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wow thank you so much ..faints and shocked . xx I can't thank you enough for this nomination . I will cherish this forever . I looked at the other nominations and they are truly amazing . Thank you for even considering me Dreamart fashion xxx
Public vote here :
docs.google.com/forms/d/e/1FAIpQLSdwfggCvdRrCqzu5fXMQPe6n...
Getting excited for the celebration! Come party with us tonight to recognize our DOPE Award Nomination!
12/15/2021 6PM SLT, Black and Gold Attire
TV Week Logie Nominations In Sydney, Australia; News And Lists
Tonight in Sydney, Australia it's the TV Week Logies Nominations.
Karl Stefanovic is battling to snatch back-to-back Gold Logies after nominations for the TV Week industry awards were announced today.
After surprising many media and entertainment commentators including this agency by snatching the major prize last year, the Channel 9 Today co-host got both a Silver and Gold for most popular presenter on Australian TV.
Karl will fight the ABC's Adam Hills, Offspring star Asher Keddie, The Project co-host Carrie Bickmore, ex Home & Away siren Esther Anderson and Nine comedian presenter Hamish Blake for the top honours when the TV Week Logies are awarded on April 15.
Channel 7 leads the network pack, with 32 nominations across 22 categories, followed by Ten (26 nominations), the ABC (22 nominations), Nine (21 nominations), pay TV operator Foxtel (eight nominations) and SBS (seven nominations).
While Packed To The Rafters favourite Rebecca Gibney was overlooked for a Gold Logie nod this year, she is squared off against her TV daughter Jessica Marais for Silver as most popular actress.
Also in the running for Silver was Asher Keddie, acknowledged for her double effort - playing Nina Proudman on Ten's romantic comedy, Offspring, and publishing maverick Ita Buttrose in the ABC1 docu-drama, Paper Giants: The Birth Of Cleo.
Making their Silver Logie nomination debut are Danielle Cormack (Kate Leigh in Nine's Underbelly Razor) and Esther Anderson (Charlie Buckton on Seven's soap Home & Away).
In the TV fight for the boys, the Silver Logie for most popular actor will be fought between Daniel MacPherson (Wild Boys, Channel 7), Eddie Perfect (Offspring, Ten), Erik Thomson (Packed To The Rafters, Channel 7), Hugh Sheridan (Packed To The Rafters, Channel 7) and Ray Meagher (Home & Away, Channel 7).
Despite turning her back on a TV career for a spot on Melbourne breakfast radio this year, Chrissie Swan secured a nomination as most popular presenter for her role on Ten's morning chat show, The Circle.
The nominations were held at Sydney's Park Hyatt, hosted by Nine's Natalie Gruzlewski and Ten's Bondi Vet, Chris Brown.
FULL LIST OF 2012 LOGIE NOMINATIONS:
TV WEEK GOLD LOGIE AWARD Most Popular TV personality
Adam Hills (Spicks And Specks, ABC1/Adam Hills In Gordon St Tonight, ABC1)
Asher Keddie (Nina Proudman,Offspring, Network Ten /Ita Buttrose, Paper Giants: The Birth Of Cleo, ABC1)
Carrie Bickmore (The Project, Network Ten)
Esther Anderson (Charlie Buckton, Home And Away, Channel Seven)
Hamish Blake (Hamish & Andy's Gap Year, Nine Network)
Karl Stefanovic (Today, Nine Network)
TV WEEK SILVER LOGIE Most Popular Actor
Daniel MacPherson (Jack Keenan, Wild Boys, Channel Seven)
Eddie Perfect (Mick Holland, Offspring, Network Ten)
Erik Thomson (Dave Rafter, Packed To The Rafters, Channel Seven)
Hugh Sheridan (Ben Rafter, Packed To The Rafters, Channel Seven)
Ray Meagher (Alf Stewart, Home And Away, Channel Seven)
TV WEEK SILVER LOGIE Most Popular Actress
Asher Keddie (Nina Proudman, Offspring, Network Ten /Ita Buttrose, Paper Giants: The Birth Of Cleo, ABC1)
Danielle Cormack (Kate Leigh, Underbelly: Razor, Nine Network /Angela Travis, East West 101, SBS)
Esther Anderson (Charlie Buckton, Home And Away, Channel Seven)
Jessica Marais (Rachel Rafter, Packed To The Rafters, Channel Seven)
Rebecca Gibney (Julie Rafter, Packed To The Rafters, Channel Seven)
TV WEEK SILVER LOGIE Most Popular Presenter
Adam Hills (Spicks And Specks,ABC1/Adam Hills In Gordon St Tonight, ABC1)
Carrie Bickmore (The Project, Network Ten)
Chrissie Swan (The Circle, Network Ten)
Hamish Blake (Hamish & Andy's Gap Year, Nine Network)
Karl Stefanovic (Today, Nine Network)
MOST POPULAR NEW MALE TALENT
Dan Ewing (Heath Braxton, Home And Away, Channel Seven)
James Mason (Chris Pappas, Neighbours, Network Ten)
Peter Kuruvita (Host, My Sri Lanka With Peter Kuruvita, SBS)
Steve Peacocke (Darryl "Brax" Braxton, Home And Away, Channel Seven)
Tom Wren (Dr Doug Graham, Winners & Losers, Channel Seven)
MOST POPULAR NEW FEMALE TALENT
Anna McGahan (Nellie Cameron, Underbelly: Razor, Nine Network)
Chelsie Preston Crayford (Tilly Devine, Underbelly: Razor, Nine Network)
Demi Harman (Sasha Bezmel, Home And Away, Channel Seven)
Melissa Bergland (Jenny Gross, Winners & Losers Channel Seven)
Tiffiny Hall (Trainer, The Biggest Loser Australia, Network Ten)
MOST POPULAR DRAMA SERIES
Home And Away (Channel Seven)
Offspring (Network Ten)
Packed To The Rafters (Channel Seven)
Underbelly: Razor (Nine Network)
Winners And Losers (Channel Seven)
MOST POPULAR LIGHT ENTERTAINMENT PROGRAM
Australia's Got Talent (Channel Seven)
Hamish & Andy's Gap Year (Nine Network)
Spicks And Specks (ABC1)
Sunrise (Channel Seven)
The Project (Network Ten)
MOST POPULAR LIFESTYLE PROGRAM
Better Homes And Gardens (Channel Seven)
Getaway (Nine Network)
iFISH (Network Ten)
Ready Steady Cook (Network Ten)
Selling Houses Australia Extreme (LifeStyle Channel, FOXTEL
MOST POPULAR SPORTS PROGRAM
2011 AFL Grand Final (Network Ten)
Before The Game (Network Ten)
The AFL Footy Show (Nine Network)
The NRL Footy Show (Nine Network)
Wide World Of Sports (Nine Network)
MOST POPULAR REALITY PROGRAM
Beauty And The Geek Australia (Channel Seven)
MasterChef Australia (Network Ten)
My Kitchen Rules (Channel Seven)
The Block (Nine Network)
The X Factor Australia (Channel Seven)
MOST POPULAR FACTUAL PROGRAM
Bondi Rescue (Network Ten)
Bondi Vet (Network Ten)
Border Security: Australia's Front Line (Channel Seven)
RPA (Nine Network)
World's Strictest Parents (Channel Seven)
MOST OUTSTANDING NOMINEES (peer voted by industry)
TV WEEK SILVER LOGIE Most Outstanding Drama Series, Miniseries or Telemovie
Cloudstreet (Showcase, FOXTEL)
Offspring (Network Ten)
Paper Giants: The Birth Of Cleo (ABC1)
The Slap (ABC1)
Underbelly: Razor (Nine Network)
TV WEEK SILVER LOGIE Most Outstanding Actor
Alex Dimitriades (The Slap, ABC1)
David Wenham (Killing Time, TV1, FOXTEL)
Don Hany (East West 101, SBS)
Geoff Morrell (Cloudstreet, Showcase, FOXTEL)
Rob Carlton (Paper Giants: The Birth Of Cleo, ABC1)
TV WEEK SILVER LOGIE Most Outstanding Actress
Asher Keddie (Paper Giants: The Birth Of Cleo, ABC1)
Diana Glenn (Killing Time, TV1, FOXTEL)
Essie Davis (The Slap, ABC1)
Kat Stewart (Offspring, Network Ten)
Melissa George (The Slap, ABC1)
GRAHAM KENNEDY AWARD FOR MOST OUTSTANDING NEW TALENT
Anna McGahan (Underbelly: Razor, Nine Network)
Chelsie Preston Crayford (Underbelly: Razor, Nine Network)
Hamish Macdonald (Senior Foreign Correspondent, Network Ten)
Hamish Michael (Crownies, ABC1)
Melissa Bergland (Winners & Losers, Channel Seven)
MOST OUTSTANDING NEWS COVERAGE
Lockyer Valley Flood (Brisbane News, Channel Seven)
Qantas Grounded (Sky News National, Sky News Australia, FOXTEL)
Skype Scandal (Ten News At Five, Network Ten)
The Queensland Flood (Nine News, Nine Network)
Unfinished Business (SBS World News Australia, SBS)
MOST OUTSTANDING PUBLIC AFFAIRS REPORT
A Bloody Business (Four Corners/Sarah Ferguson, ABC1)
After The Deluge: The Valley (Paul Lockyer, ABC1)
Rescue 500 (Sunday Night, Channel Seven)
Salma In The Square (Foreign Correspondent/Mark Corcoran, ABC1)
Tour Of Duty: Australia's Secret War (Network Ten)
MOST OUTSTANDING LIGHT ENTERTAINMENT PROGRAM
Australia's Got Talent (Channel Seven)
Gruen Planet (ABC1)
Spicks And Specks (ABC1)
Talkin Bout Your Generation (Network Ten)
The Project (Network Ten)
MOST OUTSTANDING SPORTS COVERAGE
2011 Australian Open Tennis (Channel Seven)
2011 Bathurst 1000 (Channel Seven)
2011 Melbourne Cup Carnival (Channel Seven)
State Of Origin III (Nine Network)
Tour de France 2011 (SBS)
MOST OUTSTANDING CHILDRENS PROGRAM
Camp Orange: Wrong Town, (Nickelodeon, FOXTEL)
Lockie Leonard (Nine Network)
My Place (ABC3)
Saturday Disney (Channel Seven)
Scope (Network Ten)
MOST OUTSTANDING FACTUAL PROGRAM
Go Back To Where You Came From (SBS)
Leaky Boat (ABC1)
Mrs Carey's Concert (ABC1)
Outback Fight Club (SBS)
Tony Robinson Explores Australia (The History Channel, (FOXTEL)
The TV Week Logie Awards ceremony will take place at Crown Melbourne on Sunday 15th April.
