The greatest LEGO Space theme that never was, Seatron was conceived right after Futuron and would have given us our first (and more creative and interesting) LEGO aliens most of a decade before the UFO theme released.

 

All we have is some intriguing preliminary shots of a fascinating theme with a white, black and trans red "surface" palate and an Aquanauts-like yellow, black and trans blue "underwater" palate.

 

Anyway, I think it would have been a great theme, and it's well worth a MOC or several. And it being FebRovery let's make a rover.

 

Probably the Seatron faction minifigures would have been more Futuron-like than CS-like, but my Futuron minifig supplies are practically nonexistent.

 

I've done some Seatron-like MOCs before, connected with the Ice Planet faction as explorers of a subsurface ocean within Planet Krysto (a subtheme I call "Ice Planet: Aquarius Project"), but this is my first actual Seatron MOC.

....Here we are, standing at a door step of peace.

A war in which difference between a soldier and a civilian were nonexistent is now over.

This day, the 25th of September 2023 will be remembered as begging of a new age of humanity......

 

Check out the full gallery: www.flickr.com/photos/angelo_s/sets/72157630763011096/

 

My newest MOC, I think it is the first time I do something bigger related to modern military theme.

 

I don't have nothing much to say, about the creation, I just hope you enjoy it ;)

 

Every comment and fave is highly appreciated, so don't be shy!

A sculpture of a swan that I made from LEGO bricks. This is actually a combination of two different species of swans. I grabbed various characteristics from the two of them, making a probably nonexistent species. It took maybe 40 hours to design and build.

 

The head and feet are recycled parts from my old bird, made a 1.5 years before this one. The old one fell off of a shelf, and I didn't want to repair it, so I made a better version.

 

The wings of this sculpture ended up being too heavy to sustain their own weight (although they are pretty durable), but the cross support holds them firmly in place.

Donald Duck is a cartoon character created by The Walt Disney Company. Donald is an anthropomorphic white duck with a yellow-orange bill, legs, and feet. He typically wears a sailor shirt and cap with a bow tie. Donald is known for his semi-intelligible speech and his mischievous, temperamental, and pompous personality. Along with his friend Mickey Mouse, Donald was included in TV Guide's list of the 50 greatest cartoon characters of all time in 2002, and has earned a star on the Hollywood Walk of Fame. He has appeared in more films than any other Disney character.

 

Donald Duck appeared in comedic roles in animated cartoons. Donald's first appearance was in The Wise Little Hen (1934), but it was his second appearance in Orphan's Benefit that same year that introduced him as a temperamental comic foil to Mickey Mouse. Throughout the next two decades, Donald appeared in over 150 theatrical films, several of which were recognized at the Academy Awards. In the 1930s, he typically appeared as part of a comic trio with Mickey and Goofy and was given his own film series starting with Don Donald (1937). These films introduced Donald's love interest and permanent girlfriend Daisy Duck and often included his three nephews Huey, Dewey, and Louie. After the film Chips Ahoy (1956), Donald appeared primarily in educational films before eventually returning to theatrical animation in Mickey's Christmas Carol (1983). His last appearance in a theatrical film was in Fantasia 2000 (1999). However, since then Donald has appeared in direct-to-video features such as Mickey, Donald, Goofy: The Three Musketeers (2004), television series such as Mickey Mouse Clubhouse (2006–2016), and video games such as QuackShot (1991) and the Kingdom Hearts series.

 

In addition to animation, Donald is well known worldwide for his appearances in comics. Donald was most famously drawn by Al Taliaferro, Carl Barks, and Don Rosa. Barks, in particular, is credited for greatly expanding the "Donald Duck universe", the world in which Donald lives, and creating many additional characters such as Donald's rich uncle Scrooge McDuck. Donald has been a popular character in Europe, particularly in Nordic countries where his weekly magazine Donald Duck & Co was the comics publication with the highest circulation from the 1950s to 2009. In Italy, Donald is a major character in many comics, including a juvenile version named Paperino Paperotto, and a superhero alter ego known as Paperinik (Duck Avenger in the US and Superduck in the UK).

 

Characteristics

Voice

The character is known for possessing an only partly intelligible voice, developed by Donald's original performer, Clarence Nash. During an interview, Tony Anselmo revealed that "Most people believe that Donald's voice is done squeezing air through the cheek, that is not true. I can't reveal how it's actually done, but it is definitely not done by squeezing air through the cheek. The Hanna-Barbera character 'Yakky Doodle' is done that way. Donald Duck is not." Nash reputedly originally developed the voice as that of a "nervous baby goat" before Walt Disney interpreted it as sounding like a duck.

 

Personality

The character of Donald Duck is portrayed as a very impatient, immature, and arrogant duck with a pessimistic attitude and an insecure disposition. In addition, his two dominant personality traits are his fiery temper and his upbeat attitude to life. Many Donald shorts start with Donald in a happy mood, without a care in the world until something comes along and spoils his day. His rage is a great cause of suffering in his life. On multiple occasions, it has caused him to get in over his head and lose competitions. There are times when he fights to keep his temper in check, and he sometimes succeeds in doing so temporarily, but he always returns to his normal angry self in the end.

 

Donald's aggressive nature has its advantages, however. While at times it is a hindrance, and even a handicap, it has also helped him in times of need. When faced with a threat of some kind, for example, Pete's attempts to intimidate him, he is initially scared, but his fear is replaced by anger. As a result, instead of running away, he fights. In fact, his anger can make him powerful enough to defeat ghosts, much stronger individuals, sharks, mountain goats, giant kites, and even the forces of nature.

 

Donald is something of a prankster, and as a result, he can sometimes come across as a bit of a bully, especially in the way he sometimes treats Chip n' Dale and Huey, Dewey and Louie, his nephews. As the animator Fred Spencer has put it:

 

The Duck gets a big kick out of imposing on other people or annoying them, but he immediately loses his temper when the tables are turned. In other words, he can dish it out, but he can't take it.

 

However, with a few exceptions, there is seldom any harm in Donald's pranks. He almost never intends to hurt anyone, and when his pranks go too far, he is often apologetic. In Truant Officer Donald, for example, when he is tricked into believing he has accidentally killed Huey, Dewey, and Louie, he shows great regret, blaming himself. His nephews appear in the form of angels, and he willingly endures a kick by one of them—that is, of course, until he realizes he has been tricked, whereupon he promptly loses his temper.

 

Donald is also a bit of a poseur. He likes to brag, especially about how skilled he is at something. He does, in fact, have many skills—he is something of a Jack-of-all-trades. Amongst other things, he is a talented fisher and a competent hockey player. However, his love of bragging often leads him to overestimate his abilities, so that when he sets out to make good on his boasts, he gets in over his head, usually to hilarious effect.

 

Another of his personality traits is perseverance. Even though he can at times be a slacker, and likes to say that his favorite place to be is in a hammock, once he has committed to accomplishing something he goes for it 100 percent, sometimes resorting to extreme measures to reach his goal.

 

Health

There is a running gag in the Donald Duck comics about him being physically unhealthy and unmotivated to exercise. Usually, some character close to Donald annoys him by saying he is being lazy and needs to get some exercise. But despite his apparent idleness, Donald proves that he is muscular. In the short film Sea Scouts, Donald is traveling with his nephews in a boat when it is attacked by a shark. Donald makes several attempts to defeat the shark, each of which proves ineffective, but then finally triumphs and defeats the shark with a single well-placed punch. Additionally, as discussed below, Donald had a stint in the U.S. Army during World War II that culminated with him serving as a commando in the film Commando Duck, and he was frequently away serving in the U.S. Navy in the television cartoon series DuckTales.

 

Friendly rivalry with Mickey Mouse

Throughout his appearances, Donald has shown that he is jealous of Mickey and wants his job as Disney's greatest star, similar to the rivalry between Bugs Bunny and Daffy Duck. In most Disney theatrical cartoons, Mickey and Donald are shown as friends and have little to no rivalry (exceptions being The Band Concert, Magician Mickey and near the end of Symphony Hour, which were due to Donald's antagonistic schemes). However, by the time The Mickey Mouse Club aired on television (after Bugs vs. Daffy cartoons such as the "hunting trilogy" of Rabbit Fire, Rabbit Seasoning, and Duck! Rabbit, Duck!), it was shown that Donald always wanted the spotlight.

 

One animated short that rivaled the Mickey Mouse March song showed Huey, Dewey, and Louie as Boy Scouts and Donald as their Scoutmaster at a cliff near a remote forest and Donald leads them in a song mirroring the Mouseketeers theme "D-O-N-A-L-D D-U-C-K! Donald Duck!" The rivalry has caused Donald some problems, for example in a 1988 TV special, where Mickey is cursed by a sorcerer to become unnoticed, the world believes Mickey to be kidnapped. Donald Duck is then arrested for the kidnapping of Mickey, as he is considered to be the chief suspect, due to their feud. However, Donald did later get the charges dismissed, due to lack of evidence. Walt Disney, in his Wonderful World of Color, would sometimes make reference to the rivalry. Walt, one time, had presented Donald with a gigantic birthday cake and commented how it was "even bigger than Mickey's", which pleased Donald. The clip was rebroadcast in November 1984 during a TV special honoring Donald's 50th birthday, with Dick Van Dyke substituting for Walt.

 

The rivalry between Mickey and Donald was shown in the 2001-2003 television series House of Mouse. It was shown that Donald wanted to be the club's founder and wanted to change the name from House of Mouse to House of Duck, which is obvious in the episodes "The Stolen Cartoons" and "Timon and Pumbaa". In the episode "Everybody Loves Mickey", Donald's jealousy is explored and even joins sides with Mortimer Mouse. However, Donald has a change of heart when Daisy reminds Donald how Mickey has always been there to support him. Since then, Donald accepted that Mickey was the founder and worked with Mickey as a partner to make the club profitable and successful.

 

Enemies

Donald has numerous enemies, who range from comical foil to annoying nemesis: Chip 'n' Dale, Pete, Humphrey the Bear, Spike the Bee, Mountain Lion Louie, Bootle Beetle, Witch Hazel (in Trick or Treat), Aracuan Bird and Baby Shelby (in Mickey Mouse Works). During the Second World War, Donald was often set against Adolf Hitler.

 

In the comics, he is often harassed or on the run from the Beagle Boys, Magica De Spell, Gladstone Gander and Mr. Jones.

 

In the video game Donald Duck: Goin' Quackers, he saves Daisy from Merlock.

 

The Italian-produced comic PKNA – Paperinik New Adventures stars Donald Duck as Paperinik, or Duck Avenger, in his battles against new alien enemies: Evronian Empire, founded by emperor Evron.

 

Origin

Voice performer Clarence Nash auditioned for Walt Disney Studios when he learned that Disney was looking for people to create animal sounds for his cartoons. Disney was particularly impressed with Nash's duck imitation and chose him to voice the new character. Disney came up with Donald's iconic attributes including his short temper and his sailor suit (based on ducks and sailors both being associated with water). While Dick Huemer and Art Babbit were the first to animate Donald, Dick Lundy is credited for developing him as a character.

 

On April 29, 1934, five days before The Wise Little Hen's first theatrical release, bandleader Raymond Paige performed the score to the cartoon on his California Melodies program for the Los Angeles AM radio station KHJ. The main vocals were performed by a trio, the Three Rhythm Kings. Clarence Nash and Florence Gill performed the character voices for this radio treatment, with Nash performing both Donald Duck and Peter Pig, making it the first time the public heard Nash's duck voice.

 

Animation

Donald Duck's first film appearance was in the 1934 cartoon The Wise Little Hen, which was part of the Silly Symphonies series of theatrical cartoon shorts. The film's given release date of June 9 is officially recognized by the Walt Disney Company as Donald's birthday, though historian J.B. Kaufman, consultant of The Walt Disney Family Museum, discovered in recent years that The Wise Little Hen was first shown on May 3, 1934, at the Carthay Circle Theater for a benefit program, while its official debut was on June 7 at the Radio City Music Hall. Donald's appearance in the cartoon, as created by animator Dick Lundy, is similar to his modern look – the feather and beak colors are the same, as are the blue sailor shirt and hat – but his features are more elongated, his body plumper, his feet smaller, and his sclerae white. Donald's personality is not developed either; in the short, he only fills the role of the unhelpful friend from the original story.

 

Burt Gillett brought Donald back in a 1934 Mickey Mouse cartoon, Orphans' Benefit. Donald is one of a number of characters who are giving performances in a benefit for Mickey's Orphans. Donald's act is to recite the poems Mary Had a Little Lamb and Little Boy Blue, but every time he tries, the mischievous orphans heckle him, leading the duck to fly into a squawking fit of anger. This explosive personality would remain with Donald for decades to come.

