Curbs are often 8 to 12 inches high. Accessibility for wheelchairs is basically nonexistent. Here, a fence in the median blocks what looks like a crosswalk.

1993 Suède Sweden Svezia

Retour en train à Uppsala.

Turning back to Uppsala by train.

Viaggio con il treno fin ad Uppsala.

Escapade en train à Blåhammaren, dans le nord de la Suède, près de la frontier norvégienne.

Il est conseillé de savoir lire une carte et utiliser la boussole, car les sentiers ne sont pas bien marqués et on ne rencontre quasi personne ... le temps peut aussi changer brusquement : en qq minutes on passé de l'été à l'hiver avec de la neige (meme en plein mois de juillet).

Week-end close to the Norwegian border, in the north of Sweden, at Blåhammaren.

It is recommended to be able to read a map and use a compass because the paths are almost nonexistent ... the weather can also change within minutes going from Summer into Winter (with snow mid of July).

Camminata vicina al confine con la Norvegia, a Blåhammaren (2 giorni).

Saper leggere una mappa e utilizzare una bussola è d'obbligo perché i sentieri non si vedono bene. E non c'è molta gente da incontrare ! Subito il meteo può anche cambiare da estate a inverno con neve a metà luglio !

Inside the St. Regis Paper Company mill in Deferiet, NY. Circa 1910. Workers often went barefoot, and safety standards were nonexistent in the late 1800s and early 1900s. Photo courtesy of the Town of Champion archives, caption info from Lynn Thornton and Janet Zando.

That Somaliland has built a functioning state while the former Somali state remains nonexistent 20 years after its collapse gives Somaliland a legitimate claim to sovereignty. Its government has domestic authority and control, and it provides public services. Somaliland meets the Montevideo Convention’s criteria for statehood: a permanent population, a defined territory, government, and the capacity to enter into relations with the other states.

Hallmark Gold Crown (6,600 square feet)

120 Arthur Way, Victory Center, Newport News, VA

Opened August 2nd, 1996

Standalone Hallmark stores are basically nonexistent, except for this random one in the Kiln Creek area of Newport News. I'm honestly not sure how this store hangs on, since I've seen several of their regular mall and shopping center locations shutter within the past few years, yet somehow they can survive here in a whole separate building! Plus the store is right across from the shopping center's vacant Farm Fresh anchor and is a little hidden away from the highway so the foot traffic here can't be anything special. Beyond the store's location it's a typical Hallmark, with tan/light brown shelving and walls and carpeting throughout the entire salesfloor.

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!

Some background:

The North American Aviation P-51 Mustang was an American long-range, single-seat fighter and fighter-bomber used during World War II and the Korean War, among other conflicts. The Mustang was designed in 1940 by North American Aviation (NAA) in response to a requirement of the British Purchasing Commission. The Purchasing Commission approached North American Aviation to build Curtiss P-40 fighters under license for the Royal Air Force (RAF). Rather than build an old design from another company, North American Aviation proposed the design and production of a more modern fighter. The prototype NA-73X airframe was rolled out on 9 September 1940, 102 days after the contract was signed, and first flew on 26 October.

However, with the end of hostilities in Europe in May 1945 the P-51E contract was cancelled, as well as the option for more aircraft. Altogether only 363 lightweight P-51Es were completed and reached frontline units, exclusively operating with the 8th and 9th Fighter Command.

General characteristics:

Crew: 1

Length: 33 ft 3 in (10,15 m)

Wingspan: 37 ft 0 in (11,28 m)

Height: 13 ft 4½ in (4,08 m)

Wing area: 234 sq ft (21,81 m²)

Airfoil: NACA 66(2)-215

Empty weight: 5,792 lb (2.630 kg)

Loaded weight: 7,268 lb (3.300 kg)

Max. take-off weight: 9,559 lb (4.340 kg)

Maximum fuel capacity: 419 US gal (349 imp gal; 1,590 l)

Powerplant:

1× Packard V-1650-9 liquid-cooled V-12 with 2-stage intercooled supercharger,

delivering 1,380 hp (1,030 kW), 2,218 hp (1,655 kW) WEP with Water methanol injection,

driving a Hamilton Standard constant-speed, variable-pitch three blade propeller with

a 11 ft 2 in (3.40 m) diameter

Performance:

Maximum speed: 472 mph (760 km/h; 410 kn) at 21,200 ft (6,500 m)

Cruise speed: 362 mph (315 kn, 580 km/h)

Stall speed: 100 mph (87 kn, 160 km/h)

Range: 1,650 mi (1,434 nmi, 2,755 km) with external tanks

Service ceiling: 41,900 ft (12,800 m)

Rate of climb: 3,200 ft/min (16.3 m/s)

Wing loading: 39 lb/sqft (192 kg/m²)

Power/mass: 0.18 hp/lb (300 W/kg)

Lift-to-drag ratio: 14.6

Recommended Mach limit 0.8

Armament:

4× 0.50 caliber (12.7mm) AN/M2 Browning machine guns with 400 RPG

A pair of underwing hardpoints for a pair of drop tanks

or bombs of 100 lb (45 kg), 250 lb (113 kg) or 500 lb (226 kg) caliber

The kit and its assembly:

A project that was more complex than obvious at first glance. The plan was to create a “missing link” between the WWII P-51D and its lightweight sibling P-51H, which came too late in WWII to take seriously part in any combat. There actually were some “interim” designs, which paved the way (the F, G and J models), with lightweight hulls or different engines. My plan was to adopt some details of these aircraft to create the fictional P-51E.

For a look that subtly differs from the well-known P-51D I decided light-headedly to bash two Academy models together: a P-51D hull, mixed with the wings and tail from a P-51B/C kit, plus some inter-kit and external donors. What sounds simple turned out to be a major surgery task, though, because both kits are totally different, produced with individual moulds and few interchangeable parts! Even details which you’d expect to me identical (e. g. wing tip and tail shape) differ markedly.

For the P-51E kitbash the fuselage with cockpit, engine and radiator bath was taken from the P-51D, while the tail and the wings were taken from the P-51B/C, because they were slightly bigger, “edgier”, lacked the fin fillet and featured only four machine guns in the wings. Mating these parts called for many adaptations and massive PSR, though. To change the look further I removed the small wing leading edge extensions, for a completely straight edge, and the cowling was changed to look like a mix of the P-51F and J prototypes. The carburetor intake disappeared and a part of the P-51D spinner was used to extend the fuselage a little. A completely new three-blade propeller was scratched, using a Yokosuka D4Y spinner, a piece from an ESCI Ka-34 Hokum main rotor, and clipped blades from a Hasegawa F5U. A styrene tube was added to hold the propeller’s new metal axis. To compensate for the longer nose the rear fuselage a 2mm section of the P-51D hull was retained in front of the transplanted P-51B/C tail (which is a separate hull section, the -D has an integral tail).

The original exhausts were replaced with resin aftermarket pieces for P-400 Airacobra from Quickboost - for which the nose extension paid out, because the V-1710 exhaust arrangement is longer than the Merlin's.

Painting and markings:

I wanted a typical, potentially colorful USAAF livery from early 1945 for this what-if aircraft model. This meant that the aircraft would have a NMF livery, and Invasion Stripes or other ID markings were already removed or not applied to new aircraft anymore. Camouflage had been omitted from 1945, too. As squadron markings I went for the 357th FG red-and-yellow nose markings; these came with Academy’s P-51B/C kit, but I replaced them with decals from a Mistercraft/Intech kit from The Stash™ because their shape was simpler and would (probably) better match the modified lower nose. Searching for later P-51Ds of this group revealed that the aircraft hardly carried any other colorful marking, though – just the tactical code, and maybe some personal markings.

To keep in style I adapted this basis, using a tone called “White Aluminum (RAL 9006)” from a Duplicolor rattle can as an overall basis, but added a thin red edge to the olive drab (Revell 46) anti-glare panel, created with generic decal stripes. The rudder as well as the wing tips were painted in red, an official 363rd FS ID marking, as a counterbalance to the prominent nose, too.

The propeller spinner was painted free-handedly, in an attempt to match the checker decal's colors. Some hull panels were painted in a darker shade of aluminum to make the model look mo0re lively, and some post-shading with Humbrol Matt Aluminum Metallizer was done to improve that effect, too. Cockpit and landing gear wells were painted in a bright green zinc chromate primer tone.

Decals and markings were puzzled together from various sources. Finding a suitable 'B6' code fpr the 363rd FS was tough, but I was eventually able to scratch it from 'P9' codes from two Academy P-47D kits/sheets! BTW, the horizontal bar above the aircraft's individual letter was a real world marking for a second aircraft that bore this tactical code within the unit. The nose art/tag was also donated from an Academy P-47, the yellow font matches the rest of the unit colors well.

The anti glare panel and the propeller blades received a matt varnish coat, while the rest of the hull was covered with a mix of matt and a little semi-gloss varnish - contemporary Mustang photos from 1945 suggest that, despite being bare metal, the aircraft were not polished or shiny at all, yet the aluminum would have some reflections. I think that the final overall finish looks quite good. As a final step I added some light soot stains behind the exhausts and the machine gun orifices, and dry-brushed some silver on edges/areas where paint could have flaked in real life. Not much, but it adds to the overall impression of a used aircraft.

