood Resort in Sonoma, CA which failed to get city's approval.

 

Thannisch Development Services, Inc. (TDS) specializes in complex issues of development planning, financing, interdisciplinary management, design management and implementation. Thannisch was directly responsible for the renovation of the historic Cogswell College building now the Ritz Carlton San Francisco and the redevelopment of the Mahogany Run Resort, St. Thomas, USVI. In 1985, Thannisch joined Caroline Hunt's Rosewood Hotel Group as vice president, development. Based in Dallas, he was immersed in the development of the Hotel Hana-Maui at Hana Ranch and The Hotel on the Old Course, St. Andrews, Scotland. In 1989, the Ritz-Carlton Hotel Company called on his experience to manage the feasibility, pre-development, development and construction of the Ritz-Carlton Aspen, Hotel Arts Barcelona, Spain. Thannisch brought to Rosewood its first Mexico project, Las Ventanas which has emerged as a premier five-star resort in all of Mexico.

 

Las Ventanas al Paraíso became the first world-class resort in Los Cabos under hotelier Edward Steiner who served the hotel from opening to 2008. The resort achieved AAA Five Diamond status under his leadership.

 

In December 2003 Paraiso Los Cabos, S.A. de C.V. sold Las Ventana al Paraiso to Dallas based JTL Capital in partnership with Farallon Capital Management L.L.C.for an undisclosed price. Rosewood Hotels & Resorts agreed to a long-term contract to continue management of the resort. The purchase also included land entitled for up to 30 additional villa residences as well as an unfinished Phase IV building containing 8 premier villas that JTL Capital will finish constructing in September of 2004. The transaction was a first for JTL in Mexico. Morgan Stanley Mortgage Capital provided the financing. JTL Capital, L.L.C. is a closely held, real estate investment and development concern founded in 1999 by David A. Lane and Mark J. Sullivan. JTL Capital employs a "buy and enhance" strategy that produces attractive risk-adjusted returns.

 

In September 2004 Ty Warner Hotels & Resorts, LLC purchased the 61-room Las Ventanas al Paraíso Resort from Dallas-based JTL Capital, LLC. According to Ty Warner, the goal is to extend and enhance the beauty and amenities at the resort. Warner believed the essential component to achieving that goal is in Rosewood Hotels & Resorts' continued operation of the resort. Ty Warner is an American billionaire who created the 1990s stuffed toy fad - Beanie Babies. At the peak of the Beanie craze in 1999, the privately owned Ty Inc. is believed to have earned over $700 million in profits in a year. The Beanie Babies phenomenon, coupled with the rise of the Internet, is cited as elevating Warner to billionaire status. Ty Warner Hotel and Resort Properties include: Four Seasons Resort The Biltmore Santa Barbara, CA, Four Seasons Hotel New York, NY and San Ysidro Ranch, Montecito, CA.

 

Managing Directors since Edward Steiner include: Lionel Alvarez appointed Managing Director in 2008. He previously was General Manager at at Aquapura Vale Do Douro Hotel, Portugal. Martein van Wagenberg was appointed managing director of Las Ventanas in 2011. He previously was at Rosewood Little Dix Bay in Virgin Gorda. In 2014 Rosewood named Mário Candeias the managing director of Las Ventanas. He was the Director of Operations at Pestana Hotels & Resorts in Portugal. Rosewood appointed Frederic Vidal the Managing Director of Las Ventanas al Paraíso in 2014. Previously he was Managing Director for YOSH Hospitality, a company managing palaces and villas in the United Arab Emirates.

 

Compiled by Dick Johnson, November 2019

Las Ventanas al Paraiso "The windows to Paradise"

Km 19.5 Carretera Transpeninsular

Cabo San Lucas, San Jose del Cabo - MEXICO

 

In the 1970's the Mexican government designated "hot spots" for tourism development including Cancun, Ixtapa and Los Cabos. Los Cabos, which means the Capes has twin towns of Cabo San Lucas and San Jose del Cabo which are separated by 20 miles of beach coast line. Mexican developer Javier Burillo Azcarraga acquired eighteen undeveloped acres at Cabo San Lucas in the early 90's. He envisioned for the site a unique, super-luxury, boutique hotel that would stand out from the crowd and reflect Baja's indigenous culture and landscape. He brought in Atlanta-based architect and developer Hal Thannisch, Jr. to create the master plan and orchestrate the design, construction, financing, and ultimate operation of the completed resort. Thannisch hired HKS Architects of Dallas to provide architectural services, and they in turn, retained The SWA Group of Dallas to create the site plan and landscape architecture. The SWA Group developed the Las Ventanas landscape which blends the natural desert environment with the sensuality of the Mexican-style architecture to enhance the resort’s sense of authenticity. Construction began in December 1995, and the five-star Las Ventanas al Paraiso, or "Windows to Paradise," welcomed its first guests in July 1997. When guests enter Las Ventanas, they don't see all the buildings at once. Rather, the resort gradually reveals itself as guests walk down to the sea. The site plan radiates out from the open-air lobby, and every guest suite has a view of the blue Sea of Cortez. The resort resembles a small, sand and earth-colored Mexican village. The hotels opening rate was $325 a night. The 61-room Las Ventanas al Paraiso claims to have the longest celebrity client list of any hotel in the world. The discreet resort does not have a sign outside on Highway 1. Zen-inspired raked-sand entrance opens to beach views from the restaurant, private rooftop patios, and infinity-edge pools, where super-attentive pool butlers clean your smudged sunglasses and provide unlimited towel service. All over-sized guestrooms have pebble-inlaid headboards, hand-carved cedar doors, wood-burning fireplaces, and telescopes for stargazing.

 

Javier Burillo belongs to the Azcárraga family, owner of Televisa. He is the son of Carmela Azcárraga Milmo, sister of the late Emilio Azcárraga Milmo and daughter of Emilio Azcárraga Vidaurreta, founder of Televicentro, now Televisa. Grupo Televisa, S.A.B. is a Mexican multimedia company and the largest in Latin America and the Spanish-speaking world (Univision in the United States). The company has been led and owned by three generations of Azcárraga. Javier Burillo inherited the Ritz Acapulco Hotel from his grandfather. In 1999 he and Rosewood's Hal Thannisch proposed a $62 million, 105-room Rosewood Resort in Sonoma, CA which failed to get city's approval.

 

Thannisch Development Services, Inc. (TDS) specializes in complex issues of development planning, financing, interdisciplinary management, design management and implementation. Thannisch was directly responsible for the renovation of the historic Cogswell College building now the Ritz Carlton San Francisco and the redevelopment of the Mahogany Run Resort, St. Thomas, USVI. In 1985, Thannisch joined Caroline Hunt's Rosewood Hotel Group as vice president, development. Based in Dallas, he was immersed in the development of the Hotel Hana-Maui at Hana Ranch and The Hotel on the Old Course, St. Andrews, Scotland. In 1989, the Ritz-Carlton Hotel Company called on his experience to manage the feasibility, pre-development, development and construction of the Ritz-Carlton Aspen, Hotel Arts Barcelona, Spain. Thannisch brought to Rosewood its first Mexico project, Las Ventanas which has emerged as a premier five-star resort in all of Mexico.

 

Las Ventanas al Paraíso became the first world-class resort in Los Cabos under hotelier Edward Steiner who served the hotel from opening to 2008. The resort achieved AAA Five Diamond status under his leadership.

 

In December 2003 Paraiso Los Cabos, S.A. de C.V. sold Las Ventana al Paraiso to Dallas based JTL Capital in partnership with Farallon Capital Management L.L.C.for an undisclosed price. Rosewood Hotels & Resorts agreed to a long-term contract to continue management of the resort. The purchase also included land entitled for up to 30 additional villa residences as well as an unfinished Phase IV building containing 8 premier villas that JTL Capital will finish constructing in September of 2004. The transaction was a first for JTL in Mexico. Morgan Stanley Mortgage Capital provided the financing. JTL Capital, L.L.C. is a closely held, real estate investment and development concern founded in 1999 by David A. Lane and Mark J. Sullivan. JTL Capital employs a "buy and enhance" strategy that produces attractive risk-adjusted returns.

 

In September 2004 Ty Warner Hotels & Resorts, LLC purchased the 61-room Las Ventanas al Paraíso Resort from Dallas-based JTL Capital, LLC. According to Ty Warner, the goal is to extend and enhance the beauty and amenities at the resort. Warner believed the essential component to achieving that goal is in Rosewood Hotels & Resorts' continued operation of the resort. Ty Warner is an American billionaire who created the 1990s stuffed toy fad - Beanie Babies. At the peak of the Beanie craze in 1999, the privately owned Ty Inc. is believed to have earned over $700 million in profits in a year. The Beanie Babies phenomenon, coupled with the rise of the Internet, is cited as elevating Warner to billionaire status. Ty Warner Hotel and Resort Properties include: Four Seasons Resort The Biltmore Santa Barbara, CA, Four Seasons Hotel New York, NY and San Ysidro Ranch, Montecito, CA.

 

Managing Directors since Edward Steiner include: Lionel Alvarez appointed Managing Director in 2008. He previously was General Manager at at Aquapura Vale Do Douro Hotel, Portugal. Martein van Wagenberg was appointed managing director of Las Ventanas in 2011. He previously was at Rosewood Little Dix Bay in Virgin Gorda. In 2014 Rosewood named Mário Candeias the managing director of Las Ventanas. He was the Director of Operations at Pestana Hotels & Resorts in Portugal. Rosewood appointed Frederic Vidal the Managing Director of Las Ventanas al Paraíso in 2014. Previously he was Managing Director for YOSH Hospitality, a company managing palaces and villas in the United Arab Emirates.

 

Compiled by Dick Johnson, November 2019

Las Ventanas al Paraiso "The windows to Paradise"

Km 19.5 Carretera Transpeninsular

Cabo San Lucas, San Jose del Cabo - MEXICO

 

In the 1970's the Mexican government designated "hot spots" for tourism development including Cancun, Ixtapa and Los Cabos. Los Cabos, which means the Capes has twin towns of Cabo San Lucas and San Jose del Cabo which are separated by 20 miles of beach coast line. Mexican developer Javier Burillo Azcarraga acquired eighteen undeveloped acres at Cabo San Lucas in the early 90's. He envisioned for the site a unique, super-luxury, boutique hotel that would stand out from the crowd and reflect Baja's indigenous culture and landscape. He brought in Atlanta-based architect and developer Hal Thannisch, Jr. to create the master plan and orchestrate the design, construction, financing, and ultimate operation of the completed resort. Thannisch hired HKS Architects of Dallas to provide architectural services, and they in turn, retained The SWA Group of Dallas to create the site plan and landscape architecture. The SWA Group developed the Las Ventanas landscape which blends the natural desert environment with the sensuality of the Mexican-style architecture to enhance the resort’s sense of authenticity. Construction began in December 1995, and the five-star Las Ventanas al Paraiso, or "Windows to Paradise," welcomed its first guests in July 1997. When guests enter Las Ventanas, they don't see all the buildings at once. Rather, the resort gradually reveals itself as guests walk down to the sea. The site plan radiates out from the open-air lobby, and every guest suite has a view of the blue Sea of Cortez. The resort resembles a small, sand and earth-colored Mexican village. The hotels opening rate was $325 a night. The 61-room Las Ventanas al Paraiso claims to have the longest celebrity client list of any hotel in the world. The discreet resort does not have a sign outside on Highway 1. Zen-inspired raked-sand entrance opens to beach views from the restaurant, private rooftop patios, and infinity-edge pools, where super-attentive pool butlers clean your smudged sunglasses and provide unlimited towel service. All over-sized guestrooms have pebble-inlaid headboards, hand-carved cedar doors, wood-burning fireplaces, and telescopes for stargazing.

