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A distinctive trait of Hush Loki's artistry is the omnipresence of a catchy hook in each of his compositions. Without overt self-promotion, his music speaks for itself, resonating with audiences who appreciate the authenticity of a well-crafted melody. What sets him apart is not a desire for acclaim, but a commitment to creating tunes that naturally captivate the ear.
Embracing a visual element that complements his sonic identity, Hush Loki dons a cool sci-fi face mask during performances. This choice, alongside his super cool wardrobe, adds a layer of intrigue to his persona, allowing listeners to connect with the music on multiple sensory levels.
A notable aspect of Hush Loki's creative process is his hands-on approach to production, as he meticulously produces all his music. This dedication to the entire artistic journey underscores his commitment to authenticity and personal expression within the realm of modern pop.
In a landscape often characterized by flamboyance, Hush Loki stands as a testament to the power of subtlety and genuine creativity. His humility shines through as he lets the music, style, and craftsmanship do the talking, inviting audiences into a world where coolness and authenticity effortlessly coexist.
Interior intimo meo et superior summo meo
— St Augustine of Hippo
English translation: You were more inward to me than my most inward part and higher than my highest.
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UAXACTUN
Uaxactun is a little-known Mayan archaeological site, located in Petén in Guatemala, about twenty kilometers north of Tikal. An “end of the world” atmosphere.
Much of the history of Uaxactún is inseparable from that of Tikal. The reason lies in their extreme proximity. It seems that it was Uaxactún who first saw the light of day, almost four millennia ago. Then, men settled on the current site of Tikal and developed a city there. During the preclassical era (800 BC to 200 AD), the two cities coexisted peacefully. The reason for this peace was their mutual subordination to a third city-state, El Mirador, located about sixty kilometers away. This domination of El Mirador over the region held back the expansionist desires of the two neighboring cities for a long time. But, towards the end of the 1st century AD, the mighty El Mirador was brought down. The two cities of Tikal and Uaxactún were then able to give free rein to their appetite for conquest. At the same time, they embarked on important architectural work. Temples, acropolises and altars were created. Too close, the two cities ended up being bothered by the presence of a rival power in their neighborhood. In 378, the conflict ended with the definitive defeat of Uaxactún, now a vassal of Tikal.
Uaxactún is nothing like Tikal except for the omnipresence of the lush forest. Indeed, there are no astonishing pyramids here. Uaxactún is a modest site made up of six groups of structures scattered on either side of the old airstrip built at the time when the city was the subject of a major excavation program. Uaxactun has platforms decorated with large stucco masks. The best known of these platforms is a structure each side of which has a staircase flanked by sixteen masks representing lords or monsters Witz (the god of the mountain in the Mayan religion). This pyramid was an astronomical observatory: its east side faces three small temples aligned so as to be able to observe the sunrise at the solstices and equinoxes.
Interior intimo meo et superior summo meo
— St Augustine of Hippo
English translation: You were more inward to me than my most inward part and higher than my highest.
Typeface: Jupiter Pro
Merchandise available: www.redbubble.com/shop/ap/155220847
Interior intimo meo et superior summo meo
— St Augustine of Hippo
English translation: You were more inward to me than my most inward part and higher than my highest.
Typeface: Jupiter Pro
Merchandise available: www.redbubble.com/shop/ap/155221073
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Interior intimo meo et superior summo meo
— St Augustine of Hippo
English translation: You were more inward to me than my most inward part and higher than my highest.
Typeface: Jupiter Pro
Merchandise available: www.redbubble.com/shop/ap/155220704
Disneyland exists in order to hide that it is the "real" country, all of "real"
America that is Disneyland (a bit like prisons are there to hide that it is the social in its
entirety, in its banal omnipresence, that is carceral). Disneyland is presented as imaginary
in order to make us believe that the rest is real, whereas all of Los Angeles and the
America that surrounds it are no longer real, but belong to the hyperreal order and to the
order of simulation. It is no longer a question of a false representation of reality
(ideology) but of concealing the fact that the real is no longer real, and thus of saving the
reality principle.