A more demanding project than meets the eye. Bashing the two Mustang kits for a fictional new one might have been a smart idea, but it turned out to be a nightmare because the two 1:72 Mustand Academy kits are totally incompatible. Additionally, the mods I made are VERY subtle, it takes a keen eye to recognize the lengthened hull, the modfied cowling and the cleaner tail. The three-blade prop is the most obvious thing, and with it, from certain angles, the P-51E reminds somewhat of a Yak-9? Probably due to the intake-less cowling and the (for a Mustang) unusual prop? The livery looks plausible and colorful, though. :D

First day on the cruise and the Aquaduck had a full line. High capacity is virtually nonexistent to be found on this slide.

27 Feb 2015: Between Swains Lock and Pennyfield Lock, ice in the canal was thick where there wasn't much current. Where the current was strong, ice was thin or nonexistent.

Mendon Ponds Park is owned and very poorly maintained by the County of Monroe, NY.

Unfortunately, this extraordinary property is rapidly deteriorating due to an egregious lack of care. Trails are not cleared of debris... signs are useless. Park maintenance is essentially nonexistent. They do have a marketing department. Seriously, the taxpayers are paying the salaries of a county parks marketing department.

Email Mendon Ponds Park complaints to: countyexecutive@monroecounty.gov

Presenting the Mistral – A Gas Freighter of the Belt

In the weightless void of space, industrial freighters like the Mistral are built for efficiency, not aesthetics. With its reinforced truss structure, independent thruster arrays, and massive cargo tanks, it is a workhorse of the Belt, ferrying precious volatile gases across the solar system.

At the forefront of the vessel, what might appear to be a command module is actually a massive impact shield, designed to protect the ship from micro-meteoroids and debris traveling at deadly speeds. In the unforgiving reality of spaceflight, even a stray pebble can spell disaster, and the Mistral ensures its cargo reaches its destination intact.

Unlike bulk freighters that rely solely on inertia, the Mistral boasts a full set of maneuvering thrusters, three primary engines, and precise vector control, allowing it to make delicate adjustments during docking, refueling, or evasive maneuvers in high-risk zones. Positioned atop the central structure, a large access hatch provides direct entry to the ship’s systems and cargo bays, facilitating rapid maintenance and cargo transfer.

Recreating such an open and lightweight space structure in LEGO is a challenge in itself. The Mistral’s support framework has been carefully engineered to withstand the immense weight of its tanks, preventing structural collapse under gravity—an issue nonexistent in microgravity but crucial for terrestrial display.

A testament to function-first design, the Mistral captures the industrial beauty of spaceflight: a vessel built not for comfort, but for the harsh realities of deep-space logistics.

The ships is nearly 13 000 parts, 185 stud long (1.48 Meters) and weights nearly 11 Kg

Traffic along this stretch of road was nonexistent, providing an addictive quiet for this isolated location.

These next three pictures, from 1972, are from the lake house my Aunt Jewel owned on Lake Hillcrest near Keystone Heights, FL. This is a view of the lake from SR 100 as we approached the dirt road that led to the house. She had a big house and a smaller one plus a "shack" which she had various things stored in. The house was almost on the opposite side from this view.

I used to go there a lot on weekends but then she sold the big house to the Caldwell family who lived next door. She kept the other two houses for about eight years afterwards then gave them to her son Laddie. He has since sold the whole lot to the Caldwells and I no longer go there but I do drive by when I'm in the area.

Today this lake, like most others in the area, is all but nonexistent!

Aunt Jewel passed away on November 12, 2002, at the age of 97.

This series of photos shows our cruise ship's journey along the Fiordland coast between Milford Sound and Doubtful Sound, and then our looping route in one entrance to this enormous fiord and out another. The reaction of my fellow passengers to this magnificent New Zealand scenery was, in itself, wonderful to observe.

•Doubtful Sound is a very large and naturally imposing fiord in Fiordland, in the far south west of New Zealand. Doubtful Sound was named 'Doubtful Harbour' in 1770 by Captain Cook, who did not enter the inlet as he was uncertain whether it was navigable under sail. It was later renamed Doubtful Sound by whalers and sealers. There are three distinct arms to the sound, which is the site of several large waterfalls, notably Helena Falls at Deep Cove, and the Browne Falls which have a fall of over 600 metres. The steep hills are known for their hundreds of waterfalls during the rainy season. Access to the sound is either by sea, or by the Wilmot Pass road from the Manapouri Power Station. Most areas of the sound itself are only accessible by sea however, as the road network in this area of New Zealand is sparse or nonexistent, as is the human population. Doubtful Sound is unusual in that it contains two distinct layers of water that scarcely mix. The top few meters is fresh water, fed from the high inflows from the surrounding mountains, and stained brown with tannins from the forest. Below this is a layer of cold, heavy, saline water from the sea. The dark tannins in the fresh water layer makes it difficult for light to penetrate. Thus, many deep-sea species will grow in the comparatively shallow depths of the Sound.

I found out today that I'm going to get a job! A cool one!

My current work is cool - I work as sort of a research assistant (RA) to a professor up at the University of Utah. I'm not exactly a RA, because I think you have to be a student to be called that - maybe I can be called a RA-without-portfolio. The professor is a great guy and the work is interesting, not to mention closely related to my graduate school work, so my chasing the M.S. degree turned out to be very useful.

In any case, I've been working as a contractor, which is nice because I get to work at home, so my commute consists of walking down a flight of stairs. The downsides are that contracting doesn't get you benefits and that being at home so much is making me go a bit funny, in the agoraphobic / social-phobic sense. That happens to me during times of unemployment or home-employment, both of which are occupational hazards of a programming career, where contracting is always a possibility and job security is largely nonexistent.

Anyway: The professor I've been working for has, for the last several months, been agitating for his department to hire me on as staff - and today I found out that they're actually going to! Teh yhey!

It will do me some good to get out of the house and work in an office again, and be around people (other than Mrs. W., of course, without whom I would be far, far loopier than I am now).

I'm not sure exactly when I start, but it will be within the next month. They're sorting out administrative details. In the meantime, I still have the contract work and a light at the end of that tunnel.

Asperula purpurea (L.) Ehrend, syn.: Galium purpureum L.

Purple Woodruff, DE: Purpur Meier, Purpur Meister

Slo.: škrlatna perla, škrlatna lakota

Dat.: July 30. 2016

Lat.: 46.35803Long.: 13.70286

Code: Bot_993/2016_DSC4167

Habitat: an opening in mixed Fagus sylvatica and Picea abies wood; clear cut under (local) power lines, almost flat terrain; calcareous, skeletal, colluvial ground; full sun, warm and dry place; elevation 545 m (1.790 feet); average precipitations ~ 3.000 mm/year, average temperature 7-9 deg C, alpine phytogeographical region.

Substratum: soil.

Place: Lower Trenta valley, between villages Soča and Trenta, right bank of river Soča; near Matevž farmhouse, above regional road Bovec Vršič, East Julian Alps, Posočje, Slovenia EC

Comment: Few plants known to me are more difficult to be photographed in the field as Asperula purpurea. It is small, very tender and its flowers have not much more than 1 mm in diameter. Its leaves can be less than 1 cm long and only a fraction of mm wide. Apparently, when it grows on sunny places it is specially small and tender. So, it shakes restlessly even if there is no observable wind. At the same time only macro photography can show its details. Since it is widely branched in all directions one would need considerable depth of field for sharp pictures. This is of cause nonexistent with macro work. Also focus stacking technique cannot be used, because the plant is in motion all the time.

This South European plant growing also on Balkan Peninsula, Carpathians and Apennines originally belonged to Galium genus, but was later repositioned to Asperula genus. All Asperula species growing in Slovenia are beautiful; however this beauty requires to be admired with a hand lens.

Ref.:

(1) D. Aeschimann, K. Lauber, D.M. Moser, J.P. Theurillat, Flora Alpina, Vol. 2., Haupt (2004), p 348.

(2) K. Lauber and G. Wagner, Flora Helvetica, 5. Auflage, Haupt (2012), p 762.

(3) M.A. Fischer, W. Adler, K. Oswald, Exkursionsflora für Österreich, Liechtenstein und Südtirol, LO Landesmuseen, Linz, Austria (2005), p 702.

(4) A. Martinči et all., Mala Flora Slovenije (Flora of Slovenia - Key) (in Slovenian), Tehnična Založba Slovenije (2007), p 521.

As the combatant nations of World War II began crash programs to develop jet fighters, the USAAF issued a requirement for a high-altitude escort fighter in 1944 to supplement the P-80 Shooting Star. North American, which was already working on a similar aircraft for the US Navy, the FJ-1 Fury, submitted a stripped-down Fury (deleting everything necessary for carrier operations and using lighter aluminum) as the XP-86. While North American initially though the XP-86 would be able to reach nearly 600 mph—almost the speed of sound—the straight wing limited performance, and indeed the XP-86 was no faster or manueverable than the P-80 or Republic’s offer to the USAAF, the XP-84 Thunderjet.

With the project under threat of cancellation, North American looked for a solution and found one: the prewar German research into swept wings. By sweeping the wings back, this lessened drag and increased performance. Using the Messerschmitt 262 as a basis, the XP-86 was modified with a 35-degree wing sweep, leading edge slats, and a movable tailplane. When it first flew on 1 October 1947, it nearly reached the speed of sound. The newly-independent USAF quickly put the XP-86—now designated F-86A Sabre—into production as its primary day fighter, entering service in 1949. Pilots favorably compared the F-86 to an earlier North American product, the P-51 Mustang: like the Mustang, the Sabre was long-ranged, very manueverable, easy to fly, and had superb visibility from its bubble canopy.