Good luck to all.
Websites
TV Week Logies
www.tvweek.ninemsn.com.au/logies
TV Week
Park Hyatt, Sydney
Crown Melbourne
Eva Rinaldi Photography Flickr
www.flickr.com/evarinaldiphotography
Eva Rinaldi Photography
The Lantern Group
Music News Australia
2018 SAFAS AWARDS - Final Voting
The SL Academy of Fashion Arts and Sciences [SAFAS]©®
A Second Life professional honorary organization with open membership. Organization and staff positions are extended by our Board of Governors to distinguished contributors to the arts and sciences of SL fashion. A yearly awards program recognizes those who have advanced the fashion world of SL through their contributions.
After receiving thousands of individual nominations that span hundreds of categories, we have created this final form for you to vote for your favorites in the respective categories. The form below is provided for you to vote for who you feel has contributed to the world of SL and who should be recognized.
The final results of our winners will be announced LIVE at the 2018 SAFAS Awards in Second Life on Saturday, June 30, 2018.
Thank you for your vote and feel free to join our in-world group (free) in Second Life
[SL Academy of Fashion Arts&Science].
Please help us by voting for your favorites in each category. Voting from the TOP nominations will end on June 29, 2018 and the final results of our winners will be announced LIVE at the 2018 SAFAS Awards in Second Life on Saturday, June 30, 2018.
Who would you like to nominate for a 2018 SAFAS Awards?
Do you want to vote for me? Thank you !!!!
FINAL VOTING HERE: docs.google.com/forms/d/13k_t_VNPPz5X31dCIpJIaljqZ1f5iYJ_...
Blog LuceMia
My Flickr
www.flickr.com/photos/lucemia/
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An Oscar nomination animated short film titled paperman really struck me. I have been in kind of a rut, and have been struggling to produce ideas; not much inspiration. I came across this film a couple days ago and it instantly made me press replay. From the subtle realistic gestures, to the score by Christophe Beck, it really took me back in my chair with my hands on my head. Inspiration was instantly conveyed to the right side of my brain and will reside. Thank you Disney.
www.youtube.com/watch?v=rog8ou-ZepE
Ice bucket challenge nominated by cold frog and Lisa Outsider.
My next nomination is Chaos. Lucifer and Miles Cantelou
Yes, I was going to be taking a little break from flickr but I've had a couple of pieces of lovely news over the last half a week. As you can probably guess from the above, I've been nominated for an award on the Hipstography website, for a portfolio of mine they published earlier last year. Some of you may remember that. Really chuffed to be included, especially amongst some really wonderful fellow photographers. Well, apparently once the nominations were chosen it is then a public vote. So, y'all should duck over there, take a gander at the fantastic nominations and vote for your faves! You can find the right page here .
Also, although many of you will have noticed, I was super pleased to get an honourable mention in the Mobile Photography Awards street category that was announced late last week, for this photo . Anyhoo, big thanks to all of you for your continued encouragement and company, I've learnt so much from keeping company with you all on this place. Appreciate it everyone!
NB: Although I did not win this category, the same shot of bathers at Bondi won the Hipstography monochrome photo of the year. Yay.
Pompeo congratulates Nechirvan Barzani on KRG presidential nomination
ERBIL, Kurdistan Region – US Secretary of State Mike Pompeo congratulated Kurdistan Regional Government (KRG) Prime Minister Nechirvan Barzani on his nomination for the KRG presidency, according to a State Department readout published Wednesday night.
During a surprise visit to Erbil on Wednesday evening, Pompeo congratulated PM Barzani on his nomination for the presidency – a post which has been frozen since Kurdistan Democratic Party (KDP) president Masoud Barzani resigned in 2017 following the Kurdistan independence referendum.
According to a readout from the US State Department, Pompeo also emphasized “strong US support for continued dialogue between the KRG and the central government in Baghdad.”
Following an unscheduled stop in the Iraqi capital Baghdad on Wednesday morning, Pompeo travelled on to Erbil, where he also met with Masoud Barzani and Kurdistan Region Security Council Chancellor Masrour Barzani – who has been nominated for the office of prime minister.
If approved, the two Barzani cousins will hold both the top seats of government. They will only be successful if the KDP gets its way in government formation talks with the Patriotic Union of Kurdistan (PUK) and the Change Movement (Gorran) – their nearest rivals.
PM Barzani described his meeting with Pompeo as “productive”.
They “discussed the recent territorial defeat of ISIS in Syria” while underscoring “the value of our strategic relationship with Iraq and our longstanding friendship with the IKR [Iraqi Kurdistan Region], which is vital for ensuring mutual security and regional stability.”
Pompeo is touring several Middle Eastern states to drum up support for America’s anti-Iran campaign and to reassure allies in the wake of US President Donald Trump’s bombshell decision to withdraw troops from northern Syria
Hello friends, Versus got a nomination for the Avi Choice Awards in the category "FAVORITE MAGAZINE, NEWSPAPER OR PERIODICAL" . We wanna ask for if you kindly could follow this link and vote for us
avichoiceawards.com/vote-here-the-arts/
Thank you for your support!
Belgian postcard in the series 'De mooiste vrouwen van de eeuw' (the 100 most beautiful women of the century) by P-Magazine, no. 37. Photo: Sante D'Orazio / Outline.
Vivacious Kate Winslet (1975) is often seen as the best English-speaking film actress of her generation. The English actress and singer was the youngest person to acquire six Academy Award nominations, and won the Oscar for The Reader (2008).
Kate Elizabeth Winslet was born in Reading, England, in 1975. She is the second of four children of stage actors Sally Anne (née Bridges) and Roger John Winslet. Winslet began studying drama at the age of 11. The following year, Winslet appeared in a television commercial for Sugar Puffs cereal, in which she danced opposite the Honey Monster. Winslet's acting career began on television, with a co-starring role in the BBC children's science fiction serial Dark Season (Colin Cant, 1991). On the set, Winslet met Stephen Tredre, who was working as an assistant director. They would have a four-and-a-half-year relationship and remained close after their separation in 1995. He died of bone cancer during the opening week of Titanic, causing her to miss the film's Los Angeles premiere to attend his funeral in London. Her role in Dark Season was followed by appearances in the made-for-TV film Anglo-Saxon Attitudes (Diarmuid Lawrence, 1992), the sitcom Get Back (Graeme Harper, 1992), and an episode of the medical drama Casualty (Tom Cotter, 1993). She made her film debut in the New Zealand drama film Heavenly Creatures (Peter Jackson, 1994). Winslet auditioned for the part of Juliet Hulme, an obsessive teenager in 1950s New Zealand who assists in the murder of the mother of her best friend, Pauline Parker (played by Melanie Lynskey). Winslet won the role over 175 other girls. The film included Winslet's singing debut, and her a cappella version of Sono Andati, an aria from La Bohème, was featured on the film's soundtrack. The film opened to strong critical acclaim at the 51st Venice International Film Festival in 1994 and became one of the best-received films of the year. Winslet was awarded an Empire Award and a London Film Critics Circle Award for British Actress of the Year. Subsequently, she played the second leading role of Marianne Dashwood in the Jane Austen adaptation Sense and Sensibility (Ang Lee, 1995) featuring Emma Thompson, Hugh Grant and Alan Rickman. The film became a financial and critical success, resulting in a worldwide box office total of $135 million and various awards for Winslet. She won both a BAFTA and a Screen Actors' Guild Award and was nominated for both an Academy Award and a Golden Globe. In 1996, Winslet starred in Michael Winterbottom's Jude, based on the Victorian novel Jude the Obscure by Thomas Hardy. She played Sue Bridehead, a young woman with suffragette leanings who falls in love with her cousin (Christopher Eccleston). She then played Ophelia, Hamlet's drowned lover, in Kenneth Branagh's all-star-cast film version of William Shakespeare's Hamlet (1996). In mid-1996, Winslet began filming James Cameron's Titanic (1997), alongside Leonardo DiCaprio. She was cast as the passionate, rosy-cheeked aristocrat Rose DeWitt Bukater, who survives the 1912 sinking of the RMS Titanic. Against expectations, Titanic (1997) became the highest-grossing film in the world at the time and transformed Winslet into a commercial movie star. Young girls, the world over both idolized and identified with Winslet. Despite the enormous success of Titanic, Winslet next starred in two low-budget art-house films, Hideous Kinky (Gillies MacKinnon, 1998), and Holy Smoke! (Jane Campion, 1999). In 1997, on the set of Hideous Kinky, Winslet met film director Jim Threapleton, whom she married in 1998. They have a daughter, Mia Honey Threapleton (2000). Winslet and Threapleton divorced in 2001.
Since 2000, Kate Winslet's performances have continued to draw positive comments from film critics. She appeared in the period piece Quills (Philip Kaufman, 2000) with Geoffrey Rush and Joaquin Phoenix, and was inspired by the life and work of the Marquis de Sade. The actress was the first big name to back the film project, accepting the role of a chambermaid in the asylum and the courier of the Marquis' manuscripts to the underground publishers. Well received by critics, the film garnered numerous accolades for Winslet. In Enigma (Michael Apted, 2001), she played a young woman who finds herself falling for a brilliant young World War II code breaker (Dougray Scott). She was five months pregnant at the time of the shoot, forcing some tricky camera work. In the same year she appeared in Iris (Richard Eyre, 2001), portraying novelist Iris Murdoch. Winslet shared her role with Judi Dench, with both actresses portraying Murdoch at different phases of her life. Subsequently, each of them was nominated for an Academy Award the following year, earning Winslet her third nomination. Also in 2001, she voiced the character Belle in the animation film Christmas Carol: The Movie, based on the Charles Dickens classic novel. For the film, Winslet recorded the song What If, which was a Europe-wide top ten hit. Winslet began a relationship with director Sam Mendes in 2001, and she married him in 2003 on the island of Anguilla. Their son, Joe Alfie Winslet Mendes, was born in 2003 in New York City. In 2010, Winslet and Mendes announced their separation and divorced in 2011. In the drama The Life of David Gale (Alan Parker, 2003), she played an ambitious journalist who interviews a death-sentenced professor (Kevin Spacey) in his final weeks before execution. Next, Winslet appeared with Jim Carrey in Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004). In this neo-surrealistic indie-drama, she played Clementine Kruczynski, a chatty, spontaneous and somewhat neurotic woman, who decides to have all memories of her ex-boyfriend erased from her mind. The film was a critical and financial success and Winslet received rave reviews and her fourth Academy Award nomination. Finding Neverland (Marc Forster, 2004), is the story of Scottish writer J.M. Barrie (Johnny Depp) and his platonic relationship with Sylvia Llewelyn Davies (Winslet), whose sons inspired him to pen the classic play Peter Pan or The Boy Who Wouldn't Grow Up. The film received favourable reviews and became Winslet's highest-grossing film since Titanic.
