View allAll Photos Tagged officework
Yes I can do normal too!
This shot was actually just a funshot out of boredoom... and with just the smallest amount of editing...boredoom...right. But it turned out that nice that I thought I should upload it ^__^
For the most of you it might be boring but this look is totally me.. especially in this season. I loved the long hair.. the glasses...and the cozyness to geht my officework done haha....
Enjoy!
"Nothing will come of nothing..." ~ King Lear, Act 1 Scene 1
To Do's (for Friday afternoon, leaving out the mundane):
1.) Project 365
2.) Visit my lovely flickr friends
3.) Go to Officeworks : Print Readings for Philosophy
4.) Go to the market to get ingredients
5.) Cook Dinner
6.) Plan essay
7.) Edit photos from Sienna's party
65 photos down, 300 to go. Thanks for the amazing journey thus far dear friends :o)
_20th-century: MT
_ArtisticoWork ArsS2017
_CC BY-NC-ND 4.0
_original file: 4400x2475pixel
_info photo source: unknown
XXXX Brewery, Milton Road, Brisbane, Queensland, Australia. I had this shot in mind for a while, quite pleased with the results, but I reckon it would've been nice with some steam coming out of the factory. There's a handy walkway above the road at this location, you can get above the traffic & level with the slight hill that the brewery sits on.
THE WAR ON WASTE...please People, help relieve landfill by using a reusable mug. Takeaway mugs are not recyclable because of the plastic lining so it all goes to landfill...millions of tonnes of it....this mug came from Officeworks...BPA free white plastic, has the green band so that you can hold it while hot. There are many more in various stores.
This mug is an 8oz size, not too big to carry with you in case you feel like a takeaway coffee...many bistros are happy to give a discount.
I went to Officeworks to print out a colour version of the polaroid printable and as you can see it turned much nicer than my monochrome one lol.
One of the aspects I assume we all love about photography is the freedom that is inherent in the medium. I love heading out on the road whether it be for a few hours, or a full blown road trip. Before long the car is littered with photography items, a roll of film tucked away here, a camera bag in the passengers seat, and a film change on your lap.
Cars parked outside Officeworks at Maribyrnong's home maker centre.
One of several projects, that explore photography as evidence amongst other ideas.
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New setup. Going to be painting a feature wall behind the iMac soon, haven't decided what colour yet. Suggestions?
// Computers
27" iMac: 3.4GHz i7 / 16GB RAM / 1TB HDD
11" MacBook Air: 1.8GHz i7 / 4GB RAM / 256GB SSD
15" MacBook Pro: 2.5GHz Core 2 Duo / 4GB RAM / 500GB HDD
// Audio
Loudspeakers: AudioEngine A2
Headphones: Grado SR80
// Furniture
Lamp: Ikea 365+ LUNTA
Desk: Some cheap thing I picked up from Officeworks years ago :P
:: 25th August Update ::
So I was painting this room and ... well, long story short, I kinda fell off the ladder and broke the desk. Thankfully, all my gear was downstairs so nothing else was broken, but I've had to get a new table so my setup has changed, once again :P
:: 4th October Update ::
Thanks for the all the favorites and comments! I've had a lot of requests for the wallpaper, so I've uploaded the 27" iMac resolution of 2560x1440, nice and big. Enjoy!
Download it here! imgur.com/kW8L7
A formal study of a blue wall and other constructed car park ephemera, in a shopping complex in Maribyrnong. These companies make this too easy sometimes but often the little oddities make these more interesting such as the string and half botched spray paint job on the building.
An ongoing project that explores photography as evidence, best viewed as a slide show
Tokyo never sleeps, there’s always a cog moving in the machine. Working long hours is a way of life in Japan, there’s even a word for those who work themselves to death: Karoshi.
Instagram: www.instagram.com/zellersamuel
Portfolio & Prints: www.samuelzeller.ch
Over many years, in some way or another, all five of my family members have worked for IBM and indeed one of my siblings still does. My late father spent many years with the company until he retired long since and amongst his memorabilia is this - a commemorative trinket box for the 50th anniversary of the IBM electric typewriter in the shape of one of the famous Selectric type 'elements' or 'golf balls' as they were more commonly know.