 

Donald continued to be a hit with audiences. The character began appearing regularly in most Mickey Mouse cartoons. Cartoons from this period, such as the cartoon The Band Concert (1935) – in which Donald repeatedly disrupts the Mickey Mouse Orchestra's rendition of The William Tell Overture by playing Turkey in the Straw – are regularly noted by critics as exemplary films and classics of animation. Animator Ben Sharpsteen also created the classic Mickey, Donald, and Goofy comedy in 1935, with the cartoon Mickey's Service Station.

 

In 1936, Donald was redesigned to be a bit fuller, rounder, and cuter, beginning with the cartoon Moving Day. He also began starring in solo cartoons, the first of which was Ben Sharpsteen's 1937 cartoon, Don Donald. This short also introduced a love interest of Donald's, Donna Duck, who evolved into Daisy Duck. Donald's nephews, Huey, Dewey and Louie, would make their first animated appearance a year later in the 1938 film, Donald's Nephews, directed by Jack King (they had been earlier introduced in the Donald Duck comic strip by Al Taliaferro, see below). By 1938, most polls showed that Donald was more popular than Mickey Mouse.

 

Wartime

During World War II, Donald appeared in several animated propaganda films, including the 1943 Der Fuehrer's Face. In this cartoon, Donald plays a worker in an artillery factory in "Nutzi Land" (Nazi Germany). He struggles with long working hours, very small food rations, and having to salute every time he sees a picture of the Führer (Adolf Hitler). These pictures appear in many places, such as on the assembly line in which he is screwing in the detonators of various sizes of shells. In the end, he becomes little more than a small part in a faceless machine with no choice but to obey until he falls, suffering a nervous breakdown. Then Donald wakes up to find that his experience was, in fact, a dream. At the end of the short, Donald looks to the Statue of Liberty and the American flag with renewed appreciation. Der Fuehrer's Face won the 1942 Academy Award for Animated Short Film. Der Fuehrer's Face was also the first of two animated short films to be set during the War to win an Oscar, the other being Tom and Jerry's short film, The Yankee Doodle Mouse.

 

Other shorts from this period include a six film mini-series that follows Donald's life in the U.S. Army from his drafting to his experiences in basic training under Sergeant Pete to his first actual mission as a commando having to sabotage a Japanese air base. Titles in the series include:

 

Donald Gets Drafted (May 1, 1942) (shown in his Selective Service Draft Card close-up, we learn Donald's full name: Donald Fauntleroy Duck)

The Vanishing Private (September 25, 1942)

Sky Trooper (November 8, 1942)

Fall Out Fall In (April 23, 1943)

The Old Army Game (November 5, 1943)

Commando Duck (June 2, 1944)

Thanks in part to these films, Donald graced the nose artwork of virtually every type of World War II Allied combat aircraft, from the L-4 Grasshopper to the B-29 Superfortress.

 

Donald also appears as a mascot—such as in the United States Army Air Forces' 309th Fighter Squadron and the U.S. Coast Guard Auxiliary, which showed Donald as a fierce-looking pirate ready to defend the American coast from invaders. Donald also appeared as a mascot emblem for the 415th Fighter Squadron; 438th Fighter Squadron; 479th Bombardment Squadron; and 531st Bombardment Squadron. He also appeared as the mascot for the Fire Department at Marine Corps Air Station El Toro, as well as the Army Air Forces (now currently the United States Air Force) 319 Aircraft Maintenance Unit at Luke Air Force Base — where he is seen wearing an old-style pilot's uniform with a board with a nail in it in one hand, and a lightning bolt in the other hand. Donald's most famous appearance, however, was on the North American Aviation B-25B Mitchell medium bomber (S/N 40-2261) piloted by Lt. Ted W. Lawson of the 95th Bombardment Squadron, USAAF. The aircraft, named the "Ruptured Duck" and carrying a picture of Donald's face above a pair of crossed crutches, was one of sixteen B-25Bs which took off from the aircraft carrier USS Hornet to bomb Tokyo on April 18, 1942, during the Doolittle Raid. The mission was led by Lieutenant Colonel (later General) Jimmy Doolittle. Like most of the aircraft that participated in the mission, the Ruptured Duck was unable to reach its assigned landing field in China following the raid and ended up ditching off the coast near Shangchow, China. The Ruptured Duck's pilot survived, with the loss of a leg, and later wrote about the Doolittle Raid in the book, later to be the 1944 movie, Thirty Seconds Over Tokyo.

 

During World War II, Disney cartoons were not allowed to be imported into Occupied Europe owing to their propagandistic content. Since this lost Disney revenue, he decided to create a new audience for his films in South America. He decided to make a trip through various Latin American countries with his assistants, and use their experiences and impressions to create two feature-length animation films. The first was Saludos Amigos (1942), which consisted of four short segments, two of them with Donald Duck. In the first, he meets his parrot pal José Carioca. The second film was The Three Caballeros (1944), in which he meets his rooster friend Panchito.

 

Several decades after the war, on account of the fact that Donald was never officially separated from service in either his animated shorts or his comic strips, as part of Donald's 50th Birthday celebrations during the 25th Annual Torrance, California Armed Forces Day Parade, the U.S. Army retired Donald Duck from active duty as a "Buck Sergeant" (i.e. "Buck Sergeant Duck").

 

Post-war

Many of Donald's films made after the war recast the duck as the brunt of some other character's pestering. Donald is seen repeatedly attacked, harassed, and ridiculed by his nephews, by the chipmunks Chip 'n' Dale, or by other characters such as Humphrey the Bear, Spike the Bee, Bootle Beetle, the Aracuan Bird, Louie the Mountain Lion, or a colony of ants. In effect, much like Bugs Bunny cartoons from Warner Bros. the Disney artists had reversed the classic screwball scenario perfected by Walter Lantz and others in which the main character is the instigator of these harassing behaviors, rather than the butt of them.

 

The post-war Donald also starred in educational films, such as Donald in Mathmagic Land and How to Have an Accident at Work (both 1959), and made cameos in various Disney projects, such as The Reluctant Dragon (1941) and the Disneyland television show (1959). For this latter show, Donald's uncles Ludwig von Drake (1961) and Scrooge McDuck (1967) were then created in animation.

 

In Who Framed Roger Rabbit (1988), Donald has a piano duel scene with his Warner Brothers counterpart Daffy Duck voiced by Mel Blanc. Donald has since appeared in several different television shows and (short) animated movies. He played roles in The Prince and the Pauper (1990) and made a cameo appearance in A Goofy Movie (1995).

 

Donald had a rather small part in the animated television series DuckTales. There, Donald joins the U.S. Navy and leaves his nephews Huey, Dewey, and Louie with their Uncle Scrooge, who then has to take care of them. Donald's role in the overall series was fairly limited, as he only ended up appearing in a handful of episodes when home on leave. Some of the stories in the series were loosely based on the comics by Carl Barks.

 

Donald made some cameo appearances in Bonkers, before getting his own television show Quack Pack. This series featured a modernized Duck family. Donald was no longer wearing his sailor suit and hat, but a Hawaiian shirt. Huey, Dewey, and Louie now are teenagers, with distinct clothing, voices, and personalities. Daisy Duck has lost her pink dress and bow and has a new haircut. No other family members, besides Ludwig von Drake, appear in Quack Pack, and all other Duckburg citizens are humans and not dogs.

 

He made a comeback as the star of the "Noah's Ark" segment of Fantasia 2000 (1999), as first mate to Noah. Donald musters the animals to the Ark and attempts to control them. He tragically believes that Daisy has been lost, while she believes the same of him, but they are reunited at the end. All this to Edward Elgar's Pomp and Circumstance Marches 1–4.

 

In an alternate opening for the Disney film Chicken Little (2005), Donald would have made a cameo appearance as "Ducky Lucky". This scene can be found on the Chicken Little DVD.

 

Donald also played an important role in Mickey Mouse Works and House of Mouse. In the latter show, he is the co-owner of Mickey's nightclub. He is part of the ensemble cast of characters in the TV show Mickey Mouse Clubhouse as well. He also appears in the new 3-minute Mickey Mouse TV shorts for Disney Channel.

 

Donald also appears in the DuckTales reboot, in which he is a main character as opposed to his minor role in the original cartoon. The series depicts him as having once been Scrooge's partner in adventure along with his sister Della. However, ten years prior to the series' beginning, Della went missing, leading to Donald and Scrooge going their separate ways and not speaking to each other throughout that time. In the present, Donald reluctantly brings Della's sons and his legal charges, the triplets, to Scrooge's mansion so he can babysit them while Donald attends a job interview, though he still has not forgiven Scrooge for their past history. Donald is temporarily hired by Scrooge's rival Flintheart Glomgold and ends up at the city of Atlantis, where Scrooge has also brought the boys. After some initial conflict Scrooge offers to let them stay with him in his mansion. Donald owns a boat in the series, which is relocated to Scrooge's pool at the conclusion of the series premiere. Later in the series, it is revealed that Donald's anger is the result of a fear that no one can understand him, though with the help of an anger management counselor and while taking care of Huey, Dewey, Louie, he was able to channel it into protective instinct.

 

Voice actors

Donald's first voice was performed by Clarence Nash, who voiced him for 50 years. Nash voiced Donald for the last time in Mickey's Christmas Carol (1983), making Donald the only character in the film to be voiced by his original voice actor. He did, however, continue to provide Donald's voice for commercials, promos, and other miscellaneous material until he died in 1985. (From 1964 to 1979, Jim Tadevic occasionally filled in for Nash whenever he was unavailable, voicing Donald in commercials, educational products and the album Mickey Mouse Disco for the song, "Macho Duck". Jack Wagner voiced Donald and other Disney characters in the 1980s, primarily for live entertainment offerings in the parks, Disney on Ice shows, and live-action clips for television.)

 

Since Nash died, Donald's voice has been performed by Disney animator, Tony Anselmo, who was mentored by Nash for the role. Anselmo's first performance as Donald is heard in a 1986 D-TV special, D-TV Valentine on The Disney Channel, and in his first feature film, Who Framed Roger Rabbit, in 1988.

 

Walt Disney insisted on character consistency and integrity, which extended to characters being portrayed by only one actor. However, there were instances in which other actors would voice Disney characters for various smaller films, recordings, theme parks and other projects. Accuracy and consistency became an issue. In 1988, Imagineer Les Perkins convinced Jeffrey Katzenberg and Roy E. Disney to approved the creation the department of Disney Character Voices to insure continuation of character integrity, consistency, and quality in recording methods. Roy named one official voice for all Walt Disney legacy characters. Tony Anselmo was approved by Roy E. Disney as Disney's official voice of Donald Duck.

 

For the TV series Mickey and the Roadster Racers, Donald was voiced by voice actor Daniel Ross. Anselmo continues as the official voice of Donald Duck on all Disney projects, Mickey Mouse Funhouse, Mickey Mouse shorts, Legend of the Three Caballeros, Kingdom Hearts IIII, Disney Parks, attractions, and consumer products.

 

In the 2017 reboot of DuckTales, a young Donald was voiced by Russi Taylor in the episode, "Last Christmas!", using the same voice that she used for Huey, Dewey, and Louie in various Disney media. After Taylor's death in 2019, she was replaced by Cristina Vee in the episode, "The First Adventure!". An alternate version of Donald's voice was provided by Don Cheadle in the episode "The Shadow War!", after he takes a pill that makes his voice more intelligible. This voice returned in the episode, "Quack Pack!".

 

Comics

Main article: Donald Duck in comics

While Donald's cartoons continue to be shown in the United States and around the world, his weekly and monthly comic books enjoy their highest profile in many European countries, especially Italy, Sweden, Denmark, Norway, Finland and Iceland, but also Germany, the Netherlands, and Greece. Most of them are produced and published by the Italian branch of the Walt Disney Company in Italy (Disney Italy) and by Egmont in Denmark, Norway, Finland and Sweden. In Germany, the comics are published by Ehapa which has since become part of the Egmont empire. Donald comics have also been produced in The Netherlands and France. Donald also has been appeared in Japanese comics published by Kodansha and Tokyopop.

 

According to the Inducks, which is a database about Disney comics worldwide, American, Italian and Danish stories have been reprinted in the following countries. In most of them, publications still continue: Australia, Austria, Argentina, Belgium, Brazil, Bulgaria, Canada, China, Colombia, Croatia, Czech Republic, Denmark (Faroe Islands), Egypt, Estonia, Finland, France, Germany, Greece, Guyana, Hungary, Iceland, India, Indonesia, Israel, Italy, Japan, Latvia, Lithuania, Mexico, the Netherlands, Norway, Philippines, Poland, Portugal, Romania, Russia, Saudi Arabia, Slovakia, Spain, Sweden, Thailand, Turkey, the United Kingdom, the United States, and the former Yugoslavia.

