View allAll Photos Tagged omnipresence
You are God! Wherever You are, God will be present. God is always Omnipresence, undeniable Omnipresence. However, just like the rose out of its glory is still a bud, God is like this in everyone. So, when He flourishes, when His Glory appears, when His effulgent and glorious Presence appears, which in India they call Bhagwan, what was only a potential is updated; what was only a promise comes true. Você é Deus! Onde quer que Você esteja, Deus estará. Deus é sempre Onipresença, inegável Onipresença. Mas, da mesma forma que a rosa fora de sua glória ainda é um botão, Deus é assim em todos. Então, quando Ele floresce, quando Sua Glória aparece, quando Sua Fulgente Presença Gloriosa aparece, o que, na Índia, eles chamam de Bhagwan, aquilo que era só um potencial se atualiza; aquilo que era só uma promessa se realiza.~ Mestre Gualberto ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ #ramanashramgualberto #mestregualberto #satsang #ramana #ramanamaharshi #quoteoftheday #guru #pranayama #buda #goodvibes #sadhana #whoami #zen #meditation #awareness #fé #selfinquiry #knowledge #quote #ego #krishna #yogainspiration #nisargadattamaharaj #om #maya #meditação #whoareyou #mind #bliss #spirituality
4me4you visits Omni Gallery which featured the artist KATSU - "MECHA".
Channelling the mischievous, anarchic spirit of Dadaists from the turn of the 20th Century, Japanese American artist KATSU (b.1982) began as a graffiti writer in the streets of New York in the early 2000s and has been developing his artistic output ever since.
Through the use of drone technology, video, sculpture, and public intervention, KATSU explores the omnipresence of digital culture, privacy and the pervasive anxiety around technology and its potential for use and misuse.
Mecha presents a suite of paintings made using drone technology which the artist has developed and honed for the past decade.
Channelling this technology, through custom-built painting drones and specialised software, the artist programs drones to create portraits, landscapes, and abstract dot paintings.
Presented as distinctive series’, each of the works have been created by deploying autonomous and semi-autonomous painting drones to render directly on the canvas. The final outcome is not exclusively made by the artist, but instead occurs in collaboration between human and machine - mechas.
These brightly coloured, playful paintings belie a more serious undercurrent. The human experience of mark making has been outsourced via technology to the machine, bringing the idea of authorship and validation into question. Rather than improving quality of life, it can be argued, technology has stripped away humanistic values like freedom, community, and progress by negating the very idea of the individual.
In 2015 KATSU mischievously exploited his newly developed drone technology in one of the first ever acts of large-scale public drone vandalism. Taking less than a minute to complete, the drone spray painted red lines across the face of model Kendall Jenner as she stood six stories tall on one of New York City’s most renowned billboard locations. This small, playful gesture marks a dawning for graffiti artists and vandals, shifting the potential for street writing into a whole new, and for the authorities, terrifying wave of unstoppable possibilities. KATSU’s drone paintings, both on small and monumental scales, interrogate progress at all costs and the onslaught of exploitative uses for these flying vehicles.
Mecha, presents KATSU’s pioneering technology via playful, expertly rendered paintings which serve to explore the conundrum of progress versus imprudent ambition. The exhibition questions where and how technology is allowed to terminally invade our lives.
The image stands as a testament to the unending wonders of science and the unfathomable depths of nature's complexities. A ferrofluid has transformed into an otherworldly landscape, an iron-rich liquid, shaped into innumerable spikes by magnetic forces. The intricate spiky mounds, resembling an alien terrain or a bizarre underwater flora, carry a stark metallic sheen. A play of light and dark accentuates each minute detail, granting an almost three-dimensional depth to the photograph. The result is a unique vision that teeters on the edge of the real and surreal. Straddling the domains of art and physics, this image by Duncan Rawlinson lays bare the fascinating contours of the invisible magnetic fields that surround us, bringing to life the abstract forms they can create. Each spike is an individual testament to this unseen force, a minute but powerful affirmation of the omnipresence of physics in our universe.