The Selectric was introduced to the market in 1961 and helped cement the company's dominance in electric typewriters alongside its production of electronic computers. The 'element' replaced the traditional typebars and allowed for a range of typefaces to be used on a single machine by dint of the simple replacement of the element.
The 50th anniversary mentioned here is likley to be that of 1935 when the IBM Electric Typewriter 01 was launched although the company had owned the company Electromatic Typewriters since 1933 when it had purchased the outfit from then owners Delco/General Motors. I'm thinking 1985 is a more likely date than 1983 but it is possible the earlier one is an option.
This images was blown up to a 1.2mx1.2m square, broken down into thirty six images, printed onto thirty six sheets of A4 paper with a photocopier and assemble into a 1.2m square piece (6 sheets by 6 sheets). An image of the piece presented in the exhibition will also be added in due course.
OUR GODS ARE NOT YOUR GODS was a joint exhibition between Brendan Hinton (tagged) and myself, Ross McNaughtan for the South Australian Living Artists festival (SALA) in Adelaide in 2015.
The entire exhibition was constructed using from A3 and A4 sheets of office paper and printed using standard photocopiers at officeworks. Brendan and I worked together to design the exhibition to be install in the space - a small bar in a back alley off Hindley Street, Ancient World.
The exhibition itself was a combination of modern mythology and old world paganish ideas and emotion. Searching for symbolism in nature and the everyday. Fundamentally tied to this concept of transience in concepts - captured in the medium, construction methods and subject matter - and our need to assert and assign meaning for ourselves. All pieces were large, in fact grand, in size to better articulate the meaning we ascribe.
I am in the process of capturing the surrounding elements of the exhibition to share.
This images was blown up to a 1.68mx2.376m image, broken down into sixty four images, printed onto sixty four sheets of A4 paper using a black and white photocopier and assembled into a larger piece (8 sheets by 8 sheets). An image of the piece as exhibited will not be included in due course because it was destroyed during the exhibition. The original piece was exhibited on the floor in the entry way.
OUR GODS ARE NOT YOUR GODS was a joint exhibition between Brendan Hinton (tagged) and myself, Ross McNaughtan for the South Australian Living Artists festival (SALA) in Adelaide in 2015.
The entire exhibition was constructed using from A3 and A4 sheets of office paper and printed using standard photocopiers at officeworks. Brendan and I worked together to design the exhibition to be install in the space - a small bar in a back alley off Hindley Street, Ancient World.
The exhibition itself was a combination of modern mythology and old world paganish ideas and emotion. Searching for symbolism in nature and the everyday. Fundamentally tied to this concept of transience in concepts - captured in the medium, construction methods and subject matter - and our need to assert and assign meaning for ourselves. All pieces were large, in fact grand, in size to better articulate the meaning we ascribe.
I am in the process of capturing the surrounding elements of the exhibition to share.
Several of the major UK newspapers, such as the Times and the then Manchester Guardian used to produce quite lavish and extensive 'supplements' on allsorts of industries and allied subjects. This is a wealth of information on - office equipment if that is your bent! Needless to say its is full of adverts and articles on what was the pre-computer office world and so one where huge changes would occur in the next decades. Sadly no designer is given for this splendid cover.
If you are a couple of wusses like us and the weather outside is barely making double digits, what do you do? You don't take pictures of birds, you take pictures of pictures of birds.
Actually the point of interest is that all but two of the frames were $3 each at the tip shop. The vertical one on the right was used as found. The others were sanded back, stained and aged. The one with the Red-browed Finch we made ourselves and the square one is a very average frame from Officeworks. We have difficulty finding square frames.
A second interesting thing is that we recently purchased a Canon Selphy dye sublimation 6x4" photo printer. It is pretty cheap in photo printer terms but has done an amazing job. Each print is more expensive than you can get at Officeworks or KMart but better quality, far more convenient and fun to be able to do at home. The three prints in the vertical frame were all printed with it.