 

Early development

The character's first appearance in comic strip format was the 1934 Silly Symphony comic strip sequence based on the short The Wise Little Hen. For the next few years, Donald made a few more appearances in Disney-themed strips, and by 1936, he had grown to be one of the main characters in the Silly Symphony strip. Ted Osborne was the primary writer of these strips, with Al Taliaferro as his artist. Osborne and Taliaferro also introduced several members of Donald's supporting cast, including his nephews, Huey, Dewey, and Louie.

 

In 1937, an Italian publisher named Mondadori created the first Donald Duck story intended specifically for comic books. The eighteen-page story, written by Federico Pedrocchi, is the first to feature Donald as an adventurer rather than simply a comedic character. Fleetway in England also began publishing comic book stories featuring the duck.

 

Developments under Taliaferro

A daily Donald Duck comic strip drawn by Taliaferro and written by Bob Karp began running in the United States on February 2, 1938; the Sunday strip began the following year. Taliaferro and Karp created an even larger cast of characters for Donald's world. He got a new St. Bernard named Bolivar, and his family grew to include cousin Gus Goose and grandmother Elvira Coot. Donald's new rival girlfriends were Donna and Daisy Duck. Taliaferro also gave Donald his very own automobile, a 1934 Belchfire Runabout, in a 1938 story, which is often nicknamed by Donald's "313" car plate in the comic incarnation of Donald's world.

 

Developments under Barks

In 1942, Western Publishing began creating original comic book stories about Donald and other Disney characters. Bob Karp worked on the earliest of these, a story called "Donald Duck Finds Pirate Gold". The new publisher meant new illustrators, however, Carl Barks and Jack Hannah would later repeat the treasure hunting theme in many more stories.

 

Barks soon took over the major development of the duck as both writer and illustrator. Under his pen, Donald became more adventurous, less temperamental and more eloquent. Pete was the only other major character from the Mickey Mouse comic strip to feature in Barks' new Donald Duck universe.

 

Barks placed Donald in the city of Duckburg, creating a host of supporting players, including Neighbor Jones (1944), Uncle Scrooge McDuck (1947), Gladstone Gander (1948), the Beagle Boys (1951), Gyro Gearloose (1952), April, May and June (1953), Flintheart Glomgold (1956), Magica de Spell (1961), and John D. Rockerduck (1961). Many of Taliaferro's characters made the move to Barks' world as well, including Huey, Dewey, and Louie. Barks placed Donald in both domestic and adventure scenarios, and Uncle Scrooge became one of his favorite characters to pair up with Donald. Scrooge's profile increased, and by 1952, the character had a comic book of his own. At this point, Barks concentrated his major efforts on the Scrooge stories, and Donald's appearances became more focused on comedy or he was recast as Scrooge's helper, following his rich uncle around the globe.

 

Further developments

Dozens of writers continued to utilize Donald in their stories around the world.

 

For example, the Disney Studio artists, who made comics directly for the European market. Two of them, Dick Kinney (1917–1985) and Al Hubbard (1915–1984) created Donald's cousin Fethry Duck.

 

The American artists Vic Lockman and Tony Strobl (1915–1991), who were working directly for the American comic books, created Moby Duck. Strobl was one of the most productive Disney artists of all time and drew many stories which Barks wrote and sketched after his retirement. In the 1990s and early 2000s, these scripts were re-drawn in a style closer to Barks' own by Dutch artist Daan Jippes.

 

Italian publisher Mondadori created many of the stories that were published throughout Europe. They also introduced numerous new characters who are today well known in Europe. One example is Donald Duck's alter ego, a superhero called Paperinik in Italian, created in 1969 by Guido Martina (1906–1991) and Giovan Battista Carpi (1927–1999).

 

Giorgio Cavazzano and Carlo Chendi created Umperio Bogarto, a detective whose name is an obvious parody on Humphrey Bogart. They also created O.K Quack, an extraterrestrial Duck who landed on earth in a spaceship in the shape of a coin. He, however, lost his spaceship and befriended Scrooge, and now is allowed to search through his money bin time after time, looking for his ship.

 

Romano Scarpa (1927–2005), who was a very important and influential Italian Disney artist, created Brigitta McBridge, a female Duck who is madly in love with Scrooge. Her affections are never answered by him, though, but she keeps trying. Scarpa also came up with Dickie Duck, the granddaughter of Glittering Goldie (Scrooge's possible love interest from his days in the Klondike) and Kildare Coot, a nephew of Grandma Duck.

 

Italian artist Corrado Mastantuono created Bum Bum Ghigno, a cynical, grumpy and not too good-looking Duck who teams up with Donald and Gyro a lot.

 

The American artist William Van Horn also introduced a new character: Rumpus McFowl, an old and rather corpulent Duck with a giant appetite and laziness, who is first said to be a cousin of Scrooge. Only later, Scrooge reveals to his nephews Rumpus is actually his half-brother. Later, Rumpus also finds out.

 

Working for the Danish editor Egmont, artist Daniel Branca (1951–2005) and scriptwriters Paul Halas and Charlie Martin created Sonny Seagull, an orphan who befriends Huey, Dewey and Louie, and his rival, Mr. Phelps.

 

One of the most productive Duck artists used to be Victor Arriagada Rios, (deceased 2012) better known under the name Vicar. He had his own studio where he and his assistants drew the stories sent in by Egmont. With writer/editors Stefan and Unn Printz-Påhlson, Vicar created the character Oona, a prehistoric duck princess who traveled to modern Duckburg by using Gyro's time machine. She stayed and is still seen in occasional modern stories.

 

The best known Duck artist of this time is American Don Rosa. He started doing Disney comics in 1987 for the American publisher Gladstone. He later worked briefly for the Dutch editors but moved to work directly for Egmont soon afterwards. His stories contain many direct references to stories by Carl Barks, and he also wrote and illustrated a 12-part series of stories about the life of Scrooge McDuck, which won him two Eisner Awards.

 

Other important artists who have worked with Donald are Freddy Milton and Daan Jippes, who made 18 ten-pagers which experts claim, were very difficult to separate from Barks' own work from the late 1940s.

 

Japanese artist Shiro Amano worked with Donald on the graphic novel Kingdom Hearts based on the Disney-Square Enix video game.

 

Nordic countries

Donald Duck is known in Nordic countries as Kalle Anka in Sweden, Anders And in Denmark, Andrés Önd in Iceland, Donald Duck in Norway, and Aku Ankka in Finland. In the mid-1930s, Robert S. Hartman, a German who served as a representative of Walt Disney, visited Sweden to supervise the merchandise distribution of Sagokonst (The Art of Fables). Hartman found a studio called L'Ateljé Dekoratör, which produced illustrated cards that were published by Sagokonst. Since the Disney characters on the cards appeared to be exactly 'on-model', Hartman asked the studio to create a local version of the English-language Mickey Mouse Weekly.

 

In 1937 L'Ateljé Dekoratör began publishing Musse Pigg Tidningen (Mickey Mouse Magazine), which had high production values and spanned 23 issues; most of the magazine's content came from local producers, while some material consisted of reprints from Mickey Mouse Weekly. The comic anthology ended in 1938. Hartman helped Disney establish offices in all Nordic countries before he left Disney in 1941. Donald became the most successful of the Disney characters in the Nordic countries, and Nordic peoples recognise him better than Mickey Mouse.

 

Kalle Anka & C:o, Donald's first dedicated Swedish anthology, started in September 1948. In 2001 the Finnish Post Office issued a stamp set to commemorate the 50th anniversary of Donald's presence in Finland. By 2005 around one out of every four Norwegians read the Norwegian edition Donald Duck & Co. per week, translating to around 1.3 million regular readers. During the same year, every week 434,000 Swedes read Kalle Anka & Co. By 2005 in Finland the Donald Duck anthology Aku Ankka sold 270,000 copies per issue. Tim Pilcher and Brad Books, authors of The Essential Guide to World Comics, described the Donald anthologies as "the Scandinavian equivalent of the UK's Beano or Dandy, a comic that generations have grown up with, from grandparents to grandchildren".

 

Hannu Raittila, an author, says that Finnish people recognize an aspect of themselves in Donald; Raittila cites that Donald attempts to retrieve himself from "all manner of unexpected and unreasonable scrapes using only his wits and the slim resources he can put his hands on, all of which meshes nicely with the popular image of Finland as driftwood in the crosscurrents of world politics". Finnish voters placing protest votes typically write "Donald Duck" as the candidate. In Sweden voters often voted for Donald Duck or the Donald Duck Party as a nonexistent candidate until a 2006 change in voting laws, which prohibited voting for nonexistent candidates. In a twenty-year span, Donald won enough votes to be, in theory, Sweden's ninth-most popular political organization. In 1985, Donald received 291 votes in an election for the Parliament of Sweden.

 

By 1978, within Finland, there was a debate over the morality of Donald Duck. Matti Holopainen jokingly criticized Donald for living with Daisy while not being married to her, for not wearing trousers, and for, in the words of the Library Journal, being "too bourgeois". Some observers from Finland from the same time period supported Donald, referring to him as a "genuine proletarian ... forced to sell his labor at slave rates to make a living". The Library Journal said it was revealed that, since 1950, Donald had secretly been married to Daisy. An annual Christmas special in Norway, Denmark, Finland and Sweden is From All of Us to All of You, in Norway and Sweden with a title of Donald Duck and His Friends Celebrate Christmas. Segments include Ferdinand the Bull, a short with Chip 'n' Dale, a segment from Lady and the Tramp, a sneak preview of a coming Disney movie and concludes with Jiminy Cricket performing "When You Wish Upon a Star". To many people watching this special is a tradition as important as having a Christmas tree.

 

Germany

Donald Duck-themed comics sell an average of 250,000 copies each week in Germany, mostly published in the kids' weekly Micky Maus and the monthlies Donald Duck Special (for adults) and Lustiges Taschenbuch. The Wall Street Journal called Donald Duck "The Jerry Lewis of Germany", a reference to American star Jerry Lewis' popularity in France. Donald's dialogue in German comics tends to be more sophisticated and philosophical, he "quotes from German literature, speaks in grammatically complex sentences and is prone to philosophical musings, while the stories often take a more political tone than their American counterparts", features especially associated with Erika Fuchs's German translations of the comics created by The Good Duck Artist Carl Barks. Christian Pfeiler – former president of D.O.N.A.L.D., a German acronym which stands for "German Organization for Non-commercial Followers of Pure Donaldism" – says Donald is appreciated in Germany because "almost everyone can identify with him. He has strengths and weaknesses; he lacks polish but is also very cultured and well-read." It is through this everyman persona that Donald is able to voice philosophical truths about German society that appeal to both children and adults. Donald's writers and illustrators Carl Barks, Don Rosa and Ub Iwerks are well known in Germany and have their own fan clubs.

 

Italy

In Italy, new stories about Donald Duck (named Paolino Paperino) and Scrooge McDuck are hosted in the kids' weekly Topolino and the monthly Paperino. While Paperino is written by many authors, he still maintains several characteristics. He is mostly an everyman, but the fierce, harsh temper he has in the American comic appears to be diluted into a meek, weaker personality, prone to comical fits of rage that are mostly subdued by the realization of its impotence. His frustration at Gladstone's luck is comically enhanced: in the Italian comics, Donald is chronically unlucky, unable to do or get anything right, with Gladstone taking advantage of his superiority or taking genuine pity of his unlucky cousin and trying several plans to grant him some better luck, always failing.

 

However, the constant search for an outlet to vent his frustration led the Italian rendition of Donald Duck to seek his catharsis in several ways: in the sixties, vexed by Scrooge's antics and Gladstone's luck, he reinvented himself as Paperinik, the Duck Avenger (as he came to be known outside Italy), an anti-hero at first, a self-assured, well-adjusted, brilliant hero in later stories, no longer bound by the self-doubt and the mockery Donald is constantly subjected. Duck Avenger is referred to the character Dorellik (parody of Diabolik) performed by Johnny Dorelli, Italian actor and crooner, in the Anglo-Italian movie Arriva Dorellik (How To Kill 400 Duponts). Further along the years, he fashioned for himself the additional identities of QQ7, a bumbling secret agent protecting Scrooge's riches and DoubleDuck, a more confident and suave secret agent, in the mold of James Bond, a more equilibrate mold of the heroic Duck Avenger and the tricky QQ7, often accompanied by the beautiful spy Kay K. Donald's "secret identies" are hosted in the main Topolino comics, but also in several themed comics, like the now-defunct Paperinik, PKNA, PK^2 and the current Paperinik AppGrade, the latter hosting reprints and new stories as well. Paperinik / Duck Avenger also appeared in the video games PK: Out of the Shadows, PK: Phantom Duck, and The Duckforce Rises.