The USAF would not have long to wait to see the Sabre’s prowess in combat. As the Korean War entered its sixth month with UN forces closing on the Chinese border at the Yalu River, UN air units began coming under attack from Chinese, North Korean, and—secretly—Soviet MiG-15s. The USAF’s propeller-driven F-51s and F-82s, and the straight wing F-80s and F-84s were outclassed by the swept wing MiG, so the F-86 was rushed to Korea and entered combat in December 1950. While the MiG-15 was more manueverable and could outclimb the F-86A, the Sabre was superior in the dive and at altitudes below 25,000 feet. North American quickly began production on new Sabre models designed to take on the MiG-15, namely the F-86E, with an “all-moving” tailplane and boosted controls, and the F-86F, which had a larger wing and improved slats for better low-speed manueverability.

While still unable to climb with the MiG-15, the F-86E/F allowed the Sabre pilots to better dogfight them, though the F-86’s armament of six .50 caliber machine guns was found to be inadequate against the cannon-armed MiG-15. Nonetheless, the higher skill of American F-86 pilots, improved Sabre variants, and a radar-ranging gunsight allowed Sabres to contest air superiority over “MiG Alley,” the valley of the Yalu River. USAF sources state a kill ratio of 12 to 1 over the MiG, while more recent research lowers that ratio as low as 2 to 1, at least against Soviet MiG pilots. (Russian pilots claimed to have shot down 600 F-86s over Korea, which is a very questionable figure, as the USAF never had more than 200 Sabres in Korea at any one time, and at one point in early 1951 only had 44 total.) Whatever the actual figures, 41 Americans became aces in the F-86; this was helped by the fact that nearly half the F-86 pilots in Korea had seen service in World War II, including Glenn Eagleston, Vermont Garrison, and Francis Gabreski.

Korea was not the last combat outing for the F-86. Sabres would see continual service well into the 1970s, seeing combat with the air forces of Pakistan, Portugal, and Taiwan. The latter introduced Sidewinder-armed F-86s, which caught Chinese MiG-15s by surprise in 1958; Pakistani F-86s were superior or equal to anything in India’s inventory in the 1965 Indo-Pakistani War until the introduction of the Folland Gnat. One Pakistani pilot, Muhammad Alam, scored 11 kills in the Sabre, five of them in thirty seconds. The F-86’s flying qualities made it extremely popular, and the aircraft was exported to no less than 25 nations, both in the F-86 day fighter version and the F-86D Sabre Dog radar-equipped and rocket-armed interceptor. The USAF did not retire the F-86 until 1970, while Bolivia kept its F-86Fs in service until 1994.

Besides North American production, the Sabre was also license-built in Australia, Japan, Italy, and Canada; Canadair Sabres, equipped with a more powerful Orenda engine and the aerodynamic improvements of the F-86F, were considered the most manueverable of the Sabre variants. 9860 F-86s were produced, including the license-built aircraft; today nearly a hundred survive in museums with a few airworthy examples.

53-1328 is a F-86H model, the final American variant of the Sabre, designed for tactical nuclear delivery; it had a slightly wider and deeper fuselage than the F-86E/F, due to a higher operating weight and the necessary larger engine. In later production batches, the six .50 caliber machine guns were replaced by four 20mm cannon, as Korea had proven that the heavier hitting power of cannon was preferable.

53-1328 was delivered to the USAF around 1954, and flew with the 413th Fighter (Day) Wing at George AFB, California. It would serve with two more active-duty units--the 312th Fighter-Bomber Wing at Clovis AFB, New Mexico and the 83rd Fighter (Day) Group at Wright-Patterson AFB, Ohio. In 1962, 53-1328 was transferred to the 156th Tactical Fighter Group (Puerto Rico ANG) at San Juan, until retired in 1974. It was converted to a QF-86H drone, but was never expended, and in 1978 was placed into storage. 53-1328 then went on display as a gate guard at Hanscom AFB, Massachusetts, but around 1989, the aircraft was donated to the Pacific Coast Air Museum in Santa Rosa, California, where it remains today.

Obviously 53-1328 is in need of restoration, with no paint, almost nonexistent markings, and just "Calif. Air Guard" painted on the sides. The 163rd Fighter-Interceptor Group of the California ANG did fly F-86Hs from 1959 to 1965, so that is likely what this Sabre will eventually get restored as. We saw it in June 2025.

It's a girl. This cavalryman is a girl. In the Civil War women were not officially allowed to serve as soldiers for either side but some did nonetheless. They simply enlisted disguised as men. During the civil war physical exams were casual or nonexistent, unlike today. Also hygiene standards were also different than today. It was not unusual for soldiers to dress in private, bathe with their underwear on and seldom change that underwear. Numerous underage boys in both militaries made it possible for women to hide among the youthful soldiers with their lack of facial hair and boyish voices. Most of the women who enlisted were not discovered until they fell ill or were wounded or killed. Several such women have been documented. Confederate Lieutenant Harry Buford was actually Loreta Velazquez. She was one of the few female soldiers who left a written record of their experience. (Info from www.CivilWarAcademy.com)

There are many varieties of Alpaca. These animals are capable of spitting but not always do so. Also hygienic in keeping their grazing area, for grazing only.

Alpaca is not a Llama.

Pumapungo Inca ruins, Cuenca, Ecuador

Alpaca (Vicugna pacos) is a domesticated species of South American camelid. It resembles a small llama in superficial appearance.

Alpacas are kept in herds that graze on the level heights of the Andes of Ecuador, southern Peru, northern Bolivia, and northern Chile at an altitude of 3,500 m (11,000 ft) to 5,000 m (16,000 ft) above sea-level, throughout the year. Alpacas are considerably smaller than llamas, and unlike llamas, alpacas were not bred to be beasts of burden but were bred specifically for their fiber. Alpaca fiber is used for making knitted and woven items, much as wool is. The fiber comes in more than 52 natural colors as classified in Peru.

About Alpaca Fleece

Alpaca fleece is the natural fiber harvested from an alpaca. It is light weight or heavy weight, depending on how it is spun. It is soft, durable, luxurious and silky natural fiber. While similar to sheep’s wool, it is warmer, not prickly, and has no lanolin which makes it hypoallergenic. Alpaca is naturally water-repellent. Huacaya, an alpaca that grows soft spongy fiber has natural crimp, thus making a naturally elastic yarn, perfect for knits. Suri has far less crimp and thus is best suited for woven goods, but is wonderfully luxurious as well.

In physical structure, alpaca fiber is somewhat akin to hair, being very glossy. Alpaca fiber is similar to that of merino wool fiber, and alpaca yarns tend to be stronger than wool yarns. The heel hole that appears in wool socks or in elbows of wool sweaters is nonexistent in similar alpaca garments. In processing, slivers lack fiber cohesion and single alpaca rovings lack strength. Blend these together and the durability is increased several times over. More twisting is necessary, especially in Suri, and this can reduce a yarn's softness.

The alpaca has a very fine and light fleece. It does not retain water, is thermal even when wet and can resist the solar radiation effectively. These characteristics guarantee the animals a permanent and appropriate coat to fight against the extreme changes of temperature. This fiber offers the same protection to humans. Alpaca is sustainable as a fiber, and is naturally organic. Alpacas as animals are soft on the environment, making alpaca a truly green textile.

Info re Wiki and Encyclo Brit

Asperula purpurea (L.) Ehrend, syn.: Galium purpureum L.

Purple Woodruff, DE: Purpur Meier, Purpur Meister

Slo.: škrlatna perla, škrlatna lakota

Dat.: July 30. 2016

Lat.: 46.35803Long.: 13.70286

Code: Bot_993/2016_DSC4167

Habitat: an opening in mixed Fagus sylvatica and Picea abies wood; clear cut under (local) power lines, almost flat terrain; calcareous, skeletal, colluvial ground; full sun, warm and dry place; elevation 545 m (1.790 feet); average precipitations ~ 3.000 mm/year, average temperature 7-9 deg C, alpine phytogeographical region.

Substratum: soil.

Place: Lower Trenta valley, between villages Soča and Trenta, right bank of river Soča; near Matevž farmhouse, above regional road Bovec Vršič, East Julian Alps, Posočje, Slovenia EC

Comment: Few plants known to me are more difficult to be photographed in the field as Asperula purpurea. It is small, very tender and its flowers have not much more than 1 mm in diameter. Its leaves can be less than 1 cm long and only a fraction of mm wide. Apparently, when it grows on sunny places it is specially small and tender. So, it shakes restlessly even if there is no observable wind. At the same time only macro photography can show its details. Since it is widely branched in all directions one would need considerable depth of field for sharp pictures. This is of cause nonexistent with macro work. Also focus stacking technique cannot be used, because the plant is in motion all the time.

This South European plant growing also on Balkan Peninsula, Carpathians and Apennines originally belonged to Galium genus, but was later repositioned to Asperula genus. All Asperula species growing in Slovenia are beautiful; however this beauty requires to be admired with a hand lens.

Ref.:

(1) D. Aeschimann, K. Lauber, D.M. Moser, J.P. Theurillat, Flora Alpina, Vol. 2., Haupt (2004), p 348.

(2) K. Lauber and G. Wagner, Flora Helvetica, 5. Auflage, Haupt (2012), p 762.

(3) M.A. Fischer, W. Adler, K. Oswald, Exkursionsflora für Österreich, Liechtenstein und Südtirol, LO Landesmuseen, Linz, Austria (2005), p 702.