"The American Cemetery at Colleville-sur- Mer is situated on the top of the cliff overlooking the famous Omaha Beach. The cemetery, 172 acres in extent, is one of fourteen American World War II Cemeteries constructed on foreign soil. Beyond the reception building, you will see a magnificent semi-circular memorial. Centered in the open arc of the memorial is a bronze statue which represents “The Spirit of American Youth rising from the waves”. In the extension of the ornamental lake there is a central path leading to the 10 grave plots where 9 387 soldiers are buried among which are 4 women and 307 unknown soldiers.
The crosses are oriented Westwards, towards their native land. The precisely aligned headstones against the immaculately maintained emerald green lawn and the omnipresence of the sea convey an unforgettable feeling of peace and serenity. At the crossing of the main paths laid in the form of a Latin Cross, the Chapel shelters a black marble altar on which is the inscription : “I give them eternal life and they shall never perish”. In the garden of the missing located behind the memorial is a semi-circular wall containing the names of 1 557 missing in the region.
The little haven of verdure invites you to meditation and memory. The Normandy American Cemetery is maintained by the American Battle Monuments Commission (ABMC), an independent agency created in 1923 by the Congress of the United States of America and attached to the executive branch of the US Gouvernment. The Commission is responsible for commemorating the services and achievements of the United States Armed Forces through the execution of suitable memory shrines, for designing, constructing, operating and maintaining permanent US military cemeteries and memorials in foreign countries. No one enters the Colleville Cemetery by chance, it must be a voluntary process. The visitor prepares himself to penetrate with attention and contemplation a piece of United States in France."
www.musee-memorial-omaha.com/en/partenaire/american-cemet...
www.abmc.gov/cemeteries-memorials/europe/normandy-america...
"Located between Arromanches and Grandcamp Maisy, on the Normandy coast, the Normandy American Cemetery and Memorial is a haven of peace which encourages contemplation. Here, in a beautifully green space perched upon a cliff overlooking Omaha Beach, about 10,000 perfectly aligned white crosses point towards America. In fact, within 173 acres, the cemetery of Omaha gives a home to the fallen American soldiers who sacrificed their lives in the name of freedom during World War II, namely the first episode of the battle of Normandy, “Operation Overlord” which commenced on 6th June 1944.
As well as this cemetery, the Omaha Beach site – a codename for one of the 5 ally landing sectors – is home to a semi-circle memorial, where at the centre is a bronze statue titled The Spirit of American Youth Rising from the Waves. A chapel and orientation table stand just a stone’s throw away, pointing towards the beaches where the allied forces landed in 1944. Discover the museum here which puts into perspective the daily life of these soldiers in France, who fought for liberty. Film, reconstitutions, uniform collections, weapons and vehicles will throw you into the heart of the history of the Normandy landings.
Outside of Omaha Beach, the landing beaches of Sword Beach, Juno Beach, Gold Beach and Utah Beach were the centre stage for the largest airborne military operation in history. Amongst these places of remembrance, Omaha Beach is the place where The Allies lost the majority of their troops. It is also a small corner of America on French turf: given to the US, these Normand territories are managed by the American Battle Monuments Commission."
us.france.fr/en/discover/normandy-visit-omaha-beach-ameri...
"The American Cemetery at Colleville-sur- Mer is situated on the top of the cliff overlooking the famous Omaha Beach. The cemetery, 172 acres in extent, is one of fourteen American World War II Cemeteries constructed on foreign soil. Beyond the reception building, you will see a magnificent semi-circular memorial. Centered in the open arc of the memorial is a bronze statue which represents “The Spirit of American Youth rising from the waves”. In the extension of the ornamental lake there is a central path leading to the 10 grave plots where 9 387 soldiers are buried among which are 4 women and 307 unknown soldiers.
The crosses are oriented Westwards, towards their native land. The precisely aligned headstones against the immaculately maintained emerald green lawn and the omnipresence of the sea convey an unforgettable feeling of peace and serenity. At the crossing of the main paths laid in the form of a Latin Cross, the Chapel shelters a black marble altar on which is the inscription : “I give them eternal life and they shall never perish”. In the garden of the missing located behind the memorial is a semi-circular wall containing the names of 1 557 missing in the region.