 

Javier Burillo belongs to the Azcárraga family, owner of Televisa. He is the son of Carmela Azcárraga Milmo, sister of the late Emilio Azcárraga Milmo and daughter of Emilio Azcárraga Vidaurreta, founder of Televicentro, now Televisa. Grupo Televisa, S.A.B. is a Mexican multimedia company and the largest in Latin America and the Spanish-speaking world (Univision in the United States). The company has been led and owned by three generations of Azcárraga. Javier Burillo inherited the Ritz Acapulco Hotel from his grandfather. In 1999 he and Rosewood's Hal Thannisch proposed a $62 million, 105-room Rosewood Resort in Sonoma, CA which failed to get city's approval.

 

Thannisch Development Services, Inc. (TDS) specializes in complex issues of development planning, financing, interdisciplinary management, design management and implementation. Thannisch was directly responsible for the renovation of the historic Cogswell College building now the Ritz Carlton San Francisco and the redevelopment of the Mahogany Run Resort, St. Thomas, USVI. In 1985, Thannisch joined Caroline Hunt's Rosewood Hotel Group as vice president, development. Based in Dallas, he was immersed in the development of the Hotel Hana-Maui at Hana Ranch and The Hotel on the Old Course, St. Andrews, Scotland. In 1989, the Ritz-Carlton Hotel Company called on his experience to manage the feasibility, pre-development, development and construction of the Ritz-Carlton Aspen, Hotel Arts Barcelona, Spain. Thannisch brought to Rosewood its first Mexico project, Las Ventanas which has emerged as a premier five-star resort in all of Mexico.

 

Las Ventanas al Paraíso became the first world-class resort in Los Cabos under hotelier Edward Steiner who served the hotel from opening to 2008. The resort achieved AAA Five Diamond status under his leadership.

 

In December 2003 Paraiso Los Cabos, S.A. de C.V. sold Las Ventana al Paraiso to Dallas based JTL Capital in partnership with Farallon Capital Management L.L.C.for an undisclosed price. Rosewood Hotels & Resorts agreed to a long-term contract to continue management of the resort. The purchase also included land entitled for up to 30 additional villa residences as well as an unfinished Phase IV building containing 8 premier villas that JTL Capital will finish constructing in September of 2004. The transaction was a first for JTL in Mexico. Morgan Stanley Mortgage Capital provided the financing. JTL Capital, L.L.C. is a closely held, real estate investment and development concern founded in 1999 by David A. Lane and Mark J. Sullivan. JTL Capital employs a "buy and enhance" strategy that produces attractive risk-adjusted returns.

 

In September 2004 Ty Warner Hotels & Resorts, LLC purchased the 61-room Las Ventanas al Paraíso Resort from Dallas-based JTL Capital, LLC. According to Ty Warner, the goal is to extend and enhance the beauty and amenities at the resort. Warner believed the essential component to achieving that goal is in Rosewood Hotels & Resorts' continued operation of the resort. Ty Warner is an American billionaire who created the 1990s stuffed toy fad - Beanie Babies. At the peak of the Beanie craze in 1999, the privately owned Ty Inc. is believed to have earned over $700 million in profits in a year. The Beanie Babies phenomenon, coupled with the rise of the Internet, is cited as elevating Warner to billionaire status. Ty Warner Hotel and Resort Properties include: Four Seasons Resort The Biltmore Santa Barbara, CA, Four Seasons Hotel New York, NY and San Ysidro Ranch, Montecito, CA.

 

Managing Directors since Edward Steiner include: Lionel Alvarez appointed Managing Director in 2008. He previously was General Manager at at Aquapura Vale Do Douro Hotel, Portugal. Martein van Wagenberg was appointed managing director of Las Ventanas in 2011. He previously was at Rosewood Little Dix Bay in Virgin Gorda. In 2014 Rosewood named Mário Candeias the managing director of Las Ventanas. He was the Director of Operations at Pestana Hotels & Resorts in Portugal. Rosewood appointed Frederic Vidal the Managing Director of Las Ventanas al Paraíso in 2014. Previously he was Managing Director for YOSH Hospitality, a company managing palaces and villas in the United Arab Emirates.

 

Compiled by Dick Johnson, November 2019

Las Ventanas al Paraiso "The windows to Paradise"

Km 19.5 Carretera Transpeninsular

Cabo San Lucas, San Jose del Cabo - MEXICO

 

In the 1970's the Mexican government designated "hot spots" for tourism development including Cancun, Ixtapa and Los Cabos. Los Cabos, which means the Capes has twin towns of Cabo San Lucas and San Jose del Cabo which are separated by 20 miles of beach coast line. Mexican developer Javier Burillo Azcarraga acquired eighteen undeveloped acres at Cabo San Lucas in the early 90's. He envisioned for the site a unique, super-luxury, boutique hotel that would stand out from the crowd and reflect Baja's indigenous culture and landscape. He brought in Atlanta-based architect and developer Hal Thannisch, Jr. to create the master plan and orchestrate the design, construction, financing, and ultimate operation of the completed resort. Thannisch hired HKS Architects of Dallas to provide architectural services, and they in turn, retained The SWA Group of Dallas to create the site plan and landscape architecture. The SWA Group developed the Las Ventanas landscape which blends the natural desert environment with the sensuality of the Mexican-style architecture to enhance the resort’s sense of authenticity. Construction began in December 1995, and the five-star Las Ventanas al Paraiso, or "Windows to Paradise," welcomed its first guests in July 1997. When guests enter Las Ventanas, they don't see all the buildings at once. Rather, the resort gradually reveals itself as guests walk down to the sea. The site plan radiates out from the open-air lobby, and every guest suite has a view of the blue Sea of Cortez. The resort resembles a small, sand and earth-colored Mexican village. The hotels opening rate was $325 a night. The 61-room Las Ventanas al Paraiso claims to have the longest celebrity client list of any hotel in the world. The discreet resort does not have a sign outside on Highway 1. Zen-inspired raked-sand entrance opens to beach views from the restaurant, private rooftop patios, and infinity-edge pools, where super-attentive pool butlers clean your smudged sunglasses and provide unlimited towel service. All over-sized guestrooms have pebble-inlaid headboards, hand-carved cedar doors, wood-burning fireplaces, and telescopes for stargazing.

 

Javier Burillo belongs to the Azcárraga family, owner of Televisa. He is the son of Carmela Azcárraga Milmo, sister of the late Emilio Azcárraga Milmo and daughter of Emilio Azcárraga Vidaurreta, founder of Televicentro, now Televisa. Grupo Televisa, S.A.B. is a Mexican multimedia company and the largest in Latin America and the Spanish-speaking world (Univision in the United States). The company has been led and owned by three generations of Azcárraga. Javier Burillo inherited the Ritz Acapulco Hotel from his grandfather. In 1999 he and Rosewood's Hal Thannisch proposed a $62 million, 105-room Rosewood Resort in Sonoma, CA which failed to get city's approval.

 

Thannisch Development Services, Inc. (TDS) specializes in complex issues of development planning, financing, interdisciplinary management, design management and implementation. Thannisch was directly responsible for the renovation of the historic Cogswell College building now the Ritz Carlton San Francisco and the redevelopment of the Mahogany Run Resort, St. Thomas, USVI. In 1985, Thannisch joined Caroline Hunt's Rosewood Hotel Group as vice president, development. Based in Dallas, he was immersed in the development of the Hotel Hana-Maui at Hana Ranch and The Hotel on the Old Course, St. Andrews, Scotland. In 1989, the Ritz-Carlton Hotel Company called on his experience to manage the feasibility, pre-development, development and construction of the Ritz-Carlton Aspen, Hotel Arts Barcelona, Spain. Thannisch brought to Rosewood its first Mexico project, Las Ventanas which has emerged as a premier five-star resort in all of Mexico.

 

Las Ventanas al Paraíso became the first world-class resort in Los Cabos under hotelier Edward Steiner who served the hotel from opening to 2008. The resort achieved AAA Five Diamond status under his leadership.

 

In December 2003 Paraiso Los Cabos, S.A. de C.V. sold Las Ventana al Paraiso to Dallas based JTL Capital in partnership with Farallon Capital Management L.L.C.for an undisclosed price. Rosewood Hotels & Resorts agreed to a long-term contract to continue management of the resort. The purchase also included land entitled for up to 30 additional villa residences as well as an unfinished Phase IV building containing 8 premier villas that JTL Capital will finish constructing in September of 2004. The transaction was a first for JTL in Mexico. Morgan Stanley Mortgage Capital provided the financing. JTL Capital, L.L.C. is a closely held, real estate investment and development concern founded in 1999 by David A. Lane and Mark J. Sullivan. JTL Capital employs a "buy and enhance" strategy that produces attractive risk-adjusted returns.

 

In September 2004 Ty Warner Hotels & Resorts, LLC purchased the 61-room Las Ventanas al Paraíso Resort from Dallas-based JTL Capital, LLC. According to Ty Warner, the goal is to extend and enhance the beauty and amenities at the resort. Warner believed the essential component to achieving that goal is in Rosewood Hotels & Resorts' continued operation of the resort. Ty Warner is an American billionaire who created the 1990s stuffed toy fad - Beanie Babies. At the peak of the Beanie craze in 1999, the privately owned Ty Inc. is believed to have earned over $700 million in profits in a year. The Beanie Babies phenomenon, coupled with the rise of the Internet, is cited as elevating Warner to billionaire status. Ty Warner Hotel and Resort Properties include: Four Seasons Resort The Biltmore Santa Barbara, CA, Four Seasons Hotel New York, NY and San Ysidro Ranch, Montecito, CA.

 

Managing Directors since Edward Steiner include: Lionel Alvarez appointed Managing Director in 2008. He previously was General Manager at at Aquapura Vale Do Douro Hotel, Portugal. Martein van Wagenberg was appointed managing director of Las Ventanas in 2011. He previously was at Rosewood Little Dix Bay in Virgin Gorda. In 2014 Rosewood named Mário Candeias the managing director of Las Ventanas. He was the Director of Operations at Pestana Hotels & Resorts in Portugal. Rosewood appointed Frederic Vidal the Managing Director of Las Ventanas al Paraíso in 2014. Previously he was Managing Director for YOSH Hospitality, a company managing palaces and villas in the United Arab Emirates.

 

Compiled by Dick Johnson, November 2019

Novelist Billy Magee makes a bet with a wealthy friend that he can write a 10,000 word story within 24 hours. He retires to a summer mountain resort in the dead of winter and locks himself in, believing he has the sole key. However he is visited during the night by a rapid succession of other people (melodrama stock types), including a corrupt politician, a crooked cop, a hermit, a feisty girl reporter and a gang of criminals, etc., none of whom have any trouble getting into the remote inn: there appear to be seven keys to Baldpate.

 

Magee gets no work done, instead being drawn into hijinks and eventually foiling a plot by the crooks to get a huge amount of money from the hotel safe that is earmarked for a city street railroad deal and falling in love with the reporter. He observes derisively that all of these complicated incidents and characters are ones that he has written over and over again. Just before midnight, he finds out that everyone is an actor hired to perpetuate a hoax, orchestrated by Magee's friend to keep him from completing the story.

 

In the epilogue, the inn is empty, and a typewriter is clattering upstairs: Magee has finished his story before midnight and won the bet. He reveals that nothing had happened during the 24 hours; all the preceding melodrama, including the actors and hoax, constitute the contents of the story.

 

First published in 1913, “Seven Keys to Baldpate” was so popular that George M. Cohan quickly adapted it as a hit Broadway stage play of the same name. Over the next seventy years, the novel was made into seven films with the same title and at least two others under different names. Beginning in 1925, more than 10 years after “Baldpate,” Earl Derr Biggers had even greater success with a series of novels featuring the inscrutable Chinese detective, Charlie Chan. [Source: Wikipedia]

The Beyond Broadway Experience 2016 presents

BRING IT ON: THE MUSICAL

 

Libretto by Jeff Whitty

Music by Tom Kitt & Lin-Manuel Miranda

Lyrics by Amanda Green & Lin-Manuel Miranda

Inspired by the Motion Picture Bring It On Written by Jessica Bendinger

Arrangements and Orchestrations Alex Lacamoire & Tom Kitt

Presented at the King’s Theatre, Edinburgh on 22nd and 23rd July 2016

www.beyond-broadway.com/productions/

Suggestion for a reorganisation of orchestrateapp.com/ homepage and site structure.