(4) A. Martinči et all., Mala Flora Slovenije (Flora of Slovenia - Key) (in Slovenian), Tehnična Založba Slovenije (2007), p 521.

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!

Some background:

The North American Aviation P-51 Mustang was an American long-range, single-seat fighter and fighter-bomber used during World War II and the Korean War, among other conflicts. The Mustang was designed in 1940 by North American Aviation (NAA) in response to a requirement of the British Purchasing Commission. The Purchasing Commission approached North American Aviation to build Curtiss P-40 fighters under license for the Royal Air Force (RAF). Rather than build an old design from another company, North American Aviation proposed the design and production of a more modern fighter. The prototype NA-73X airframe was rolled out on 9 September 1940, 102 days after the contract was signed, and first flew on 26 October.

However, with the end of hostilities in Europe in May 1945 the P-51E contract was cancelled, as well as the option for more aircraft. Altogether only 363 lightweight P-51Es were completed and reached frontline units, exclusively operating with the 8th and 9th Fighter Command.

General characteristics:

Crew: 1

Length: 33 ft 3 in (10,15 m)

Wingspan: 37 ft 0 in (11,28 m)

Height: 13 ft 4½ in (4,08 m)

Wing area: 234 sq ft (21,81 m²)

Airfoil: NACA 66(2)-215

Empty weight: 5,792 lb (2.630 kg)

Loaded weight: 7,268 lb (3.300 kg)

Max. take-off weight: 9,559 lb (4.340 kg)

Maximum fuel capacity: 419 US gal (349 imp gal; 1,590 l)

Powerplant:

1× Packard V-1650-9 liquid-cooled V-12 with 2-stage intercooled supercharger,

delivering 1,380 hp (1,030 kW), 2,218 hp (1,655 kW) WEP with Water methanol injection,

driving a Hamilton Standard constant-speed, variable-pitch three blade propeller with

a 11 ft 2 in (3.40 m) diameter

Performance:

Maximum speed: 472 mph (760 km/h; 410 kn) at 21,200 ft (6,500 m)

Cruise speed: 362 mph (315 kn, 580 km/h)

Stall speed: 100 mph (87 kn, 160 km/h)

Range: 1,650 mi (1,434 nmi, 2,755 km) with external tanks

Service ceiling: 41,900 ft (12,800 m)

Rate of climb: 3,200 ft/min (16.3 m/s)

Wing loading: 39 lb/sqft (192 kg/m²)

Power/mass: 0.18 hp/lb (300 W/kg)

Lift-to-drag ratio: 14.6

Recommended Mach limit 0.8

Armament:

4× 0.50 caliber (12.7mm) AN/M2 Browning machine guns with 400 RPG

A pair of underwing hardpoints for a pair of drop tanks

or bombs of 100 lb (45 kg), 250 lb (113 kg) or 500 lb (226 kg) caliber

The kit and its assembly:

A project that was more complex than obvious at first glance. The plan was to create a “missing link” between the WWII P-51D and its lightweight sibling P-51H, which came too late in WWII to take seriously part in any combat. There actually were some “interim” designs, which paved the way (the F, G and J models), with lightweight hulls or different engines. My plan was to adopt some details of these aircraft to create the fictional P-51E.

For a look that subtly differs from the well-known P-51D I decided light-headedly to bash two Academy models together: a P-51D hull, mixed with the wings and tail from a P-51B/C kit, plus some inter-kit and external donors. What sounds simple turned out to be a major surgery task, though, because both kits are totally different, produced with individual moulds and few interchangeable parts! Even details which you’d expect to me identical (e. g. wing tip and tail shape) differ markedly.

For the P-51E kitbash the fuselage with cockpit, engine and radiator bath was taken from the P-51D, while the tail and the wings were taken from the P-51B/C, because they were slightly bigger, “edgier”, lacked the fin fillet and featured only four machine guns in the wings. Mating these parts called for many adaptations and massive PSR, though. To change the look further I removed the small wing leading edge extensions, for a completely straight edge, and the cowling was changed to look like a mix of the P-51F and J prototypes. The carburetor intake disappeared and a part of the P-51D spinner was used to extend the fuselage a little. A completely new three-blade propeller was scratched, using a Yokosuka D4Y spinner, a piece from an ESCI Ka-34 Hokum main rotor, and clipped blades from a Hasegawa F5U. A styrene tube was added to hold the propeller’s new metal axis. To compensate for the longer nose the rear fuselage a 2mm section of the P-51D hull was retained in front of the transplanted P-51B/C tail (which is a separate hull section, the -D has an integral tail).

The original exhausts were replaced with resin aftermarket pieces for P-400 Airacobra from Quickboost - for which the nose extension paid out, because the V-1710 exhaust arrangement is longer than the Merlin's.

Painting and markings:

I wanted a typical, potentially colorful USAAF livery from early 1945 for this what-if aircraft model. This meant that the aircraft would have a NMF livery, and Invasion Stripes or other ID markings were already removed or not applied to new aircraft anymore. Camouflage had been omitted from 1945, too. As squadron markings I went for the 357th FG red-and-yellow nose markings; these came with Academy’s P-51B/C kit, but I replaced them with decals from a Mistercraft/Intech kit from The Stash™ because their shape was simpler and would (probably) better match the modified lower nose. Searching for later P-51Ds of this group revealed that the aircraft hardly carried any other colorful marking, though – just the tactical code, and maybe some personal markings.

To keep in style I adapted this basis, using a tone called “White Aluminum (RAL 9006)” from a Duplicolor rattle can as an overall basis, but added a thin red edge to the olive drab (Revell 46) anti-glare panel, created with generic decal stripes. The rudder as well as the wing tips were painted in red, an official 363rd FS ID marking, as a counterbalance to the prominent nose, too.

The propeller spinner was painted free-handedly, in an attempt to match the checker decal's colors. Some hull panels were painted in a darker shade of aluminum to make the model look mo0re lively, and some post-shading with Humbrol Matt Aluminum Metallizer was done to improve that effect, too. Cockpit and landing gear wells were painted in a bright green zinc chromate primer tone.

Decals and markings were puzzled together from various sources. Finding a suitable 'B6' code fpr the 363rd FS was tough, but I was eventually able to scratch it from 'P9' codes from two Academy P-47D kits/sheets! BTW, the horizontal bar above the aircraft's individual letter was a real world marking for a second aircraft that bore this tactical code within the unit. The nose art/tag was also donated from an Academy P-47, the yellow font matches the rest of the unit colors well.

The anti glare panel and the propeller blades received a matt varnish coat, while the rest of the hull was covered with a mix of matt and a little semi-gloss varnish - contemporary Mustang photos from 1945 suggest that, despite being bare metal, the aircraft were not polished or shiny at all, yet the aluminum would have some reflections. I think that the final overall finish looks quite good. As a final step I added some light soot stains behind the exhausts and the machine gun orifices, and dry-brushed some silver on edges/areas where paint could have flaked in real life. Not much, but it adds to the overall impression of a used aircraft.

A more demanding project than meets the eye. Bashing the two Mustang kits for a fictional new one might have been a smart idea, but it turned out to be a nightmare because the two 1:72 Mustand Academy kits are totally incompatible. Additionally, the mods I made are VERY subtle, it takes a keen eye to recognize the lengthened hull, the modfied cowling and the cleaner tail. The three-blade prop is the most obvious thing, and with it, from certain angles, the P-51E reminds somewhat of a Yak-9? Probably due to the intake-less cowling and the (for a Mustang) unusual prop? The livery looks plausible and colorful, though. :D

Mendon Ponds Park is owned and very poorly maintained by the County of Monroe, NY.

Unfortunately, this extraordinary property is rapidly deteriorating due to an egregious lack of care. Trails are not cleared of debris... signs are useless. Park maintenance is essentially nonexistent. They do have a marketing department. Seriously, the taxpayers are paying the salaries of a county parks marketing department.

Email Mendon Ponds Park complaints to: countyexecutive@monroecounty.gov

024

Fortune Global Forum 2018

October 16th, 2018

Toronto, Canada

3:30 PM

THE NEW GLOBAL CONSUMER: DOING BUSINESS IN A DIGITAL ECONOMY

The digital economy is no longer part of the economy. It is the economy. How can traditional brick-and-mortar firms reinvent themselves, their supply chains, and their marketplaces to avoid the fate of brands once thought of as everlasting but which are now nonexistent? And how are new platforms – from e-commerce to shared services – rewriting the rules of the game? A conversation on how businesses can manage expectations for digitally empowered customers, and how technology is being used to enhance the customer experience.

Alain Bejjani, Chief Executive Officer, Majid al Futtaim

Andrea Stairs, General Manager, Canada and Latin America, eBay

Ning Tang, Founder and CEO, CreditEase

Moderator: Phil Wahba, Senior Writer, Fortune

Photograph by Stuart Isett/Fortune

Leeville, Louisiana

on Bayou LaFourche

LaFourche Parish

Some of the greatest fishing is right here.

Leeville was settled by flood victims. On October 1, 1893, a hurricane wiped out the area's main settlement, Caminadaville, which sat on a spit of land bordered on three sides by the Gulf and on the fourth by swamp. Nearly half of Caminadaville's inhabitants perished in the storm, most by drowning, some when the buildings they had taken refuge in collapsed.

Survivors sailed up the bayou in their damaged canots and began buying land from an orange-grower named Peter Lee, who was selling plots for $12.50 each. For sixteen years, they fished, planted rice, and held fais do-do dancing parties in homes with covered verandas.