The little haven of verdure invites you to meditation and memory. The Normandy American Cemetery is maintained by the American Battle Monuments Commission (ABMC), an independent agency created in 1923 by the Congress of the United States of America and attached to the executive branch of the US Gouvernment. The Commission is responsible for commemorating the services and achievements of the United States Armed Forces through the execution of suitable memory shrines, for designing, constructing, operating and maintaining permanent US military cemeteries and memorials in foreign countries. No one enters the Colleville Cemetery by chance, it must be a voluntary process. The visitor prepares himself to penetrate with attention and contemplation a piece of United States in France."
www.musee-memorial-omaha.com/en/partenaire/american-cemet...
www.abmc.gov/cemeteries-memorials/europe/normandy-america...
"Located between Arromanches and Grandcamp Maisy, on the Normandy coast, the Normandy American Cemetery and Memorial is a haven of peace which encourages contemplation. Here, in a beautifully green space perched upon a cliff overlooking Omaha Beach, about 10,000 perfectly aligned white crosses point towards America. In fact, within 173 acres, the cemetery of Omaha gives a home to the fallen American soldiers who sacrificed their lives in the name of freedom during World War II, namely the first episode of the battle of Normandy, “Operation Overlord” which commenced on 6th June 1944.
As well as this cemetery, the Omaha Beach site – a codename for one of the 5 ally landing sectors – is home to a semi-circle memorial, where at the centre is a bronze statue titled The Spirit of American Youth Rising from the Waves. A chapel and orientation table stand just a stone’s throw away, pointing towards the beaches where the allied forces landed in 1944. Discover the museum here which puts into perspective the daily life of these soldiers in France, who fought for liberty. Film, reconstitutions, uniform collections, weapons and vehicles will throw you into the heart of the history of the Normandy landings.
Outside of Omaha Beach, the landing beaches of Sword Beach, Juno Beach, Gold Beach and Utah Beach were the centre stage for the largest airborne military operation in history. Amongst these places of remembrance, Omaha Beach is the place where The Allies lost the majority of their troops. It is also a small corner of America on French turf: given to the US, these Normand territories are managed by the American Battle Monuments Commission."
us.france.fr/en/discover/normandy-visit-omaha-beach-ameri...
GOOD FRIDAY freinds:):)
an another example for his omnipresence!!
he lies mysteriously, here in the(lens flare) refraction btw blue and red light!!
i could not understand the light btw the blue and red light,,, its unclear!!
tv-15sec
f-2.8
iso-80
nyame nnwu na mawu
"God never dies, therefore I cannot die"
symbol of God's omnipresence and the perpetual existence of man's spirit
The image stands as a testament to the unending wonders of science and the unfathomable depths of nature's complexities. A ferrofluid has transformed into an otherworldly landscape, an iron-rich liquid, shaped into innumerable spikes by magnetic forces. The intricate spiky mounds, resembling an alien terrain or a bizarre underwater flora, carry a stark metallic sheen. A play of light and dark accentuates each minute detail, granting an almost three-dimensional depth to the photograph. The result is a unique vision that teeters on the edge of the real and surreal. Straddling the domains of art and physics, this image by Duncan Rawlinson lays bare the fascinating contours of the invisible magnetic fields that surround us, bringing to life the abstract forms they can create. Each spike is an individual testament to this unseen force, a minute but powerful affirmation of the omnipresence of physics in our universe.
GYE NYAME - EXCEPT GOD
Symbol of the OMNIPOTENCE and the
OMNIPRESENCE OF GOD
From the Akan aphorism: Abode santann yi firi tete; obi nte ase a onim ne ahyease, na obi ntena ase nkosi ne awie, GYE NYAME.
Literal translation: This great panorama of creation dates back to time immemorial; no one lives who saw its beginning and no one will live to see its end, EXCEPT GOD.