 

Having several full lives to live does not hamper Donald's ability to live adventures on his own: he still lives adventures with his uncle Scrooge and his nephews (often acting as a reluctant bumbler, a ballast to the enthusiasm of his nephews and the wanderlust of his uncle), and he lived a star-crossed love story with a princess from another planet, Reginella. Despite Reginella leaving a deep trace in Donald's heart, he is still depicted as extremely faithful to Daisy, with a small hiccup deriving by Daisy Duck having a secret identity on her own (Paperinika), with Paperinik and Paperinika, both unaware of their secret identities, cultivating a permanent status of belligerent tension.

 

He also keeps a cheerful rivalry with his neighbour Bum Bum Ghigno, more a bumbler and a nuisance than he is, but still a good person at heart.

 

The Italian rendition of Donald Duck seldom, if ever, goes by his first name, having everyone, including his nephews, Daisy and Uncle Scrooge, address him as Paperino (his Italian surname).

 

He also appears in the Topolino comics depicting his childhood, called Paperino Paperotto (English: Donald Duckling), which were first produced in Italy in 1998. He lives in the fictional town, Quack Town with Grandma Duck and Billy Goat.

 

Disney theme parks

Donald Duck has played a major role in many Disney theme parks over the years. He has actually been seen in more attractions and shows at the parks than Mickey Mouse has. He has appeared over the years in such attractions as Animagique, Mickey Mouse Revue, Mickey's PhilharMagic, Disneyland: The First 50 Magical Years, Gran Fiesta Tour Starring the Three Caballeros and the updated version of "It's a Small World". He also is seen in the parks as a meet-and-greet character.

 

Children's books

Donald has been a frequent character in children's books beginning in 1935. Most of these books were published by Whitman Publishing, later called Western Publishing, or one of its subsidiaries. The following is a list of children's books in which Donald is the central character. This does not include comic books or activity books such as coloring books. It also does not include the 1931 book The Adventures of Mickey Mouse, which features an entirely different character also named Donald Duck.

 

Beyond Disney

Donald is the only significant film and television cartoon character to appear as a mascot for a major American university: a licensing agreement between Disney and the University of Oregon allows the school's sports teams to use Donald's image as its "Fighting Duck" mascot. In 1984, Donald Duck was named an honorary alumnus of the University of Oregon during his 50th birthday celebration. During a visit to the Eugene Airport, 3,000 to 4,000 fans gathered for the presentation of an academic cap and gown to Donald. Thousands of area residents signed a congratulatory scroll for Donald, and that document is now part of Disney's corporate archives.

Donald was one of the few celebrities mentioned in the original version of the song Hooray for Hollywood, which was first featured in the 1937 film Hollywood Hotel, released only 3 years after Donald's first appearance. While later versions of the song would change lyrics, the line mentioning Donald was always kept.

In the 1940s, Donald was adopted as the mascot of Brazilian sports club Botafogo after Argentinean cartoonist Lorenzo Mollas, who was working in Brazil at the time, drew him with the club's soccer uniform. Mollas chose Donald because he complains and fights for his rights, like the club's managers at those years, and also because, being a duck, he does not lose his elegance while moving in the water (an allusion to rowing). He was eventually replaced so that the club would not have to pay royalties to Disney (Botafogo's current official mascot is Manequinho, a boy who represents the Manneken Pis statue in front of the club's head office), but has since retained the status of unofficial mascot.

Donald's name and image are used on numerous commercial products, one example being Donald Duck brand orange juice, introduced by Citrus World in 1940.

Donald Duck was temporarily listed as a "hired" employee in the database of the United States Department of Housing and Urban Development as late as 1978. Given a $99,999 salary – more than double the $47,500 take federal civil servants were legally limited to be paid at the time – the name was unchallenged by a computer intended to catch government payroll fraud. Picked as one of thirty fictitious names by the Government Accounting Office, the use of it was a test to see if the payroll system of the HUD could be manipulated to defraud the government.

Donald Duck's head and neck, wearing a radio headset and wrapped in earphone wires with an expression of pain on his face and with crossed crutches below, was the nose art on Lieutenant Ted W. Lawson's B-25 Mitchell bomber, the Ruptured Duck, on the famous Doolittle Raid on Tokyo in 1942.

In the 1950s, an early Mad Magazine parody of Mickey Mouse (called "Mickey Rodent", written by "Walt Dizzy") featured "Darnold Duck", whose quacky voice had to be "translated" for the readers, and who was shamed into finally wearing pants.

Although Donald's military service during his wartime cartoons has mostly been in the U.S. Army (and to a lesser extent in the U.S. Navy in DuckTales), Walt Disney authorized Donald to be used as a mascot for the U.S. Coast Guard. The Coast Guard image shows a fierce-looking Donald Duck dressed in a pirate's outfit, appearing vigilant against any potential threats to the coastal regions in the United States. This image is often used on Coast Guard bases and Coast Guard cutters.

Donald Duck is referred to in the song "The Village Green Preservation Society" by The Kinks: "We are the Village Green Preservation Society/ God save Donald Duck, vaudeville, and variety..." The reference is ironical, as the singer is lamenting the disappearance of perceived traditional English cultural artifacts.

Donald Duck makes a cameo appearance in the cartoon sequence in 200 Motels (1971).

During the late 1970s, Donald had his first and only disco song named "Macho Duck", available as part of the Mickey Mouse Disco children's album.

In Sweden, a comic book artist named Charlie Christensen got into a legal dispute with Disney when his creation Arne Anka looked similar to Donald Duck (albeit Arne is a pessimistic drunkard). However, Charlie made a mockery of the legal action and staged a fake death for his character, which then had plastic surgery performed and reappeared as Arne X with a more corvine beak. He later purchased a strap-on duck beak from a novelty gift shop, pointing out that "If Disney is planning to give me any legal action; all I have to do is remove my fake beak."

Donald Duck is a constant source of irritation for the eponymous hero of Donald Duk (1991), a coming-of-age novel by Frank Chin set in San Francisco's Chinatown.

 

Donald Duck's Star on Hollywood Walk of Fame

In 1991, the Disney Corporation sued the Israeli caricaturist Dudu Geva for copyright infringement, claiming his character "Donald Dach" in the story "Moby Duck" was a rip-off of Donald. The Courts found in their favor and forced Geva to pay for the legal expenses and remove his book from the shelves. More mildly, the character Howard the Duck's original design was modified to include pants allegedly due to pressure from Disney.

In 2005, Donald received his own star on the Hollywood Walk of Fame at 6840 Hollywood Blvd joining other fictional characters such as Mickey Mouse, Bugs Bunny, Woody Woodpecker, The Simpsons, Winnie the Pooh, Kermit the Frog, Big Bird, Godzilla and Snow White.

Donald's fame has led Disney to license the character for a number of video games, such as the Kingdom Hearts series, where Donald is the court magician of Disney Castle. He accompanies Goofy and a young boy named Sora on a quest to find King Mickey Mouse, defeat the Heartless and Nobodies, and put an end to the evil Xehanort and Organization XIII. He is voiced by Tony Anselmo in the English version and Kōichi Yamadera in the Japanese version.

Italian power metal band Trick or Treat have a song called "Like Donald Duck" in their debut album Evil Needs Candy Too (2006).

Asteroid 12410 was named after Donald Duck.

In the 2016 US presidential election, according to Donna Brazile, DNC chair, who quotes Charlie Baker, the use of a protester in a Donald Duck costume was approved by Hillary Clinton's campaign to bring attention to Donald Trump's "ducking the release of his taxes"

I'm gobsmacked by several things here. First, the light was nonexistent. Yet the Sony A7RII performed extremely well at incredibly high ISO. Second, using knowledge developed around a digital Zone System, I knew precisely where I wanted the tonal values and was able to place them accordingly. Third, I am happy to confirm the dynamic range of the sensor extends usefully to below Zone 0 (Zone -2!), even at such high ISO settings. Fourth, 1950s German optics can do the trick. These images were made using a triplet wide angle. Who would design such a thing and make it work? Micro-contrast is something to be seen, otherwise you wouldn't believe it.

The usual...

 

Pretty soon, migrant hawks will be flying over, and the apparent docile behavior displayed in this picture will be nonexistent. Usually, the Red-shoulders will be up and in the air, making sure any passerby know that this is their area... especially the Broad-wings.

Abandone Benelux -

 

Industrial archaeology (IA) is the systematic study of material evidence associated with the industrial past. This evidence, collectively referred to as industrial heritage, includes buildings, machinery, artifacts, sites, infrastructure, documents and other items associated with the production, manufacture, extraction, transport or construction of a product or range of products. The field of industrial archaeology incorporates a range of disciplines including archaeology, architecture, construction, engineering, historic preservation, museology, technology, urban planning and other specialties, in order to piece together the history of past industrial activities. The scientific interpretation of material evidence is often necessary, as the written record of many industrial techniques is often incomplete or nonexistent. Industrial archaeology includes both the examination of standing structures and sites that must be studied by an excavation.

Is the unlucky one who has to team up with me whenever we play badminton. In the game we played after this photo was shot, the third man was Maddi :); Vinay and Raj played against us.

 

[My friend who used to play badminton at state level once told me long back that if I ever wanted to get good at this sport I should play with guys because they will be much more aggressive and their smashes will be much more difficult to return. I can say for sure playing is loads of fun but since I started playing so late in life I do not have the moves - my backhand is nonexistent and my smashes are weak at best :(. Hopefully, I will improve and maybe then, the third man will be lucky when I team up with him! ]

'WOMEN, PERFUMES AND PRAYER': these three things, according to a famous hadith, 'were made worthy of love' to the Prophet; and this symbolism provides us with a concise doctrine of the outward reverberations of the love of the Inward.

 

Woman, synthesizing in her substance virgin nature, the sanctuary and spiritual company, is for man what is most lovable; in her highest aspect, she is the formal projection of merciful and infinite Inwardness in the outward; and in this regard she assumes a quasi-sacramental and liberating function.

 

As for 'perfumes,' they represent qualities or beauties that are formless, exactly in the same way as music; that is to say that side by side with the formal projection of Inwardness, there exists also a complementary formless projection, symbolized, not by visual or tangible qualities, but by auditory and olfactory ones; perfumes are silent music.

 

As for 'prayer’, the third element mentioned in the hadith, its function is precisely to lead from outward to Inward, and it both consecrates and transmutes the qualitative elements of the outward realm; from this it may be seen that the ternary comprised in the saying of Muhammad, far from being of an astonishing arbitrariness and a shocking worldliness (as is believed by those who have no idea either of Oriental symbolism in general or of the Islamic perspective in particular) provides on the contrary a doctrine which is entirely homogeneous, and which is founded, not on the moral or ascetical alternative, but on the metaphysical transparency of things.

 

The nature of the three elements of the ternary can be further delineated with the help of the notions -enumerated in the corresponding order- of 'beauty; 'love' and 'sanctity': it is beauty and love that reflect the Inward in the outward world, and it is sanctity, or the sacred, which establishes the bridgein both directions -between the outward and inward planes.

 

All that is beautiful comes from the Beauty of God; says a hadith.

 

Moslems readily affirm the link between beauty and love and show little inclination to dissociate these two elements which for them are but the two faces of one and the same reality; whoever says beauty, says love, and conversely, whereas for Christians mystical love is almost exclusively associated with sacrifice, except in chivalric esoterism

and its prolongations.

 

The hadith just quoted really contains the whole doctrine of the earthly concomitances of the love of God, in conjunction with the following hadith: 'God is beautiful, and He loves beauty'; this is the doctrine of the metaphysical transparency of phenomena. This notion of beauty or harmony, with all the subtle rhythms and symmetries which it implies, has in Islam the widest possible significance: 'to God belong the most beautiful Names; says the Quran more than once, and the virtues are called 'beautiful things'. 'Women and perfumes': spiritually speaking these are forms and qualities, that is to say, they are truths that are both dilating and fruitful, and they are also the virtues which these truths exhale and which correspond to them within us.

 

'Everything on earth is accursed except the remembrance of God’, said the Prophet, a saying which must be interpreted not only from the standpoint of abstraction but also from that of analogy; that is to say, the remembrance of God is not only an inwardness free from images and flavours, but also a perception of the Divine in the symbols (ayat) of the world. To put it another way: things are accursed (or perishable) in so far as they are purely outward and externalizing, but not in so far as they actualize the remembrance of God and manifest the archetypes contained in the Inward and Divine Reality.

 

And everything in the world that surrounds us which gives rise to a concomitance of our love of God or of our choice of the 'inward dimension; is at the same time a concomitance of the love which God shows towards us, or a message of hope from the 'Kingdom of Heaven which is within you’.

 

These considerations (or even simply the notion of the 'love of God’) lead us to a related question, that of the Divine Person in relation to our capacity for love: what, it may be asked, is the meaning of the masculine character attributed to God by the Scriptures, and how can man (the male) accord all his love, naturally centered on woman, on a Divine Person who seems to exclude femininity?