Then, in 1909, the Leeville Hurricane struck. (A contemporary newspaper account described survivors of that storm subsisting on drowned rabbit.) Six years later, a third hurricane forced residents to flee north once more. According to local legend, the storm surge carried one house from Leeville nine miles inland. The owner simply bought the plot underneath it and moved back in.

In the nineteen-thirties, Leeville rebounded briefly. Oil was discovered in the area, and by the end of the decade there were ninety-eight producing wells in town. The pay was good and regulation nonexistent. Blowouts routinely rained sulfur and brine onto the houses, into the cisterns, over the trees. Tin roofs corroded and vegetable gardens shrivelled up. When the wells ran dry, oil production moved offshore and Leeville was again deserted.

There were no more jobs, and the town itself had begun to wash away. Where once men in straw hats picked oranges and harvested rice, today there is mostly open water.

from: www.accessmylibrary.com/coms2/summary_0286-15339115_ITM

ucmmuseum.com/leesville.htm

SONY DSC, Original architectural drawings for renovations to the second floor of the Morgan house. Mistakenly titled as belonging to the nonexistent Alpha Chi Delta sorority. It is unclear if Julia Morgan or Thaddeus Joy drew the plans.

These drenched days have a way of bleeding together, touching shoulders through the mist and rattling raindrops. The wind has been almost nonexistent, which makes my life under an umbrella easier, everything tumbling straight down. Some of the old shingles escape being soaked, their bare wood spared in the relative stillness. These strong walls are the story of a long journey down. Like most barns of a certain age, they were made to be ignored for a while, then slapped back together when things got a little ragged. Eventually, almost all will start to ask what's next – if nostalgia can match the purpose of centuries past. There has to be both ends and means. Me, I feel inclined to justify existence alone. Not that I could afford it, but there are those who can. The past is a portal that opens to itself alone.

March 28, 2024

Waterford, Nova Scotia

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A visit to the Whitehall Mall, 6/18/15

Stairway to the offices, and a blocked off section which I assume would've lead to the now nonexistent Sears wing.

House of the Golden Well, sometimes called At the Red Chair, the house no. 175 in the Old Town of Prague on the corner of Seminary (no. 2) and Charles (no. 3), near Clementinum.

On the site today of Baroque building with Classicist elements became Romanesque building, whose walls are preserved vaulted cellar at the Seminary Street following the house čp.177 / I. The first written record of this house but it is up to the year 1354 when it cutler Vaclav Muldorfer bought from Nicholas Znojmo. The house was at the time and edited Gothic square around it was called cutlery commons (Latin Plateau cultellatorum). Also in the 15th century there were several cutlers and two Mecir. The house had already been a corner and stood against the church garden. Clement, which was about to southwest facade still nonexistent Klementinum. Its central location expressing house sign midst of the wheel.

In the early 17th century, the house was probably likely to radically rebuilt in the late Renaissance style (as evidenced by a few preserved Gothic elements). In the early 18th century, the house was connected (still recognizably) with the neighboring small Gothic house (in the 17th century, rebuilt in Baroque style) in the Seminary Street and after 1769, was rebuilt on the 3rd floor. In the 80s of the 20th century, the house was significantly modified from the original structure remained only part of the perimeter walls and interiors to the level of the first floor. In basements, ground floor and first floor are barrel vaults.

The facade is decorated with stucco reliefs Johann Ulrich Mayer from 1713. They are located in three levels. Amid under the associated window on the second floor, is in gilded medallion Palladium of Czech, ie. semifigures Stará Boleslav Virgin Mary with Jesus on the octagonal star-founded Circle. Above the star pair of angels bears the crown, under the star is on the sides of a pair of crowned Czech lion. Left stands St. Wenceslas, right there nesvatořečený John of Nepomuk. Around the windows on the first floor is dvojicemorových patrons (left St. Sebastian, right St. Roch) and the third floor of the Jesuit patrons (left about St. Ignatius and right St. Francis Xavier and Francis Borgia). Above the window on the third floor is a relief lying plague patron Saint Rosalia.

Today the building houses a hotel Aurus (www.aurushotel.cz).

cs.wikipedia.org/wiki/D%C5%AFm_U_Zlat%C3%A9_studn%C4%9B_(Karlova)

Boone, NC gets it. They are getting less and less snowfall, making the outdoor winter sports season nearly nonexistent. With one ski resort recently closed, they are gathering in solidarity with skis on grass.

Photo credit: Crystal Simmons

Full Tour:

www.youtube.com/watch?v=vrH4AOjN23Y&t=28s

PDF Instructions: www.luxurybrickstore.com/

This is the ultimate home on wheels for your minifigure family. Not only are there two levels on this motorhome, but four separate slide outs that allow for maximum floor space possible. There’s even room for atvs, motorcycles, bicycles, and the family car in the enclosed stacker trailer to bring along as well. The original inspiration for this build was a prototype design I randomly came across on the internet. Double decker motorhomes with slide outs are pretty much nonexistent, but I figured why not put one together with Lego.

With education almost nonexistent in the refugee settlements, children are left vulnerable to child labour and trafficking, especially young girls. (Christian Ender/JRS)

Mendon Ponds Park is owned and very poorly maintained by the County of Monroe, NY.

Unfortunately, this extraordinary property is rapidly deteriorating due to an egregious lack of care. Trails are not cleared of debris... signs are useless. Park maintenance is essentially nonexistent. They do have a marketing department. Seriously, the taxpayers are paying the salaries of a county parks marketing department.

Email Mendon Ponds Park complaints to: countyexecutive@monroecounty.gov

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!

Some background:

The North American Aviation P-51 Mustang was an American long-range, single-seat fighter and fighter-bomber used during World War II and the Korean War, among other conflicts. The Mustang was designed in 1940 by North American Aviation (NAA) in response to a requirement of the British Purchasing Commission. The Purchasing Commission approached North American Aviation to build Curtiss P-40 fighters under license for the Royal Air Force (RAF). Rather than build an old design from another company, North American Aviation proposed the design and production of a more modern fighter. The prototype NA-73X airframe was rolled out on 9 September 1940, 102 days after the contract was signed, and first flew on 26 October.

However, with the end of hostilities in Europe in May 1945 the P-51E contract was cancelled, as well as the option for more aircraft. Altogether only 363 lightweight P-51Es were completed and reached frontline units, exclusively operating with the 8th and 9th Fighter Command.

General characteristics:

Crew: 1

Length: 33 ft 3 in (10,15 m)

Wingspan: 37 ft 0 in (11,28 m)

Height: 13 ft 4½ in (4,08 m)

Wing area: 234 sq ft (21,81 m²)

Airfoil: NACA 66(2)-215

Empty weight: 5,792 lb (2.630 kg)

Loaded weight: 7,268 lb (3.300 kg)

Max. take-off weight: 9,559 lb (4.340 kg)

Maximum fuel capacity: 419 US gal (349 imp gal; 1,590 l)

Powerplant:

1× Packard V-1650-9 liquid-cooled V-12 with 2-stage intercooled supercharger,

delivering 1,380 hp (1,030 kW), 2,218 hp (1,655 kW) WEP with Water methanol injection,

driving a Hamilton Standard constant-speed, variable-pitch three blade propeller with

a 11 ft 2 in (3.40 m) diameter

Performance:

Maximum speed: 472 mph (760 km/h; 410 kn) at 21,200 ft (6,500 m)

Cruise speed: 362 mph (315 kn, 580 km/h)

Stall speed: 100 mph (87 kn, 160 km/h)

Range: 1,650 mi (1,434 nmi, 2,755 km) with external tanks

Service ceiling: 41,900 ft (12,800 m)

Rate of climb: 3,200 ft/min (16.3 m/s)

Wing loading: 39 lb/sqft (192 kg/m²)

Power/mass: 0.18 hp/lb (300 W/kg)

Lift-to-drag ratio: 14.6

Recommended Mach limit 0.8

Armament:

4× 0.50 caliber (12.7mm) AN/M2 Browning machine guns with 400 RPG

A pair of underwing hardpoints for a pair of drop tanks

or bombs of 100 lb (45 kg), 250 lb (113 kg) or 500 lb (226 kg) caliber

The kit and its assembly:

A project that was more complex than obvious at first glance. The plan was to create a “missing link” between the WWII P-51D and its lightweight sibling P-51H, which came too late in WWII to take seriously part in any combat. There actually were some “interim” designs, which paved the way (the F, G and J models), with lightweight hulls or different engines. My plan was to adopt some details of these aircraft to create the fictional P-51E.

For a look that subtly differs from the well-known P-51D I decided light-headedly to bash two Academy models together: a P-51D hull, mixed with the wings and tail from a P-51B/C kit, plus some inter-kit and external donors. What sounds simple turned out to be a major surgery task, though, because both kits are totally different, produced with individual moulds and few interchangeable parts! Even details which you’d expect to me identical (e. g. wing tip and tail shape) differ markedly.

For the P-51E kitbash the fuselage with cockpit, engine and radiator bath was taken from the P-51D, while the tail and the wings were taken from the P-51B/C, because they were slightly bigger, “edgier”, lacked the fin fillet and featured only four machine guns in the wings. Mating these parts called for many adaptations and massive PSR, though. To change the look further I removed the small wing leading edge extensions, for a completely straight edge, and the cowling was changed to look like a mix of the P-51F and J prototypes. The carburetor intake disappeared and a part of the P-51D spinner was used to extend the fuselage a little. A completely new three-blade propeller was scratched, using a Yokosuka D4Y spinner, a piece from an ESCI Ka-34 Hokum main rotor, and clipped blades from a Hasegawa F5U. A styrene tube was added to hold the propeller’s new metal axis. To compensate for the longer nose the rear fuselage a 2mm section of the P-51D hull was retained in front of the transplanted P-51B/C tail (which is a separate hull section, the -D has an integral tail).