In 2005, Kate Winslet played a satirical version of herself in an episode of the comedy series Extras by Ricky Gervais and Stephen Merchant. While dressed as a nun, she was portrayed giving phone sex tips to the romantically challenged character of Maggie. Her performance in the episode led to her first nomination for an Emmy Award. In the musical romantic comedy Romance & Cigarettes (John Turturro, 2005), she played the slut Tula, and again Winslet was praised for her performance. In Todd Field's Little Children (2006), she played a bored housewife who has a torrid affair with a married neighbor (Patrick Wilson). Both her performance and the film received rave reviews. Again she was nominated for an Academy Award for Best Actress, and at 31, became the youngest actress to ever garner five Oscar nominations. Commercial successes were Nancy Meyers' romantic comedy The Holiday (2006), also starring Cameron Diaz, and the CG-animated Flushed Away (2006), in which she voiced Rita, a scavenging sewer rat who helps Roddy (Hugh Jackman) escape from the city of Ratropolis and return to his luxurious Kensington origins. In 2007, Winslet reunited with Leonardo DiCaprio to film Revolutionary Road (2008), directed by her husband at the time, Sam Mendes. Portraying a couple in a failing marriage in the 1950s, DiCaprio and Winslet watched period videos promoting life in the suburbs to prepare themselves for the film. Winslet was awarded a Golden Globe Award for Best Actress for her performance, her seventh nomination from the Golden Globes. Then she starred in the film adaptation of Bernhard Schlink's 1995 novel The Reader, (Stephen Daldry, 2008) featuring Ralph Fiennes and David Kross in supporting roles. Employing a German accent, Winslet portrayed a former Nazi concentration camp guard who has an affair with a teenager (Kross) who, as an adult, witnesses her war crimes trial. While the film garnered mixed reviews in general. The following year, she earned her sixth Academy Award nomination and went on to win the Best Actress award, the BAFTA Award for Best Actress, a Screen Actors' Guild Award for Outstanding Supporting Actress, and a Golden Globe for Best Supporting Actress.
In 2011, Kate Winslet headlined in the HBO miniseries Mildred Pierce, based on James M. Cain's 1941 novel and directed by Todd Haynes. She portrayed a self-sacrificing mother during the Great Depression who finds herself separated from her husband and falling in love with a new man (Guy Pearce), all the while trying to earn her narcissistic daughter's (Evan Rachel Wood) love and respect. This time, Winslet won an Emmy Award, a Golden Globe Award and a Screen Actors Guild Award. Roman Polanski's Carnage (2011) premiered at the 68th Venice Film Festival. The black comedy follows two sets of parents who meet up to talk after their children have been in a fight that day at school. Jodie Foster, John C. Reilly and Christoph Waltz co-starred in the film. In 2012, she was appointed a Commander of the Order of the British Empire (CBE). In Jason Reitman's big screen adaptation of Joyce Maynard's novel Labor Day (2013), she starred with Josh Brolin and Tobey Maguire. Winslet received favourable reviews for her portrayal of Adele, a mentally fragile, repressed single mom of a 13-year-old son who gives shelter to an escaped prisoner during a long summer weekend. For her performance, Winslet earned her tenth Golden Globe nomination. Next, she appeared in the science fiction film Divergent (Neil Burger, 2014), as the bad antagonist Jeanine Matthews. It became one of the biggest commercial successes of her career. This year, Winslet also appeared alongside Matthias Schoenaerts in Alan Rickman's period drama A Little Chaos (2014) about rival landscape gardeners commissioned by Louis XIV to create a fountain at Versailles. Next, she can be seen in the crime-thriller Triple Nine (John Hillcoat, 2015), the sequel in the Divergent series: Insurgent (Robert Schwentke, 2015) and The Dressmaker (Jocelyn Moorhouse, 2015). Since 2012, Kate Winslet is married to Ned Rocknroll, a nephew of Richard Branson; The couple has a son, Bear Blaze Winslet. They live in West Sussex.
Sources: Tom Ryan (Encyclopedia of British Film), Sandra Brennan (AllMovie), Wikipedia, and IMDb.
At the 97th Academy Awards, it received nominations for Best International Feature Film (the third animated film to do so) and Best Animated Feature, becoming the first Latvian film to be considered for multiple awards and nominations from major ceremonies.
Vintage postcard, no. FA 328. Photo: Sharon Stone in Basic Instinct (Paul Verhoeven, 1992).
Sharon Stone (1958) is an American actress, producer, and former fashion model. With her role in Paul Verhoeven's Basic Instinct (1992), she became one of the most talked about actresses of the 1990s, earning both admiration and infamy for her on- and off-screen personae. Cast as an ex-prostitute in Martin Scorsese's Casino (1995), she won an Oscar nomination and a Golden Globe for her work, as well as the general opinion that she was capable of dramatic acting.
Sharon Vonne Stone was born in 1958 in Meadville, a small town in Pennsylvania. Her parents were Dorothy Marie (née Lawson), an accountant, and Joseph William Stone II, a tool and die manufacturer and factory worker. She was the second of four children. At the age of 15, she studied in Saegertown High School, Pennsylvania, and at that same age, entered Edinboro State University of Pennsylvania, and graduated with a degree in creative writing and fine arts. While attending Edinboro University, Stone won the title of Miss Crawford County, Pennsylvania and was a candidate for Miss Pennsylvania. One of the pageant judges told her to quit school and move to New York City to become a fashion model. In 1977, Stone left Meadville and moved in with an aunt in New Jersey. She was signed by Ford Modeling Agency in New York City. Stone, inspired by Hillary Clinton, went back to Edinboro University to complete her degree in 2016. After modelling in television commercials and print advertisements, she made her film debut as "pretty girl in train" in Woody Allen's comedy-drama Stardust Memories (1980). Her first speaking part was in Wes Craven's horror film Deadly Blessing (1981), and French director Claude Lelouch cast her in Les Uns et les Autres (1982), starring James Caan. She had a supporting role in Irreconcilable Differences (Charles Shyer, 1984), starring Ryan O'Neal, Shelley Long, and a young Drew Barrymore. In 1984, she married Michael Greenburg, the producer of MacGyver (1985), but they divorced two years later. Throughout the 1980s, Stone went on to appear in films such as King Solomon's Mines (J. Lee Thompson, 1985) with Richard Chamberlain, Cold Steel (Dorothy Ann Puzo, 1987) with Brad Davis, and Above the Law (Andrew Davis, 1988) as the wife of Steven Seagal. Stone was often cast as the stereotypical blonde bimbo. She finally got a break with her part in Paul Verhoeven's Sci-Fi action film Total Recall (1990), starring Arnold Schwarzenegger. She played the role of Lori Quaid, the seemingly loving wife of Schwarzenegger's character, later revealed to be an agent sent by a corrupt and ruthless governor to monitor him. The film received favourable reviews and made $261.2 million worldwide, giving Stone's career a major boost. She also posed nude for Playboy, a daring move for a 32-year-old actress. But it worked.
Sharon Stone became a sex symbol and international star when she played Catherine Tramell, a brilliant, bisexual author and alleged serial killer in the erotic thriller Basic Instinct (Paul Verhoeven, 1992). Several actresses at the time turned down the role, mostly because of the nudity required. Her interrogation scene has become a classic in film history and her performance captivated everyone, from MTV viewers, who honoured her with Most Desirable Female and Best Female Performance Awards, to a Golden Globe nomination for Best Actress. She headlined the erotic thriller Sliver (Phillip Noyce, 1993), based on Ira Levin's eponymous novel about the mysterious occurrences in a privately owned New York City high-rise apartment building. The film was heavily panned by critics and earned Stone a Golden Raspberry Award nomination for Worst Actress but Sliver became a commercial success, grossing US$116.3 million at the international box office. She starred alongside Sylvester Stallone in the action thriller The Specialist (Luis Llosa, 1994), portraying May Munro, a woman who entices a bomb expert she is involved with (Stallone) into destroying the criminal gang that killed her family. Despite negative reviews, the film made US$170.3 million worldwide. In the Western The Quick and the Dead (Sam Raimi, 1995) with Gene Hackman and Russell Crowe, she obtained the role of a gunfighter who returns to a frontier town in an effort to avenge her father's death. She received critical acclaim with her performance as the beautiful but drug-crazy wife of Robert de Niro in Martin Scorsese's crime drama Casino (1995), garnering the Golden Globe Award and an Academy Award nomination for Best Actress. In 1998, she married newspaper editor Phil Bronstein but they divorced in 2004. Sharon Stone received two more Golden Globe Award nominations for her roles in The Mighty (Peter Chelsom, 1998) and The Muse (Albert Brooks, 1999).