The transient beauty of the coast is intricately intertwined with the captivating patterns that emerge in the sand, crafted by the relentless forces of wind and wave. These natural sculptors shape the shoreline, leaving behind ephemeral masterpieces.

 

As the tides ebb and flow, they orchestrate a delicate dance with the sand. With each advancing wave, the water gently caresses the shore, carrying particles of sand along its journey. As the wave recedes, it relinquishes its cargo, depositing the grains in a meticulous arrangement. This cyclical process, repeated countless times, creates intricate patterns that stretch along the coastline.

 

The patterns left behind by the retreating tide mimic the ebb and flow of life itself. Swirling ripples, reminiscent of a miniature desert landscape, emerge as the water recedes, their graceful curves and undulating lines transforming the beach into a living work of art. The patterns are at once orderly and chaotic, with intricate geometrical formations intermingling with whimsical curves and asymmetrical shapes.

 

The wind, a silent artist in its own right, adds its touch to the sculpting process. As it sweeps across the coast, it whispers secrets to the sand, coaxing it to dance in its invisible embrace. The wind's gentle touch lifts fine particles from the beach, carrying them aloft in an intricate ballet. It sculpts the sand into delicate ripples, resembling the soft undulations of fabric.

 

The interplay between the wind and the tide results in an ever-changing landscape. The patterns shift and evolve, shaped by the combined forces of these elemental sculptors. Ripples become miniature mountains, rising and falling in a transient topography that mirrors the larger contours of the surrounding coast. Each gust of wind and every advancing or receding wave leaves its mark, etching new patterns and erasing old ones, in an eternal cycle of creation and destruction.

 

These ephemeral patterns serve as a reminder of the impermanence of existence and the transient nature of beauty, as each passing moment alters the landscape, erasing what once was and creating something new. The sands become a canvas for the symphony of time, a tangible reflection of the ever-changing nature of our lives.

 

The beauty of these fleeting patterns lies not only in their visual allure but also in the emotions they evoke. They inspire a sense of wonder and awe, inviting us to pause and appreciate the intricate designs that nature creates with such effortless grace. The patterns speak of the interconnectedness of all things, the harmonious interplay between the elements, and the constant flux that defines our existence.

 

In these patterns of nature, we find a profound lesson: that life, like the shifting sands, is ever-changing, and that true beauty lies not in permanence but in the appreciation of the fleeting moments that grace our journey.

 

www.f22digital.com

Pre-production Photos

 

35mm: A Musical Exhibition

October 26, 2018 to October 28, 2018

 

Friday, October 26, 2018, 8:00 PM

Saturday, October 27, 2018, 8:00 PM

Sunday, October 28, 2018, 2:00 PM

 

Corthell Concert Hall, USM Gorham Campus

$15 adult, $10 seniors, USM employees and alumni, $5 students.

  

Music and Lyrics by Ryan Scott Oliver

Based on Photographs by Matthew Murphy

Vocal Arrangements and Orchestrations by Ryan Scott Oliver

Additional Percussion arrangements by Jeremy Yaddaw

Additional Guitar arrangements by Matt Hinkley

Directed by Edward Reichert

 

A picture is worth 1,000 words - what about a song? In 35mm: A Musical Exhibition, each photo creates a unique song, moments frozen in time; a glimmer of a life unfolding, a glimpse of something happening. The University of Southern Maine School of Music fall musical theatre production is part concert, part exhibition, part poetry jam, part performance art...an intricately woven collection of stories that re-imagines what the modern American musical can be.

 

Three performances take place in Corthell Concert Hall on the Gorham campus on Friday, October 26 and Saturday, October 27 at 8 p.m., and Sunday, October 28 at 2 p.m. Tickets are $15 for the general public, $10 for seniors, USM alumni and employees, and $5 for students. They can be purchased online at usm.maine.edu/music/boxoffice, by phone at (207) 780-5555, or at the door.

 

The show is sponsored by Saco & Biddeford Savings Institution.

 

Art moves and touches people in different ways. The stories told through song in 35mm are all based on or inspired by the eclectic photography of Matthew Murphy. Composer Ryan Scott Oliver provides us with a collection of stories and photographs about life: gorgeous songs about love and loss, more complex issues like insanity, abuse...and some humor too. Oliver states, “it covers a wide range of experiences and sensations.” This show is recommended for mature audiences.

 

The show’s director, Ed Reichert says, “The score is fascinating to me because it covers so many genres such as rock, gospel, country, pop, and musical comedy. Ryan Scott Oliver openly talks about some of his creative influences including Lady Gaga, The Scissor Sisters, Schubert, and Rufus Wainwright. He is equally inspired by the likes of Quentin Tarantino, Stephen King, and Stephen Sondheim.” Reichert adds, “With Halloween just around the corner, at least three of the songs are timely: Leave, Luanne (a Southern Gothic Ghost Story), Twisted Teeth (a duet between two vampires), and The Ballad of Sara Berry (think prom queen...).”

 

The cast includes: Samuel Allen (Harpswell), Matthew Boyd (Medford, NJ), Andrew Carney (Millinocket), Mikayla Clifford (Yarmouth), Noli French (New Gloucester), Aaron Kircheis (Bucksport), Katie Lind (Standish), Ayann Main (Wiscasset), Megan Mayfield (Marlborough, MA), Miles Obrey (Gorham), Alyssa Pearl-Ross (Sangerville), Victoria Stackpole (Biddeford), March Steiger (Buxton), Ben Walker-Dubay (Kennebunk), Megan Walz (Portland), Meg Ward (Bangor), Abby White (Dalton, Mass.).

 

The band includes Lynnea Harding, associate music director, violin and viola; Catherine Begin, cello; Jake Cooper, guitar; Shannon Allen, bass; Sam Smith, drums, and Ed Reichert on piano.

 

Those needing special accommodations to participate fully in this program, contact Lori Arsenault, (207) 780-5142, loria@maine.edu. Hearing impaired: call USM's telex / TDD number (207) 780-5646.

 

35mm: A Musical Exhibition is presented by special arrangement with SAMUEL FRENCH, INC.

KAKEGAWA, Japan – Swirling sand obscures the sunlit sky as a UH-1 “Huey” helicopter touches down on a freshly cut baseball field. Mere moments pass before the Huey’s Japan Ground Self-Defense Force crew chief dismounts from his metallic steed and sprints toward four U.S. Army Soldiers bearing a stretcher. The crew chief’s commanding shout cuts through the roar of rotor blades, springing his American partners into action. With swift, expert precision, the stretcher bearers carry their wounded comrade—a mannequin sporting an Army Combat Uniform—to the Huey.

 

Casualty evacuation was one of the many training missions orchestrated during Shizuoka Prefecture’s annual Comprehensive Disaster Drill conducted here Sept. 4, 2016. The drill demonstrated the emergency response capabilities of a diverse collection of local, regional, national and international organizations. Its static displays, interactive classes and practical workshops conducted throughout Kakegawa also provided lifesaving lessons for the city’s citizens.

 

“The people of Shizuoka Prefecture have organized this annual exercise for 35 years,” said Yuka Ogura, a supervisor for the prefectural government’s Emergency Countermeasures Division. “Although the drill’s size and scope has become increasingly complex with the inclusion of specialized government agencies and advanced equipment, the individual residents play the most pivotal role in preparing for the worst.”

 

Among the participants stood a dozen Soldiers assigned to U.S. Army Japan, I Corps (Forward) and Public Health Command-Pacific. The group packed two Humvees with fuel, rations and medical supplies before embarking on their 120-mile journey from Camp Zama to Kakegawa.

 

“The U.S. Army has actively participated in this drill since 2010,” said Maj. Donald Kim, U.S. Army liaison officer for to the JGSDF's Eastern Army and Central Readiness Force. “It demonstrates our capabilities in humanitarian response assistance by testing our troops’ expertise in first aid, supply distribution, convoy operations and medical evacuation. Our participation also sends a strong message to our Japanese partners that we are willing and able to provide immediate support when disaster strikes.”

 

“Since the great east Japan earthquake and tsunami [in 2011], local communities have a greater understanding and openness to collaborate with international agencies in the aftermath of a major disaster,” added Ogura. “The U.S. Army has proved on many occasions that it has the talent and resources to respond to any emergency in the country.”

 

Throughout the exercise, the American Soldiers worked closely with their Japan Ground Self-Defense Force partners from the 34th Infantry Regiment, Eastern Army, JGSDF. The respective units set up their base of operations at a local gym where they combined resources to coordinate convoy routes, establish mobile communication sites, and set up supply distribution points.

 

“The JGSDF and U.S. Army have specialized equipment and highly trained personnel that many of our civilian counterparts cannot afford,” said JGSDF Sgt. 1st Class Miura Hatoshi, a squad leader in the 2nd Company, 34th Infantry Regiment. “However, these assets are practically worthless if we don’t properly use them. That’s why it’s essential that we seize every opportunity to train together so we may make the right decisions together.”

 

The drill concluded with a closing ceremony at a demolished neighborhood used as a training site for search, rescue and recovery operations. Standing alongside hundreds of service members, firefighters, police officers and first responders, Heita Kawakatsu, governor of Shizuoka Prefecture, expressed his appreciation for the American participants.

 

“The citizens of Shizuoka Prefecture and I are grateful for the support from the U.S. Army and Marines,” said Kawakatsu. “Your skill and professionalism were second only to your care and compassion.”

 

As the troops shook hands and exchanged small tokens of appreciation with their gracious hosts, Kim reflected on his team’s immense effort, energy and enthusiasm.

 

“I’m proud of these men,” said Kim. “Many of them have Military Occupation Specialties far separated from the desired skillsets for humanitarian assistance and disaster relief missions. However, their proficiency in their basic warrior tasks and their eagerness to learn from the experts shows our Japanese partners that they can count on us anytime, anywhere.”

 

Photo by Sgt. John L. Carkeet IV, U.S. Army Japan

Las Ventanas al Paraiso "The windows to Paradise"

Km 19.5 Carretera Transpeninsular

Cabo San Lucas, San Jose del Cabo - MEXICO

 

In the 1970's the Mexican government designated "hot spots" for tourism development including Cancun, Ixtapa and Los Cabos. Los Cabos, which means the Capes has twin towns of Cabo San Lucas and San Jose del Cabo which are separated by 20 miles of beach coast line. Mexican developer Javier Burillo Azcarraga acquired eighteen undeveloped acres at Cabo San Lucas in the early 90's. He envisioned for the site a unique, super-luxury, boutique hotel that would stand out from the crowd and reflect Baja's indigenous culture and landscape. He brought in Atlanta-based architect and developer Hal Thannisch, Jr. to create the master plan and orchestrate the design, construction, financing, and ultimate operation of the completed resort. Thannisch hired HKS Architects of Dallas to provide architectural services, and they in turn, retained The SWA Group of Dallas to create the site plan and landscape architecture. The SWA Group developed the Las Ventanas landscape which blends the natural desert environment with the sensuality of the Mexican-style architecture to enhance the resort’s sense of authenticity. Construction began in December 1995, and the five-star Las Ventanas al Paraiso, or "Windows to Paradise," welcomed its first guests in July 1997. When guests enter Las Ventanas, they don't see all the buildings at once. Rather, the resort gradually reveals itself as guests walk down to the sea. The site plan radiates out from the open-air lobby, and every guest suite has a view of the blue Sea of Cortez. The resort resembles a small, sand and earth-colored Mexican village. The hotels opening rate was $325 a night. The 61-room Las Ventanas al Paraiso claims to have the longest celebrity client list of any hotel in the world. The discreet resort does not have a sign outside on Highway 1. Zen-inspired raked-sand entrance opens to beach views from the restaurant, private rooftop patios, and infinity-edge pools, where super-attentive pool butlers clean your smudged sunglasses and provide unlimited towel service. All over-sized guestrooms have pebble-inlaid headboards, hand-carved cedar doors, wood-burning fireplaces, and telescopes for stargazing.

