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Mosaic Records

Stamford, CT.

 

Brochure #4

1984

Written by Alan Goodman

Production: Jessica Wolf

Produced by Fred/Alan Inc.

 

###

 

In the late 70s I was producing jazz records and became friendly with Michael Cuscuna, soon to become one of the medium's most revered producers and the leading reissue producer in history.

 

In the early 80s he and BlueNote Records executive Charlie Lourie started the pioneering Mosaic Records as the first company specializing in boxed set reissues of classic performances, available only by mail order. Michael and I became reacquainted when I ordered their first set (The Complete BlueNote Recordings of Thelonious Monk) and he asked me to get involved with helping them out of the hole. It turned out their 'sure thing' idea wasn't having many takers and they were worried about shutting down.

 

My partner Alan Goodman and I turned them down two years in a row with a lot of unsolitcited advice about what they could do better --we were broke and our company was barely alive itself-- even if we were talking through our hats. Everything we knew about direct mail cataloging was from being mail order customers ourselves and from a direct mail how-to book I'd read the first chapter of. We loved Michael and Charlie, and we admired what they were trying to accomplish at Mosaic, but we were just too low on bandwidth.

 

Three years in our company was doing a little better and Mosaic was doing a lot worse; Michael and Charlie successfully prevailed on us to finally help. We knew no more, but full of the arrogance of youth we lugged out Alan's first generation portable computer and invented the first Mosaic 12-page brochure on our summer picnic table. Alan wrote every word (I supervised "strategy" -- what else is new?), our friends Tom Corey and Scott Nash designed the thing, Jessica Wolf supervised the production and we mailed out the first Mosaic catalog ever in the summer of 1986.

 

We waited for the order phones to ring, and lo and behold, in the first three weeks Mosaic's business had increased 10 fold. They were in business forever. Alan's still writing the brochures, I'm still getting the free box sets and lobbing in ideas from the side. What a world we live in. I've never been prouder of any project I've worked on in my life.

 

Do you like jazz? Order one of the Mosaic sets. They are still the standard by which all others are judged.

More here>>>

 

Mosaic Records

Stamford, CT.

 

Brochure #4

1984

Written by Alan Goodman

Production: Jessica Wolf

Produced by Fred/Alan Inc.

 

###

 

In the late 70s I was producing jazz records and became friendly with Michael Cuscuna, soon to become one of the medium's most revered producers and the leading reissue producer in history.

 

In the early 80s he and BlueNote Records executive Charlie Lourie started the pioneering Mosaic Records as the first company specializing in boxed set reissues of classic performances, available only by mail order. Michael and I became reacquainted when I ordered their first set (The Complete BlueNote Recordings of Thelonious Monk) and he asked me to get involved with helping them out of the hole. It turned out their 'sure thing' idea wasn't having many takers and they were worried about shutting down.

 

My partner Alan Goodman and I turned them down two years in a row with a lot of unsolitcited advice about what they could do better --we were broke and our company was barely alive itself-- even if we were talking through our hats. Everything we knew about direct mail cataloging was from being mail order customers ourselves and from a direct mail how-to book I'd read the first chapter of. We loved Michael and Charlie, and we admired what they were trying to accomplish at Mosaic, but we were just too low on bandwidth.

 

Three years in our company was doing a little better and Mosaic was doing a lot worse; Michael and Charlie successfully prevailed on us to finally help. We knew no more, but full of the arrogance of youth we lugged out Alan's first generation portable computer and invented the first Mosaic 12-page brochure on our summer picnic table. Alan wrote every word (I supervised "strategy" -- what else is new?), our friends Tom Corey and Scott Nash designed the thing, Jessica Wolf supervised the production and we mailed out the first Mosaic catalog ever in the summer of 1986.

 

We waited for the order phones to ring, and lo and behold, in the first three weeks Mosaic's business had increased 10 fold. They were in business forever. Alan's still writing the brochures, I'm still getting the free box sets and lobbing in ideas from the side. What a world we live in. I've never been prouder of any project I've worked on in my life.