The original exhausts were replaced with resin aftermarket pieces for P-400 Airacobra from Quickboost - for which the nose extension paid out, because the V-1710 exhaust arrangement is longer than the Merlin's.

Painting and markings:

I wanted a typical, potentially colorful USAAF livery from early 1945 for this what-if aircraft model. This meant that the aircraft would have a NMF livery, and Invasion Stripes or other ID markings were already removed or not applied to new aircraft anymore. Camouflage had been omitted from 1945, too. As squadron markings I went for the 357th FG red-and-yellow nose markings; these came with Academy’s P-51B/C kit, but I replaced them with decals from a Mistercraft/Intech kit from The Stash™ because their shape was simpler and would (probably) better match the modified lower nose. Searching for later P-51Ds of this group revealed that the aircraft hardly carried any other colorful marking, though – just the tactical code, and maybe some personal markings.

To keep in style I adapted this basis, using a tone called “White Aluminum (RAL 9006)” from a Duplicolor rattle can as an overall basis, but added a thin red edge to the olive drab (Revell 46) anti-glare panel, created with generic decal stripes. The rudder as well as the wing tips were painted in red, an official 363rd FS ID marking, as a counterbalance to the prominent nose, too.

The propeller spinner was painted free-handedly, in an attempt to match the checker decal's colors. Some hull panels were painted in a darker shade of aluminum to make the model look mo0re lively, and some post-shading with Humbrol Matt Aluminum Metallizer was done to improve that effect, too. Cockpit and landing gear wells were painted in a bright green zinc chromate primer tone.

Decals and markings were puzzled together from various sources. Finding a suitable 'B6' code fpr the 363rd FS was tough, but I was eventually able to scratch it from 'P9' codes from two Academy P-47D kits/sheets! BTW, the horizontal bar above the aircraft's individual letter was a real world marking for a second aircraft that bore this tactical code within the unit. The nose art/tag was also donated from an Academy P-47, the yellow font matches the rest of the unit colors well.

The anti glare panel and the propeller blades received a matt varnish coat, while the rest of the hull was covered with a mix of matt and a little semi-gloss varnish - contemporary Mustang photos from 1945 suggest that, despite being bare metal, the aircraft were not polished or shiny at all, yet the aluminum would have some reflections. I think that the final overall finish looks quite good. As a final step I added some light soot stains behind the exhausts and the machine gun orifices, and dry-brushed some silver on edges/areas where paint could have flaked in real life. Not much, but it adds to the overall impression of a used aircraft.

A more demanding project than meets the eye. Bashing the two Mustang kits for a fictional new one might have been a smart idea, but it turned out to be a nightmare because the two 1:72 Mustand Academy kits are totally incompatible. Additionally, the mods I made are VERY subtle, it takes a keen eye to recognize the lengthened hull, the modfied cowling and the cleaner tail. The three-blade prop is the most obvious thing, and with it, from certain angles, the P-51E reminds somewhat of a Yak-9? Probably due to the intake-less cowling and the (for a Mustang) unusual prop? The livery looks plausible and colorful, though. :D

I chose Silverton because it is my hometown. I have always wondered about the almost nonexistent black population in Silverton, so I was excited to research its history.

I started my research process by looking at the census documents from 1940, in which I found a grand total of zero nonwhite residents. I was unsuccessful in my search for earlier census records. I interviewed Karen Almquist, a longtime resident of Silverton with a long family history in the town. She had stories from her father-in-law, mainly about the incredibly large Scandinavian population in Silverton (Norway St. was named for the many Norwegian families living there). Lutheran church services were held in Norwegian until the 1960s.

There were histories of Silverton in the Silverton Country Library vertical files that answered a few of my questions. I knew that Silverton had been a big agricultural producer for a long time, and I wondered why no African-Americans were employed to work in the fields. One report stated that the field workers were mainly teenagers. My own great-grandmother told us how she worked in the hop fields to make enough money to have her teeth pulled out and replaced with dentures. Another report mentioned “Chinese coolies” doing farm labor. Another interesting tidbit was that Silverton had a very strong anti-slavery group during the Civil War. One resident was described as “an outstanding enemy of slavery.”

Mendon Ponds Park is owned and very poorly maintained by the County of Monroe, NY.

Unfortunately, this extraordinary property is rapidly deteriorating due to an egregious lack of care. Trails are not cleared of debris... signs are useless. Park maintenance is essentially nonexistent. They do have a marketing department. Seriously, the taxpayers are paying the salaries of a county parks marketing department.

Email Mendon Ponds Park complaints to: countyexecutive@monroecounty.gov

For Lauren, Bert.

One of 2 of my design that's video game based! I found a simple image on Google search and simplified it quite a bit more, in this one's case. It's more of an outline than anything - I couldn't seem to get the interior cuts to work very well, so his face/helmet differentiation is almost nonexistent. :\

This series of photos shows our cruise ship's journey along the Fiordland coast between Milford Sound and Doubtful Sound, and then our looping route in one entrance to this enormous fiord and out another. The reaction of my fellow passengers to this magnificent New Zealand scenery was, in itself, wonderful to observe.

•Doubtful Sound is a very large and naturally imposing fiord in Fiordland, in the far south west of New Zealand. Doubtful Sound was named 'Doubtful Harbour' in 1770 by Captain Cook, who did not enter the inlet as he was uncertain whether it was navigable under sail. It was later renamed Doubtful Sound by whalers and sealers. There are three distinct arms to the sound, which is the site of several large waterfalls, notably Helena Falls at Deep Cove, and the Browne Falls which have a fall of over 600 metres. The steep hills are known for their hundreds of waterfalls during the rainy season. Access to the sound is either by sea, or by the Wilmot Pass road from the Manapouri Power Station. Most areas of the sound itself are only accessible by sea however, as the road network in this area of New Zealand is sparse or nonexistent, as is the human population. Doubtful Sound is unusual in that it contains two distinct layers of water that scarcely mix. The top few meters is fresh water, fed from the high inflows from the surrounding mountains, and stained brown with tannins from the forest. Below this is a layer of cold, heavy, saline water from the sea. The dark tannins in the fresh water layer makes it difficult for light to penetrate. Thus, many deep-sea species will grow in the comparatively shallow depths of the Sound.

He partido de una fijación por los gabinetes de curiosidades. Lo seductor en cada uno de ellos es que revelan una necesidad inherente por preservar, clasificar y aprisionar lo incomprensible y lo foráneo. Me dispongo a encasillar los monstruos que son, quizá, las criaturas más incomprensibles que haya podido encontrar.

Todo surge del amor, o al menos de una particular y única forma de amar; la única que tantos libros me dieron a conocer. Por largo tiempo discurrí en el intento de hallar un hilo conductor a mis planes y propuestas por un romance perfecto. Quizá tuve una idea falsa de la verdad, pero pienso que en algún momento estuve cerca de ser justamente quien quise ser. He terminado por renunciar al propósito y ahora puedo examinar los hechos serenamente.

Desde mis libros nacieron relaciones de a mentiras y estos son Jose María, Andrés y Juan: mis posibles amores, mis finales inciertos, mis amantes y amores inconclusos. Todos, finalmente inexistentes.

This project arose from a personal fixation on the cabinets of curiosities which came about during the 16th century explorations. What is appealing about each of these is that they unveil an inherent need for preservation, classification, and confinement of the rare and incomprehensible. As such, I have set out to assort and confine the creatures who appear to be the most incomprehensible beings I could have ever found.

Everything arises from love, or at least a particular and unique way of loving: the way which books have revealed to me. For a long time, I tried to plan a perfect romance. Maybe I had a misleading idea of the truth, but, just for a moment, I was close to being everything I wanted to be. I have come to renounce my failed intent; and now, I am able to examine the facts serenely.

My books gave rise to my fictitious relationships. These are Jose María, Andrés, and Juan. My possible lovers, my uncertain endings, and my unfinished loves. Each of them, alas, nonexistent.

Auf die Idee für dieses Projekt kam ich durch die „Wunderkammern“, die während der Entdeckungreisen des 16. Jahrhunderts entstanden. Mich faszinierte das Verlangen nach Bewahrung, Einteilung und Gefangenhalten des Seltenen und Unverständlichen, das sie aufzeigten. Jetzt fange ich die Monster, die unverständlichsten Geschöpfe, die ich jemals finden konnte, für mich ein.

Alles entsteht aus Liebe, oder immerhin aus einer einzigartigen und einmaligen Weise der Liebe: die einzige Art und Weise, die mich viele Bücher lehrten. Lange Zeit versuchte ich, perfekte Romanzen zu planen. Vielleicht hatte ich eine irreführende Vorstellung der Wahrheit; nur für einen Moment, war ich Allem nah, was ich mir vorstellte. Ich habe mein verfehltes Ziel aufgegeben, und kann nun die Gegebenheiten klar betrachten.

Aus diesen Büchern entstanden meine erdichteten Beziehungen. Jose María, Andrés, und Juan: meine eventuellen Geliebten, mein ungewisses Ende, meine unvollständigen Lieben und Geliebten. Jede letztendes, nicht existierend.

