View allAll Photos Tagged optical

to see differently from how it really is.

 

 

Its just art or whatever

Optical effect - geometry and perspective

One of my favourites, RIP William orbit, Crosby Beach

Optical Illusion / 3D effect painting by me on 21 cm X 14.5 cm paper card.

It seems to keystone ... I could see it in the viewfinder too.

 

- Rosa's Garden of Earthly Delights, Keefer Lake, Ontario, Canada -

I am short sighted and always have to wear either glasses or contact lenses. The optical correction can be seen through the lenses of my glasses as they refract the colourful lines.

De Museumfabriek in Enschede, voorheen de Twentse Welle.

Het gebouw staat altijd gedeeltelijk in het water.

Gezien tijdens voorbereiding op de 40 km sponsorloop van Nacht van de Vluchteling. Voorbereiding: Hengelo- rondje Enschede 24 km

  

Nikkor 20 f3,5 ai

Generated By Midjourney V6

 

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**Prompt :**

 

Deux sphères de verre parfaitement transparentes, posées sur une surface liquide miroir dans un laboratoire futuriste baigné de lumière froide bleu-cyan. À l’intérieur de chaque sphère, un micro-écosystème hyperréaliste : un arbre solitaire aux branches tortueuses, enraciné dans un sol de galets humides, partiellement submergé sous une eau cristalline. La ligne de flottaison coupe l’arbre en deux mondes — au-dessus, l’air immobile chargé de particules lumineuses ; en dessous, une eau calme où la lumière se fracture en reflets liquides.

 

Entre les deux sphères, des gouttes d’eau en suspension chutent lentement en apesanteur, capturées en ultra slow motion, chacune reflétant l’univers environnant comme des lentilles vivantes. Des ondulations concentriques se propagent à la surface de l’eau sous les sphères, créant un jeu de symétrie hypnotique.

 

Ambiance visuelle inspirée du cinéma de science-fiction contemplatif, mélange de **macro-photographie**, **optique cinématographique 85mm**, profondeur de champ extrêmement réduite (bokeh crémeux en arrière-plan), rendu **8K hyperréaliste**, textures ultra détaillées (verre, eau, bois, pierre). Éclairage volumétrique avec faisceaux lumineux diffus et particules flottantes visibles, créant une atmosphère presque sacrée.

 

Palette de couleurs dominée par des bleus profonds, argent métallisé et reflets blancs éclatants. Reflets complexes sur les surfaces vitrées, distorsions optiques subtiles. Composition parfaitement symétrique, centrée, avec une sensation de calme suspendu et de tension silencieuse.

 

Thématique implicite : dualité, expérimentation, équilibre fragile entre nature et technologie, microcosmes enfermés, illusion de contrôle.

 

Style visuel : fusion entre **Blade Runner 2049**, **Interstellar** et **photographie scientifique haut de gamme**, avec une touche artistique minimaliste.

 

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**Prompt:**

 

Two perfectly transparent glass spheres resting on a mirror-like liquid surface inside a futuristic laboratory bathed in cold cyan-blue light. Inside each sphere lies a hyperrealistic micro-ecosystem: a solitary tree with twisted, sculptural branches rooted in a bed of wet pebbles, partially submerged in crystal-clear water. The waterline slices the tree into two distinct worlds — above, still air filled with suspended luminous particles; below, calm water where light fractures into fluid reflections.

 

Between the two spheres, droplets of water hover and fall in slow motion, captured in ultra-high-speed detail, each droplet acting like a tiny lens reflecting the surrounding environment. Gentle concentric ripples spread across the liquid surface beneath the spheres, creating a hypnotic symmetry.

 

Visual atmosphere inspired by contemplative science fiction cinema, blending **macro photography**, **85mm cinematic lens**, extremely shallow depth of field (creamy bokeh background), **8K hyperrealistic rendering**, ultra-detailed textures (glass, water, wood, stone). Volumetric lighting with soft light beams and visible floating particles, evoking a sacred, almost otherworldly ambiance.

 

Color palette dominated by deep blues, metallic silver, and bright white highlights. Complex reflections across glass surfaces, subtle optical distortions. Perfectly centered, symmetrical composition, conveying a sense of suspended calm and silent tension.

 

Underlying themes: duality, experimentation, fragile balance between nature and technology, enclosed microcosms, illusion of control.

 

Visual style: a fusion of **Blade Runner 2049**, **Interstellar**, and high-end scientific photography, with a minimalist artistic touch.

 

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--v 6 --ar 16:9 --style raw --q 2 --s 750 --chaos 8 --seed 1234

   

The big eruption of Mount Corona happened around 3000 years ago. The liquid stone shot out with a tremendous force and covered a big area in the Northeast of Lanzarote Island. The lava cooled out quickly on the surface, but underground it continued to flow towards the Atlantic Ocean. The lava ebbed away, the empty tunnels stayed, building the worlds biggest lava tube. Parts of this tunnel system can be visited on a guided tour. You climb down 50 meters through a huge hole into this mysterious underworld. At the end of the tour you arrive at this spectacular, steep abyss...or is it a reflection? However that may be...the tour guide allowed me to stay longer than the group to take my photographs in a calm and lonely setting.

 

Panoramic view made out of 6 single shots.

 

* Explored 17/04/16 #98 *

Milano EXPO 2015

It appears we are looking up a hill at an Elk with the sky in the background but what we are actually looking at is down a hill with a lake behind her.

For MACRO MONDAYS, this week’s theme: "Corner".

 

Setting: a 15mm Optical Cube Prism was placed on a white plastic board. The rainbow colours were from refraction and dispersion of sunlight.

 

HMM!