 

Do you like jazz? Order one of the Mosaic sets. They are still the standard by which all others are judged.

Love me some Apple. The company and the fruit. :)

 

Been a Mac user since 1994, surfing the web on a Powerbook 145B, which I still have btw. :) Been a Mac user longer than that if you count the Apple iiGS that we had back in the late 1980s. I had a momentary lapse in judgment during the late 90s when I switched to Windows. But I have since found my way again. LOL. Now if only I would have put more faith in the company by investing more money in Apple Stock.

i got this just cause i thought it was a cool-very old computer,could do a lot with a case this big.

amd 100,64 ram,turbo button

On the left, the Powerbook Duo 230, purchased in 1994; on the right, my 12" Powerbook G4, purchased in 2004. The machine on the left cost about $2,500, has a 33 MHz 68030 processor, has 24 Mb of RAM, and has a passive-matrix 640x480 grayscale screen; the machine on the right cost about $1,500, has a 1.33 GHz G4 processor, has 640 Mb of RAM, and has an active-matrix 1024x768 color screen. That's only the *start* of the list of differences.

Simvol IK clone of ZX Spectrum 48K

Игровой компьютер «Символ»

 

CPU: КР1858ВМ1 or Т34ВМ1 (Z80A russian clone)

CPU clock: 4 MHz

Chipset: Т34ВГ1 (ULA russian clone)

Memory: 16K ROM + 48K RAM

Firmware: Sinclair 1982 or Didaktik Scalica 1989

Video: RGB or b/w monitor or TV

Audio: 1-channel beeper (on PCB) and audio output to monitor/TV

Input: KEMPSTON Joystick compatible interface (in chipset), tape, mechanic keyboard.

Enchanced functions: possibility of install КР580ВВ55 chip — parallel interface for printer (Centronics), CPU system bus (not installed, but placed on PCB).

Sofware compatibility with ZX Spectrum 48K

 

SIze: 270 x 170 x 60 mm

Weight: <1,1 kg

Power: +5V, <3W

Temp: 10°C — 35°C

 

Origin: Russia, Penza city, 1994

This is a Creative Commons photo taken by Mobil Yazılar. You can use this image for commercial and non-commercial purposes, with credit (and a link) to Mobil Yazılar. Please don't forget to add a comment with a link to the page that this image is used.

 

Mobil Yazılar tarafından çekilmiş olan bu fotoğraf Creative Commons lisanslıdır. Fotoğrafı kullandığınız yerde fotoğrafın Mobil Yazılar tarafından çekildiğini belirtmek ve Mobil Yazılar'a link vermek kaydıyla ticari amaçlı ya da kâr amacı gütmeyen her türlü çalışmanızda ücretsiz olarak kullanabilirsiniz. Nerede kullandığınızı aşağıya yorum bırakarak belirtirseniz sevinirim.

" Color Computer LASER 310 ", " Joystick Interface JI 20 " , 2 Joysticks " LASER JS20 ", lecteur-enregistreur de K7 " LASER DR10 Data Cassette Recorder " et cassette de jeu " Froggies".

vintage computer, retrocomputer,Brusaporto,Brusaporto 2013, vintage gaming , vintage videogame

I really did like the Apple IIe line. This was the first model Apple I had the opportunity to try, and the funny "return" key stuck in my mind for - literally - decades afterward.

Old Commodore at Batman Elektronik

DSC9814sw

 

KrolopFoto.de

 

All rights reserved. Please use my images only with my written approval.

Commodore 64 with 1541 drive, Datasette, Suzo "The Arcade" joystick and Commodore 1802 display

Magnetic core memory from the 50's.

Every ring = 1bit.