 

The answer to this is that the masculine character of God in Semitic monotheism signifies, not that the Divine Perfection could possibly exclude the feminine perfections (which is unthinkable), but simply that God is totality and not part, and this totality has its image, precisely, in the human male, whence his priority with regard to woman (a priority which in other respects is either relative or nonexistent).

 

It is indeed important to understand that the male is not totality in the same way that God is, and likewise that woman is not 'part' in an absolute manner, for each sex, being equally human, shares in the nature of the other.

 

If each of the sexes constituted a pole, God could neither be masculine nor feminine, for it would be an error of language to reduce God to one of two reciprocally complementary poles; but if, on the contrary, each sex represents a perfection, God cannot but possess the characteristics of both – active perfection, however, always having priority over passive perfection.

 

Whether one likes it or not, in Christianity the Blessed Virgin assumes the function of the feminine aspect of the Divinity, at least in practice, and in spite of every theological precaution; however, this observation, far from being a cause of reproach in the eyes of the writer, has on the contrary for him the most positive meanings.

 

In Islam it is sometimes said that man has a feminine character in relation to God; but from another point of view, the doctrine of the Divine Names implies that the Divinity possesses all conceivable qualities, and if we see in the perfect woman certain qualities which are proper to her, she cannot have them except in so far as they are a reverberation of the corresponding Divine Qualities ...

 

(Frithjof Schuon: Dimensions of Islam - Woman and lnteriorization)

Zion National Park in the spring is an interesting place. Especially on a year when the snow pack is at a staggering 160%. Needless to say several of our hikes had to be adjusted do to 4+ feet of snow on the trails and in the canyons.

 

It was cool to see all of the waterfalls that are normally nonexistent. This one is at the Upper Emerald Pool. And at several hundred feet high it seems tiny compared to the several thousand foot walls around it. Awesome place.

I love the opportunity to be backstage at my granddaughter's dance competitions, in spite of the almost nonexistent lighting and cramped (often just plain ugly) dressing rooms. This is from one of favorite routines done by her group choreographed to "All the Best People are Crazy (Mad Hatter)".

Made it through another Black Friday. I think I lucked out this year and

got the easy shift. I went in at midnight and worked until 11:00 am.

I have to admit that there were times that I had no clue what day it was or whether it

was time for breakfast, lunch or dinner... but as long as there was food, it’s all good.

 

I was in the break room when the manager walked in and proudly announced...

“ I got cereal!” My response....” yeah, and NO MILK!!” He did that last year too and I can’t believe after busting him

about for an entire year, he did it again. He said “ Yeah, I thought about that later, but I got Half & Half” I really had to bite my tongue

to not say, “Yeah, and no coffee.” Who puts Half & Half on cereal? I could go on to say that there were 6 ft sub sandwiches and a knife that wouldn’t cut through them,

and no plates, (but there were cups for the nonexistent coffee) and warm cans of soda that no one put in the fridge...but let’s not go there. At least they did feed us!

 

There were also customers with brilliant questions like “How big is a 32” TV?” Yeah, a fun day ... and Sharon and I got to wear antlers that light up

and the day went really fast, all 11 fun filled hours of it!

This is a nonexistent Weeble that I designed

Remodel, Week 8

 

Last up from Walmart comes this scene – cosmetics without its makeup, so to speak (ba-dum-tss). The home reset didn't look to be finished – in fact, the main actionway from the left-side vestibule to the rear of the store is nonexistent currently due to so many dislocated shelves and pallets of stock – but the remodel crew is moving on anyway, what with this and sporting goods. Actually, in these cases it's more than likely store employees just carrying out the resets rather than a remodel crew, but you get my point!

 

(c) 2016 Retail Retell

These places are public so these photos are too, but just as I tell where they came from, I'd appreciate if you'd say who :)

An eastbound empty coal crawls out of the siding in Canmore, Alberta with a solo CP up front. On this day, due to the wildfires in Jasper, there was a lot of smoke in the air, causing for an almost nonexistent mountain backdrop

Today's post is brought to you by Gild main store, and a perfect outfit for the nonexistent winter weather, and abnormally warm early change to the season. This style can go with just about anything from club wear to street wear, or anything in between that may tickle your fancy, or even for that date with that special someone that may have caught your eye.

  

~What the stylish outfit consists of:~

  

Pants: Classic_[Gild] color denim pants_black

  

Shoes:[ VERSOV ]<WONZOV_Black&White

  

Vest/Tanktop Combo: Warm air vest with long/T black

   

It's been a couple of (long) years... With "stay home" orders, park closure and overcrowding, my visits to BPNP had been nonexistent. It was time to see if it still has a place in my heart ...

November 7–28

See this page for info: www.newtoulouse.org/nosuchthing.html

It's a bit scabby round the edge has a crack and the ford badge is nonexistent but I still had to have it ;))

This month’s challenge called I Smell A (Modern) Rat asks us what would rat rodding be like if we applied the same principles to modern cars. For this I chose a Dodge Magnum with a V-8 Hemi. Instead of a more predictable post-apoc Mad Max look, I went with a beach combing car with rugged tires, wood paneling, and a nonexistent roof and tailgate. Just enough rust and patina adds a bit of well loved character while a wooden deck and benches gives this “Magnum Opus” a boat-like appearance that’s suitable for fishing, surfing, or just soaking up some rays. Its the perfect modern rat rod for a hot summer day!

Health & Safety nonexistent.

 

Please DO NOT copy & paste comment codes, awards, group logos into the comments section. They will be deleted. Personal comments only.

Yearly upload. Comment or tag yourself or whatever if you'll be there and want to say hi! I'll be in the bionicle section, specifically the lower left corner of the bionicle section.

 

Last year was frustrating; with the combination of tight spaces and people sitting far away, socializing was quite the exercise. Hopefully both of those troubles will be nonexistent this year!

 

If we hung out last year and you want to display near me, send me a PM or something so I can reserve some space for you. I already sent out some PM's but I know I've forgotten or haven't gotten around to a bunch of people.

 

In other news, I again won't be bringing too many mocs. There should be a few surprises though, and a new collab! Plus lots of new and old faces will be there!

 

I'm also bringing a lot of sets to sell. Prepare your wallets.

 

ALSO! Colin (modalt) will be bringing his lightbox setup to brickfair all 5 days if anyone wants to take professional pictures of their mocs.

Those days when...

 

You’ll rather lock yourself in your room and tune out the world.

 

Be consumed by your emptiness and wish to be nonexistent.

 

You get easily bruised; live with them for awhile and feel completely torn the next day.

 

Isn’t it grand that you will get out of your way for absolutely anyone, to make them thrilled with life and no one will ever do the same for you because they think you are perfectly fine???

 

I’m not!!!;(

 

Bottom line:

I’ll take a breather; maybe a day or two or perhaps a week, until I feel whole again.

 

I mentioned that the sunset behind me was just as beautiful as the Golden Gate before me. But I only had one camera and one tripod…and I was pretty sure I'd have only one moment in which to shoot the bridge lit up with that golden glow.

 

Still! I whipped around a few times and snuck shots of the sunset with my Nexus 5X. I only got a few before my battery crapped out.

 

I've been tempted by the iPhone 7 Plus and Google's new Pixel phone. On a technical level, they both have much better cameras.

 

But I've become convinced that the difference between "the best" phone cameras and a merely "very good" one is slim today. Do those 2016 phones take better pictures than my 2015 Nexus? Yup! But when we factor in "five or ten minutes of fiddling with the photo, with a free app" the differences become razor thin...or even nonexistent.

 

So: This was shot with a $300 Nexus 5X, in HDR+ mode (I leave it in this mode all the time). Then I fiddled with it for about ten or fifteen minutes in Snapseed on my iPad.

 

"Oh, sure..._after_ you fiddled with it!" Yes. It's a fair cop. But I would have fiddled with it later, no matter what camera I used.

 

Plus! This phone cost me $400 less to begin with. And! I didn't have to spend $700 for a new phone last fall.

 

(Edited to add: Oh! I stand corrected: I shot this with my iPad Mini 3! Because I had exhausted the battery on my Nexus 5X.

 

If anything, it's even more wow-able! The iPad Mini 3 came out the same year as my Nexus 5X _and_ it wasn't meant to be an A+ camera to begin with.

 

Just goes to show: it's hard to come away with a poor photo when you start with a spectacular sunset and you dump it into a good photo editor.)

What would be a Finnish summer without weddings? I don't know how it happens in the rest of the world, but in Finland majority of weddings are arranged in summer when there is plenty of light and warm. So it happened that my own sister Senja was getting married with Esa and she asked if I could take some pictures of the event. Now, I've never done any wedding photography before but I thought that while I'm trying to stay active with my photography I should also throw myself into situations that are far beyond my comfort zone – and besides being a close relative I couldn't have said 'no' for her anyway. So I decided to try out some wedding photography.

 

In overall the situation was not as challenging as it first sounds because my role was to act as a 'second shooter' which also meant that I didn't have to sweat for the formal wedding portrait (phew), and I could concentrate on being there at the moment armed with my camera. I chose to work this through with the Batis 1.8/85 and Batis 2/25 because of their autofocus capability. I had plenty of excitement already and I didn't want to mix the challenge of manual focus with the Loxias there. This was definitely an oddball setup as I was basically missing some of the most used focal lengths and was kind of working with the extreme ends of standard 24-70 mm lens which is pretty common in wedding and event photography. Afterwards I think I should have tried the Loxias there as well because for certain kind of pictures focusing manually isn't really a problem (and I've become accustomed to it quite a bit actually). Working with Batis lenses was great from image quality's point of view, but I have to admit that nothing beats a fast zoom like the new Sony 24-70 f/2.8 GM as it would have given me a lot more agility during the fast moments.

 

I already knew beforehand that the most challenging part of the day would definitely be the ceremony. It's been awhile since I've attended to a wedding and to be honest I didn't have any clue how the ceremony would progress. But preparation is everything and I walked it through with my sister couple of days before the actual event and composed myself a strategy of what I would shoot, where I would be and when I would switch lenses. This was some of the best decisions I made regarding the whole wedding and it was a great help for better pictures. During the rehearsal the light was pretty low inside the church (constantly above iso1600) which made me a bit nervous for the actual wedding day, but when the day came it was a lot better - considering it afterwards it seems I had a bit of beginner's luck as it could have been a lot more difficult regarding the light during the ceremony.

 

When the ceremony was done the celebration was kicked off in a small local vineyard and I stayed there photographing the event until the night. Over the whole day I shot approximately 1400 shots, and already at the party I thought that the large quantity of pictures could be a potential headache later on when post processing them. Add in a different kind of low light and mixed light situations I was afraid that editing all pictures could turn out to be too laborious work which I would be chewing weeks after the event. In short, I thought this could turn out to be a potential nightmare.

 

But this is where the Mastin Labs presets kick in (see what I wrote about them earlier here). Since I got the presets and I've liked them a lot I decided that I would edit the whole shoot with just them and nothing else. This way I would become familiar with them and see how they work in this kind of more demanding situation. This turned out to be a very wise choice since the Portra pack, especially the Portra 800 preset, gave me a very nice starting point for the whole project. From 1400 shots I chose 120 final shots which I edited all in just three nights. With my old post processing routines this would have taken a lot more time, and I'm pretty sure I like the result is even better this way. Especially the skin colors were lot easier to achieve and I only had to resort to Photoshop in couple of pictures (everything was originally edited in Lightroom). Another big plus regarding the Portra pack was the consistent look I was able achieve. This is something I haven't really paid attention before, but now that I used basically just one preset (Portra 800) as starting point for the whole project, the end result looks more consistent and 'professional' – if I dare to say that with my nonexistent wedding photography experience (for the b&w I used the Ilford pack which also came out pretty nice in my eye though I'm clearly no expert when it comes to b&w photography). All in all I have to say that the Mastin Labs presets saved me from drifting into too laborious work, and I got the job done with results that I really like. I'm really happy that I came across them since they have change the way I approach the whole post processing thing.

 

In the end I think I made it through with honorably, and Senja & Esa were also happy with the pictures I did. Of course I missed some situations during the day and having more experience of weddings could have improved my output, but in the end I'm also happy with the results. Being there at their wedding was also one of the summer highlights which I had been waiting for whole summer. And in retrospect it's easy to say that our summer would not have been complete without this wedding celebration. Again, congratulations to Senja & Esa!

 

Days of Zeiss: www.daysofzeiss.com

One bridge; three Prontos.

 

For some reason whenever I see Lincoln's the Pronto liveried MMCs it always tends to be when they're heading north over Pelham Bridge, which is a bit unfortunate as the background is pretty nonexistent here. On this particular afternoon, I saw all three at this typical location!