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!

Some background:

The North American Aviation P-51 Mustang was an American long-range, single-seat fighter and fighter-bomber used during World War II and the Korean War, among other conflicts. The Mustang was designed in 1940 by North American Aviation (NAA) in response to a requirement of the British Purchasing Commission. The Purchasing Commission approached North American Aviation to build Curtiss P-40 fighters under license for the Royal Air Force (RAF). Rather than build an old design from another company, North American Aviation proposed the design and production of a more modern fighter. The prototype NA-73X airframe was rolled out on 9 September 1940, 102 days after the contract was signed, and first flew on 26 October.

However, with the end of hostilities in Europe in May 1945 the P-51E contract was cancelled, as well as the option for more aircraft. Altogether only 363 lightweight P-51Es were completed and reached frontline units, exclusively operating with the 8th and 9th Fighter Command.

General characteristics:

Crew: 1

Length: 33 ft 3 in (10,15 m)

Wingspan: 37 ft 0 in (11,28 m)

Height: 13 ft 4½ in (4,08 m)

Wing area: 234 sq ft (21,81 m²)

Airfoil: NACA 66(2)-215

Empty weight: 5,792 lb (2.630 kg)

Loaded weight: 7,268 lb (3.300 kg)

Max. take-off weight: 9,559 lb (4.340 kg)

Maximum fuel capacity: 419 US gal (349 imp gal; 1,590 l)

Powerplant:

1× Packard V-1650-9 liquid-cooled V-12 with 2-stage intercooled supercharger,

delivering 1,380 hp (1,030 kW), 2,218 hp (1,655 kW) WEP with Water methanol injection,

driving a Hamilton Standard constant-speed, variable-pitch three blade propeller with

a 11 ft 2 in (3.40 m) diameter

Performance:

Maximum speed: 472 mph (760 km/h; 410 kn) at 21,200 ft (6,500 m)

Cruise speed: 362 mph (315 kn, 580 km/h)

Stall speed: 100 mph (87 kn, 160 km/h)

Range: 1,650 mi (1,434 nmi, 2,755 km) with external tanks

Service ceiling: 41,900 ft (12,800 m)

Rate of climb: 3,200 ft/min (16.3 m/s)

Wing loading: 39 lb/sqft (192 kg/m²)

Power/mass: 0.18 hp/lb (300 W/kg)

Lift-to-drag ratio: 14.6

Recommended Mach limit 0.8

Armament:

4× 0.50 caliber (12.7mm) AN/M2 Browning machine guns with 400 RPG

A pair of underwing hardpoints for a pair of drop tanks

or bombs of 100 lb (45 kg), 250 lb (113 kg) or 500 lb (226 kg) caliber

The kit and its assembly:

A project that was more complex than obvious at first glance. The plan was to create a “missing link” between the WWII P-51D and its lightweight sibling P-51H, which came too late in WWII to take seriously part in any combat. There actually were some “interim” designs, which paved the way (the F, G and J models), with lightweight hulls or different engines. My plan was to adopt some details of these aircraft to create the fictional P-51E.

For a look that subtly differs from the well-known P-51D I decided light-headedly to bash two Academy models together: a P-51D hull, mixed with the wings and tail from a P-51B/C kit, plus some inter-kit and external donors. What sounds simple turned out to be a major surgery task, though, because both kits are totally different, produced with individual moulds and few interchangeable parts! Even details which you’d expect to me identical (e. g. wing tip and tail shape) differ markedly.

For the P-51E kitbash the fuselage with cockpit, engine and radiator bath was taken from the P-51D, while the tail and the wings were taken from the P-51B/C, because they were slightly bigger, “edgier”, lacked the fin fillet and featured only four machine guns in the wings. Mating these parts called for many adaptations and massive PSR, though. To change the look further I removed the small wing leading edge extensions, for a completely straight edge, and the cowling was changed to look like a mix of the P-51F and J prototypes. The carburetor intake disappeared and a part of the P-51D spinner was used to extend the fuselage a little. A completely new three-blade propeller was scratched, using a Yokosuka D4Y spinner, a piece from an ESCI Ka-34 Hokum main rotor, and clipped blades from a Hasegawa F5U. A styrene tube was added to hold the propeller’s new metal axis. To compensate for the longer nose the rear fuselage a 2mm section of the P-51D hull was retained in front of the transplanted P-51B/C tail (which is a separate hull section, the -D has an integral tail).

The original exhausts were replaced with resin aftermarket pieces for P-400 Airacobra from Quickboost - for which the nose extension paid out, because the V-1710 exhaust arrangement is longer than the Merlin's.

Painting and markings:

I wanted a typical, potentially colorful USAAF livery from early 1945 for this what-if aircraft model. This meant that the aircraft would have a NMF livery, and Invasion Stripes or other ID markings were already removed or not applied to new aircraft anymore. Camouflage had been omitted from 1945, too. As squadron markings I went for the 357th FG red-and-yellow nose markings; these came with Academy’s P-51B/C kit, but I replaced them with decals from a Mistercraft/Intech kit from The Stash™ because their shape was simpler and would (probably) better match the modified lower nose. Searching for later P-51Ds of this group revealed that the aircraft hardly carried any other colorful marking, though – just the tactical code, and maybe some personal markings.

To keep in style I adapted this basis, using a tone called “White Aluminum (RAL 9006)” from a Duplicolor rattle can as an overall basis, but added a thin red edge to the olive drab (Revell 46) anti-glare panel, created with generic decal stripes. The rudder as well as the wing tips were painted in red, an official 363rd FS ID marking, as a counterbalance to the prominent nose, too.

The propeller spinner was painted free-handedly, in an attempt to match the checker decal's colors. Some hull panels were painted in a darker shade of aluminum to make the model look mo0re lively, and some post-shading with Humbrol Matt Aluminum Metallizer was done to improve that effect, too. Cockpit and landing gear wells were painted in a bright green zinc chromate primer tone.

Decals and markings were puzzled together from various sources. Finding a suitable 'B6' code fpr the 363rd FS was tough, but I was eventually able to scratch it from 'P9' codes from two Academy P-47D kits/sheets! BTW, the horizontal bar above the aircraft's individual letter was a real world marking for a second aircraft that bore this tactical code within the unit. The nose art/tag was also donated from an Academy P-47, the yellow font matches the rest of the unit colors well.

The anti glare panel and the propeller blades received a matt varnish coat, while the rest of the hull was covered with a mix of matt and a little semi-gloss varnish - contemporary Mustang photos from 1945 suggest that, despite being bare metal, the aircraft were not polished or shiny at all, yet the aluminum would have some reflections. I think that the final overall finish looks quite good. As a final step I added some light soot stains behind the exhausts and the machine gun orifices, and dry-brushed some silver on edges/areas where paint could have flaked in real life. Not much, but it adds to the overall impression of a used aircraft.

A more demanding project than meets the eye. Bashing the two Mustang kits for a fictional new one might have been a smart idea, but it turned out to be a nightmare because the two 1:72 Mustand Academy kits are totally incompatible. Additionally, the mods I made are VERY subtle, it takes a keen eye to recognize the lengthened hull, the modfied cowling and the cleaner tail. The three-blade prop is the most obvious thing, and with it, from certain angles, the P-51E reminds somewhat of a Yak-9? Probably due to the intake-less cowling and the (for a Mustang) unusual prop? The livery looks plausible and colorful, though. :D

its function was likely "to shelter the bark of Isis at the eastern banks" of Philae island.

One of the main sites visited by almost every tour to Egypt is what is billed as Philae, but Philae is actually a nonexistent island now buried beneath Lake Nasser. The island was sometimes visible and sometimes not after the Old Aswan Dam was built, but was permanently submerged by the High Dam. Read more at www.touregypt.net/featurestories/Philae.htm

I'm down to my last strip of wool so I thought I'd take an in-progress pic! Nerd Girl Yarns Combed Top, 100% Colonial wool, 4 oz of custom colorway Purple Love. It has yet to be completed, re-skeined, and finished, so pardon the slightly messy ball, but it's still good. I also can't stop flashing around my drop spindle because it's just so pretty. I turned the fluff into the yarn via that and my hands! Nothing else! MAGIC!

Also - return of the book! This one is Zombie Blondes by Brian James. I found it...well, conflicting. I loved the concept, but the plot was kind of nonexistent. It mainly consisted of "are they actually zombies or aren't they" and as the title tells you right up front, yes yes they are actually zombies. The End. Worth a single read if you watch thriller movies for the suspense even when you can see the end coming from a mile away.

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!

Some background:

The North American Aviation P-51 Mustang was an American long-range, single-seat fighter and fighter-bomber used during World War II and the Korean War, among other conflicts. The Mustang was designed in 1940 by North American Aviation (NAA) in response to a requirement of the British Purchasing Commission. The Purchasing Commission approached North American Aviation to build Curtiss P-40 fighters under license for the Royal Air Force (RAF). Rather than build an old design from another company, North American Aviation proposed the design and production of a more modern fighter. The prototype NA-73X airframe was rolled out on 9 September 1940, 102 days after the contract was signed, and first flew on 26 October.

However, with the end of hostilities in Europe in May 1945 the P-51E contract was cancelled, as well as the option for more aircraft. Altogether only 363 lightweight P-51Es were completed and reached frontline units, exclusively operating with the 8th and 9th Fighter Command.