 

Javier Burillo belongs to the Azcárraga family, owner of Televisa. He is the son of Carmela Azcárraga Milmo, sister of the late Emilio Azcárraga Milmo and daughter of Emilio Azcárraga Vidaurreta, founder of Televicentro, now Televisa. Grupo Televisa, S.A.B. is a Mexican multimedia company and the largest in Latin America and the Spanish-speaking world (Univision in the United States). The company has been led and owned by three generations of Azcárraga. Javier Burillo inherited the Ritz Acapulco Hotel from his grandfather. In 1999 he and Rosewood's Hal Thannisch proposed a $62 million, 105-room Rosewood Resort in Sonoma, CA which failed to get city's approval.

 

Thannisch Development Services, Inc. (TDS) specializes in complex issues of development planning, financing, interdisciplinary management, design management and implementation. Thannisch was directly responsible for the renovation of the historic Cogswell College building now the Ritz Carlton San Francisco and the redevelopment of the Mahogany Run Resort, St. Thomas, USVI. In 1985, Thannisch joined Caroline Hunt's Rosewood Hotel Group as vice president, development. Based in Dallas, he was immersed in the development of the Hotel Hana-Maui at Hana Ranch and The Hotel on the Old Course, St. Andrews, Scotland. In 1989, the Ritz-Carlton Hotel Company called on his experience to manage the feasibility, pre-development, development and construction of the Ritz-Carlton Aspen, Hotel Arts Barcelona, Spain. Thannisch brought to Rosewood its first Mexico project, Las Ventanas which has emerged as a premier five-star resort in all of Mexico.

 

Las Ventanas al Paraíso became the first world-class resort in Los Cabos under hotelier Edward Steiner who served the hotel from opening to 2008. The resort achieved AAA Five Diamond status under his leadership.

 

In December 2003 Paraiso Los Cabos, S.A. de C.V. sold Las Ventana al Paraiso to Dallas based JTL Capital in partnership with Farallon Capital Management L.L.C.for an undisclosed price. Rosewood Hotels & Resorts agreed to a long-term contract to continue management of the resort. The purchase also included land entitled for up to 30 additional villa residences as well as an unfinished Phase IV building containing 8 premier villas that JTL Capital will finish constructing in September of 2004. The transaction was a first for JTL in Mexico. Morgan Stanley Mortgage Capital provided the financing. JTL Capital, L.L.C. is a closely held, real estate investment and development concern founded in 1999 by David A. Lane and Mark J. Sullivan. JTL Capital employs a "buy and enhance" strategy that produces attractive risk-adjusted returns.

 

In September 2004 Ty Warner Hotels & Resorts, LLC purchased the 61-room Las Ventanas al Paraíso Resort from Dallas-based JTL Capital, LLC. According to Ty Warner, the goal is to extend and enhance the beauty and amenities at the resort. Warner believed the essential component to achieving that goal is in Rosewood Hotels & Resorts' continued operation of the resort. Ty Warner is an American billionaire who created the 1990s stuffed toy fad - Beanie Babies. At the peak of the Beanie craze in 1999, the privately owned Ty Inc. is believed to have earned over $700 million in profits in a year. The Beanie Babies phenomenon, coupled with the rise of the Internet, is cited as elevating Warner to billionaire status. Ty Warner Hotel and Resort Properties include: Four Seasons Resort The Biltmore Santa Barbara, CA, Four Seasons Hotel New York, NY and San Ysidro Ranch, Montecito, CA.

 

Managing Directors since Edward Steiner include: Lionel Alvarez appointed Managing Director in 2008. He previously was General Manager at at Aquapura Vale Do Douro Hotel, Portugal. Martein van Wagenberg was appointed managing director of Las Ventanas in 2011. He previously was at Rosewood Little Dix Bay in Virgin Gorda. In 2014 Rosewood named Mário Candeias the managing director of Las Ventanas. He was the Director of Operations at Pestana Hotels & Resorts in Portugal. Rosewood appointed Frederic Vidal the Managing Director of Las Ventanas al Paraíso in 2014. Previously he was Managing Director for YOSH Hospitality, a company managing palaces and villas in the United Arab Emirates.

 

Compiled by Dick Johnson, November 2019

Sadler's Wells 1933 - As Satan in the ballet 'Job'. Choreography by Ninette de Valois, music by Ralph Vaughan Williams, orchestrations by Constant Lambert

 

He was born on 9th April 1909 in Mount Gambier, Australia and died on 28th Sept 1986 in Sydney, Australia.

 

He studied briefly with Anna Pavlova during her sojourn in Melbourne and went to London in 1933 to study and perform with the Sadler's Wells Ballet [now the Royal Ballet] - He was the leading male star with that company from 1934 until his resignation in 1950.

 

He and Katharine Hepburn co-starred in Shakespearean plays on an Australian tour.

 

In the mid 1950's he produced Puccini's ''Boheme'' and Rimsky-Korsakov's ''Coq d'Or'' for the Royal Opera House, Covent Garden.

 

Amongst his numerous films were -

 

1942 One of Our Aircraft Is Missing [De Jong]

1948 The Red Shoes [Ivan Boleslawsky]

1951 Tales of Hoffmann [multiple parts]

1963 55 Days at Peking [Prince Tuan]

1966 The Quiller Memorandum [Weng]

1968 Chitty Chitty Bang Bang [Child Catcher]

 

He was Knighted in 1968.

 

Two Greater Manchester Police (GMP) officers carried out a fake arrest on a member of the public, to help her fulfil one of her bucket list wishes.

 

Jane Dabner, 57 from Bebbington, who was unfortunately diagnosed with breast cancer in 2014, had the unusual wish to be arrested at the top of her bucket list. Since Jane’s cancer has sadly returned and is incurable, friends and family pulled together to orchestrate a surprise arrest and make her wish come true.

 

GMP officer Sergeant Jinnett Lunt, who met Jane through Maggie’s Manchester, a charity which offers free support to anyone affected by cancer, was the one to read Jane her rights before her mock trial by celebrity Judge Rinder at the ITV studios in Manchester on Thursday 13 February.

 

Jane was part of the Judge Rinder audience whilst the latest series was being filmed at Media City. What she did not know, was that she was going to be arrested for ‘stealing the show’ at a charity fundraising catwalk she took part in earlier in 2018.

 

In June 2018, Sergeant Jinnett Lunt, who herself was sadly diagnosed with breast cancer in 2015, along with Jane and 58 other models also took part in the charity catwalk event last June which raised over £200,000 for Maggie’s Manchester.

 

Sergeant Lunt’s husband Paul, another GMP officer, has also been a fundraiser for the charity, taking part in charity bike rides and supporting the runway events.

 

Sergeant Jinnett Lunt said: “We have definitely caught the right person for stealing the charity catwalk show last year.

 

“Not only did Jane strut her stuff in the clothes donated to the event, but she was also the ultimate diva when being given a fireman’s lift by one of the Greater Manchester Fire and Rescue Service (GMFRS) firemen as part of the shows finale.

 

“Jane has a big, fantastic and fun personality and I am so glad we could get this ticked off the bucket list for her.”

 

Talking about the day, Jane said: “When I was diagnosed with secondary breast cancer in 2018, I decided to make each day count and live my life to the full. Being arrested was on my bucket list and without risking the possibility of going to jail, I never for one minute thought that this would actually happen.

 

“When the officers from GMP walked on set I thought it was part of the show. I had no idea what my friends were plotting in the background; what a fabulous surprise and the icing on the cake was being tried by the amazing Judge Rob Rinder.

 

“Thank you everyone who made this day very special...still pinching myself!”

 

Margo Cornish, Board Member from Maggie’s Manchester added: “Jane is living with incurable breast cancer and has taken part in various fundraising events for the Maggie’s charity for which we are really grateful for.

 

“Maggie’s continue to support Jane throughout her illness with practical, emotional and social support not just for Jane, but for her family too. It’s great Jane was able to tick off something on her bucket list, and good to see she was her usual self with stealing the limelight and making it a day to remember for all involved.”

Throughout history we see that God loves numbers! He’s an architect and engineer; He made the universe! He loves to show off, show His glory, and make us marvel! Many numbers have very significant, God ordained meanings & implications. Note: “3 dots, 3 dashes, 3 dots” is man’s international distress signal, SOS in Morse Code. I’m convinced God orchestrated this, not Mr. Morse! - 333 is surely God’s international distress signal; an urgent end-times SOS message! Think! WHAT IF!! What if GOD is really trying to get your attention! Even if you don't believe in God, WHAT IF!! I would hope, if it were me, I would somehow respond. But, CAUTION! Whatever you do, do not place your trust in the purveyors of ANGEL NUMBERS & such! Although it's essentially true that the 333 may indeed be delivered by an angel, it would be an extreme injustice & mistake to associate it with the various spiritualist and profit oriented sites that pop up when "meaning of 333" is Googled. See "Satan's # Games". Unfortunately, although certainly more accurate, it's a shame one has to add "biblical" to "meaning of 333" for this site to be ranked high on the list by Google. Don't know whether to blame Satan or praise Google! It represents God, the 3-in-1, Father, Son, & Holy Spirit. Jesus prayed 3 times in the Garden of Gethsemane before His arrest. He was placed on the cross at the 3rd hour of the day (9 a.m.) and died at the 9th hour (3 p.m.). There were 3 hours of darkness that covered the land while Jesus was on the cross. Three is also the number of resurrection. Christ arose after 3 days and 3 nights in the tomb.

There are many more illustrations of the #3s biblical significance. Jonah prophetically spent 3 days in the belly of a big fish. After the flood, new life started in 3 persons: Shem, Ham, & Jepheth. Israel was founded in the 3 persons of Abraham, Isaac, & Jacob. Three (3) of the most memorable Biblical edifices, Noah's Ark, Solomon's Temple, and The Millennial Temple, are 3 stories tall; and they all represent God's saving grace. 33 = After 3 years of ministry and raising 3 people from the dead, Jesus died at age 33. His death and resurrection fulfilled all the old testament promises concerning the Messiah. Thus, the number 33 is connected to promise, in particular, to Gods promise of salvation to humanity. “3 dots, 3 dashes, 3 dots”, as noted above, is man’s international distress signal, SOS in Morse Code. I’m convinced God orchestrated this, not Mr. Morse! - 333 is surely God’s international distress signal; an urgent end-times SOS (Save Our Souls) message! On Nov.29,1947, the 333rd day of the year, the United Nations voted for the establishment of a Jewish State. God gave His chosen people the homeland that He had promised to their forefathers!

Genesis 15:9, The LORD told Abraham, "Bring me a three-year-old heifer, a three-year-old female goat, a three-year-old ram, a turtledove, and a young pigeon." This has to do with the covenant God made with Abraham, promising the land of Israel to the Jews. Thus 333 just may be considered a COVENANT number!!! As seen above, the numbers 3, 33, or 333 just scream of Jesus &/or the Bible! No other, not Mohammad, Buddha, Satan, or any other religion can proclaim such a connection. And again, 333 is surely God’s International Distress Signal; an urgent end-times SOS message! good link below

www.333-godsendtimesosministry.org/

The following article by Valerie Lawson titled “Happily Ever After: The Ballets Russes’ Romeo and Juliet” is from the website Behind Ballet. It was first posted on December 5, 2011 at:

 

www.behindballet.com/happily-ever-after-the-ballets-russe...

 

“Tantrums and tears, catcalls and goggles, a visit from the police and a pink dressing gown slung on a peg. It could only be a scenario created by Diaghilev, the ringmaster of the Ballets Russes.

 

“In 1926, Diaghilev orchestrated a surrealistic version of Romeo and Juliet in which the lovers elope, departing the stage by plane in leather coats and airmen’s caps, complete with goggles. The scenario may seem Monty Pythonesque, but the months before – and after – the ballet’s premiere were far from funny. Following the first performances in Monte Carlo, the Ballets Russes presented the work in Paris, where the opening night was disrupted by a riot. Diaghilev could not have been happier. He thrived on scandal and outrage.

 

“The chaos accompanying the ballet’s creation was inevitable, considering the mélange of collaborators. Choreographed by Bronislava Nijinska, with an entr’acte by George Balanchine, the Ballets Russes’ production was danced to a score by the English composer Constant Lambert, with design by two leading surrealist artists.