 

10972, the 18 plate with its orange destination blinds, is out of service, and shows we've had the blinds updated to show the Stagecoach web address instead of the scrolling thing about contactless and exact fare.

 

28.4.23

I'm gobsmacked by several things here. First, the light was nonexistent. Yet the Sony A7RII performed extremely well at incredibly high ISO. Second, using knowledge developed around a digital Zone System, I knew precisely where I wanted the tonal values and was able to place them accordingly. Third, I am happy to confirm the dynamic range of the sensor extends usefully to below Zone 0 (Zone -2!), even at such high ISO settings. Fourth, 1950s German optics can do the trick. These images were made using a triplet wide angle. Who would design such a thing and make it work? Micro-contrast is something to be seen, otherwise you wouldn't believe it.

This week the Val Marie group of 4 assignment was "blue". I thought it would be difficult, but it wasn't. Although blue sky was nonexistent for most of the week, I found plenty of blue subjects around the house.

 

For this photo I had my camera on a tripod and the lens stopped down to a small aperture. Blueberries, of course, are more purple than blue, so I shot the first image at 2500 degrees K - which turned the daylight from my kitchen window very blue indeed. I could have done this in post processing, but wanted to see the result while shooting. Then I made a few shots using auto white balance, and finished with several out of focus shots from the same camera angle, at a wide f-stop. I ended up using one of these in the final composite.

 

In RAW adjustments, I boosted the contrast so that most of the middle tones were eliminated. Then in Photoshop I did some extreme sharpening, and sandwiched the shot with one of the out of focus images, adjusted the opacity until I had the blend I wanted, et voila!

 

Most important, though, is that the milk was poured OVER the frozen blueberries so that it partially froze too, and under the blueberries was some Greek yogurt, and under the Greek yogurt was some hot oatmeal with raisins. All of which I ate.

 

Here are the other interpretations of "blue":

www.flickr.com/photos/rwharwood/8394540138/in/contacts/

www.flickr.com/photos/redcalfstudio/8395152896/in/contacts/

www.flickr.com/photos/pjwoodland/8396790654/in/contacts/

www.flickr.com/photos/pjwoodland/8396790530/in/photostream

 

Don't use this image on websites, blogs or other media without explicit permission.

© James R. Page - all rights reserved

 

Purchased from Transdev Lancashire United, and still in their livery but with same-style branding applied for York route 36, Volvo B10BLE Wright Renown T128 OAH is passing by York Maze heading to the city centre - during the school summer holidays most 36 journeys have been extended further down Elvington Lane beyond the air museum in order to serve the maze, the bus turns around in a small service yard. Before York Pullman took over operating the 36, connections to the Maze by bus from York were poor at the best of times if not nonexistent on some days

Michaela - #5 of 100 Strangers

It has been quite a long time since I last contributed to 100 Stranger but when I met Michaela I was inspired. Some good friends and I were enjoying brunch outdoors at a lovely little diner in Willoughby, Ohio and Michaela was our waitress. She was pleasant, efficient and very personable. Honestly we were all quite charmed by her. I asked her if she was familiar with the 100 Strangers Project. She wasn’t certain but thought she had heard of it. I explained the project to her and asked if she would be willing to pose for me. She readily agreed. Good backgrounds were pretty much nonexistent but there was a small patch of uninterrupted brick wall that I thought might work if I kept my depth of field shallow. Michaela lives in the nearby community of Mentor with her husband and one child. She said that a few years ago she had been living part time in Michigan but now was settled in Ohio. Thank you, Michaela, for agreeing to be my fifth stranger.

Find out more about the project and see pictures taken by other photographers at the 100 Strangers Flickr Group page. To see more of my own photos check out my web site at Gary Bluhm Photography.

Inspired on Venice, Mississippi delta, Dutch compact cities and English neighbourhoods (e.g. Southampton).

 

Handdrawn with pencils. In the western suburb I erroneously used a black pencil instead of blue. I decided to upload the orginial map as after all it's not too bad (but stupid, stupid me). I don't draw perfect cities as they should be, but realistic cities how they are. But then imaginary.

 

The city lies within a broader estuary without notable tidal effects (like in the Mediterranian). It's blocked by a dam (north of the mapped area) if a flood should occur. Another city upstream was been absorbed by 1920s expansions, but further urbanisation of open lands came to a halt due to the need of open river water reservoirs in times of high water levels.

 

Water managment

Upstream, north of the meander, a lock system was built, which regulate water flows into the city center.

At the very mouths of the braches debris platforms collect the sediments and dredge (slib). In the very north of all suburbs a amphitheatre-like neighbourhood is constructed with the material.

North of all built-up environments inundation areas limit town's expansions, as in case of floods the fields will overflow to prevend damage to the city.

 

Infrastructure

The city is mostly car free. Northern canal districts are connected by roads, but as all roads entering the entire city require toll duties, parking spaces on the western and eastern coast directly link the highway with vaporettos, no fees raised. On the western coast, a multi transport hub exists with a highway, secondary roads, bus routes, a railway, transit railway, a marina, vaporetto stops, float plane base and (for police) helicopter platforms. And of course bicycles, Dutch/Danish-like loads of them. Some canals have been filled up and are visible as broad boulevards, just as happened in many European countries after wars.

 

Appr. 40×40 cm. 2012. ©

After the success of the A-20 Havoc, Douglas Aircraft began design of a successor, with an eye towards an aircraft that also would be able to replace the North American B-25 Mitchell and Martin B-26 Marauder as well. Using the A-20 as a model and drawing on experience with the deHavilland Mosquito as well, famed aircraft designer Edward Heinemann came up with a light bomber design that could be flown by a single pilot. Though similar to the Havoc, the XA-26 Invader had a slightly wider fuselage, larger tail, and laminar-flow wings for better stability in dives. Since Douglas could build on the A-20’s success, testing went smoothly and the US Army Air Force was suitably impressed by its maiden flight in July 1942.

 

By this time, however, units in the Pacific had demonstrated the lethality of purpose-built low-level attack aircraft with massive forward armament, so the USAAF asked Douglas to develop the A-26 into a strafer as well. Douglas responded with two variants: the A-26B, with a solid gun nose that could carry anything from machine guns to a 75mm antitank gun, and the A-26C, with a glass nose for medium-altitude bombing. The noses themselves could be quickly exchanged to switch A-26Bs to A-26C bombers, and vice-versa. As in the A-20, a crew of three was provided, with the flight crew (the pilot and navigator/bombardier) forward and the gunner in a separate compartment in the rear, controlling both the remote dorsal and ventral turrets. A-26Cs could carry two guns in the nose, but these were deleted in production variants for four wing-mounted machine guns, which were also included in A-26Bs.

 

Douglas’ commitment to building transport aircraft and the modification of the XA-26A to the B/C dual variant delayed introduction to service until September 1944 in Europe, by which time the A-26 would be operating from newly-liberated bases in France and Italy. Though it arrived late, the A-26s in Europe saw significant action in the Battle of the Bulge and the final drive into Germany, operating mostly as medium bombers and occasionally as night interdiction aircraft. It showed enough potential that, much as Douglas had hoped, it replaced the A-20, B-25, and B-26 in USAAF service, remaining in postwar production.

 

Though the A-26 had seen World War II service, most of its combat record would be after that war—namely in Korea. The 3rd Bombardment Group, based in Japan in June 1950, saw its A-26s rapidly deployed for Korean service, and undertook the first US Air Force attack on North Korea itself. The A-26 force was quickly augmented by aircraft deployed from the United States, and these undertook bombing sorties in the battles to hold the Pusan Perimeter and in the Inchon invasion. As the Korean War became a stalemate, and due to the interdiction campaign happening in North Korea, Communist forces were forced to resupply mostly at night, and the USAF A-26s in theater were switched to night interdiction operations. These were extremely dangerous in the mountainous Korean Peninsula, to say nothing of the danger from ground fire. Usually, A-26s would operate in hunter-killer teams, with one aircraft using a wing-mounted searchlight to illuminate a target while the other made its attack. A-26s also bookended the Korean War by becoming the last USAF aircraft to attack targets in North Korea, just before the armistice was signed.

 

By the time of American involvement in Southeast Asia, the A-26 had been redesignated B-26 (this had happened during the Korean War, but it was generally referred to by its former designation). RB-26Cs were among the first USAF aircraft deployed to the area, in 1960, first seeing service under Operation Farm Gate, supporting Royal Laotian Army forces against Pathet Lao guerillas. Later, Farm Gate was expanded to South Vietnam as well and B-26C bombers were deployed for service as well—despite their age, the Invaders were liked for their easy handling and long loiter times, both valuable and necessary in counterinsurgency warfare. (The USAF was not the first nation to use Invaders in Vietnam—the French had used them during the siege of Dien Bien Phu in 1954.)

 

Age caught up to the force by 1965, and after a number of fatal crashes caused by metal fatigue, the B-26 force was grounded. They were then modified to A-26K Counter-Invaders, with new engines, reinforced structure, and wingtip fuel tanks (and further confusing the matter by readopting the attack designation). Returning to Vietnam in 1966, A-26Ks would remain in service until 1970, gradually replaced by gunship AC-130s, and turned in an excellent performance in the counterinsurgency role. The last A-26 did not leave USAF service until 1972.

 

A total of 2452 Invaders had been built, and besides its American and French service, others were used in African colonial wars (namely in Angola and Nigeria) and by Indonesia in its invasion of East Timor in 1976, the last time A-26s were used in combat. The CIA also used them in covert operations, especially in the failed Bay of Pigs invasion of 1961. A good number of A-26s were sold as surplus after the Vietnam War and were subsequently converted to firefighting aircraft. Though most of these have been retired in recent years, it ensured that there would be significant numbers of flyable Invaders left. Today, 96 aircraft remain in museums and in private collections.

 

A-26B 44-34713 was delivered to the USAAF in July 1945, just before World War II ended, but remained with the postwar USAF, converted (and redesignated) as a B-26C. It is not known if 44-34713 saw service in Korea, but in 1954, it was loaned to the French Armee de l'Air for combat duty in Indochina--later known as Vietnam. After flying in Indochina for a year, it was returned to the USAF and went into storage at Clark AFB in the Philippines; in 1958, it was declared surplus and sold off to a private owner, who turned it into an executive transport. It briefly appeared in the James Garner and Natalie Wood romance movie "Cash McCall" in 1960.

 

In 1963, 44-34713's second career as an executive transport truly began, when it became the second A-26 to be converted to an On-Mark Marksman. The Marksman conversion was a major alteration to the standard A-26 airframe, removing all military vestiges, changing the interior wing spar to a circular one to improve passenger comfort, a larger rudder, pressurizing the aircraft, adding loading stairs through the former bomb bay, and streamlining the upper fuselage. The nose was extended to accomodate luggage, while the cockpit windows were replaced by those from a DC-6. The result was an almost completely new aircraft. From 1963 to 1987, 44-34713 flew with a number of owners as a Marksman.

 

As there were not many A-26s left by the late 1980s, in 1988, 44-34713 was obtained by the National Warplane Museum in Geneseo, New York. (As it is listed briefly as property of the Wayne County Sheriff's Department in Michigan, it may have been seized.) 44-34713 was due to be restored back to its appearance as an A-26, and the Marksman nose and canopy was replaced by an A-26 gun nose. Restoration went no further than that when it was acquired by a new owner in Texas in 1992, and by 2002 it was stored at Las Cruces Municipal Airport, New Mexico.

 

And there 44-34713 has remained. It is still owned, possibly by Southwest Aviation, and restoration work may still be proceeding, though the desert sun has taken its toll on the aircraft over 20 years. It still wears the dark blue scheme of its last owner as a Marksman, dating from 1984.

 

I had seen this aircraft on Google Maps (while looking for a nonexistent F-100), and initially had decided against a side trip to see if I could get a decent picture. It was a spur of the moment decision, and it paid off, not just with 44-34713, but also the PV-2 present at Las Cruces. I didn't know it at the time, but with this picture and one taken a few days later in Phoenix, I have photographed two out of three known remaining On-Mark Marksmen

WEEK 25 – Columbus Kmart, Set 1

 

What you're looking at here is the store's major vertical actionway; there are several such actionways that traverse the store from front to back, but this one is dead center, and also appears to be the widest one of the bunch, to boot. As you can likely guess from the tables and chairs peeking in on the left of the photo, the clothing departments are very soon about to make way for furniture as our stour progresses...

 

It feels like much of what I've shown you so far are exclusively actionway shots. Sorry about that. I do like actionway shots, don't get me wrong, but I usually try to get departmental shots too, to balance everything out. Not sure why I got so few in this store. I guess maybe it's because the décor is practically nonexistent, and what is here looks so cheap that I didn't care to photograph it...