  

♥ Thank you very much for your visits, faves, and kind comments ♥

Lamp in the waiting room of my ophthalmologist. The light is originally much softer on the eyes, but I am in the mood to slide, and I suddenly have a crave for a creamsicle.😁 HSS!

 

"It's easier to lie to people than convince them they have been lied to"....Mark Twain

 

youtu.be/LmmcpA7Hlyw

Nightshots & rain are a nice combination. I really like the result.

The Root Problem: Perspective Distortion

When you tilt a camera (especially upward at a building), parallel lines in reality appear to converge in the image. This is due to how light rays hit the sensor.

 

Vertical lines → lean inward (the “falling buildings” effect)

Objects closer to the camera → look disproportionately larger

 

This is governed by basic projective geometry—not a flaw, just how perspective works.

 

The “Trick”: Re-mapping the Image

Perspective correction tools (in apps like Adobe Lightroom or Photoshop) apply a mathematical transformation to the image.

 

Think of it like this:

 

The original photo is a distorted grid

The software stretches, compresses, and skews parts of that grid

It forces lines that should be parallel (like building edges) to become parallel again

 

This transformation is often a homography (a 2D projective transform).

  

Why It Looks Like “Optical Trickery”

The illusion comes from how your brain interprets visual cues:

 

a. Restoring “Expected Reality”

 

Your brain expects:

Vertical lines to be vertical

Rectangles to look rectangular

When software enforces this, the image feels “correct”—even though it’s been heavily warped.

 

b. Stretching Space Unevenly

 

To fix perspective:

The top of the image is often stretched wider

The bottom may be compressed

 

This creates subtle side effects:

 

People or objects near edges can look slightly distorted

Resolution is uneven (some areas lose detail)

  

Taunton Minster, St Mary Magdalene church.

Taunton, Somerset, UK.

Despite my best efforts it still looks a bit weird.

The confusion between a staircase and his shadow

Milky Way - Shenandoah National Park, VA

 

I was playing around w/ framing up the Milky Way on this particular night... so is the tree absorbing the Milky Way?... or is the Milky Way absorbing the tree? lol

 

3:52 am - 20 seconds @ ISO 3200, f/2.8, w/ a Bower 14mm.

 

THANKS FOR VIEWING!

female broad-billed hummingbird on the patio heading for one of the many feeders.

 

The shadow of her wing looks like she is mounted on the patio wall, which is in fact at least 10 feet away.

 

Tucson, Arizona

 

Thank you for taking a look at my images. I appreciate it.

Although beautiful statues and cathedrals filled my brain during travels to Italy, I found myself enchanted with the architecture of each town we visited. I especially loved the windows with their all the exquisite details.

 

As I was waiting on the corner for a friend to return from a shop, I looked up and noticed one window across the street seemed to be gleaming. Initially I thought the black shapes were two cats facing each other. A closer look much later actually showed me something totally different.

Marble entrance stairs outside the front of a magnificent home in Kensington, London.

My attempt at the Smile on Saturday" theme "Through the Fence".

 

Shot with an Optical ""Curz-Proiectar 80 mm F 1.8" (projection) lens on a Canon EOS R5.

Created for SOTN's "Seriously, Selfies" challenge.

Lens: Asahi Optical Co. (Pentax) Super-Takumar 50mm f/1.4 (1968)

99.999% pure, lint-free, ultra-soft wipes for use on lenses, film emulsions, and other surfaces requiring non-abrasive cleaning methods.

 

My usual Wikipedia research came up empty for this product type. If you're curious, here's the manufacturer's product link.

 

The area shown is about 2" x 2" (50.8mm x 50.8mm).

I am doing something I have not done before on this site and that is, posting the same picture twice. But I am intrigued by the optical illusion in this shot. It was taken in the early morning light which causes our brain to see it differently than it actually is. Here's the science behind it.

 

Brain's Assumption: The human brain is evolutionarily wired to assume that light, especially from the sun, comes from above.

Shadow Interpretation: When we look at ripples or footprints in the sand, our brain uses the shadows to determine if a feature is raised (a hill or a ripple crest) or indented (a depression or a footprint).

The Illusion: If an image of sand ripples (or dunes) is lit from below (e.g., in a photograph taken from a specific angle or a picture that is inverted), the shadows fall on the "wrong" side. The brain, still assuming the light is from above, misinterprets the shadows, causing the crests to appear as troughs and the troughs to appear as crests. The image appears inverted.

 

I invite you to look at this shot and tell me if you see ridges and small concave valleys or do do you see rounded crests of sand with narrow valleys. For me it switches back and forth between the two. And for me there is sometimes a third view my brain gives me and that is, the dark shadows become the raised parts of the picture. It may take a minute for your brain to switch from one to the other. When I first look at this shot I see sharp ridges which is an illusion but when I bring my eyes over to the toes of my shoes it switches to what it should be.

 

I would appreciate hearing about what you experience.

Skyrim - NLA ENB profile by Confidence-Man, free camera, time stop, time and weather control, custom FOV.

Cars & Coffee Hobart - August 2016 - Optical Note Photography - www.opticalnote.com

Un'illusione ottica è caratterizzata da immagini percepite visivamente che differiscono dalla realtà oggettiva. Le informazioni raccolte dall'occhio sono trasformate nel cervello per dare una percezione che non coincide con una misura fisica della fonte di stimolo.

Il modo in cui oggetti e colori appaiono dipende fortemente dal loro contesto. Le variabili strutturali e spaziali di una scena possono influenzare l'aspetto e la percezione.

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An optical illusion is characterized by visually perceived images that differ from objective reality. The information gathered by the eye is processed in the brain to give a perception that does not coincide with a physical measurement of the stimulus source.

The way in which objects and colors appear strongly depends on their context. Structural variables and space of a scene can affect the appearance and perception.

 

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