 

“Diaghilev persuaded the Russian ballerina, Tamara Karsavina, to dance the role of Juliet, while Serge Lifar, Diaghilev’s lover at the time, danced the part of Romeo. Karsavina did not approve of Lifar’s partnering skills, but she hid her distress.

 

“Diaghilev initiated the work, commissioning Lambert, then 20, who called his score Adam and Eve. Diaghilev promptly changed that to Romeo and Juliet, then set about dictating the scenario. The story would take place during a rehearsal of a ballet based on Shakespeare’s play. Lambert was not impressed, but undeterred, he asked the distinguished portrait painter Augustus John to design the ballet. Diaghilev dismissed that idea, commissioning instead a friend of Lambert’s, the English artist Christopher Wood. But Wood, too, was dismissed, as Diaghilev decided that no designer was necessary. As the ballet was about a rehearsal of a ballet, there was no need for any scenery, he told Lambert. However, after a visit to France, Diaghilev changed his mind once again.

 

“At an exhibition in Paris he admired the works of the surrealist artists Max Ernst and Joan Miró. He bought paintings by both as a gift for Lifar, then commissioned the artists to design Romeo and Juliet.

 

‘“For a long time’, wrote the author, Arnold Haskell, ‘the Russian ballet had been considered bourgeois by the Surrealist group … the obvious thing to do was to commission décor from some of the group and win them over that way.’

 

“The designers travelled to Monte Carlo, where Ernst painted curtains representing day and night and Miró painted a front cloth. For the first scene, set in a rehearsal studio, Miró scattered some everyday bits and pieces – a barre, some screens, and that pink dressing gown centre stage. Lambert was horrified, telling his mother that the designers were ‘Tenth-rate painters from an imbecile group called the Surrealists’.

 

“In the second scene, depicting the performance of Romeo and Juliet, the tragedy unfolded in the usual way, but after the death of Juliet, Romeo – and a very much alive Juliet – donned their aviator costumes. The ballet ended with Karsavina, apparently representing a plane in flight, hoisted to a horizontal position on Lifar’s shoulders.

 

“The premiere at the Theatre de Monte Carlo on May 4 went well enough but when the ballet opened in Paris it was greeted with catcalls, whistles and fisticuffs, led by diehard surrealists who objected to Ernst and Miró being led astray by a capitalist venture (the Russian ballet).

 

“When the curtain rose to reveal Miró’s décor, a shower of leaflets fell from the upper balconies. Written in red ink by two founding members of the surrealist movement, Louis Aragon and André Breton, the leaflets were captioned ‘Protest!’

 

“Diaghilev was prepared. He had alerted the police to a probable disturbance and told the conductor to continue, even as the yelling drowned out the music. As Haskell wrote, the ‘plunge into modernism brought a scandal that was dear to him and convinced him he was on the right track’.

 

“But the life of this madcap Romeo and Juliet was brief. It took Prokofiev’s powerful score, written a decade later, to bless the ballet with its long life.”

 

Las Ventanas al Paraiso "The windows to Paradise"

Km 19.5 Carretera Transpeninsular

Cabo San Lucas, San Jose del Cabo - MEXICO

 

In the 1970's the Mexican government designated "hot spots" for tourism development including Cancun, Ixtapa and Los Cabos. Los Cabos, which means the Capes has twin towns of Cabo San Lucas and San Jose del Cabo which are separated by 20 miles of beach coast line. Mexican developer Javier Burillo Azcarraga acquired eighteen undeveloped acres at Cabo San Lucas in the early 90's. He envisioned for the site a unique, super-luxury, boutique hotel that would stand out from the crowd and reflect Baja's indigenous culture and landscape. He brought in Atlanta-based architect and developer Hal Thannisch, Jr. to create the master plan and orchestrate the design, construction, financing, and ultimate operation of the completed resort. Thannisch hired HKS Architects of Dallas to provide architectural services, and they in turn, retained The SWA Group of Dallas to create the site plan and landscape architecture. The SWA Group developed the Las Ventanas landscape which blends the natural desert environment with the sensuality of the Mexican-style architecture to enhance the resort’s sense of authenticity. Construction began in December 1995, and the five-star Las Ventanas al Paraiso, or "Windows to Paradise," welcomed its first guests in July 1997. When guests enter Las Ventanas, they don't see all the buildings at once. Rather, the resort gradually reveals itself as guests walk down to the sea. The site plan radiates out from the open-air lobby, and every guest suite has a view of the blue Sea of Cortez. The resort resembles a small, sand and earth-colored Mexican village. The hotels opening rate was $325 a night. The 61-room Las Ventanas al Paraiso claims to have the longest celebrity client list of any hotel in the world. The discreet resort does not have a sign outside on Highway 1. Zen-inspired raked-sand entrance opens to beach views from the restaurant, private rooftop patios, and infinity-edge pools, where super-attentive pool butlers clean your smudged sunglasses and provide unlimited towel service. All over-sized guestrooms have pebble-inlaid headboards, hand-carved cedar doors, wood-burning fireplaces, and telescopes for stargazing.

 

Javier Burillo belongs to the Azcárraga family, owner of Televisa. He is the son of Carmela Azcárraga Milmo, sister of the late Emilio Azcárraga Milmo and daughter of Emilio Azcárraga Vidaurreta, founder of Televicentro, now Televisa. Grupo Televisa, S.A.B. is a Mexican multimedia company and the largest in Latin America and the Spanish-speaking world (Univision in the United States). The company has been led and owned by three generations of Azcárraga. Javier Burillo inherited the Ritz Acapulco Hotel from his grandfather. In 1999 he and Rosewood's Hal Thannisch proposed a $62 million, 105-room Rosewood Resort in Sonoma, CA which failed to get city's approval.

 

Thannisch Development Services, Inc. (TDS) specializes in complex issues of development planning, financing, interdisciplinary management, design management and implementation. Thannisch was directly responsible for the renovation of the historic Cogswell College building now the Ritz Carlton San Francisco and the redevelopment of the Mahogany Run Resort, St. Thomas, USVI. In 1985, Thannisch joined Caroline Hunt's Rosewood Hotel Group as vice president, development. Based in Dallas, he was immersed in the development of the Hotel Hana-Maui at Hana Ranch and The Hotel on the Old Course, St. Andrews, Scotland. In 1989, the Ritz-Carlton Hotel Company called on his experience to manage the feasibility, pre-development, development and construction of the Ritz-Carlton Aspen, Hotel Arts Barcelona, Spain. Thannisch brought to Rosewood its first Mexico project, Las Ventanas which has emerged as a premier five-star resort in all of Mexico.

 

Las Ventanas al Paraíso became the first world-class resort in Los Cabos under hotelier Edward Steiner who served the hotel from opening to 2008. The resort achieved AAA Five Diamond status under his leadership.

 

In December 2003 Paraiso Los Cabos, S.A. de C.V. sold Las Ventana al Paraiso to Dallas based JTL Capital in partnership with Farallon Capital Management L.L.C.for an undisclosed price. Rosewood Hotels & Resorts agreed to a long-term contract to continue management of the resort. The purchase also included land entitled for up to 30 additional villa residences as well as an unfinished Phase IV building containing 8 premier villas that JTL Capital will finish constructing in September of 2004. The transaction was a first for JTL in Mexico. Morgan Stanley Mortgage Capital provided the financing. JTL Capital, L.L.C. is a closely held, real estate investment and development concern founded in 1999 by David A. Lane and Mark J. Sullivan. JTL Capital employs a "buy and enhance" strategy that produces attractive risk-adjusted returns.

 

In September 2004 Ty Warner Hotels & Resorts, LLC purchased the 61-room Las Ventanas al Paraíso Resort from Dallas-based JTL Capital, LLC. According to Ty Warner, the goal is to extend and enhance the beauty and amenities at the resort. Warner believed the essential component to achieving that goal is in Rosewood Hotels & Resorts' continued operation of the resort. Ty Warner is an American billionaire who created the 1990s stuffed toy fad - Beanie Babies. At the peak of the Beanie craze in 1999, the privately owned Ty Inc. is believed to have earned over $700 million in profits in a year. The Beanie Babies phenomenon, coupled with the rise of the Internet, is cited as elevating Warner to billionaire status. Ty Warner Hotel and Resort Properties include: Four Seasons Resort The Biltmore Santa Barbara, CA, Four Seasons Hotel New York, NY and San Ysidro Ranch, Montecito, CA.

 

Managing Directors since Edward Steiner include: Lionel Alvarez appointed Managing Director in 2008. He previously was General Manager at at Aquapura Vale Do Douro Hotel, Portugal. Martein van Wagenberg was appointed managing director of Las Ventanas in 2011. He previously was at Rosewood Little Dix Bay in Virgin Gorda. In 2014 Rosewood named Mário Candeias the managing director of Las Ventanas. He was the Director of Operations at Pestana Hotels & Resorts in Portugal. Rosewood appointed Frederic Vidal the Managing Director of Las Ventanas al Paraíso in 2014. Previously he was Managing Director for YOSH Hospitality, a company managing palaces and villas in the United Arab Emirates.

 

Compiled by Dick Johnson, November 2019

fluxusbox.artisopensource.net/

 

Fluxus boxes were intended as non linear narratives to be handled, touched, performed, disseminated, destroyed, reassembled, counted and reconfigured.

 

Just as cinema montage and music had learned, the orchestration of symbols, visions and other sensorial components was able to create novel scenarios. Interactivity and tangibility created a state of continuous recombination, multiplying interpretation and cognitively activating people, who became part of the artwork while handling, imagining and communicating. The connection with the ordinary flow of life created new dimensions in the world: stratified, recombinant and engaging.

 

In occasion of the 50 years of FLUXUS we have decided to research on this wonderful form of expression, both for the innovation it has provided in the arts and for its connection with many of the mutation processes that are going on with contemporary humanity and their ability to experience media, communicate and interact.

 

At the event Mercoledì da NABA series of events, on December 15th 2010, we will hold a workshop/performance in which we will build a Fluxus Box using Augmented Reality and other cross-medial techniques and technologies.

 

The ojective will be to research on the Fluxus Box approach, and to appy it at a “meta” level. The objects contained in the box will be tools through which the experience of multiple Fluxus Boxes will be holdable, remixable, juxtaposable, recombinable, enacting a meta-performance encompassing possibly infinite remixed reenactments of Fluxus performances, experiences and events.

 

The box we will produced will be donated to the NABA, and the custom software that will be created for the occasion will be released under a GPL2 licensing scheme, so that it will be usable by artists, students and practitioners worldwide, in a further level of the performance.

 

more info at:

 

www.artisopensource.net

 

www.fakepress.it

 

www.mercoledinaba.info/

 

www.naba.it

"It can't be planned, predicted or orchestrated - just recognize for what it is and fully

A gorgeous mountain oolong from Taiwan, a group purchase orchestrated by a fellow TeaChatter. Beautiful rich mellow tea, fantastic brewed grandpa style, brewed gongfu in a tiny gaiwan jam-packed with leaves, or any other way you like. These leaves endure.

Pre-production Photos

 

35mm: A Musical Exhibition

October 26, 2018 to October 28, 2018

 

Friday, October 26, 2018, 8:00 PM

Saturday, October 27, 2018, 8:00 PM

Sunday, October 28, 2018, 2:00 PM

 

Corthell Concert Hall, USM Gorham Campus

$15 adult, $10 seniors, USM employees and alumni, $5 students.

  

Music and Lyrics by Ryan Scott Oliver

Based on Photographs by Matthew Murphy

Vocal Arrangements and Orchestrations by Ryan Scott Oliver

Additional Percussion arrangements by Jeremy Yaddaw

Additional Guitar arrangements by Matt Hinkley

Directed by Edward Reichert

 

A picture is worth 1,000 words - what about a song? In 35mm: A Musical Exhibition, each photo creates a unique song, moments frozen in time; a glimmer of a life unfolding, a glimpse of something happening. The University of Southern Maine School of Music fall musical theatre production is part concert, part exhibition, part poetry jam, part performance art...an intricately woven collection of stories that re-imagines what the modern American musical can be.