General characteristics:

Crew: 1

Length: 33 ft 3 in (10,15 m)

Wingspan: 37 ft 0 in (11,28 m)

Height: 13 ft 4½ in (4,08 m)

Wing area: 234 sq ft (21,81 m²)

Airfoil: NACA 66(2)-215

Empty weight: 5,792 lb (2.630 kg)

Loaded weight: 7,268 lb (3.300 kg)

Max. take-off weight: 9,559 lb (4.340 kg)

Maximum fuel capacity: 419 US gal (349 imp gal; 1,590 l)

Powerplant:

1× Packard V-1650-9 liquid-cooled V-12 with 2-stage intercooled supercharger,

delivering 1,380 hp (1,030 kW), 2,218 hp (1,655 kW) WEP with Water methanol injection,

driving a Hamilton Standard constant-speed, variable-pitch three blade propeller with

a 11 ft 2 in (3.40 m) diameter

Performance:

Maximum speed: 472 mph (760 km/h; 410 kn) at 21,200 ft (6,500 m)

Cruise speed: 362 mph (315 kn, 580 km/h)

Stall speed: 100 mph (87 kn, 160 km/h)

Range: 1,650 mi (1,434 nmi, 2,755 km) with external tanks

Service ceiling: 41,900 ft (12,800 m)

Rate of climb: 3,200 ft/min (16.3 m/s)

Wing loading: 39 lb/sqft (192 kg/m²)

Power/mass: 0.18 hp/lb (300 W/kg)

Lift-to-drag ratio: 14.6

Recommended Mach limit 0.8

Armament:

4× 0.50 caliber (12.7mm) AN/M2 Browning machine guns with 400 RPG

A pair of underwing hardpoints for a pair of drop tanks

or bombs of 100 lb (45 kg), 250 lb (113 kg) or 500 lb (226 kg) caliber

The kit and its assembly:

A project that was more complex than obvious at first glance. The plan was to create a “missing link” between the WWII P-51D and its lightweight sibling P-51H, which came too late in WWII to take seriously part in any combat. There actually were some “interim” designs, which paved the way (the F, G and J models), with lightweight hulls or different engines. My plan was to adopt some details of these aircraft to create the fictional P-51E.

For a look that subtly differs from the well-known P-51D I decided light-headedly to bash two Academy models together: a P-51D hull, mixed with the wings and tail from a P-51B/C kit, plus some inter-kit and external donors. What sounds simple turned out to be a major surgery task, though, because both kits are totally different, produced with individual moulds and few interchangeable parts! Even details which you’d expect to me identical (e. g. wing tip and tail shape) differ markedly.

For the P-51E kitbash the fuselage with cockpit, engine and radiator bath was taken from the P-51D, while the tail and the wings were taken from the P-51B/C, because they were slightly bigger, “edgier”, lacked the fin fillet and featured only four machine guns in the wings. Mating these parts called for many adaptations and massive PSR, though. To change the look further I removed the small wing leading edge extensions, for a completely straight edge, and the cowling was changed to look like a mix of the P-51F and J prototypes. The carburetor intake disappeared and a part of the P-51D spinner was used to extend the fuselage a little. A completely new three-blade propeller was scratched, using a Yokosuka D4Y spinner, a piece from an ESCI Ka-34 Hokum main rotor, and clipped blades from a Hasegawa F5U. A styrene tube was added to hold the propeller’s new metal axis. To compensate for the longer nose the rear fuselage a 2mm section of the P-51D hull was retained in front of the transplanted P-51B/C tail (which is a separate hull section, the -D has an integral tail).

The original exhausts were replaced with resin aftermarket pieces for P-400 Airacobra from Quickboost - for which the nose extension paid out, because the V-1710 exhaust arrangement is longer than the Merlin's.

Painting and markings:

I wanted a typical, potentially colorful USAAF livery from early 1945 for this what-if aircraft model. This meant that the aircraft would have a NMF livery, and Invasion Stripes or other ID markings were already removed or not applied to new aircraft anymore. Camouflage had been omitted from 1945, too. As squadron markings I went for the 357th FG red-and-yellow nose markings; these came with Academy’s P-51B/C kit, but I replaced them with decals from a Mistercraft/Intech kit from The Stash™ because their shape was simpler and would (probably) better match the modified lower nose. Searching for later P-51Ds of this group revealed that the aircraft hardly carried any other colorful marking, though – just the tactical code, and maybe some personal markings.

To keep in style I adapted this basis, using a tone called “White Aluminum (RAL 9006)” from a Duplicolor rattle can as an overall basis, but added a thin red edge to the olive drab (Revell 46) anti-glare panel, created with generic decal stripes. The rudder as well as the wing tips were painted in red, an official 363rd FS ID marking, as a counterbalance to the prominent nose, too.

The propeller spinner was painted free-handedly, in an attempt to match the checker decal's colors. Some hull panels were painted in a darker shade of aluminum to make the model look mo0re lively, and some post-shading with Humbrol Matt Aluminum Metallizer was done to improve that effect, too. Cockpit and landing gear wells were painted in a bright green zinc chromate primer tone.

Decals and markings were puzzled together from various sources. Finding a suitable 'B6' code fpr the 363rd FS was tough, but I was eventually able to scratch it from 'P9' codes from two Academy P-47D kits/sheets! BTW, the horizontal bar above the aircraft's individual letter was a real world marking for a second aircraft that bore this tactical code within the unit. The nose art/tag was also donated from an Academy P-47, the yellow font matches the rest of the unit colors well.

The anti glare panel and the propeller blades received a matt varnish coat, while the rest of the hull was covered with a mix of matt and a little semi-gloss varnish - contemporary Mustang photos from 1945 suggest that, despite being bare metal, the aircraft were not polished or shiny at all, yet the aluminum would have some reflections. I think that the final overall finish looks quite good. As a final step I added some light soot stains behind the exhausts and the machine gun orifices, and dry-brushed some silver on edges/areas where paint could have flaked in real life. Not much, but it adds to the overall impression of a used aircraft.

A more demanding project than meets the eye. Bashing the two Mustang kits for a fictional new one might have been a smart idea, but it turned out to be a nightmare because the two 1:72 Mustand Academy kits are totally incompatible. Additionally, the mods I made are VERY subtle, it takes a keen eye to recognize the lengthened hull, the modfied cowling and the cleaner tail. The three-blade prop is the most obvious thing, and with it, from certain angles, the P-51E reminds somewhat of a Yak-9? Probably due to the intake-less cowling and the (for a Mustang) unusual prop? The livery looks plausible and colorful, though. :D

My wicked awesome core class. God, I love these kids so much.

I can't really tell you all of the kids in this picture, because the rows are nonexistent.

But I love these kids. I'm going to miss them to death over the Summer.

Flower Mound TX. (Photo rotated to horizontal for better viewing) Many weeks later we found our little friend in much better shape and with a longer tail, although as you can see the new tail is inferior with its coloring and distorted shape. Fortunately, we have many places for such critters to hide. I had to stand on my tip toe with my point and shoot and could not get very close because it kept running away. Note how parts of his body blends in with the screen. The Greater Roadrunners keep our toads, frogs and lizards almost nonexistent. I have noticed a change in coloring of these lizards over the years, as they are becoming paler and more yellowish. I found a sick one the other day that was really yellow, perhaps from liver problems. We do not use pesticide except for the fire ants that are taking over.

House of the Golden Well, sometimes called At the Red Chair, the house no. 175 in the Old Town of Prague on the corner of Seminary (no. 2) and Charles (no. 3), near Clementinum.

On the site today of Baroque building with Classicist elements became Romanesque building, whose walls are preserved vaulted cellar at the Seminary Street following the house čp.177 / I. The first written record of this house but it is up to the year 1354 when it cutler Vaclav Muldorfer bought from Nicholas Znojmo. The house was at the time and edited Gothic square around it was called cutlery commons (Latin Plateau cultellatorum). Also in the 15th century there were several cutlers and two Mecir. The house had already been a corner and stood against the church garden. Clement, which was about to southwest facade still nonexistent Klementinum. Its central location expressing house sign midst of the wheel.

In the early 17th century, the house was probably likely to radically rebuilt in the late Renaissance style (as evidenced by a few preserved Gothic elements). In the early 18th century, the house was connected (still recognizably) with the neighboring small Gothic house (in the 17th century, rebuilt in Baroque style) in the Seminary Street and after 1769, was rebuilt on the 3rd floor. In the 80s of the 20th century, the house was significantly modified from the original structure remained only part of the perimeter walls and interiors to the level of the first floor. In basements, ground floor and first floor are barrel vaults.

The facade is decorated with stucco reliefs Johann Ulrich Mayer from 1713. They are located in three levels. Amid under the associated window on the second floor, is in gilded medallion Palladium of Czech, ie. semifigures Stará Boleslav Virgin Mary with Jesus on the octagonal star-founded Circle. Above the star pair of angels bears the crown, under the star is on the sides of a pair of crowned Czech lion. Left stands St. Wenceslas, right there nesvatořečený John of Nepomuk. Around the windows on the first floor is dvojicemorových patrons (left St. Sebastian, right St. Roch) and the third floor of the Jesuit patrons (left about St. Ignatius and right St. Francis Xavier and Francis Borgia). Above the window on the third floor is a relief lying plague patron Saint Rosalia.

Today the building houses a hotel Aurus (www.aurushotel.cz).

cs.wikipedia.org/wiki/D%C5%AFm_U_Zlat%C3%A9_studn%C4%9B_(Karlova)