In 2000, Sharon Stone starred opposite Ellen DeGeneres in the made-for-HBO drama If These Walls Could Talk 2 (Jane Anderson, Martha Coolidge, Anne Heche, 2000), portraying a lesbian trying to start a family. Stone appeared in two embarassing flops, Catwoman (Pitof, 2004), and the sequel Basic Instinct 2 (Michael Caton-Jones, 2006). In between, she played one of Bill Murray's ex-girlfriends in Jim Jarmusch's Golden Palm winner Broken Flowers (2005) - and walked away with the most memorable and endearing role in the picture - a role that showcases her skills as a disciplined thespian. She was also in the American drama Bobby (2006), written and directed by Emilio Estevez. In the biographical drama Lovelace (Rob Epstein, Jeffrey Friedman, 2013), Stone obtained the role of the mother of porn actress Linda Lovelace, played by Amanda Seyfried. Later films include Fading Gigolo (John Turturro, 2013) with Woody Allen, the Italian dramedy Un ragazzo d’oro/A Golden Boy (Pupi Avati, 2014) and The Disaster Artist (James Franco, 2017). In 1995, she received a star on the Hollywood Walk of Fame, and in 2005, she was named Officer of the Order of Arts and Letters in France. On television, Stone has had notable performances in the mini-series War and Remembrance (1987) and the made-for-HBO film If These Walls Could Talk 2 (2000). She made guest-appearances in The Practice (2004), winning the Emmy Award for Outstanding Guest Actress in a Drama Series, and in Law & Order: Special Victims Unit (2010). She has also starred in the action drama series Agent X (2015), Steven Soderbergh's murder-mystery Mosaic (2017) and the series The New Pope (Paolo Sorrentino, 2019) with Jude Law. Sharon Stone is the mother of three adopted sons: Roan (2000), Laird (2005) and Quinn (2006).
Sources: Johannes Prayudhi (IMDb), Rebecca Flint Marx (AllMovie), Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
I discovered this lovely Victorian house earlier this week. I have since learned that it was placed on the National Register of Historic Places in 1980. The information below comes from the National Register of Historic Places Inventory—Nomination Form.
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I have omitted the detailed descriptions of the building's elevations, windows, doors and roof. I've also cut tedious details about the pool house and the landscaping. It is worth noting, however, that in 1980, the house was served by a curved driveway that extended all the way to the front steps. It is no longer there and, in fact, there is no access to house from N. Willamette Boulevard.
I gather that high expectations that the house would be restored, which go back to the 1980s, have yet to be realized. The first thing I would do is repaint the house, because otherwise it's akin to a piece of fine furniture that's been left out to weather on the front yard.
Introduction
The John Mock House is one of Portland's best-preserved examples of Queen Anne/Victorian architecture. It is excellently situated above the Willamette River and was designed and built by unknown person or persons on the site of two previous Mock houses, the oldest dating from 1853.
The interior is superbly detailed and is substantially unaltered from its original state. The Mock House has been continuously associated with persons and events vital to the evolution of Portland's architectural, political and cultural heritage and deserves recognition by the National Register.
Biographical Information About Past Owners
1. John Mock's Parents
In 1833 Henry Arnold Mock and his wife, Maria Elizabeth Meyer, emigrated to America from Germany. Settling in Mechanicsburg, Pennsylvania, five years later on October 4, 1838, Maria gave birth to the couple's only child, John. In Mechanicsburg, Henry engaged in several occupations including that of a sailor, farmer, and shoemaker. By 1844, he had saved enough money to move his family to Platte County, Missouri, and purchase a forty-acre farm. There the family settled and worked the land for eight years.
In the spring of 1852, lured into the westward migration, Henry Mock sold his farm, packed both his family and his most valued worldly possessions into a wagon, and began their journey across the Great Plains to Oregon. By this time, John was fourteen years old and a man by pioneer standards. He proved himself particularly adept in the handling of the family's four-yoke oxen wagon, often with two additional cows hitched up. In fact, John was so skillful at driving the team that all six original animals survived the Plains crossing.
In the late summer of 1852, the Mock family arrived in The Dalles, Oregon. There they sold two of their oxen, loaded the wagon on a river scow, and drifted down the Columbia River. John, however, stayed behind, and drove the remaining oxen and cows overland, where he met his parents at the Upper Cascades. Here they disembarked from the scow and proceeded further down the river by wagon to the Lower Cascades. At the Lower Cascades, Henry and Maria again boarded the scow, John drove the oxen and cows overland, and by early fall both groups arrived in Sandy, Oregon. In Sandy, the family reloaded the wagon and made their way to Portland, arriving in October 1852.
The Mock family's first three weeks in Portland were spent camping in Sullivan's Gulch. Turning their cattle loose in order to graze, the animals ran off during an unwatched moment. In the search that followed, the Mocks stumbled upon what is now St. John's, where they met Dr. Charles Staples, Portland's first practicing and properly educated physician.
Dr. Staples convinced the family to occupy a house on his property and weather the winter storms there. Henry, Maria, and John remained guests of Dr. Staples until the spring of 1853, when, with the advice of Dr. Staples, Henry Mock took up a donation land claim of 317 acres in the vicinity of what is now the University of Portland. That claim included what are today’s North Portland neighborhoods of University Park, Mock’s Crest and Mock’s Bottom. With the aid of neighbors, the Mock's built their first log cabin, which was the family home until 1874.
2. John Mock
During his first four years in Portland, John Mock cleared, worked, and helped further develop the family farm. Yet, by 1857 and at the age of eighteen, John left home for a career in mining and running a pack train. Taking advantage of his pioneer experiences, John was apparently successful as both a miner and "mule skinner."
However, after six years he returned to his Portland home, lived with his mother and father, and began again to work the farm.
In 1867, Maria Elizabeth Mock died. At this point, John purchased the farm from his aging and apparently disheartened father. Gathering his savings, Henry Arnold returned to his native Germany where he was promptly swindled out of his small fortune. He was thus forced to return to the U.S., where he lived with his son John until 1883, when he died at the age of ninety-one.
On August 4, 1874, John Mock married Mary M. Sunderland, originally of Iowa. John immediately began the construction of a new family cabin of hewn log. Finished in the same year, the cabin was much more spacious and thus able to house an ever growing family. Included were his wife, Mary; his father, Henry; his oldest daughter, Mary Elizabeth; hisonly son, John Benjamin; his second daughter, Lillie Catherine;and his last child, Margaret Alice.
Tragically, in 1889, the Mock family cabin burned down, along with virtually all of the family's possessions. As a result, John Mock initiated the construction of the house that still stands today, known as Mock's residence. Completed in 1894, John Mock lived there until 1918, when he died.
John Mock, as one of the founders of Portland, was originally well known for his pioneering efforts in raising livestock and mining in the local area. Later, as a City Councilman, he was instrumental in developing and initiating a street-railway system that reached out to the St. John's area. Moreover, John Mock donated large tracks of land to the city for the implementation of a street system which led to the development of a fine residentia lcommunity. Finally, near the end of his life, John Mock donated the land for the building of Columbia University, presently the University of Portland.
Both Mock's Crest, near the University, and Mock's Bottom, near Swan Island, are named for John Mock, acknowledging his contribution to Portland as one of its original pioneers and most active and concerned of citizens.
3. Owners After John Mock's Death
After John Mock's death, the present home was subsequently owned and occupied by his children and in-laws at various times: Margaret Alice Mock, the youngest child who remained single her entire life, and who was noted for the creation of a generous scholarship fund for graduating senior at Roosevelt High School; Lillie Catherine (Mock) Amos, the second daughter of John Mock, and wife of the well-known physician and famous prohibitionist Dr. William F. Amos; Mary Elizabeth (Mock) Yeon, the eldest Mock child and wife of John B. Yeon.
Mr. Yeon was a well-known Oregon logger, builder, real estate developer, and is considered the "father of the Columbia River Highway." John B. Yeon is the grandfather of the noted architect, John Yeon.
In the mid-1950's, the family sold the Mock home to Harold LaDuke, for which the LaDuke Terrace addition is named.
4. The Owners in 1980
The Mock House is now owned and occupied by Mr. Lewis E. Alexander, and his wife, Fern T. Alexander. Both are Native Americans and hail from Oklahoma.
Mr. Alexander is of the Creek-Seminole people and Mrs. Alexander is of Oto-Missouria origin. Presently, Mr. Alexander is the Executive Director of the Portland Urban Indian Council, Inc., providing a variety of social services for the local Native American population.
In the recent past, Mr. Alexander has served both the Schrunk and Goldschmidt administrations in the Mayor's Office. Between 1970 and 1972, he was Manpower Coordinator for the City of Portland, in which he served as the Mayor's staff advisor on all manpower and related programs. Further, he was Chairperson of the Mayor's Manpower Area Planning Council and was instrumental in codifying and developing a program of evaluating the City's Manpower planning problems. Mr. Alexander has remained active in Indian cultural affairs throughout his life.
Former President of New Mexico Council of AmericanIndians, and presently a member of several other regional and national Indian organizations, in 1974, he was selected the administrative coordinator for the "Native American's Earth" presentation at Expo '74 in Spokane, and was an active member of Expo '74's general manager's staff,
In 1968, Mrs. Alexander was named the American Indian of the Year and travelled to Washington, D.C. to receive the honor. During the administration of President Kennedy, she was appointed "counselor" to the Department of the Interior in regards to Indian affairs~a position Mrs. Alexander still remains active in today. Like her husband, she is very active in local, regional, and national Indian affairs and participates in several related organizations. Presently, Mrs. Alexander is the
Chairperson and the Director of Communications for the North American Indian Woman's Association of Oregon.
Description of the House
The interior of the Mock's Residence consists of a 1,500 square foot basement; a 2,000 square foot first floor a 1,900 square foot second floor; and an attic with 1,000 usable square feet. The basement is used as a laundry room and recreational area, whereas the attic, though largely unfinished, has one insulated room for storage purposes.
1. The First Floor
The first floor was originally designed to and presently serves as the family living area. Likewise, the second floor was designed expressly for individual sleeping and dressing rooms, and remains so today.
The entry hall allows access from the front porch through the main doors to the main hall-foyer. The entry is 6' x 5'6" and contains an inner pair of 8' high doors, with stained glass inserts, that separate it from the hall-foyer. The floor is surfaced in ceramic tile, and the doors and wainscoting are natural-finish hardwood panels. The main hall-foyer is irregular in shape, approximately 22' x 8'6" in size. The floors are fully carpeted and the ceiling is textured with a cut crystal chandelier. The walls are painted, yet all doors and the accompanying wood decor are of natural finish.
An open curved stairway leads to the second floor. The newel post and rails are carved hardwood and given a natural finish.