 

Three performances take place in Corthell Concert Hall on the Gorham campus on Friday, October 26 and Saturday, October 27 at 8 p.m., and Sunday, October 28 at 2 p.m. Tickets are $15 for the general public, $10 for seniors, USM alumni and employees, and $5 for students. They can be purchased online at usm.maine.edu/music/boxoffice, by phone at (207) 780-5555, or at the door.

 

The show is sponsored by Saco & Biddeford Savings Institution.

 

Art moves and touches people in different ways. The stories told through song in 35mm are all based on or inspired by the eclectic photography of Matthew Murphy. Composer Ryan Scott Oliver provides us with a collection of stories and photographs about life: gorgeous songs about love and loss, more complex issues like insanity, abuse...and some humor too. Oliver states, “it covers a wide range of experiences and sensations.” This show is recommended for mature audiences.

 

The show’s director, Ed Reichert says, “The score is fascinating to me because it covers so many genres such as rock, gospel, country, pop, and musical comedy. Ryan Scott Oliver openly talks about some of his creative influences including Lady Gaga, The Scissor Sisters, Schubert, and Rufus Wainwright. He is equally inspired by the likes of Quentin Tarantino, Stephen King, and Stephen Sondheim.” Reichert adds, “With Halloween just around the corner, at least three of the songs are timely: Leave, Luanne (a Southern Gothic Ghost Story), Twisted Teeth (a duet between two vampires), and The Ballad of Sara Berry (think prom queen...).”

 

The cast includes: Samuel Allen (Harpswell), Matthew Boyd (Medford, NJ), Andrew Carney (Millinocket), Mikayla Clifford (Yarmouth), Noli French (New Gloucester), Aaron Kircheis (Bucksport), Katie Lind (Standish), Ayann Main (Wiscasset), Megan Mayfield (Marlborough, MA), Miles Obrey (Gorham), Alyssa Pearl-Ross (Sangerville), Victoria Stackpole (Biddeford), March Steiger (Buxton), Ben Walker-Dubay (Kennebunk), Megan Walz (Portland), Meg Ward (Bangor), Abby White (Dalton, Mass.).

 

The band includes Lynnea Harding, associate music director, violin and viola; Catherine Begin, cello; Jake Cooper, guitar; Shannon Allen, bass; Sam Smith, drums, and Ed Reichert on piano.

 

Those needing special accommodations to participate fully in this program, contact Lori Arsenault, (207) 780-5142, loria@maine.edu. Hearing impaired: call USM's telex / TDD number (207) 780-5646.

 

35mm: A Musical Exhibition is presented by special arrangement with SAMUEL FRENCH, INC.

Las Ventanas al Paraiso "The windows to Paradise"

Km 19.5 Carretera Transpeninsular

Cabo San Lucas, San Jose del Cabo - MEXICO

 

In the 1970's the Mexican government designated "hot spots" for tourism development including Cancun, Ixtapa and Los Cabos. Los Cabos, which means the Capes has twin towns of Cabo San Lucas and San Jose del Cabo which are separated by 20 miles of beach coast line. Mexican developer Javier Burillo Azcarraga acquired eighteen undeveloped acres at Cabo San Lucas in the early 90's. He envisioned for the site a unique, super-luxury, boutique hotel that would stand out from the crowd and reflect Baja's indigenous culture and landscape. He brought in Atlanta-based architect and developer Hal Thannisch, Jr. to create the master plan and orchestrate the design, construction, financing, and ultimate operation of the completed resort. Thannisch hired HKS Architects of Dallas to provide architectural services, and they in turn, retained The SWA Group of Dallas to create the site plan and landscape architecture. The SWA Group developed the Las Ventanas landscape which blends the natural desert environment with the sensuality of the Mexican-style architecture to enhance the resort’s sense of authenticity. Construction began in December 1995, and the five-star Las Ventanas al Paraiso, or "Windows to Paradise," welcomed its first guests in July 1997. When guests enter Las Ventanas, they don't see all the buildings at once. Rather, the resort gradually reveals itself as guests walk down to the sea. The site plan radiates out from the open-air lobby, and every guest suite has a view of the blue Sea of Cortez. The resort resembles a small, sand and earth-colored Mexican village. The hotels opening rate was $325 a night. The 61-room Las Ventanas al Paraiso claims to have the longest celebrity client list of any hotel in the world. The discreet resort does not have a sign outside on Highway 1. Zen-inspired raked-sand entrance opens to beach views from the restaurant, private rooftop patios, and infinity-edge pools, where super-attentive pool butlers clean your smudged sunglasses and provide unlimited towel service. All over-sized guestrooms have pebble-inlaid headboards, hand-carved cedar doors, wood-burning fireplaces, and telescopes for stargazing.

 

Javier Burillo belongs to the Azcárraga family, owner of Televisa. He is the son of Carmela Azcárraga Milmo, sister of the late Emilio Azcárraga Milmo and daughter of Emilio Azcárraga Vidaurreta, founder of Televicentro, now Televisa. Grupo Televisa, S.A.B. is a Mexican multimedia company and the largest in Latin America and the Spanish-speaking world (Univision in the United States). The company has been led and owned by three generations of Azcárraga. Javier Burillo inherited the Ritz Acapulco Hotel from his grandfather. In 1999 he and Rosewood's Hal Thannisch proposed a $62 million, 105-room Rosewood Resort in Sonoma, CA which failed to get city's approval.

 

Thannisch Development Services, Inc. (TDS) specializes in complex issues of development planning, financing, interdisciplinary management, design management and implementation. Thannisch was directly responsible for the renovation of the historic Cogswell College building now the Ritz Carlton San Francisco and the redevelopment of the Mahogany Run Resort, St. Thomas, USVI. In 1985, Thannisch joined Caroline Hunt's Rosewood Hotel Group as vice president, development. Based in Dallas, he was immersed in the development of the Hotel Hana-Maui at Hana Ranch and The Hotel on the Old Course, St. Andrews, Scotland. In 1989, the Ritz-Carlton Hotel Company called on his experience to manage the feasibility, pre-development, development and construction of the Ritz-Carlton Aspen, Hotel Arts Barcelona, Spain. Thannisch brought to Rosewood its first Mexico project, Las Ventanas which has emerged as a premier five-star resort in all of Mexico.

 

Las Ventanas al Paraíso became the first world-class resort in Los Cabos under hotelier Edward Steiner who served the hotel from opening to 2008. The resort achieved AAA Five Diamond status under his leadership.

 

In December 2003 Paraiso Los Cabos, S.A. de C.V. sold Las Ventana al Paraiso to Dallas based JTL Capital in partnership with Farallon Capital Management L.L.C.for an undisclosed price. Rosewood Hotels & Resorts agreed to a long-term contract to continue management of the resort. The purchase also included land entitled for up to 30 additional villa residences as well as an unfinished Phase IV building containing 8 premier villas that JTL Capital will finish constructing in September of 2004. The transaction was a first for JTL in Mexico. Morgan Stanley Mortgage Capital provided the financing. JTL Capital, L.L.C. is a closely held, real estate investment and development concern founded in 1999 by David A. Lane and Mark J. Sullivan. JTL Capital employs a "buy and enhance" strategy that produces attractive risk-adjusted returns.

 

In September 2004 Ty Warner Hotels & Resorts, LLC purchased the 61-room Las Ventanas al Paraíso Resort from Dallas-based JTL Capital, LLC. According to Ty Warner, the goal is to extend and enhance the beauty and amenities at the resort. Warner believed the essential component to achieving that goal is in Rosewood Hotels & Resorts' continued operation of the resort. Ty Warner is an American billionaire who created the 1990s stuffed toy fad - Beanie Babies. At the peak of the Beanie craze in 1999, the privately owned Ty Inc. is believed to have earned over $700 million in profits in a year. The Beanie Babies phenomenon, coupled with the rise of the Internet, is cited as elevating Warner to billionaire status. Ty Warner Hotel and Resort Properties include: Four Seasons Resort The Biltmore Santa Barbara, CA, Four Seasons Hotel New York, NY and San Ysidro Ranch, Montecito, CA.

 

Managing Directors since Edward Steiner include: Lionel Alvarez appointed Managing Director in 2008. He previously was General Manager at at Aquapura Vale Do Douro Hotel, Portugal. Martein van Wagenberg was appointed managing director of Las Ventanas in 2011. He previously was at Rosewood Little Dix Bay in Virgin Gorda. In 2014 Rosewood named Mário Candeias the managing director of Las Ventanas. He was the Director of Operations at Pestana Hotels & Resorts in Portugal. Rosewood appointed Frederic Vidal the Managing Director of Las Ventanas al Paraíso in 2014. Previously he was Managing Director for YOSH Hospitality, a company managing palaces and villas in the United Arab Emirates.

 

Compiled by Dick Johnson, November 2019

Double drop collision, orchestrated by my homemade high-speed photography controller, lit with a 580exII just off the right side of the frame, and captured with my MP-E 65 at 1x magnification.

The Beyond Broadway Experience 2016 presents

BRING IT ON: THE MUSICAL

 

Libretto by Jeff Whitty

Music by Tom Kitt & Lin-Manuel Miranda

Lyrics by Amanda Green & Lin-Manuel Miranda

Inspired by the Motion Picture Bring It On Written by Jessica Bendinger

Arrangements and Orchestrations Alex Lacamoire & Tom Kitt

Presented at the King’s Theatre, Edinburgh on 22nd and 23rd July 2016

www.beyond-broadway.com/productions/

fluxusbox.artisopensource.net/

 

Fluxus boxes were intended as non linear narratives to be handled, touched, performed, disseminated, destroyed, reassembled, counted and reconfigured.

 

Just as cinema montage and music had learned, the orchestration of symbols, visions and other sensorial components was able to create novel scenarios. Interactivity and tangibility created a state of continuous recombination, multiplying interpretation and cognitively activating people, who became part of the artwork while handling, imagining and communicating. The connection with the ordinary flow of life created new dimensions in the world: stratified, recombinant and engaging.

 

In occasion of the 50 years of FLUXUS we have decided to research on this wonderful form of expression, both for the innovation it has provided in the arts and for its connection with many of the mutation processes that are going on with contemporary humanity and their ability to experience media, communicate and interact.

 

At the event Mercoledì da NABA series of events, on December 15th 2010, we will hold a workshop/performance in which we will build a Fluxus Box using Augmented Reality and other cross-medial techniques and technologies.

 

The ojective will be to research on the Fluxus Box approach, and to appy it at a “meta” level. The objects contained in the box will be tools through which the experience of multiple Fluxus Boxes will be holdable, remixable, juxtaposable, recombinable, enacting a meta-performance encompassing possibly infinite remixed reenactments of Fluxus performances, experiences and events.

 

The box we will produced will be donated to the NABA, and the custom software that will be created for the occasion will be released under a GPL2 licensing scheme, so that it will be usable by artists, students and practitioners worldwide, in a further level of the performance.

 

more info at:

 

www.artisopensource.net

 

www.fakepress.it

 

www.mercoledinaba.info/

 

www.naba.it

Las Ventanas al Paraiso "The windows to Paradise"

Km 19.5 Carretera Transpeninsular

Cabo San Lucas, San Jose del Cabo - MEXICO

 

In the 1970's the Mexican government designated "hot spots" for tourism development including Cancun, Ixtapa and Los Cabos. Los Cabos, which means the Capes has twin towns of Cabo San Lucas and San Jose del Cabo which are separated by 20 miles of beach coast line. Mexican developer Javier Burillo Azcarraga acquired eighteen undeveloped acres at Cabo San Lucas in the early 90's. He envisioned for the site a unique, super-luxury, boutique hotel that would stand out from the crowd and reflect Baja's indigenous culture and landscape. He brought in Atlanta-based architect and developer Hal Thannisch, Jr. to create the master plan and orchestrate the design, construction, financing, and ultimate operation of the completed resort. Thannisch hired HKS Architects of Dallas to provide architectural services, and they in turn, retained The SWA Group of Dallas to create the site plan and landscape architecture. The SWA Group developed the Las Ventanas landscape which blends the natural desert environment with the sensuality of the Mexican-style architecture to enhance the resort’s sense of authenticity. Construction began in December 1995, and the five-star Las Ventanas al Paraiso, or "Windows to Paradise," welcomed its first guests in July 1997. When guests enter Las Ventanas, they don't see all the buildings at once. Rather, the resort gradually reveals itself as guests walk down to the sea. The site plan radiates out from the open-air lobby, and every guest suite has a view of the blue Sea of Cortez. The resort resembles a small, sand and earth-colored Mexican village. The hotels opening rate was $325 a night. The 61-room Las Ventanas al Paraiso claims to have the longest celebrity client list of any hotel in the world. The discreet resort does not have a sign outside on Highway 1. Zen-inspired raked-sand entrance opens to beach views from the restaurant, private rooftop patios, and infinity-edge pools, where super-attentive pool butlers clean your smudged sunglasses and provide unlimited towel service. All over-sized guestrooms have pebble-inlaid headboards, hand-carved cedar doors, wood-burning fireplaces, and telescopes for stargazing.