No way to fit my photo-archive on it! :-)

 

vintage computer, retrocomputer,Brusaporto,Brusaporto 2013, vintage gaming , vintage videogame

Polaroid SX-70 Sears Special

Impossible Project PX100 Silver Shade

 

First photo lighting: used an overhead light

Second photo lighting: used an overhead light & a GE Flash Bar II

Electronic equipment being recycled

American, Museum of Natural History,

New York

vintage computer, retrocomputer,Brusaporto,Brusaporto 2013, vintage gaming , vintage videogame

Atari Mega ST 1 with Atari Megafile 30 hard disk module, Atari keyboard, Atari SM124 monitor and third-party 3.5-inch drive, 5.25-inch drive, mouse.

This is one of my earlier computers, an Apple 2c. The huge dot-matrix printer is on the right and the compact keyboard seems so alien compared to keyboards I'm more familiar with. Just below the monitor on the left, is the 5.25 inch disk drive. Now, there's some high-end technology for you!

 

Camera: Fuji Film Smart Shot Deluxe

Lens: Fujinon 1:8 (1 = 33mm.)

Aperture: F/8 (Fixed)

Film: Kodak Gold 100 (Generation 6)

Date: October 13th, 1997

Location: Norris City, Illinois, U.S.A.

First computer under $100 and amazingly popular (sold 500,000 units).

oldcomputers.net/zx81.html

vintage computer, retrocomputer,Brusaporto,Brusaporto 2013, vintage gaming , vintage videogame

Commodore 64C with Commodore 1802 monitor, Competition Pro joystick and Zipstick joystick.

This morning turned into some fun moving computers, or something like that.

 

We decomissioned an IT suite, meaning we had to strip down these 32 venerable HP DC7700 machines so they can make their long, long overdue visit to the recycling centre.

 

Then we had to move the 32 computers from the room next door into the one we just cleared.

 

All good fun.

 

This is in preparation for some demolition that will be happening that requires some teachers to move classrooms.

 

In January.

 

Maybe.

computers computer history "silicon valley"

In 1984 Sinclair launched the ZX Spectrum+. A fully suitable name, because the 'Plus' was nothing more then a face lifted normal ZX Spectrum, the big bang for Sinclair that was launched two years before.

 

The Spectrum+ tried to solve the biggest minus of all Sinclair computers so far: the awkward keyboard.

 

Period: 1984 - ...

CPU: Zilog Z80A

CPU clock: 3,5 MHz

Memory: ROM 16 KB + RAM 48 KB

Text mode: 32 x 24

Graphic mode: 256x192

Colours: 8 x 2 bright level

Sound: 1-channel beeper

I/O: TV, tape, extension port

In 1984 Sinclair launched the ZX Spectrum+. A fully suitable name, because the 'Plus' was nothing more then a face lifted normal ZX Spectrum, the big bang for Sinclair that was launched two years before.

 

The Spectrum+ tried to solve the biggest minus of all Sinclair computers so far: the awkward keyboard.

 

Period: 1984 - ...

CPU: Zilog Z80A

CPU clock: 3,5 MHz

Memory: ROM 16 KB + RAM 48 KB

Text mode: 32 x 24

Graphic mode: 256x192

Colours: 8 x 2 bright level

Sound: 1-channel beeper

I/O: TV, tape, extension port

Cray 1 Supercomputer released in 1976 with a performance of 150MFLOPS.

A HP Series 486 Network Advisor at Air 14, Payerne

 

Auftr. Nr.: RO 8702 J7023

Datum: 27.11.1997

Techniker Nr. R. Maier

In 1984 Sinclair launched the ZX Spectrum+. A fully suitable name, because the 'Plus' was nothing more then a face lifted normal ZX Spectrum, the big bang for Sinclair that was launched two years before.

 

The Spectrum+ tried to solve the biggest minus of all Sinclair computers so far: the awkward keyboard.

 

Period: 1984 - ...

CPU: Zilog Z80A

CPU clock: 3,5 MHz

Memory: ROM 16 KB + RAM 48 KB

Text mode: 32 x 24

Graphic mode: 256x192

Colours: 8 x 2 bright level

Sound: 1-channel beeper

I/O: TV, tape, extension port

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