Between the entry hall and stairway is an 8' x 5'6" cloakroom. It has hanging space for clothing on both sides and a sit down storage bench. This walk-in cloakroom is fully carpeted and has a half rounded stained glass window facing the front yard.
To the left of the entry hall as one enters the hall-foyer, is the sitting room. Measuring 14' x 17', one enters the sitting room through a 5' x 8' pocket door from the hall-foyer. The room has a textured ceiling, painted walls, and a bowed front window stretching the full width of the room. The sitting room is fully carpeted.
The living room, originally the parlor and music room, is to the right of the hall-foyer and is entered through a pair of 5' x 8' pocketed doors. The room is irregular in shape, yet averages 29' x 14' in size. A high cased opening topped with fancy spindle work and a cut out lyre separates the south nine feet of the room. This section of the living room is lined with built-in bookcases, except for the window areas.
The fireplace at the north end of the room is surrounded by a natural finish oak mantle and side sections with a beveled edge plate glass mirror back. It has a ceramic tile face and an iron plate fire screen with adjustable vents. The ceiling is textured, the walls are painted, and the floor is carpeted.
One gains access to the dining room via a 4' x 8' high pocket door at the north end of the living room. The ceiling was hand-painted by New York artist Charles Ammann in 1930. The chandelier has eight branches and is of Victorian design. The fixture was originally gas fueled, but has since been converted to electricity. The fireplace, at the southern end of the room, is similar in styling to the one in the living room. It has a ceramic face and hearth, an iron plate fire screen, and a natural finish oak wood mantle. However, the side shelves have more spindle work and there is a smaller mirror. The northern wall has a scenic mural of the "Villa d'Este." Painted in moss green and blue, it was done by an unknown artist at an unknown date. The woodwork in the room is largely painted in satin enamel, excepting the spindle work, the doors, and the dado inserts. The remaining walls are likewise painted and the floor is carpeted. The dining room measures 19' x 14'.
The breakfast room, presently serving as an informal bar, opens off of the dining room through a high cased opening topped by fine wood spindle work. Facing the east, the room is walled by two full sides of glass windows taking full advantage of the sun during the first half of the day. The remaining two walls and ceiling are painted to compliment the dining room, and the floor is completely surfaced with ceramic tile. The breakfast room measures 6' x 10'.
At the north end of the hall-foyer is the center hall. Measuring 3' x 10', it has a dropped ceiling topped with a fancy wood spindle work. The floor is carpeted, the walls are painted, and the center hall leads one to the main floor bathroom and to the office.
The office is 10' x 8'6" and has a dropped ceiling. This room does not reflect the architectural period of the house as do the other rooms. The office has wainscote-height paneling and built-in cabinets shelves. The floor is carpeted.
The main floor bathroom measures 7'6" x 15'. It has a built-in vanity with a large mirror and double swag lights, the ceiling is original hand painted, and has a wall-hung water closet. The bathroom has been fitted by a modern toilet and 4'6"tub with an overhead shower.
The kitchen is a modern "U"-shaped design with several built-in appliances. One can enter the kitchen from the rear hall or from the pantry via the dining room. The kitchen is 12' x 16'6", it has a 9' kitchen bar with an eating shelf and a 7'6" nook with space for a small kitchen table. The room is well lighted and fully carpeted.
The pantry is located between the dining room and kitchen and has access to both. The walls are lined with upper and lower cabinets for storage, and there is an open counter space. The pantry is carpeted and opens up on to the back porch.
The rear stair is three feet wide and leads off the rear hallway to the second floor central hallway. Given a natural wood finish, it has one landing and winders that provide for a ninety-degree turn.
2. The Second Floor
The second floor consists of a main hallway, a small rear hall, a bathroom, a master bedroom, and five additional bedrooms. All the rooms on this floor have wood panel doors with transom lights above each.
The main hallway averages 8'6" x 12' and opens off the main stairway from the first floor hall-foyer. The hallway runs north and south and thus divides the second floor into east and west sections. At the southern end of the hallway is a stained glass insert door leading onto the front balcony. The hall carpet is the same as that of the main floor: a gold acrilan over a 70-ounce foam pad with a high/low tip sheared pattern.
The rear hall, located at the north end of the second floor, ranges from four to five feet in width. Carpeted, it leads to the rear stairway which, in turn, takes one down to the first floor, providing easy access to the pantry and kitchen.
The master bedroom is irregular in shape, yet average 24' x 14' in size. It has ivory colored wallpaper, ivory colored woodwork finish, and a pink wool carpet. Both windows in the room are boxed out. The east window is an Austrian shade with over drapes and valances in green and gold antique satin. The front corner windows have draw sheers, with a draw drapes valance. The front corner window seat is covered with green crushed velvet.
The master bedroom has its own bathroom, while the remaining five bedrooms share the hallway bathroom. The master bedroom bathroom is now a modern facility with tiled floor and walls. Entering through café doors, the bathroom contains a marble-top vanity, a 3' x 4'6" shower, and a hung water closet.
Within the entry-hall of the master bedroom are the original hall lights above a large framed mirror. Further centered in the sitting area hangs a Maria Theresa cut crystal chandelier.
The remaining five bedrooms range in size from as large as 18'6" x 10'6" to as small as 12' x 8'. Located on both sides of the main hall, they now serve as guest rooms for visiting friends and relatives.
The northeast bedroom has double closets- and an off-white acrylic carpet, and washable pink wallpaper; the southwest bedroom' has two windows with a view of the city, a connecting door with the west-center bedroom, the walls are painted, and retains its original carpet; the west-center bedroom, adjoining the southwest bedroom, has painted walls, a wool blue carpet, and a set of boxed out windows with stained glass; the northwest bedroom is painted and is floored with a green nylon carpet; the final bedroom also serves as a linen storage room. With its original carpet, this bedroom has an entire wall devoted to storage containing doors and drawers. Further, the room has a walk-in closet with drawers and shelves for more storage.
The hallway bathroom is for the occupants of the five subordinate bedrooms. Measuring 8'x9' in size, it is a completely new and modern facility excepting its original six foot long bathtub.
The upper-half story serves as an attic for the Mock House. It is basically unfinished except for one room with a 1,000 square foot area. Serving as a storage room, it is insulated, contains several storage cabinets, and usually remains locked.
Of further interest: In 1971, a four-ton Rheem central air-conditioning unit was installed. It serves the entire main floor, the master bedroom, and two more bedrooms on the second floor.
The system's installation was an amazing feat, in that first it could be installed at all in a structure such as Mock's Residence, and second; that it was accomplished without compromising the home's appearance.
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Big German collectors card by Ross Verlag. Photo: Paramount.
American screen legend Gary Cooper (1901-1961) is well remembered for his stoic, understated acting style in more than one hundred Westerns, comedies and dramas. He received five Oscar nominations and won twice for his roles as Alvin York in Sergeant York (1941) and as Will Kane in High Noon (1952).
Frank James Cooper was born in Helena, Montana in 1901. His parents were English immigrants, Alice Cooper-Brazier and Charles Henry Cooper, a prominent lawyer, rancher, and eventually a state supreme court judge. Frank left school in 1918 and returned to the family ranch to help raise their five hundred head of cattle and work full-time as a cowboy. In 1919, his father arranged for his son to complete his high school education at Gallatin County High School in Bozeman, Montana. His English teacher, Ida W. Davis, played an important role in encouraging him to focus on academics, join the school's debating team, and become involved in dramatics. He was in a car accident as a teenager that caused him to walk with a limp for the rest of his life. In the fall of 1924, Cooper's parents moved to Los Angeles to administer the estates of two relatives. Cooper joined them and there he met some cowboys from Montana who were working as film extras and stuntmen in low-budget Western films. Cooper decided to try his hand working as a film extra for five dollars a day, and as a stuntman for twice that amount. In early 1925, Cooper began his film career working as an extra and stuntman on Poverty Row in such silent Westerns as Riders of the Purple Sage (Lynn Reynolds, 1925) with Tom Mix, and The Trail Rider (W.S. Van Dyke, 1925) with Buck Jones. Cooper paid for a screen test and hired casting director Nan Collins to work as his agent. Collins changed his first name to ‘Gary’ after her hometown of Gary, Indiana. Cooper also worked in non-Western films. He appeared as a masked Cossack in The Eagle (Clarence Brown, 1925) with Rudolph Valentino, as a Roman guard in Ben-Hur (Fred Niblo, 1925) with Ramón Novarro, and as a flood survivor in The Johnstown Flood (Irving Cummings, 1926) with George O'Brien. Gradually he began to land credited roles that offered him more screen time, such as Tricks (Bruce M. Mitchell, 1925), in which he played the film's antagonist. As a featured player, he began to attract the attention of major film studios and in June 1926, Cooper signed a contract with Samuel Goldwyn Productions. His first important film role was in The Winning of Barbara Worth (Henry King, 1926) with Ronald Colman and Vilma Bánky. The film was a major success, and critics called Cooper a "dynamic new personality" and future star. Cooper signed a five-year contract with Jesse L. Lasky at Paramount Pictures for $175 per week. In 1927, with help from established silent film star Clara Bow, Cooper landed high-profile roles opposite her in Children of Divorce (Frank Lloyd, 1927) and Wings (William A. Wellman, 1927), the first film to win an Academy Award for Best Picture. With each new film, Cooper's acting skills improved and his popularity continued to grow, especially among female movie-goers. He received a thousand fan letters per week. The studio placed him opposite popular leading ladies in films such as Beau Sabreur (John Waters, 1928) with Evelyn Brent, Half a Bride (Gregory La Cava, 1928) with Esther Ralston, and Lilac Time (George Fitzmaurice, 1928) with Colleen Moore. The latter introduced synchronized music and sound effects and became one of the biggest box office hits of the year.