 

Javier Burillo belongs to the Azcárraga family, owner of Televisa. He is the son of Carmela Azcárraga Milmo, sister of the late Emilio Azcárraga Milmo and daughter of Emilio Azcárraga Vidaurreta, founder of Televicentro, now Televisa. Grupo Televisa, S.A.B. is a Mexican multimedia company and the largest in Latin America and the Spanish-speaking world (Univision in the United States). The company has been led and owned by three generations of Azcárraga. Javier Burillo inherited the Ritz Acapulco Hotel from his grandfather. In 1999 he and Rosewood's Hal Thannisch proposed a $62 million, 105-room Rosewood Resort in Sonoma, CA which failed to get city's approval.

 

Thannisch Development Services, Inc. (TDS) specializes in complex issues of development planning, financing, interdisciplinary management, design management and implementation. Thannisch was directly responsible for the renovation of the historic Cogswell College building now the Ritz Carlton San Francisco and the redevelopment of the Mahogany Run Resort, St. Thomas, USVI. In 1985, Thannisch joined Caroline Hunt's Rosewood Hotel Group as vice president, development. Based in Dallas, he was immersed in the development of the Hotel Hana-Maui at Hana Ranch and The Hotel on the Old Course, St. Andrews, Scotland. In 1989, the Ritz-Carlton Hotel Company called on his experience to manage the feasibility, pre-development, development and construction of the Ritz-Carlton Aspen, Hotel Arts Barcelona, Spain. Thannisch brought to Rosewood its first Mexico project, Las Ventanas which has emerged as a premier five-star resort in all of Mexico.

 

Las Ventanas al Paraíso became the first world-class resort in Los Cabos under hotelier Edward Steiner who served the hotel from opening to 2008. The resort achieved AAA Five Diamond status under his leadership.

 

In December 2003 Paraiso Los Cabos, S.A. de C.V. sold Las Ventana al Paraiso to Dallas based JTL Capital in partnership with Farallon Capital Management L.L.C.for an undisclosed price. Rosewood Hotels & Resorts agreed to a long-term contract to continue management of the resort. The purchase also included land entitled for up to 30 additional villa residences as well as an unfinished Phase IV building containing 8 premier villas that JTL Capital will finish constructing in September of 2004. The transaction was a first for JTL in Mexico. Morgan Stanley Mortgage Capital provided the financing. JTL Capital, L.L.C. is a closely held, real estate investment and development concern founded in 1999 by David A. Lane and Mark J. Sullivan. JTL Capital employs a "buy and enhance" strategy that produces attractive risk-adjusted returns.

 

In September 2004 Ty Warner Hotels & Resorts, LLC purchased the 61-room Las Ventanas al Paraíso Resort from Dallas-based JTL Capital, LLC. According to Ty Warner, the goal is to extend and enhance the beauty and amenities at the resort. Warner believed the essential component to achieving that goal is in Rosewood Hotels & Resorts' continued operation of the resort. Ty Warner is an American billionaire who created the 1990s stuffed toy fad - Beanie Babies. At the peak of the Beanie craze in 1999, the privately owned Ty Inc. is believed to have earned over $700 million in profits in a year. The Beanie Babies phenomenon, coupled with the rise of the Internet, is cited as elevating Warner to billionaire status. Ty Warner Hotel and Resort Properties include: Four Seasons Resort The Biltmore Santa Barbara, CA, Four Seasons Hotel New York, NY and San Ysidro Ranch, Montecito, CA.

 

Managing Directors since Edward Steiner include: Lionel Alvarez appointed Managing Director in 2008. He previously was General Manager at at Aquapura Vale Do Douro Hotel, Portugal. Martein van Wagenberg was appointed managing director of Las Ventanas in 2011. He previously was at Rosewood Little Dix Bay in Virgin Gorda. In 2014 Rosewood named Mário Candeias the managing director of Las Ventanas. He was the Director of Operations at Pestana Hotels & Resorts in Portugal. Rosewood appointed Frederic Vidal the Managing Director of Las Ventanas al Paraíso in 2014. Previously he was Managing Director for YOSH Hospitality, a company managing palaces and villas in the United Arab Emirates.

 

Compiled by Dick Johnson, November 2019

Is it possible to perfect perfection?

 

To create an impression so genuine and pure that all the work it takes to ensure needs are addressed, that timing is orchestrated floats away from the diner's attention, where all parties at a table equally feel that the evening was tailored just for them, despite the fact that every single guest in the room shares the exact same sentiment.

 

Many have aspired. Few have achieved. Less than a year old Grace is on a fastrack to accomplishing that.

 

But with all my focus on the service aspect - it's charm, it's wit, it's non-onerous disposition - I'd be amiss to omit mention of the food because that is the main draw that brings a fickle dining public out and spend their hard earned monies in a time when casual dining and a dress down approach runs rampant as children hopped up on sugar post-Halloween.

 

Although chef Duffy was out of office at a cooking evening in another state during our visit (unfortunate in a sense due to our missed interaction), I had great faith that the evening would be just as splendid with his incredibly talented team. To achieve and succeed at this level, it's not just having a captain that's stellar, but also a top crew to man (and woman) every aspect of this tight ship. At no point in time would I have felt that chef wasn't in the space, ensuring that every plate was to his spec. That, I find, is hard to achieve these days in much of North America and I applaud the team on this.

 

The food itself was a feast for the senses. The opening number, both interactive and refreshing, set the stage, like Alice in the rabbit hole when she takes a sip of the "drink me" potion and commits herself to a world of adventures. The elegance, daintiness and meticulousness of each assembled course complimenting the interplay of flavours, textures and temperatures (a component in "cooking" that is starting to appear more often, although sometimes with mixed results. Hint: tempering is good - like that found at Grace; straight jarring contrast is bad, like that found coming out of less experienced kitchens). The diner isn't just transported to Grace's culinary world, but also to one of new appreciations in unique herbs and flavours (perhaps, my own feeling) where it's a delight that's not only physical, but also cerebral. Courses like the Heirloom Tomato draw on classics, reinterpreted for the modern era which not only comfort but also inspire; traditionally flashy star players (caviar, truffles, wagyu beef) play a supportive role to humble melon, creme caramel and watermelon. The shock, almost as mind boggling as meeting that stunner only to find out that he was once the class geek (you know, in movies).

 

Every step of the journey has whimsy; every bite encouraging further exploration. The plates, although artfully presented and beautiful, also invited consumption; they were neither too precious to dig into nor required an encyclopedia of know how to tackle. It felt natural without intimidation (which I'm aware can be a concern for some diners), approachable, and where instructions were required (i.e. order of amuses to be consumed), helpful.

 

While not all dishes resonated with me, I profoundly enjoyed my dinner. I didn't feel the time pass. If anything, I would have been happy, with the amazing CT, whiling away more hours (we were, from start to extended finish, at the care of the Grace team for nearly 6 hours).

 

Fine dining and attentive care is not dead; it's alive and well with a fresh youthful exuberance and formal, white glove approach without the stodginess. It can go hand in hand with excellent food, and it's to the team behind it that I say a heartfelt thank you for working against the tide to bring refinement and elegance to the dining experience.

 

You are on your way to recognition beyond 3 stars. I believe it.

 

(Update: as of Nov 12, 2013 - Grace had been awarded 2 michelin stars.)

Las Ventanas al Paraiso "The windows to Paradise"

Km 19.5 Carretera Transpeninsular

Cabo San Lucas, San Jose del Cabo - MEXICO

 

In the 1970's the Mexican government designated "hot spots" for tourism development including Cancun, Ixtapa and Los Cabos. Los Cabos, which means the Capes has twin towns of Cabo San Lucas and San Jose del Cabo which are separated by 20 miles of beach coast line. Mexican developer Javier Burillo Azcarraga acquired eighteen undeveloped acres at Cabo San Lucas in the early 90's. He envisioned for the site a unique, super-luxury, boutique hotel that would stand out from the crowd and reflect Baja's indigenous culture and landscape. He brought in Atlanta-based architect and developer Hal Thannisch, Jr. to create the master plan and orchestrate the design, construction, financing, and ultimate operation of the completed resort. Thannisch hired HKS Architects of Dallas to provide architectural services, and they in turn, retained The SWA Group of Dallas to create the site plan and landscape architecture. The SWA Group developed the Las Ventanas landscape which blends the natural desert environment with the sensuality of the Mexican-style architecture to enhance the resort’s sense of authenticity. Construction began in December 1995, and the five-star Las Ventanas al Paraiso, or "Windows to Paradise," welcomed its first guests in July 1997. When guests enter Las Ventanas, they don't see all the buildings at once. Rather, the resort gradually reveals itself as guests walk down to the sea. The site plan radiates out from the open-air lobby, and every guest suite has a view of the blue Sea of Cortez. The resort resembles a small, sand and earth-colored Mexican village. The hotels opening rate was $325 a night. The 61-room Las Ventanas al Paraiso claims to have the longest celebrity client list of any hotel in the world. The discreet resort does not have a sign outside on Highway 1. Zen-inspired raked-sand entrance opens to beach views from the restaurant, private rooftop patios, and infinity-edge pools, where super-attentive pool butlers clean your smudged sunglasses and provide unlimited towel service. All over-sized guestrooms have pebble-inlaid headboards, hand-carved cedar doors, wood-burning fireplaces, and telescopes for stargazing.

 

Javier Burillo belongs to the Azcárraga family, owner of Televisa. He is the son of Carmela Azcárraga Milmo, sister of the late Emilio Azcárraga Milmo and daughter of Emilio Azcárraga Vidaurreta, founder of Televicentro, now Televisa. Grupo Televisa, S.A.B. is a Mexican multimedia company and the largest in Latin America and the Spanish-speaking world (Univision in the United States). The company has been led and owned by three generations of Azcárraga. Javier Burillo inherited the Ritz Acapulco Hotel from his grandfather. In 1999 he and Rosewood's Hal Thannisch proposed a $62 million, 105-room Rosewood Resort in Sonoma, CA which failed to get city's approval.

 

Thannisch Development Services, Inc. (TDS) specializes in complex issues of development planning, financing, interdisciplinary management, design management and implementation. Thannisch was directly responsible for the renovation of the historic Cogswell College building now the Ritz Carlton San Francisco and the redevelopment of the Mahogany Run Resort, St. Thomas, USVI. In 1985, Thannisch joined Caroline Hunt's Rosewood Hotel Group as vice president, development. Based in Dallas, he was immersed in the development of the Hotel Hana-Maui at Hana Ranch and The Hotel on the Old Course, St. Andrews, Scotland. In 1989, the Ritz-Carlton Hotel Company called on his experience to manage the feasibility, pre-development, development and construction of the Ritz-Carlton Aspen, Hotel Arts Barcelona, Spain. Thannisch brought to Rosewood its first Mexico project, Las Ventanas which has emerged as a premier five-star resort in all of Mexico.

 

Las Ventanas al Paraíso became the first world-class resort in Los Cabos under hotelier Edward Steiner who served the hotel from opening to 2008. The resort achieved AAA Five Diamond status under his leadership.