The symbol reflects the Akan belief of a SUPREME BEING, the CREATOR who they refer to by various names - e.g., OBOADEE, NYAME, ONYANKOPON TWEREAMPON.
The love poem with the chocolate...
Love's Omnipresence
Were I as base as is the lowly plain,
And you, my Love, as high as heaven above,
Yet should the thoughts of me your humble swain
Ascend to heaven, in honour of my Love.
Were I as high as heaven above the plain,
And you, my Love, as humble and as low
As are the deepest bottoms of the mainn,
Whereso'er you were, with you my love should go.
Were you the earth, dear Love, and I the skies,
My love should shine on you like to the sun,
And look upon you with ten thousand eyes
Till heaven wax'd blind, and till the world were done.
Whereso'er I am, below, or else above you,
Whereso'er you are, my heart shall truly love you.
Joshua Sylvester
UAXACTUN
Uaxactun is a little-known Mayan archaeological site, located in Petén in Guatemala, about twenty kilometers north of Tikal. An “end of the world” atmosphere.
Much of the history of Uaxactún is inseparable from that of Tikal. The reason lies in their extreme proximity. It seems that it was Uaxactún who first saw the light of day, almost four millennia ago. Then, men settled on the current site of Tikal and developed a city there. During the preclassical era (800 BC to 200 AD), the two cities coexisted peacefully. The reason for this peace was their mutual subordination to a third city-state, El Mirador, located about sixty kilometers away. This domination of El Mirador over the region held back the expansionist desires of the two neighboring cities for a long time. But, towards the end of the 1st century AD, the mighty El Mirador was brought down. The two cities of Tikal and Uaxactún were then able to give free rein to their appetite for conquest. At the same time, they embarked on important architectural work. Temples, acropolises and altars were created. Too close, the two cities ended up being bothered by the presence of a rival power in their neighborhood. In 378, the conflict ended with the definitive defeat of Uaxactún, now a vassal of Tikal.
Uaxactún is nothing like Tikal except for the omnipresence of the lush forest. Indeed, there are no astonishing pyramids here. Uaxactún is a modest site made up of six groups of structures scattered on either side of the old airstrip built at the time when the city was the subject of a major excavation program. Uaxactun has platforms decorated with large stucco masks. The best known of these platforms is a structure each side of which has a staircase flanked by sixteen masks representing lords or monsters Witz (the god of the mountain in the Mayan religion). This pyramid was an astronomical observatory: its east side faces three small temples aligned so as to be able to observe the sunrise at the solstices and equinoxes.
Sofia Evangelina "Get Outta My Head" now at AC radio: Download Now
Born in Canada to Russian and French parents, Sofia now lives in Dubai. Globe-trotting as a professional athlete during her youth, Sofia became fascinated by the world's cultures and traditions. An award-winning, chart-topping R&B artist, Sofia is bound to become a formidable force in the music scene, as she keeps unveiling one stunning track after another, offering listeners a look into her powerhouse vocals and storytelling flair. Today Sofia sets off to achieve omnipresence, introducing fresh sounds, and cultural vibes while collaborating with talent from different parts of the world. 2022 has a lineup of intense singles slated for spitfire release along with epic visuals, followed by a concept album in 2023. The music world ins set for one of the best in 2022 with "Get Outta My Head" (Tsarina).
Additional Artist/Song Information:
Artist Name: Sofia Evangelina
Song Title: Get Outta My Head
Publishing: Sofia Evangelina
Publishing Affiliation: BMI
Album Title: Get Outta My Head
Record Label: Tsarina
Record Label:
Tsarina Records
13236587449
lweir@larryweir.com
Radio Promotion:
NRP
Larry Weir
13236587449
Larry_weir@sbcglobal.net
airplayaccess.com/sofia-evangelina-get-outta-my-head-now-...
Learning Photo Manipulation.