In 1929, Gary Cooper became a major film star with his first sound picture, The Virginian, (Victor Fleming, 1929). The Virginian was one of the first sound films to define the Western code of honour and helped establish many of the conventions of the Western genre. The romantic image of the tall, handsome, and shy cowboy hero that embodied male freedom, courage, and honour was created in large part by Cooper's performance in the film. Cooper transitioned naturally to the sound medium, with his deep, clear, and pleasantly drawling voice. One of the high points of Cooper's early career was his portrayal of a sullen legionnaire in Josef von Sternberg's Morocco (1930) with Marlene Dietrich in her American debut. Cooper produced one of his finest performances to that point in his career. In the Dashiell Hammett crime drama City Streets (Rouben Mamoulian, 1931) he played a misplaced cowboy in a big city who gets involved with gangsters to save the woman (Sylvia Sidney) he loves. After making ten films in two years Cooper was exhausted and had lost thirty pounds. In May 1931, he sailed to Algiers and then Italy, where he lived for the next year. During his time abroad, Cooper stayed with the Countess Dorothy di Frasso who taught him about good food and vintage wines, how to read Italian and French menus in the finest restaurants, and how to socialize among Europe's nobility and upper classes. In 1932, a healthy Cooper returned to Hollywood and negotiated a new contract with Paramount for two films per year, a salary of $4,000 per week, and director and script approval. He appeared opposite Helen Hayes in A Farewell to Arms (Frank Borzage, 1932), the first film adaptation of an Ernest Hemingway novel. Critics praised his highly intense and at times emotional performance, and the film went on to become one of the year's most commercially successful films. The following year, Cooper appeared in the Ernst Lubitsch comedy Design for Living (1933) with Miriam Hopkins and Fredric March and based loosely on the successful Noël Coward play. Wikipedia: “The film received mixed reviews and did not do well at the box office, but Cooper's performance was singled out for its versatility and revealed his genuine ability to do light comedy”. Then, he appeared in his first of seven films by director Henry Hathaway, Now and Forever (1934), with Carole Lombard and Shirley Temple. The film was a box-office success. His next two Henry Hathaway films were the melodrama Peter Ibbetson (1935) with Ann Harding, about a man caught up in a dream world created by his love for a childhood sweetheart, and the romantic adventure The Lives of a Bengal Lancer (1935), about a daring British officer and his men who defend their stronghold at Bengal against rebellious local tribes. The latter was nominated for six Academy Awards and became one of Cooper's most popular and successful adventure films.
Gary Cooper returned to Poverty Row for the first time since his early silent film days to make Mr. Deeds Goes to Town (Frank Capra, 1936) with Jean Arthur for Columbia Pictures. Cooper plays the character of Longfellow Deeds, an innocent, sweet-natured writer of greeting cards who inherits a fortune, leaves behind his idyllic life in Vermont and travels to New York where he faces a world of corruption and deceit. For his performance in Mr. Deeds, Cooper received his first Oscar nomination. In the adventure film The General Died at Dawn (Lewis Milestone, 1936) with Madeleine Carroll, he plays an American soldier of fortune in China who helps the peasants defend themselves against the oppression of a cruel warlord. Written by playwright Clifford Odets, the film was a critical and commercial success. In Cecil B. DeMille's sprawling frontier epic The Plainsman (1936) with Jean Arthur—his first of four films with the director—Cooper portrays Wild Bill Hickok in a highly-fictionalized version of the opening of the American western frontier. That year, Cooper appeared for the first time on the Motion Picture Herald exhibitor's poll of top ten film personalities, where he would remain for the next twenty-two years. In Ernst Lubitsch's romantic comedy Bluebeard's Eighth Wife (1938) with Claudette Colbert, Cooper plays a wealthy American businessman in France who falls in love with an impoverished aristocrat's daughter and persuades her to become his eighth wife. In the adventure film Beau Geste (William A. Wellman, 1939) with Ray Milland, he joined the French Foreign Legion to find adventure in the Sahara fighting local tribes. Wikipedia: “Beau Geste provided Cooper with magnificent sets, exotic settings, high-spirited action, and a role tailored to his personality and screen persona.” Cooper cemented his cowboy credentials in The Westerner (William Wyler, 1940). He won his first Academy Award for Best Actor in 1942 for his performance as Alvin York, the most decorated U.S. soldier from the Great War, in Sergeant York (Howard Hawks, 1941). Cooper worked with Ingrid Bergman in For Whom the Bell Tolls (Sam Wood, 1943) which earned him his third Oscar nomination. The film was based on a novel by Ernest Hemingway, with whom Cooper developed a strong friendship. On 23 October 1947, he appeared before the House Un-American Activities Committee in Washington, not under subpoena but responding to an invitation to give testimony on the alleged infiltration of Hollywood by communists. Although he never said he regretted having been a friendly witness, as an independent producer, he hired blacklisted actors and technicians. He did say he had never wanted to see anyone lose the right to work, regardless of what he had done. Cooper won his second Oscar for his performance as Marshal Will Kane in High Noon (Fred Zinnemann, 1952), one of his finest roles and a kind of come-back after a series of flops. He continued to play the lead in films almost to the end of his life. His later box office hits included the influential Western Vera Cruz (Robert Aldrich, 1954) in which he guns down villain Burt Lancaster in a showdown, William Wyler's Friendly Persuasion (1956), in which he portrays a Quaker farmer during the American Civil War, Billy Wilder's Love in the Afternoon (1957) with Audrey Hepburn, and the hard-edged action Western Man of the West (Anthony Mann, 1958), with Lee J. Cobb. Cooper's final film was the British-American co-production The Naked Edge (Michael Anderson, 1961). In April 1960, Cooper underwent surgery for prostate cancer after it had metastasized to his colon. But by the end of the year cancer had spread to his lungs and bones. On 13 May 1961, six days after his sixtieth birthday, Gary Cooper died. The young and handsome Cooper had affairs with Clara Bow, Lupe Velez, Marlene Dietrich and Tallulah Bankhead. In 1933, he married socialite Veronica Balfe, who, billed as Sandra Shaw, enjoyed a short-lived acting career. They had an ‘open’ marriage and Cooper also had relationships with the actresses Grace Kelly, Anita Ekberg, and Patricia Neal. Sir Cecil Beaton also claimed to have had an affair with him.
Sources: Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
De Hallen Amsterdam, McDonalds (Rotterdam), Tennisclub IJburg, Small church Klein Wetsinge (Winsum), Swimming pool Het Noorderparkbad (Amsterdam), Plus Ultra (Wageningen Campus), het KWR Watercycle Research Institute (Nieuwegein) and the underground parking garage Katwijk aan Zee are nominated for the best Dutch building of 2016.
Nomination for Drisyam 2008 exhibition, Ernakulam Town Hall (26th - 30th December) Taken on Alleppey beach.
German postcard by ISV, no. H 45.
American film actor Tony Curtis (1925-2010) played a variety of roles, from light comedy, such as the musician on the run from gangsters in Some Like It Hot (Billy Wilder, 1959), to serious dramatic roles, such as an escaped convict in The Defiant Ones (Stanley Kramer, 1958), which earned him a nomination for the Academy Award for Best Actor. From 1949, he appeared in more than 100 films and made frequent television appearances.
Tony Curtis was born Bernard Herschel Schwartz in 1925 in Manhattan, New York City. He was the eldest of three children of Helen (Klein) and Emanuel Schwartz, Jewish immigrants from Hungary. His mother was later in life diagnosed with schizophrenia. His brother Robert was institutionalised with the same mental illness. Curtis himself admits that while he had almost no formal education, he was a student of the "school of hard knocks" and learned from a young age that the only person who ever had his back was himself, so he learned how to take care of both himself and younger brother, Julius. Curtis grew up in poverty, as his father, Emanuel, who worked as a tailor, had the sole responsibility of providing for his entire family on his meager income. This led to constant bickering between Curtis's parents over money, and Curtis began to go to movies as a way of briefly escaping the constant worries of poverty and other family problems. The financial strain of raising two children on a meager income became so tough that in 1935, Curtis's parents decided that their children would have a better life under the care of the state and briefly had Tony and his brother admitted to an orphanage. During this lonely time, the only companion Curtis had was his brother, Julius, and the two became inseparable as they struggled to get used to this new way of life. Weeks later, Curtis's parents came back to reclaim custody of Tony and his brother, but by then Curtis had learned one of life's toughest lessons: the only person you can count on is yourself. In 1938, shortly before Tony's Bar Mitzvah, tragedy struck when Tony lost the person most important to him when his brother, Julius, was hit by a truck and killed. After that tragedy, Curtis's parents became convinced that formal education was the best way Tony could avoid the same never-knowing-where-your-next-meal-is-coming-from life that they had known. However, Tony rejected this because he felt that learning about literary classics and algebra wasn't going to advance him in life as much as some real hands-on life experience would. He was to find that real-life experience a few years later when he enlisted in the navy in 1942 after the attack on Pearl Harbor. Inspired by Cary Grant's role in Destination Tokyo (Delmer Daves, 1943) and Tyrone Power's in Crash Dive (Archie Mayo, 1943), he joined the Pacific submarine force. Tony spent over two years getting that life experience doing everything from working as a crewman on a submarine tender, the USS Proteus (AS-19), to honing his future craft as an actor performing as a sailor in a stage play at the Navy Signalman School in Illinois.
In 1945, Tony Curtis was honorably discharged from the navy, and when he realised that the GI Bill would allow him to go to acting school without paying for it, he now saw that his lifelong pipe dream of being an actor might actually be achievable. Curtis auditioned for the New York Dramatic Workshop and was accepted on the strength of his audition piece, a scene from 'Dr. Jekyll and Mr. Hyde' in pantomime. In 1947, he studied acting under the influential German stage director Erwin Piscator. His contemporaries included Elaine Stritch, Harry Belafonte, Walter Matthau, Beatrice Arthur, and Rod Steiger. He then began to pay his dues by appearing in a slew of stage productions, including 'Twelfth Night' and 'Golden Boy'. While still at college, Curtis was discovered by Joyce Selznick, the notable talent agent, casting director, and niece of film producer David O. Selznick. After seeing his potential, Selznick arranged an interview for Curtis to see David O. Selznick at Universal Studios, where the 23-years-old Curtis was offered a seven-year contract. He changed his name from Bernard Schwartz to what he saw as an elegant, mysterious moniker, Tony Curtis, named after the novel 'Anthony Adverse' (1936) by Hervey Allen and a cousin of his named Janush Kertiz. Curtis began making a name for himself by appearing in small, offbeat roles in small-budget productions. His first notable performance was a two-minute role as a rumba dancer in Criss Cross (Robert Siodmak, 1949), in which he makes Burt Lancaster jealous by dancing with Yvonne De Carlo. This offbeat role resulted in Curtis's being typecast as a heavy for the next few years, such as playing a gang member in City Across the River (Maxwell Shane, 1949), starring Stephen McNally. Curtis continued to build up a showreel by accepting any paying job, acting in a number of bit-part roles for the next few years. It wasn't until late 1949 that he finally got the chance to demonstrate his acting flair when he was cast in an important role in an action-Western, Sierra (Alfred E. Green, 1950) starring Audie Murphy. On the strength of his performance in that film, Curtis was finally cast in a big-budget movie, Winchester '73 (Anthony Mann, 1950). While he appears in that film only very briefly, it was a chance for him to act alongside a Hollywood legend, James Stewart.