 

(c) 2018 Retail Retell

These places are public so these photos are too, but just as I tell where they came from, I'd appreciate if you'd say who :)

hand made fantasy map. I 'design' complete fantasy cities, no new one, but places that are grown over centuries. This city is situated at beginning/end (how does that work?) of an inlet, where two rivers end in sea. Completely drawns with pencils, so notice the colour difference between north and south... as I ran out of pencils :(

 

2011.

Pascack Valley Line train 1621 in the snow at Oradell. F40PH-2CAT 4120 holds in the station with its consist of 2 Comet IIMs and Comet V Cab Car 6012 for passengers to board and disembark. The Erie mile-marker just past the Oradell Ave crossing marks a distance of 18 miles to the now nonexistent Pavonia Terminal in Jersey City. 16 January 2024

The Mourning Babbler, previously the Short-tailed Babbler, is a species of bird in the ground babbler family Pellorneidae. A long-legged babbler with an almost nonexistent stump for a tail, found in primary and secondary evergreen lowland and foothill forest.

It is found in the Malay Peninsula, Anambas Islands, Sumatra, Banyak Islands, Batu Islands, Riau Islands, Lingga Islands and the Natuna Islands.

 

Read more on: wildart.works/behindthelens/short-tailed-babbler

 

Subscribe to continue reading the stories.

 

20180818-0I7A0060-DN

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!

  

Some background:

The outbreak of the war in Europe in September 1939 did not immediately affect the status of the Armée de l'Air in French Indochina because it had the task of defending a wide area of Southeast Asia, including the future Laos, Cambodia and Vietnam. And yet its array of airplanes seemed inadequate to perform any kind of real defense against any incursion by an enemy, because there were less than 100 airplanes available to it, all obsolescent or obsolete. In September 1931, Japan invaded and occupied Manchuria. This was an area of northeast China, which encompassed the provinces of Jilin, Liaoning and Heilongjiang. Nearly six whole years later, in July 1937, the Second Sino-Japanese War had begun. As yet, the French colonial authorities were hoping that the Japanese would not be brazen enough to take on the might of a European power. However, it became increasingly likely after the German invasion of Poland in September 1939, since Japan was part of the Axis alliance and thus Germany's ally.

 

On September 26, 1940, Japanese troops landed in Haiphong, violating a cease-fire which had been signed only the previous day. From the middle of the following month, the French became heavily involved in repelling Japanese army assaults. Following the Fall of France in 1940, Thais perceived a chance to regain the territories they had lost years earlier. The collapse of Metropolitan France made the French hold on Indochina tenuous. After the Japanese invasion of French Indochina in September 1940, the French were forced to allow the Japanese to set up military bases. This seemingly subservient behavior convinced the Thai regime that Vichy France would not seriously resist a confrontation with Thailand.

 

During the French-Thai War, the Thai Air Force achieved several air-to-air-victories in dogfights against the Vichy Armée de l'Air. During World War II, the Thai Air Force supported the Royal Thai Army in its occupation of the Shan States of Burma as somewhat reluctant allies of the Japanese and took part in the defense of Bangkok against allied air raids in the latter part of the war, achieving some successes against state-of-the-art aircraft like the P-51 Mustang and the B-29 Superfortress. During these times, the RTAF was actively supplied by the Japanese with Imperial Japanese Army Air Force aircraft such as the Ki-43 "Oscar," and the Ki-27 "Nate." Other RTAF personnel took an active part the anti-Japanese resistance movement.

 

French forces in Indochina consisted of an army of approximately fifty thousand men, The most obvious deficiency of the French army lay in its shortage of armor; however, the Armée de l'Air had in its inventory approximately a hundred aircraft, of which around sixty could be considered first line. These consisted of thirty Potez 25 TOEs, four Farman 221s, eight Loire 130 flying boats, six Potez 542s, nine Morane M.S.406s.

 

The M.S.406 was a French fighter aircraft developed and manufactured by Morane-Saulnier starting in 1938. In response to a requirement for a fighter issued by the French Air Force in 1934, Morane-Saulnier built a prototype, designated MS.405, of mixed materials. This had the distinction of being the company's first low-wing monoplane, as well as the first to feature an enclosed cockpit, and the first design with a retracting undercarriage. The entry to service of the M.S.406 to the French Air Force in early 1939 represented the first modern fighter aircraft to be adopted by the service, and the type was also used in the French overseas colonies. The M.S.406 was France's most numerous fighter during the Second World War and one of only two French designs to exceed 1,000 in number. At the beginning of the war, it was one of only two French-built aircraft capable of 400 km/h (250 mph) – the other being the Potez 630.

 

Although a sturdy and highly manoeuvrable fighter aircraft, the M.S.406 was considered underpowered and weakly armed when compared to its contemporaries, esp. over continental Europe. Most critically, the M.S.406 was outperformed by the Messerschmitt Bf 109E during the Battle of France and no serious threat to the German fighter. In less advanced theatres like Indochina, though, the M.S. 406 was a respectable contender, but its numbers were low.

 

When the French-Thai War broke out in Indochina, the Thai Army was a relatively well-equipped force, consisting of some sixty thousand men, with artillery and tanks. The Royal Thai Navy — consisting of several vessels, including two coastal defence ships, twelve torpedo boats and four submarines — was inferior to the French naval forces, though, but the Royal Thai Air Force held both a quantitative and qualitative edge over l'Armee de l'Air. Among the 140 aircraft that composed the air force's initial first-line strength were twenty-four Mitsubishi Ki-30 light bombers, nine Mitsubishi Ki-21 and six Martin B-10 twin-engine bombers, seventy Vought Corsair dive bombers, and twenty-five Curtiss Hawk 75 fighters.

 

While nationalistic demonstrations and anti-French rallies were held in Bangkok, border skirmishes erupted along the Mekong frontier. The superior Royal Thai Air Force conducted daytime bombing runs over Vientiane, Sisophon, and Battambang with impunity. The French retaliated with their own planes, but the damage caused was less than equal. The activities of the Thai air force, particularly in the field of dive-bombing, was such that Admiral Jean Decoux, the governor of French Indochina, grudgingly remarked that the Thai planes seemed to have been flown by men with plenty of war experience.

 

In early January 1941, the Thai Burapha and Isan Armies launched their offensive on Laos and Cambodia. French resistance was instantaneous, but many units were simply swept along by the better-equipped Thai forces, with some French equipment – including some aircraft – being captured and immediately pressed into Thai army service. The Thais swiftly took Laos, but Cambodia proved a much harder nut to crack.

 

On January 16, 1941 the French launched a large counterattack on the Thai-held villages of Yang Dang Khum and Phum Preav, initiating the fiercest battle of the war. Because of over-complicated orders and nonexistent intelligence, the French counterattacks were cut to pieces and fighting ended with a French withdrawal from the area. The Thais were unable to pursue the retreating French, as their forward tanks were kept in check by the gunnery of French Foreign Legion artillerists.

 

On January 24, the final air battle took place when Thai bombers raided the French airfield at Angkor near Siem Reap, which quickly fell. The last Thai mission commenced at 0710 hours on January 28, when the Martins of the 50th Bomber Squadron set out on a raid on Sisophon, escorted by three Hawk 75Ns of the 60th Fighter Squadron.

 

Although the French won an important naval victory over the Thais, Japan forced the French to accept Japanese mediation of a peace treaty that returned the disputed territory to Thai control. A general armistice was arranged by Japan to go into effect on January 28. On May 9 a peace treaty was signed in Tokyo, with the French being coerced by the Japanese into relinquishing their hold on the disputed territories. However, the French (now part of the Axis Forces’ Vichy regime) were left in place to administer the rump colony of Indochina until 9 March 1945, when the Japanese staged a coup d'état in French Indochina and took control, establishing their own colony, the Empire of Vietnam, as a puppet state controlled by Tokyo.

 

Until then, Japanese authorities heavily influenced the diminishing Vichy French presence in the region and handed over a lot of leftover military hardware to its own allies, primarily the Thai forces. However, there was not much left to be distributed: about 30% of the French aircraft were rendered unserviceable by the end of the French-Thai War in early 1941, some as a result of minor damage sustained in air raids that remained unrepaired. The Armée de l'Air admitted the loss of only one Farman F221 and two Morane M.S.406s destroyed on the ground, but, in reality, its losses were greater and the influence of Japan on the leftover stock was fogged in order to save face. However, even in 1944, single former Vichy French aircraft and tanks were still active in the region, primarily under Thai flag.

  

General characteristics:

Crew: 1

Length: 8.17 m (26 ft 10 in)

Wingspan: 10.61 m (34 ft 10 in)

Height: 3.25 m (10 ft 8 in)

Wing area: 16 m2 (170 sq ft)

Empty weight: 1,895 kg (4,178 lb)

Gross weight: 2,540 kg (5,600 lb)

 

Powerplant:

1 × Hispano-Suiza 12Y-31 V-12 liquid-cooled piston engine with

619 kW (830 hp) for take-off at 2,520 rpm at sea level,

driving a 3-bladed variable-pitch propeller, 3 m (9 ft 10 in) diameter

 

Performance:

Maximum speed: 490 km/h (304 mph; 265 kn) at 4,500 m (14,764 ft)

Stall speed: 160 km/h (99 mph, 86 kn) without flaps

135 km/h (84 mph; 73 kn) with flaps

Range: 1,100 km (680 mi, 590 nmi) at 66% power

Combat range: 720 km (450 mi, 390 nmi)

Endurance: 2 hours 20 minutes 30 seconds (average combat mission)

Service ceiling: 9,400 m (30,800 ft)

Time to altitude: 2,000 m (6,562 ft) in 2 minutes 32 seconds

9,000 m (29,528 ft) in 21 minutes 37 seconds

Wing loading: 154 kg/m2 (32 lb/sq ft)

Power/mass: 2.95 kg/kW (4.85 lb/hp)

Take-off run to 8 m (26 ft): 270 m (886 ft)

Landing run from 8 m (26 ft): 340 m (1,115 ft)

 

Armament:

1× 20 mm (0.787 in) Hispano-Suiza HS.404 cannon, firing through the propeller hub

2× 7.5 mm (0.295 in) MAC 1934 machine guns in the outer wings

  

The kit and its assembly:

This quick build was created in the wake of the “Captured” group build at whatifmodellers.com and actually is a personal interpretation of someone else’s idea, namely of fellow modeler NARSES who came up with the idea of a captured French M.S. 406 in Indochina under a new Thai flag. I found the idea so weird, yet realistic, that I decided to build one, too.

 

The model is the very simple but quite acceptable M.S. 406 from Hobby Boss. Externally the model is nice, with recessed panel lines and a basic landing gear. Internally, it is rather bleak, even though it has a full cockpit with a floor, integrally molded seat and even some details behind the pilot’s armor bulkhead. The canopy is a single piece and very clear, but it comes with massive locator bars, so that I decided to keep the canopy closed and added a pilot figure to cover the minimal interior. I was lucky to find a Japanese (though pretty “flat”) WWII pilot in the donor bank, left over from a Hasegawa model. I also gave the figure some seat belts (made from adhesive tape), but the rest remained unchanged – even the original metal axis for the propeller was used. I just replaced the machine gun barrels with hollow steel needles and added a pitot on the wing, which is probably part of the kit but not indicated in the instructions. The same is true for the foldable ventral antenna.

 

The build was finished quickly, in the course of just a single evening, including the pilot and some overall PSR.

  

Painting and markings:

My interpretation of a French aircraft in Thai service after the French-Thai War stuck closely to the real world Vichy livery, which was the standard French camouflage in grey/green/brown with light blue-grey undersides (all from ModelMaster’s Authentic Color range), together with a yellow-and-red-striped cowling (a base with Humbrol 69 and red decal stripes added later) and a white cheatline long the fuselage. The tail of French aircraft in Indochina was painted all-red from early 1941 onwards upon Japanese command, because of friendly fire incidents. This was adopted for the model (with a mix of Humbrol 19 and some 73), which is supposed to belong into the 1942 time frame.

 

As a captured aircraft, the original French roundels were replaced/overpainted with red disks/hinomaru, and then Thai elephant markings added on top. That’s a personal idea, ordnance directly supplied to the Thai forces from Japan had the simple, square “elephant flag” emblem directly applied to the wings and the fin (but no fuselage roundel). The all-red tail was taken over, but I painted the rudder in a dark IJA green, since it would formerly carry a French fin flash. The same green was used to overpaint a serial number on the fin and a former squadron emblem under the cockpit.

The hinomaru come from a PrintScale Ki-46 sheet, and these markings are intentionally a bit oversized, so that they cover well the former French markings and are highly visible. The elephant markings some from a PrintScale Ki-27 sheet, so that the red tone on both sources are very close to each other. The Ki-27 sheet also provided the Thai ciphers “3” and “4”, combined into a “34”.