--------
Copyrights:
- the Sky Image, Irene Kane, www.flickr.com/photos/irene3/6995572555/in/pool-omnipresence
- the Field Image, 093 468 2587, www.flickr.com/photos/64587621@N07/14183514717/
Cambodia not only has no bike lanes, but few few traffic controls of any sort. Stop signs and traffic lights were virtually non existent. Our guides were good at finding back streets to get out of the cities, but...traffic and lack of traffic lights, stop signs or even lane markers and omnipresence of underpowered motos carrying huge loads ...
The roof, with its rows and rows of winged cherubs, representing the omnipresence of God, draws most eyes. There’s space for 135 cherubs, though 13 have been erased by water damage. No face is identical.
One of the remarkable things about Japan's bullet trains is their omnipresence throughout the cities they service. Here's a view of the train speeding through the center of the city. The picture was taken from a window at the Dai-ichi Hotel Tokyo, a 21-story luxury hotel near the upscale Ginza district, and a short distance from the Imperial Palace.
A photograph as part of a series I took in Hong Kong using light painting: this shows a woman being engulfed within the oversized sweater and many seemingly live yarns. It evokes the idea that we are what we wear, and that there is an omnipresence of wasted fast fashion.
The omnipresence of the bridges is a difficult thing to capture with the camera from street level on one of them, though it's impossible to miss when you're actually standing there. I think I failed to get any good shots with several bridges in it.
Nerdesin?
Nerdesin?
...
doldur sûfi kadehleri aşk ile
kadehimiz candır, hepimiz bir can
içelim de aklımız çıksın baştan
doldur sûfi kadehleri aşk ile
diyar-ı masivadan geliriz biz
evvel tek idik şimdi bir olduk biz
duyardık, uyurduk, uyandık aşka
doldur sûfi ahh yanıyor içim
gel dedi sultanımız geldik işte
üfle de neyden etmesin şikayet
şükür biz de aşık olduk nihayet
doldur dede yürekleri aşk ile
York Rite Masonic East.
The Triple Tau.
The compound character known as the triple tau is one of the Royal Arch’s emblems. A triple tau is literally “three Tau’s,” the tau being the nineteenth letter in the Greek Alphabet. The triple tau of Royal Arch Masonry consists of 3 Ts linked in the centre joined at their base.
This mystical character can be signified in a few different ways. First, the names Hiram of Tyre and Hiram Abif appear in the Phoenican language with the same letters “H” and “T” as they do in English. Therefore, the Triple Tau takes on the interpretation of the initial letters in Hiram Abif’s name.
Second, it signifies also T. H., Templum Hierosolym, the Temple of Jerusalem, and when used as the Royal Arch symbol, some jurisdictions teach that the wearer acknowledges himself a servant of God.
Thirdly, Christians in Greek or Roman influence anciently used a tau cross. The basis of a triple tau in early church history would mean the trinity of father, son, and holy spirit. A belief in the triune nature of godhead is common to many faiths and religions.
A triangle is a simple shape in geometry that has taken on great spiritual significance and symbolism. The equilateral triangle was revered by ancient nations as containing the greatest and most abstruse mysteries, and as a symbol of God, denoting a triad of intelligence, a triad of deity, a triune God. The equilateral triangle shows equality with its three angles of the same degrees. In one way, it best represents deity by its equality or perfection in design and proportion.
The triangle is a symbol of divine union, and an emblem of the mysterious triune, equally representing the attributes of deity, and his triune essence: omnipotence (all powerful), omnipresence (eternal) and omniscience (all knowing).
My octopus plushie having a bit of fun at Bayon temple (巴容寺), one of the more enigmatic temples in Angkor Thom with the four faces of each tower looking to the four cardinal points signifying the omnipresence of the bodhisattva Lokesvara. The characteristics of this faces - a broad forehead, downcast eyes, wild nostrils, thick lips that curl upwards slightly at the ends-combine to reflect the famous 'smile of Angkor'.
There were originally 49 towers but today only 37 are standing. But not everyone of them has 4 faces. The central tower however, has much more faces carved into it.
www.kunstraumkreuzberg.de/programm.html
"Boys And Their Toys"
An exhibition about the omnipresence of war and weapons also in art..."