 

In December 2003 Paraiso Los Cabos, S.A. de C.V. sold Las Ventana al Paraiso to Dallas based JTL Capital in partnership with Farallon Capital Management L.L.C.for an undisclosed price. Rosewood Hotels & Resorts agreed to a long-term contract to continue management of the resort. The purchase also included land entitled for up to 30 additional villa residences as well as an unfinished Phase IV building containing 8 premier villas that JTL Capital will finish constructing in September of 2004. The transaction was a first for JTL in Mexico. Morgan Stanley Mortgage Capital provided the financing. JTL Capital, L.L.C. is a closely held, real estate investment and development concern founded in 1999 by David A. Lane and Mark J. Sullivan. JTL Capital employs a "buy and enhance" strategy that produces attractive risk-adjusted returns.

 

In September 2004 Ty Warner Hotels & Resorts, LLC purchased the 61-room Las Ventanas al Paraíso Resort from Dallas-based JTL Capital, LLC. According to Ty Warner, the goal is to extend and enhance the beauty and amenities at the resort. Warner believed the essential component to achieving that goal is in Rosewood Hotels & Resorts' continued operation of the resort. Ty Warner is an American billionaire who created the 1990s stuffed toy fad - Beanie Babies. At the peak of the Beanie craze in 1999, the privately owned Ty Inc. is believed to have earned over $700 million in profits in a year. The Beanie Babies phenomenon, coupled with the rise of the Internet, is cited as elevating Warner to billionaire status. Ty Warner Hotel and Resort Properties include: Four Seasons Resort The Biltmore Santa Barbara, CA, Four Seasons Hotel New York, NY and San Ysidro Ranch, Montecito, CA.

 

Managing Directors since Edward Steiner include: Lionel Alvarez appointed Managing Director in 2008. He previously was General Manager at at Aquapura Vale Do Douro Hotel, Portugal. Martein van Wagenberg was appointed managing director of Las Ventanas in 2011. He previously was at Rosewood Little Dix Bay in Virgin Gorda. In 2014 Rosewood named Mário Candeias the managing director of Las Ventanas. He was the Director of Operations at Pestana Hotels & Resorts in Portugal. Rosewood appointed Frederic Vidal the Managing Director of Las Ventanas al Paraíso in 2014. Previously he was Managing Director for YOSH Hospitality, a company managing palaces and villas in the United Arab Emirates.

 

Compiled by Dick Johnson, November 2019

A legendary talent and a source of pride for me because not only was he Jewish, he was from Massachusetts too!

 

Here is his bio from the Official Leonard Bernstein site:

 

August 25, 1918 - October 14, 1990

Leonard Bernstein was born in Lawrence, Massachusetts. He took piano lessons as a boy and attended the Garrison and Boston Latin Schools. At Harvard University, he studied with Walter Piston, Edward Burlingame-Hill, and A. Tillman Merritt, among others. Before graduating in 1939, he made an unofficial conducting debut with his own incidental music to "The Birds," and directed and performed in Marc Blitzstein's "The Cradle Will Rock." Then at the Curtis Institute of Music in Philadelphia, he studied piano with Isabella Vengerova, conducting with Fritz Reiner, and orchestration with Randall Thompson.

 

In 1940, he studied at the Boston Symphony Orchestra's newly created summer institute, Tanglewood, with the orchestra's conductor, Serge Koussevitzky. Bernstein later became Koussevitzky's conducting assistant.

 

Bernstein was appointed to his first permanent conducting post in 1943, as Assistant Conductor of the New York Philharmonic. On November 14, 1943, Bernstein substituted on a few hours notice for the ailing Bruno Walter at a Carnegie Hall concert, which was broadcast nationally on radio, receiving critical acclaim. Soon orchestras worldwide sought him out as a guest conductor.

 

In 1945 he was appointed Music Director of the New York City Symphony Orchestra, a post he held until 1947. After Serge Koussevitzky died in 1951, Bernstein headed the orchestral and conducting departments at Tanglewood, teaching there for many years. In 1951 he married the Chilean actress and pianist, Felicia Montealegre. He was also visiting music professor, and head of the Creative Arts Festivals at Brandeis University in the early 1950s.

 

Bernstein became Music Director of the New York Philharmonic in 1958. From then until 1969 he led more concerts with the orchestra than any previous conductor. He subsequently held the lifetime title of Laureate Conductor, making frequent guest appearances with the orchestra. More than half of Bernstein's 400-plus recordings were made with the New York Philharmonic.

 

Bernstein traveled the world as a conductor. Immediately after World War II, in 1946, he conducted in London and at the International Music Festival in Prague. In 1947 he conducted in Tel Aviv, beginning a relationship with Israel that lasted until his death. In 1953, Bernstein was the first American to conduct opera at the Teatro alla Scala in Milan: Cherubini's "Medea" with Maria Callas.

 

Bernstein was a leading advocate of American composers, particularly Aaron Copland. The two remained close friends for life. As a young pianist, Bernstein performed Copland's "Piano Variations" so often he considered the composition his trademark. Bernstein programmed and recorded nearly all of the Copland orchestral works --many of them twice. He devoted several televised "Young People's Concerts" to Copland, and gave the premiere of Copland's "Connotations," commissioned for the opening of Philharmonic Hall (now Avery Fisher Hall) at Lincoln Center in 1962.

 

While Bernstein's conducting repertoire encompassed the standard literature, he may be best remembered for his performances and recordings of Haydn, Beethoven, Brahms, Schumann, Sibelius and Mahler. Particularly notable were his performances of the Mahler symphonies with the New York Philharmonic in the 1960s, sparking a renewed interest in the works of Mahler.

 

Inspired by his Jewish heritage, Bernstein completed his first large-scale work: Symphony No. 1: "Jeremiah." (1943). The piece was first performed with the Pittsburgh Symphony Orchestra in 1944, conducted by the composer, and received the New York Music Critics' Award. Koussevitzky premiered Bernstein's Symphony No. 2: "The Age of Anxiety" with the Boston Symphony Orchestra, Bernstein as piano soloist. His Symphony No. 3: "Kaddish," composed in 1963, was premiered by the Israel Philharmonic Orchestra. "Kaddish" is dedicated "To the Beloved Memory of John F. Kennedy."

 

Other major compositions by Bernstein include "Prelude, Fugue and Riffs" for solo clarinet and jazz ensemble (1949); "Serenade" for violin, strings and percussion, (1954); "Symphonic Dances from West Side Story," (1960); "Chichester Psalms" for chorus, boy soprano and orchestra (1965); "Mass: A Theater Piece for Singers, Players and Dancers," commissioned for the opening of the John F. Kennedy Center for the Performing Arts in Washington, DC, and first produced there in 1971; "Songfest" a song cycle for six singers and orchestra (1977); "Divertimento," for orchestra (1980); "Halil," for solo flute and small orchestra (1981); "Touches," for solo piano (1981); "Missa Brevis" for singers and percussion (1988); "Thirteen Anniversaries" for solo piano (1988); "Concerto for Orchestra: Jubilee Games," (1989); and "Arias and Barcarolles" for two singers and piano duet (1988).

 

Bernstein also wrote a one-act opera, "Trouble in Tahiti," in 1952, and its sequel, the three-act opera, "A Quiet Place" in 1983. He collaborated with choreographer Jerome Robbins on three major ballets: "Fancy Free" (1944) and "Facsimile" (1946) for the American Ballet theater; and "Dybbuk" (1975) for the New York City Ballet. He composed the score for the award-winning movie "On the Waterfront" (1954) and incidental music for two Broadway plays: "Peter Pan" (1950) and "The Lark" (1955).

 

Bernstein contributed substantially to the Broadway musical stage. He collaborated with Betty Comden and Adolph Green on "On The Town" (1944) and "Wonderful Town" (1953). In collaboration with Richard Wilbur and Lillian Hellman and others he wrote "Candide" (1956). Other versions of "Candide" were written in association with Hugh Wheeler, Stephen Sondheim et al. In 1957 he again collaborated with Jerome Robbins, Stephen Sondheim, and Arthur Laurents, on the landmark musical "West Side Story," also made into the Academy Award-winning film. In 1976 Bernstein and Alan Jay Lerner wrote "1600 Pennsylvania Avenue."

 

Festivals of Bernstein's music have been produced throughout the world. In 1978 the Israel Philharmonic sponsored a festival commemorating his years of dedication to Israel. The Israel Philharmonic also bestowed on him the lifetime title of Laureate Conductor in 1988. In 1986 the London Symphony Orchestra and the Barbican Centre produced a Bernstein Festival. The London Symphony Orchestra in 1987 named him Honorary President. In 1989 the city of Bonn presented a Beethoven/Bernstein Festival.

 

In 1985 the National Academy of Recording Arts and Sciences honored Mr. Bernstein with the Lifetime Achievement Grammy Award. He won eleven Emmy Awards in his career. His televised concert and lecture series started with the "Omnibus" program in 1954, followed by the extraordinary "Young People's Concerts with the New York Philharmonic," in 1958 that extended over fourteen seasons. Among his many appearances on the PBS series "Great Performances" was the eleven-part acclaimed "Bernstein's Beethoven." In 1989, Bernstein and others commemorated the 1939 invasion of Poland in a worldwide telecast from Warsaw.

 

Bernstein's writings were published in "the Joy of Music" (1959), "Leonard Bernstein's Young People's Concerts"(1961), "The Infinite Variety of Music" (1966), and "Findings" (1982). Each has been widely translated. He gave six lectures at Harvard University in 1972-1973 as the Charles Eliot Norton Professor of Poetry. These lectures were subsequently published and televised as "The Unanswered Question."

 

Bernstein always rejoiced in opportunities to teach young musicians. His master classes at Tanglewood were famous. He was instrumental in founding the Los Angeles Philharmonic Institute in 1982. He helped create a world class training orchestra at the Schleswig Holstein Music Festival. He founded the Pacific Music Festival in Sapporo, Japan. Modeled after Tanglewood, this international festival was the first of its kind in Asia and continues to this day.

 

Bernstein received many honors. He was elected in 1981 to the American Academy of Arts and Letters, which gave him a Gold Medal. The National Fellowship Award in 1985 applauded his life-long support of humanitarian causes. He received the MacDowell Colony's Gold Medal; medals from the Beethoven Society and the Mahler Gesellschaft; the Handel Medallion, New York City's highest honor for the arts; a Tony award (1969) for Distinguished Achievement in the Theater; and dozens of honorary degrees and awards from colleges and universities. He was presented ceremonial keys to the cities of Oslo, Vienna, Bersheeva and the village of Bernstein, Austria, among others. National honors came from Italy, Israel, Mexico, Denmark, Germany (the Great Merit Cross), and France (Chevalier, Officer and Commandeur of the Legion d'Honneur). He received the Kennedy Center Honors in 1980.

 

World peace was a particular concern of Bernstein. Speaking at Johns Hopkins University in 1980 and the Cathedral of St. John the Divine in New York in 1983, he described his vision of global harmony. His "Journey for Peace" tour to Athens and Hiroshima with the European Community Orchestra in 1985, commemorated the 40th anniversary of the atom bomb. In December 1989, Bernstein conducted the historic "Berlin Celebration Concerts" on both sides of the Berlin Wall, as it was being dismantled. The concerts were unprecedented gestures of cooperation, the musicians representing the former East Germany, West Germany, and the four powers that had partitioned Berlin after World War II.

 

Bernstein supported Amnesty International from its inception. To benefit the effort in 1987, he established the Felicia Montealegre Fund in memory of his wife who died in 1978.

 

In 1990, Bernstein received the Praemium Imperiale, an international prize created in 1988 by the Japan Arts Association and awarded for lifetime achievement in the arts. Bernstein used the $100,000 prize to establish The Bernstein Education Through the Arts (BETA) Fund, Inc. before his death on October 14, 1990.

 

Bernstein was the father of three children -- Jamie, Alexander, and Nina -- and the grandfather of four: Francisca, Evan, Anya and Anna.

 

Source: www.leonardbernstein.com/about.php

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