Tony Curtis was receiving numerous fan letters, so Universal awarded him the starring role in The Prince Who Was a Thief (Rudolph Maté, 1951), a Swashbuckler set in the Middle East with Piper Laurie. It was a hit at the box office and Curtis was now established. He followed it up with a role as a boxer in the Film Noir Flesh and Fury (Joseph Pevney, 1952), with Jan Sterling. His next films were the comedy No Room for the Groom (Douglas Sirk, 1952), and Son of Ali Baba (Kurt Neumann, 1952), another film set in the Arab world with Piper Laurie. Curtis then teamed up with then-wife Janet Leigh in Houdini (George Marshall, 1953), in which Curtis played the title role. He reunited with Burt Lancaster in the prestigious action drama Trapeze (Carol Reed, 1956). It was one of the biggest hits of the year. As his career developed, Tony Curtis wanted to act in films that had social relevance, ones that would challenge audiences. He achieved his first serious recognition as a dramatic actor in Sweet Smell of Success (1957) with co-star Burt Lancaster. The following year he was nominated for an Academy Award for Best Actor in The Defiant Ones (Stanley Kramer, 1958) alongside Sidney Poitier who was also nominated in the same category. Curtis then gave what could arguably be called his best performance: three interrelated roles in the now-classic comedy Some Like It Hot (Billy Wilder, 1959) opposite Jack Lemmon and Marilyn Monroe. That was followed by Operation Petticoat (Blake Edwards, 1959) with Cary Grant. These frantic comedies displayed his impeccable comic timing. He often collaborated with Edwards on later films. In 1960, Curtis played a supporting role in Stanley Kubrick's Spartacus (1960). He was advised against appearing as the subordinate sidekick in Spartacus, playing second fiddle to the equally famous Kirk Douglas. However, Curtis saw no problem with this because the two had recently acted together in dual leading roles in The Vikings (Richard Fleischer, 1958). Spartacus became another major hit for him.
Tony Curtis's stardom and film career declined considerably after 1960. Curtis took on the role of the Ukrainian Cossack Andrei in the historical action romance epic Taras Bulba (J. Lee Thompson, 1962) featuring Yul Bryner and also with German actress Christine Kaufmann, who became Curtis' second wife. Curtis then focused on comedies such as Sex and the Single Girl (Richard Quine, 1964), with Natalie Wood; The Great Race (Blake Edwards, 1965), with Wood and Jack Lemmon, and Boeing Boeing (John Rich, 1965) a sex farce with Jerry Lewis. His most significant dramatic part came in 1968 when he starred in the true-life drama The Boston Strangler (Richard Fleischer, 1968), which some consider his last major film role. The part reinforced his reputation as a serious actor with his chilling portrayal of serial killer Albert DeSalvo. He later starred alongside Roger Moore in the TV series The Persuaders!, with Curtis playing American millionaire Danny Wilde. The series ran twenty-four episodes. In 2008, he published his autobiography 'American Prince: A Memoir' in which he accused many people he worked with of holding anti-Semitic views. He settled in Henderson, Nevada, where he eventually died in 2010. He was 85. Tony Curtis was married six times and had six children. His wives were actress Janet Leigh (1951-1962), German actress Christine Kaufmann (1963-1968), Leslie Curtis (1968-1982), Andrea Savio (1984 - 1992), Lisa Deutsch (1993-1994), and Jill Vandenberg Curtis (1998-2019 - his death). He was the father of Jamie Lee Curtis and Kelly Curtis (with Janet Leigh), Allegra Curtis, and Alexandra Curtis (with Christine Kaufmann), Nicholas Curtis, and Benjamin Curtis (with Leslie Curtis). He became largely estranged from all six of his children. His son Nicholas Curtis, died of seizures due to an overdose of heroin in 1994. He disinherited all of his children from his will and left the bulk of his estate to his wife Jill Vandenberg Curtis, who was 46 years younger than he.
Source: James Briggs (IMDb), Wikipedia, and IMDb.
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German postcard by Ross Verlag, no. A 1898/1, 1937-1938. Photo: Paramount.
American screen legend Gary Cooper (1901-1961) is well remembered for his stoic, understated acting style in more than one hundred Westerns, comedies and dramas. He received five Oscar nominations and won twice for his roles as Alvin York in Sergeant York (1941) and as Will Kane in High Noon (1952).
Frank James Cooper was born in Helena, Montana in 1901. His parents were English immigrants, Alice Cooper-Brazier and Charles Henry Cooper, a prominent lawyer, rancher, and eventually a state supreme court judge. Frank left school in 1918 and returned to the family ranch to help raise their five hundred head of cattle and work full-time as a cowboy. In 1919, his father arranged for his son to complete his high school education at Gallatin County High School in Bozeman, Montana. His English teacher, Ida W. Davis, played an important role in encouraging him to focus on academics, join the school's debating team, and become involved in dramatics. He was in a car accident as a teenager that caused him to walk with a limp the rest of his life. In the fall of 1924, Cooper's parents moved to Los Angeles to administer the estates of two relatives. Cooper joined them and there he met some cowboys from Montana who were working as film extras and stuntmen in low-budget Western films. Cooper decided to try his hand working as a film extra for five dollars a day, and as a stuntman for twice that amount. In early 1925, Cooper began his film career working as an extra and stuntman on Poverty Row in such silent Westerns as Riders of the Purple Sage (Lynn Reynolds, 1925) with Tom Mix, and The Trail Rider (W.S. Van Dyke, 1925) with Buck Jones. Cooper paid for a screen test and hired casting director Nan Collins to work as his agent. Collins changed his first name to ‘Gary’ after her hometown of Gary, Indiana. Cooper also worked in non-Western films. He appeared as a masked Cossack in The Eagle (Clarence Brown, 1925) with Rudolph Valentino, as a Roman guard in Ben-Hur (Fred Niblo, 1925) with Ramón Novarro, and as a flood survivor in The Johnstown Flood (Irving Cummings, 1926) with George O'Brien. Gradually he began to land credited roles that offered him more screen time, such as Tricks (Bruce M. Mitchell, 1925), in which he played the film's antagonist. As a featured player, he began to attract the attention of major film studios and in June 1926, Cooper signed a contract with Samuel Goldwyn Productions. His first important film role was in The Winning of Barbara Worth (Henry King, 1926) with Ronald Colman and Vilma Bánky. The film was a major success, and critics called Cooper a "dynamic new personality" and future star. Cooper signed a five-year contract with Jesse L. Lasky at Paramount Pictures for $175 per week. In 1927, with help from established silent film star Clara Bow, Cooper landed high-profile roles opposite her in Children of Divorce (Frank Lloyd, 1927) and Wings (William A. Wellman, 1927), the first film to win an Academy Award for Best Picture. With each new film, Cooper's acting skills improved and his popularity continued to grow, especially among female movie-goers. He received a thousand fan letters per week. The studio placed him opposite popular leading ladies in films such as Beau Sabreur (John Waters, 1928) with Evelyn Brent, Half a Bride (Gregory La Cava, 1928) with Esther Ralston, and Lilac Time (George Fitzmaurice, 1928) with Colleen Moore. The latter introduced synchronized music and sound effects, and became one of the biggest box office hits of the year.
In 1929, Gary Cooper became a major film star with his first sound picture, The Virginian, (Victor Fleming, 1929). The Virginian was one of the first sound films to define the Western code of honour and helped establish many of the conventions of the Western genre. The romantic image of the tall, handsome, and shy cowboy hero that embodied male freedom, courage, and honour was created in large part by Cooper's performance in the film. Cooper transitioned naturally to the sound medium, with his deep, clear, and pleasantly drawling voice. One of the high points of Cooper's early career was his portrayal of a sullen legionnaire in Josef von Sternberg's Morocco (1930) with Marlene Dietrich in her American debut. Cooper produced one of his finest performances to that point in his career. In the Dashiell Hammett crime drama City Streets (Rouben Mamoulian, 1931) he played a misplaced cowboy in a big city who gets involved with gangsters to save the woman (Sylvia Sidney) he loves. After making ten films in two years Cooper was exhausted and had lost thirty pounds. In May 1931, he sailed to Algiers and then Italy, where he lived for the next year. During his time abroad, Cooper stayed with the Countess Dorothy di Frasso who taught him about good food and vintage wines, how to read Italian and French menus in the finest restaurants, and how to socialize among Europe's nobility and upper classes. In 1932, a healthy Cooper returned to Hollywood and negotiated a new contract with Paramount for two films per year, a salary of $4,000 per week, and director and script approval. He appeared opposite Helen Hayes in A Farewell to Arms (Frank Borzage, 1932), the first film adaptation of an Ernest Hemingway novel. Critics praised his highly intense and at times emotional performance, and the film went on to become one of the year's most commercially successful films. The following year, Cooper appeared in the Ernst Lubitsch comedy Design for Living (1933) with Miriam Hopkins and Fredric March, and based loosely on the successful Noël Coward play. Wikipedia: “The film received mixed reviews and did not do well at the box office, but Cooper's performance was singled out for its versatility and revealed his genuine ability to do light comedy”. Then, he appeared in his first of seven films by director Henry Hathaway, Now and Forever (1934), with Carole Lombard and Shirley Temple. The film was a box-office success. His next two Henry Hathaway films were the melodrama Peter Ibbetson (1935) with Ann Harding, about a man caught up in a dream world created by his love for a childhood sweetheart, and the romantic adventure The Lives of a Bengal Lancer (1935), about a daring British officer and his men who defend their stronghold at Bengal against rebellious local tribes. The latter was nominated for six Academy Awards and became one of Cooper's most popular and successful adventure films.