 

The interior was painted in medium grey, and the model externally received some signs of wear and tear in the form of dry-brushed leading edges and around the cockpit as well as some soot stains behind the exhaust stubs and the machine guns. Finally, the model was sealed with a coat of matt acrylic varnish (Italeri).

  

A quick build, and the easy-build Hobby Boss M.S. 406 is certainly not as crisp as a “real” model, but in this case the story behind the weird livery was more in the focus than the canvas underneath. However, an interesting result, and the hybrid paint scheme with heritage from three different operators make the aircraft an unusual, if not exotic sight.

99/365

 

Week 15 theme: Contronym 7 April- 13 April

 

Not exactly a Contronym, but hopefully close enough

 

Inspiration, motivation, mojo… nonexistent over the past 2-3 week. Being extremely busy at work does not help either. I've been going through the motions for this 365 lately but I guess that's expected at one point or another. I just did not think it would happen this early.

 

But I'm still here. Hopefully things will get better.

  

ROR1299FN04

©Romano

 

Bonded (Slave) Child Laborer at a Brick Kiln

 

West Bengal, India

 

A 9-year-old girl trafficked from a catchment area in neighboring state pulls excess clay from a brick form. The discoloration in her hair is due to vitamin deficiency from a poor diet and long hours of exhausting work in 100 degree plus temperatures. The bricks behind her represent a day’s work. Grinding poverty, race, caste and gender prejudice, bad economic policy, and greedy profit taking all contribute to the terrible plight of the 250 million children that are represented in Stolen Childhoods.

 

THOUSANDS OF BRICK KILNS LINE LINE THE RIVERBANKS IN BENGAL AND THE SURROUNDING STATES OF INDIA. MOST OF THE WORKERS HERE ARE BONDED (SLAVE) LABORERS. THE FAMILIES THAT WORK HERE ARE EXPLOITED 12-16 HOURS A DAY, 7 DAYS A WEEK. THEIR WORLD CONSISTS ONLY OF THESE MUD HOLES, DRYING FIELDS AND KILNS. AT NIGHT THEY SLEEP IN THE OPEN OR IN MAKESHIFT SHANTYS WHERE SANITARY CONDITIONS ARE NONEXISTENT. THERE ARE NO SCHOOLS HERE, AND FOR MANY OF THE CHILDREN THERE AREN'T EVEN FAMILIES. OVER 1/4 OF THE CHILDREN WORKING HERE HAVE BEEN TRAFFICKED FROM OTHER AREAS WHERE THEIR PARENTS HAVE BEEN FORCED TO EITHER SELL THEM INTO DEBT BONDAGE (SLAVERY) OR, IF THEY ARE LUCKY ENOUGH NOT TO BE BONDED, ARE DEPENDENT ON THE MEAGER WAGES THAT THESE CHILDREN CAN PROVIDE.

THE WORK IS EXTREMELY BRUTAL, HAZARDOUS, ABUSIVE AND SOMETIMES LETHAL. WORKING ALL DAY IN THE HOT SUN WHERE TEMPERATURES REGULARLY CLIMB ABOVE 100F (37C), THEY CARRY WELL OVER A TON OF CLAY A DAY AND CROUCH FOR HOURS AS THEY FABRICATE THOUSANDS OF BRICKS IN OLD FASHION MOLDS. THE PAY, IF THERE IS ANY, AND CONDITIONS FALL WELL BELOW MINIMUM LEVELS REQUIRED BY LAW AND ARE ILLEGAL FOR CHILDREN. NONETHELES THE KIDS COME, DRIVEN BY NECESSITY, OFTEN UNAWARE OF WHAT THEY ARE GETTING INTO AND SOMETIMES TRICKED OR VIRTUALLY KIDNAPPED BY UNSCRUPULOUS AGENTS AND MIDDLEMEN. FOR MANY, THEIR DEBT ACTUALLY INCREASES OVER TIME DUE TO DISHONEST ACCOUNTING.

THE POOR PAY AND HARD WORK ARE JUST THE BEGINNING. BRICK KILN CHILDREN TEND TO BE CHRONICALLY TIRED FROM THE LONG HOURS AND IRREGULAR REST, INCREASING THE PROBABILITY OF ACCIDENTS, INJURIES AND DEFORMITY. DISEASE, MALNUTRITION AND PERMANENT SKELETAL INJURY ARE THE COMMON LOT.

UNABLE TO RECEIVE THE EDUCATION TO WHICH THEY ARE ENTITLED BY LAW, THEY ARE POWERLESS TO ACT, AND TRAPPED IN A CONTINUAL CYCLE OF GRINDING POVERTY.

 

Bonded Labour, slave labour, CHILD LABOUR TRAVAIL DES ENFANTS Trabajo infantil Kinderarbeit

CHILDREN Kids ENFANTS Niños Kinder

SLAVERY ESCLAVAGE Esclavitud Sklaverei

An imaginary city I drew by hand. This one is appr. 55x35 cm (14x21 inches). I used to draw my maps in blue, but the pencil shop doesn't sell my pencils any longer - only some red ones were left.

 

The city is inspired on Dordrecht and Amsterdam. It's a typical Dutch city, as in Holland places can't just expand wherever people want to build; new buildings must be around existing towns. Urban sprawl simply doesn't exist, except very old urban sprawl. Therefore, cities are always distinct from other towns, agglomeration of suburbs is not possible. Between ever-expanding cities, green buffers must prevent cities from growing into one, large megacity,

 

The city is on the northern bank of the imaginary east-west river (being not far away from the river's mouth into the sea) while at the point where the southern river flows into the main river, a fortress was built in order to have a good view of the river during war time.

 

The old road to the fortress from the south is still in use, new neighbourhoods have been built around it, so it's a perfect bicycle/bus lane. In the southwest on the river, the Plaza area with a cruise quai, schools, station, P+R, ferry dock, sports palais, outlet shops, many offices and a hotel make this shore a vivid place. Newer neighbourhoods (Dutch: VINEX) are built at the southeastern bank of the river.

 

2011.

On the amphora main body fight between warriors and Amazons. All characters are named. At center of the scene, Herakles, retr. hερακλες, fights against the Amazon Andromache, Ανδρομαχε. Near the main scene two more fights: Ifis, [Ι]φις, vs. Pantariste, Πανταριστε, and Telamone, retr. Τελαμον, vs. Ainipe, Αινιπ[π]ε. Neck decoration: palmette-lotus festoons.

With Hyppolyte, the queen of the Amazons, willing to hand over her prized belt, Herakles’ ninth labor seemed rather simple. But the goddess Hera infected the Amazons with the notion that Herakles and his band of companions intended to abduct their queen. The ferocious women warriors therefore rushed to save Hippolyte from her nonexistent doom. Herakles ordered her warriors to attack, and killed the Amazons queen, taking the belt by force.

 

Tyrrhenian amphorae type is produced during the second quarter of the sixth century B.C. Made by the Athenians for export, perhaps filled with prime Attic oil, and aimed at a market which had been conditioned to the wares of Corinth, the Tyrrhenian amphora takes its name from that area in Italy, north of Rome, where they were found ( and once believed to have been made).

 

Black-figured Tyrrhenian neck amphora

Attributed to Prometheus Painter (Bothmer)

Second quarter 6th century BC

Athens, National Archaeological Museum, inv. n. 27524

 

P98 screams out of town and heads past one of the few deciduous trees in the area. Most of the trees in Eastern NC are pine trees, so fall foliage is practically nonexistent.

After a super disappointing overnight for the nonexistent first light, the second one was a hell lot better. Big Huat to everyone of you for this 2015!

Each day, we see people like him, but we hardly ever notice them. It’s ironic but true. It’s like they are visible ghosts whose existence is on the contrary, nonexistent as far as we are concerned. Let’s wake up and see if we can help, be it as inexpensive as a smile for nothing but a better world to live in.

 

SHot with : Nikon D700 + Nikon 85mm AF f1.4D IF @ 2500 iso 1/ 125 @ f1.4 Spot

 

After spending about a week in the province of Palawan with my family I then took a flight to the Island of Cebu to meet longtime flickr contact Raycoy. I got there Saturday afternoon and then at 7 pm Saturday evening we went to meeting. We got some fun pictures after the meeting and this was one of them. I somehow managed to post this right to flickr from my phone although the internet connection was weak to nonexistent most of the trip.

 

It was very special to meet with Raycoy after knowing him for so many years through flickr. I've seen the pictures of his family so many times so I feel like I knew them too. You can see the joy on our faces.

Esperanza Limjap-Osmeña, wife of Philippine President Sergio Osmeña, reserves her first painting at the Filipino painters exhibition, Manila, Philippines, Feb. 23, 1946

 

She became first lady upon the death of Manuel L. Quezon, when her husband succeeded to the presidency of the Philippine government-in-exile in the United States. However, while her husband was president-in-exile, she herself was still in the Philippines and remained there, during the Japanese occupation of the Philippines during World War II. Mrs. Osmena was in Baguio. She and her three children, Ramon, (22), Rosie (20) and Victor (11), escaped from Japanese held Baguio by walking 50 miles across the mountains to Dagupan, Luzon, Philippines early Feb. 1945.

 

US Signal Corps Photo, US National Archives

 

I have been going through the USA National Archives, WWII Philippines photographs albums that are posted on line. The picture here is one of them. It will take a long time to go through them all, as there are 134 albums of about 160 pictures per album that equals approximately 21,000 pictures. I believe it is import to save the most important images and to share them as I have time to work on them and to have them available on a memory drive that will go to researchers for many years to come. There are a lot of pictures of people shaking hands and pinning metals on each other that does not interest me much. The subject mater of the pictures are mostly haphazardly arranged with very poor to nonexistent indexing so I have to look at each what appears in a postage stamp size thumbnail picture to ascertain if it is important to save. Many of the pictures are very gruesome and difficult to look at but needs to be seen for an accurate picture of what truly happened here in the Philippines. I am realizing that what most think of the history of WWII Philippines is not the real picture of what happened but only a selected very condensed picture that often relate to personal views, I will take some of the blame as this includes myself. The pictures I will personally be sharing online will predominately show the humanitarian side of the war.

I am needing a memory storage device such as a USB hard drive that would last a long time and be a safe place to archive all the pictures I am saving if anyone would like to help. Also need advice to where would be best for all my history pictures could be saved for future generations long after I am gone.

 

This month’s challenge called I Smell A (Modern) Rat asks us what would rat rodding be like if we applied the same principles to modern cars. For this I chose a Dodge Magnum with a V-8 Hemi. Instead of a more predictable post-apoc Mad Max look, I went with a beach combing car with rugged tires, wood paneling, and a nonexistent roof and tailgate. Just enough rust and patina adds a bit of well loved character while a wooden deck and benches gives this “Magnum Opus” a boat-like appearance that’s suitable for fishing, surfing, or just soaking up some rays. Its the perfect modern rat rod for a hot summer day!

Muscovy ducks (Cairina moschata) are neotropical birds not native to North America but populations have been well established in Utah for several decades. In this video a male Muscovy duck approaches a female and mates with her.

 

Muscovy females reach sexual maturity at 28 weeks and males at 29 weeks. Their mating season is from August-May. Courtship is brief or nonexistent and males are polygamous though sometimes they display social monogamy and help to guard nests and ducklings.

 

By reproducing sexually, Muscovy ducks, as well as most* other birds, increase genetic variation in their offspring. Sexual reproduction increases genetic diversity because the sperm and egg provided by the parents each offer a different set of genes.

 

*some exceptions include turkeys who can sometimes reproduce asexually

 

There are several benefits to increased levels of diversity. On the level of the individual organism, one important benefit is that they are less likely to be affected by deleterious alleles. In avian species this is especially true for males. In birds, females are sex-determining. Males have 2 Z chromosomes whereas females have 1 Z and 1 X chromosome. Therefore, males are less likely to have sex-linked disorders because if they were to inherit a mutated chromosome the second, healthy Z chromosome, would be able to mask the effect of the mutation. If birds were asexual reproducers then both sexes would have a more equal likelihood to inherit sex-linked disorders and the overall percentage for both sexes would be greater due to the absence of the benefit of recombination that sexual reproduction provides.

 

Increased genetic diversity is also important on a population level. The more variation there is, the more likely it is that some individuals will have variations of alleles that make them suited to survive certain circumstances. Therefore, when conditions are unfavorable for some genotypes, those who are different will not die off with those who are not well suited to their environment. Therefore increasing the overall survival of the population.

 

This photo was taken on March 17, 2020 at Beus Pond in Ogden, UT.

 

Centennial Park Coronado, San Diego, California

Model: Martina Pinto

Make up: Nonexistent

Location: When we were preparing there