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sketch of fellow Artist and friend-
'Jay Carrier'
hope to do sketch it again....
thanks Jay for photo ref. Kind of rusty....but this was good to do today.
she wolf
sketch by Diane M Kramer
aka She Wolf May 2013
black gesso , Charcoal, ink, white soft pastel, pencils on paper.
Honored to have been selected as the White House Fellows Leadership Conference Featured Artist - Washington DC
trapbluez: @brentfaiyaz Type Beat “Think” #Instrumental via youtu.be/1-mF5ne8W70 💰| Buy / Lease (untagged) ☛ snd.click/mjI0tjt/ Free downloads are for AUDITIONING PURPOSES only. Purchase a lease to use this instrumental commercially. (Tags)⚠️ #BruceDayne Type Beat 2021, trap type beat, Instrumental 2021, #singerneeded #singerssnedded #rapperlifestyle #upcomingartist #lyrics #artist #musician #dj #mixtape #BeatsbyBruceDayne #songwriter #singer #igrapper #localartist #nyartist #laartist #atlartist #rnbproducer #TrapBluez #igotbeat #soulartist #undergroundsinger #soundcloudsinger #atlantasinger #trapsoul #soulful (at Bedstuy Brooklyn) www.instagram.com/p/CLVc4HzD5rI/?igshid=1m0jfklasl266
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Jacob Hashimoto
American, b. 1973
This Infinite Gateway of Time and Circumstance
© 2019
Paper, UV ink, resin, bamboo, Spectra, acrylic, stainless steel
Composed of over 3,500 individual kite-like ellipses, this immersive sculpture floats between two floors of the building in an undulating, interwoven canopy. The work transforms as images of earth, sea and various graphics give way to a gradient of translucent whites, revealing what the artist envisioned as “a cloud of kites, and a landscape of air and earth, painted at the edge of the sky.” The work creates the impression of a landscape drifting in and out of visibility through clouds, or slowly becoming subsumed by a descending marine layer. Other references include video games, virtual environments, cosmology, systems and languages of representation, nature, art, technology and architecture.
Collection of the City and County of San Francisco
Ethan Kaplan Photography
Jacob Hashimoto
American, b. 1973
This Infinite Gateway of Time and Circumstance
© 2019
Paper, UV ink, resin, bamboo, Spectra, acrylic, stainless steel
Composed of over 3,500 individual kite-like ellipses, this immersive sculpture floats between two floors of the building in an undulating, interwoven canopy. The work transforms as images of earth, sea and various graphics give way to a gradient of translucent whites, revealing what the artist envisioned as “a cloud of kites, and a landscape of air and earth, painted at the edge of the sky.” The work creates the impression of a landscape drifting in and out of visibility through clouds, or slowly becoming subsumed by a descending marine layer. Other references include video games, virtual environments, cosmology, systems and languages of representation, nature, art, technology and architecture.
Collection of the City and County of San Francisco
Ethan Kaplan Photography
Jacob Hashimoto
American, b. 1973
This Infinite Gateway of Time and Circumstance
© 2019
Paper, UV ink, resin, bamboo, Spectra, acrylic, stainless steel
Composed of over 3,500 individual kite-like ellipses, this immersive sculpture floats between two floors of the building in an undulating, interwoven canopy. The work transforms as images of earth, sea and various graphics give way to a gradient of translucent whites, revealing what the artist envisioned as “a cloud of kites, and a landscape of air and earth, painted at the edge of the sky.” The work creates the impression of a landscape drifting in and out of visibility through clouds, or slowly becoming subsumed by a descending marine layer. Other references include video games, virtual environments, cosmology, systems and languages of representation, nature, art, technology and architecture.
Collection of the City and County of San Francisco
Ethan Kaplan Photography
Jacob Hashimoto
American, b. 1973
This Infinite Gateway of Time and Circumstance
© 2019
Paper, UV ink, resin, bamboo, Spectra, acrylic, stainless steel
Composed of over 3,500 individual kite-like ellipses, this immersive sculpture floats between two floors of the building in an undulating, interwoven canopy. The work transforms as images of earth, sea and various graphics give way to a gradient of translucent whites, revealing what the artist envisioned as “a cloud of kites, and a landscape of air and earth, painted at the edge of the sky.” The work creates the impression of a landscape drifting in and out of visibility through clouds, or slowly becoming subsumed by a descending marine layer. Other references include video games, virtual environments, cosmology, systems and languages of representation, nature, art, technology and architecture.
Collection of the City and County of San Francisco
Ethan Kaplan Photography