Gary Cooper returned to Poverty Row for the first time since his early silent film days to make Mr. Deeds Goes to Town (Frank Capra, 1936) with Jean Arthur for Columbia Pictures. Cooper plays the character of Longfellow Deeds, an innocent, sweet-natured writer of greeting cards who inherits a fortune, leaves behind his idyllic life in Vermont, and travels to New York where he faces a world of corruption and deceit. For his performance in Mr. Deeds, Cooper received his first Oscar nomination. In the adventure film The General Died at Dawn (Lewis Milestone, 1936) with Madeleine Carroll, he plays an American soldier of fortune in China who helps the peasants defend themselves against the oppression of a cruel warlord. Written by playwright Clifford Odets, the film was a critical and commercial success. In Cecil B. DeMille's sprawling frontier epic The Plainsman (1936) with Jean Arthur—his first of four films with the director—Cooper portrays Wild Bill Hickok in a highly-fictionalized version of the opening of the American western frontier. That year, Cooper appeared for the first time on the Motion Picture Herald exhibitor's poll of top ten film personalities, where he would remain for the next twenty-two years. In Ernst Lubitsch's romantic comedy Bluebeard's Eighth Wife (1938) with Claudette Colbert, Cooper plays a wealthy American businessman in France who falls in love with an impoverished aristocrat's daughter and persuades her to become his eighth wife. In the adventure film Beau Geste (William A. Wellman, 1939) with Ray Milland, he joined the French Foreign Legion to find adventure in the Sahara fighting local tribes. Wikipedia: “Beau Geste provided Cooper with magnificent sets, exotic settings, high-spirited action, and a role tailored to his personality and screen persona.” Cooper cemented his cowboy credentials in The Westerner (William Wyler, 1940). He won his first Academy Award for Best Actor in 1942 for his performance as Alvin York, the most decorated U.S. soldier from the Great War, in Sergeant York (Howard Hawks, 1941). Cooper worked with Ingrid Bergman in For Whom the Bell Tolls (Sam Wood, 1943) which earned him his third Oscar nomination. The film was based on a novel by Ernest Hemingway, with whom Cooper developed a strong friendship. On 23 October 1947, he appeared before the House Un-American Activities Committee in Washington, not under subpoena but responding to an invitation to give testimony on the alleged infiltration of Hollywood by communists. Although he never said he regretted having been a friendly witness, as an independent producer, he hired blacklisted actors and technicians. He did say he had never wanted to see anyone lose the right to work, regardless of what he had done. Cooper won his second Oscar for his performance as Marshal Will Kane in High Noon (Fred Zinnemann, 1952), one of his finest roles and a kind of come-back after a series of flops. He continued to play the lead in films almost to the end of his life. His later box office hits included the influential Western Vera Cruz (Robert Aldrich, 1954) in which he guns down villain Burt Lancaster in a showdown, William Wyler's Friendly Persuasion (1956), in which he portrays a Quaker farmer during the American Civil War, Billy Wilder's Love in the Afternoon (1957) with Audrey Hepburn, and the hard-edged action Western Man of the West (Anthony Mann, 1958), with Lee J. Cobb. Cooper's final film was the British-American co-production The Naked Edge (Michael Anderson, 1961). In April 1960, Cooper underwent surgery for prostate cancer after it had metastasized to his colon. But by the end of the year the cancer had spread to his lungs and bones. On 13 May 1961, six days after his sixtieth birthday, Gary Cooper died. The young and handsome Cooper had affairs with Clara Bow, Lupe Velez, Marlene Dietrich and Tallulah Bankhead. In 1933, he married socialite Veronica Balfe, who, billed as Sandra Shaw, enjoyed a short-lived acting career. They had an ‘open’ marriage and Cooper also had relationships with the actresses Grace Kelly, Anita Ekberg, and Patricia Neal. Sir Cecil Beaton also claimed to have had an affair with him.
Sources: Wikipedia and IMDb.
Jon "Canis Arms Corporation" Walden and I got nominated (and ultimately lost) Best Mecha for this year. (Again)
Nomination of Best Album Packge of Golden Melody Awards 2010
Collected in APD (Asia Pacific Design) Annual Book 2010.
Wow! Hey I can't believe I was even nominated... It is truly a Susan Lucci moment!
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What I Saw and Heard
The photo above is of live video on the NBC television network, of Sen. John McCain's acceptance speech for the Grand Old Party or Republican Party's nomination for President of the United States, September 4, 2008. The video was pooled and common to all networks in the United States and internationally. Cameras showing the speech were not controlled by any one network.
The protester shown above was from Iraq Veterans Against The War. He was shown four times in the video feed. Later he shouted and could be heard over McCain's speech, twice.
This is the first Google result for the phrase "McCain Votes Against Vets" and it is from the organization called Veterans For Common Sense.
This was one of two pro-peace or anti-war protests inside the convention hall during McCain's acceptance speech.
Later during the same speech, multiple women protesters from Code Pink Women For Peace twice interrupted McCain. Code Pink protesters were shown five times on the pooled, live video of the speech, before they were forcibly removed from the hall. Their forcible removal was also shown.
Why does it matter?
The Iraq War is a critical factor in a presidential election between one Senator who did not support the war -- Barack Obama -- and one Senator who did support the war -- John McCain. Obama still opposes the war and has promised to end it, while McCain still supports the war and has promised to keep U.S. troops in Iraq.
In January 2008, McCain was asked about his promise to keep U.S. troops in Iraq:
Questioner: President Bush has talked about our staying in Iraq for fifty years…
McCain: Maybe a hundred. Make it one hundred.
The Iraq War is the most controversial expense of American money and loss of American lives in recent history. More Americans have died in the Iraq War than who died in the terrorist attacks of 9/11/2001, which precipitated the war, despite that it has since been proven Iraq had no connection to the 9/11 attacks.
Other threshold numbers: more than 100,000 Iraqis have been killed in the war and some United Nations estimates are over 1 million Iraqis, more than $1 trillion American dollars have been spent in Iraq, and still now, more than $10 billion American dollars are spent every month in Iraq. It could be said on these numbers that there is no more consequential issue in this presidential election.
There were protests during McCain's speech because McCain is a U.S. Senator who voted in favor of starting the war. McCain still supports the war and supports his original decision to start the war. The protests during this speech are similar to protests which occur during many McCain speeches -- they are an attempt to hold him personally responsible for his decision to start, support, and continue the war.
Sen. Obama made speeches publicly stating his opposition to the war before it was started, at a time when his position was not popular in the United States. Obama has since stated his opposition to continuing the war, and he has promised to end the war if elected President.
Today, most Americans want to end the Iraq War. Contrary to public opinion before the war, most Americans agree Obama was correct to oppose the war from the beginning.
For more on why this matters, see the description and comments below.
NBC Hides Protests Inside McCain Acceptance Speech
NBC's early written accounts of the speech did not mention the protests -- to a non-viewing reader, it would be as if the protests did not occur.
NBC later mentioned there were protests but did not say why, that is, they did not say the protests were anti-war or pro-peace. NBC still now does not name the protesting organizations: Iraq Veterans Against The War, Veterans For Common Sense, or Code Pink Women For Peace.
When NBC first updated their text to mention protests, they misrepresented the plain facts by stating that there was a single protester. In fact there were several protesters from more than one organization, in more than one protest.
The NBC account, after the speech and in both the 8:20 EST and 8:58 EST versions on September 4, 2008, read:
"In an address at the party’s national convention in St. Paul, Minn. — briefly interrupted when a protester was hustled out of the hall as delegates chanted “U.S.A., U.S.A.” — McCain promised to “reach out my hand to anyone to help me.”
“Americans want us to stop yelling at each other,” McCain ad-libbed as he called for delegates to ignore the disruption. "
-- Alex Johnson, Reporter with MSNBC, at http://www.msnbc.msn.com/id/26543568/
UPDATE, 9:01 EST September 4, 2008:
NBC edited their text for the fifth time (that I noted, there may have been more updates). During previous edits, the above text was unchanged. At 9:01 EST, the text changed to read:
"briefly interrupted when three yelling anti-war protesters were hustled out of the hall."
The facts still remain otherwise and more: there were more than three protesters, from more than one organization and in more than one protest. There were more than a half dozen appearances in the live video feed. NBC still refuses to name the organizations.
The final update of NBC's article, at 12:01 AM EST 9/5/2008 did not address the above concerns. In addition to Alex Johnson with MSNBC, NBC News’ Mike Memoli in Virginia Beach, Va., Amna Nawaz in Washington and Aram Roston in Anchorage, Alaska; Tom Curry of msnbc.com; and John Croman of NBC affiliate KARE in Minneapolis contributed to this report.
CNN Refuses To Report That Protests Were Anti-War
CNN's Candy Crowley, CNN's Dana Bash, and CNN's Ed Henry did not report the protests in a full article, rather they reported the protests in a post on a political blog, "CNN Political Ticker." In their reporting, CNN added to the story that Republicans knew in advance there might be a protest during the speech. Republicans planned in advance to respond by chanting "U.S.A." to overwhelm a protest if it occurred.
Although CNN reported that there were protests, CNN did not report why the protests occurred, nor did they interview the protestors, nor did they mention the organizations behind the protests. CNN reported:
On at least three occasions during the early part of his speech, members of the audience began chanting "U.S.A." in response to protesters, who were then escorted out of the hall.
In one such case, McCain weighed in telling the crowd not to be distracted “by the static…Americans want us to stop yelling at each other.”
The reporters, CNN's Candy Crowley, CNN's Dana Bash, and CNN's Ed Henry, have been contacted since. They have refused to update their post to report that the protests were anti-war or pro-peace, and they refuse to name the organizations behind the protests.
The CNN Political Ticker blog post has been open to comments from readers. CNN readers have shown more light on the full truth.
See the blog post itself for more comments, but I would like to quote the first comment:
September 4th, 2008 10:57 pm ET
Wonder what they would've chanted when the protesters were throwing tea into Boston Harbor.
Sometimes, protest is the most precious act of patriotism.
That was from a reader only named "David." Thank you, David.
CNN's blog post is entitled "'U.S.A.' chant is code to drown out protesters" and it's at:
politicalticker.blogs.cnn.com/2008/09/04/usa-chant-is-cod...